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By Crom, It’s Cimmerian September: A Plethora of Pastiches! In 2 Paragraphs Each

By Crom, It’s Cimmerian September: A Plethora of Pastiches! In 2 Paragraphs Each

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And we are wrapping up Cimmerian September. Which I think will be an annul thing here at Black Gate. Maybe I’ll do a broader Robert E. Howard month around his birth (January) or death (June). But it’s more Conan this week.

If you’re a regular here, you know that I post almost exclusively positive stuff. You can go anywhere on social media for negative stuff. I like to share things I like – with people who wanna comment on it sometimes. It’s cool.

A notable exception is that festering pile of garbage that was Max Landi’s Dirk Gently TV series. Sometimes you gotta call a spade a spade.

I’m gonna give some thoughts on twenty different Conan pastiches from over the years. And some aren’t good. So, not all happy stuff here. But I think a legitimate opinion is worthwhile. Even mine…

Not ranking them, but listing them in alphabetical order by author. I’ll give some info on the story in the first paragraph, and a very short review in the second. I’ve done in-depth reviews here at Black Gate. These are just light looks at a bunch of Conan stories, to put them on your radar. Hopefully, you’ll find this post useful.

There are others I haven’t read at all,

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The Battleborn Interview: Part Two

The Battleborn Interview: Part Two

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Having beaten back the kobolds (see Part One of this interview, here at Black Gate), Sean CW Korsgaard sat down again to talk Sword & Sorcery, and his editorial vision for Battleborn, his upcoming magazine.

With your editor hat firmly on, what’s something you nearly always respond to positively? Heroic animal companions? A romantic sub-plot? A surfeit of halberds? 

Given Battleborn‘s approach to sword-and-sorcery, it should surprise nobody that memorable characters and authentic, hard-hitting action scenes are right above home plate for me.

For characters, you follow in the traditions of heroes like Conan, Fafhrd and the Grey Mouser, Elric, Kane, Hanuvar, and more. So, even as you plot out your story, every detail you give your lead character matters. Are they distinctive in your mind’s eye? Do they have a few details that make them stand out, not only in the story, but as they stand beside a century of sword-and-sorcery heroes? Do you have an arc for them planned? Do you have some ideas for sequel stories where we follow that arc?

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By Crom, It’s Cimmerian September: Arthurian Elements In the Conan Canon – Part II

By Crom, It’s Cimmerian September: Arthurian Elements In the Conan Canon – Part II

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It’s installment three of Cimmerian September, and I’m going back to Spring of 2018 for today’s post. But it’s not a reprint (Hey: I think people should read last week’s essay on “Rogues in the House”!

I took a fantasy template developed by John Teehan, citing Arthurian elements to be found in almost any fantasy work. Well, at least one element can be, anyways. I applied the principles to the first four Conan stories: “Phoenix on the Sword,” “Frost Giant’s Daughter,” “The God in the Bowl,” and “The Tower of the Elephant.” You can click on this link to see that three of the four scored pretty low.

Well, we’re gonna look at the next three Conan stories: “The Scarlet Citadel,” Queen of the Black Coast,” Black Colossus,” and Iron Shadows in the Moon.”

So, let’s see how the stories shape up.

John Teehan, in The Complete Guide to Writing Fantasy: Volume One, challenges the reader to think of their favorite contemporary fantasy novels. And we’re talking Tolkien-onwards here, not just the past few years. Then he gives a list and says it would be difficult to think of a book that didn’t have any of the five themes on the list. He is making the point that the Arthurian legend, largely brought to popular culture by Thomas Malory, was an interweaving of those five themes. High fantasy epics like David Eddings’ Belgariad still follow this path.

I immediately thought about Robert E. Howard’s Conan tales and how they didn’t really emulate this pattern. Or so it seemed to me. My friend Deuce Richardson immediately pointed out two stories that did significantly incorporate these elements. So, I decided to start at the beginning and take a good look at “The Phoenix on the Sword”: then, do a less detailed survey of the following stories.

This time around, we’ll give “The Scarlet Citadel extra attention, then move on to the other two.

So, here we go!

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By Crom, It’s Cimmerian September: Rogues in the House

By Crom, It’s Cimmerian September: Rogues in the House

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We’re rolling through Cimmerian September here at Black Gate. Well, on Monday mornings we sure are! I was fortunate enough to be asked to do some Youtube panels for the Robert E. Howard Foundation folks this month. And we had a great time talking about the first Del Rey Conan volume – The Coming of Conan – in the first one.

I got to give my thoughts on “Rogues in the House,” which was my Hither Came Conan title. That had been a mid-level Conan story for me. But it moved up the ranks after I finished my essay project. So, with some tweaks, here’s my take on a pretty cool story. And HOW was this six years ago??

When I was pitching this series to folks, I was using the title, The Best of Conan. I didn’t come up with Hither Came Conan for about eight months, I think. Yeah, I know… The idea behind the series came from an essay in my first (and so far, only) Nero Wolfe Newsletter. The plan for 3 Good Reasons is to look at a story and list three reasons why it’s the ‘best’ Wolfe story. And I toss in one ‘bad’ reason why it’s not. And finish it off with some quotes.

So, I’m going to take a somewhat different tack from those who have come before me (I doubt I could have measured up, anyways) and pick out two elements that make this story one of Howard’s best accounts of the mighty-thewed Cimmerian. Then, throw a curveball from the Wolfe approach and highlight a few items worthy of note.

OUR STORY

Obviously, you need to read this story, but here’s a Cliff’s Notes version: Nabonidus, the Red Priest, is the real power in this unnamed Corinthian city. He gives a golden cask to Murilo, a young aristocrat. And inside the cask is a human ear (remind you of Sherlock Holmes? It should.). We learn a little later on that Murillo has been selling state secrets, and the ear is from a clerk he had dealings with. The jig is up!

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By Crom, it’s Cimmerian September: Roy Thomas & “Out of the Deep”

By Crom, it’s Cimmerian September: Roy Thomas & “Out of the Deep”

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Cimmerian September (nod to Michael K. Vaughan for coining that) continues here at A (Black) Gat in the Hand. Spooky season is right around the corner, so let’s combine a little horror with our Conan (albeit, of the Marvel variety). I have been reading Savage Sword of Conan lately. But earlier this year, I finished my reading of the first 115 issues of Conan the Barbarian. Those comprised Roy Thomas’ first run of the series, as he left Marvel. I wrote previously about how he brought Conan to Marvel.

He adapted several non-Conan stories, such as “The Marchers of Valhalla,” The Lost Valley of Iskander,” and “Black Canaan,” among many others.

“Sea Curse” appeared in the May, 1928 issue of Weird Tales. It recounted the death of a young girl and an ensuing curse, in the small coastal village of Faring. That same year, he also wrote another tale set in Faring, but it was rejected by both Weird Tales, and Ghost Story. There was also a short poem called The Legend of Faring Town, which first appeared in 1975.

That second story, “Out of the Deep,” finally found print in the November, 1967 issue of Magazine of Horror. Whereas “Sea Curse” is a tale of revenge, this one is a sea monster story. And the reason I chose this of the two is because Roy Thomas adapted it for Conan the Barbarian.

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A (Black) Gat in the Hand: More Weird Menace: Robert E. Howard’s Conrad and Kirowan

A (Black) Gat in the Hand: More Weird Menace: Robert E. Howard’s Conrad and Kirowan

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“You’re the second guy I’ve met within hours who seems to think a gat in the hand means a world by the tail.”

– Phillip Marlowe in Raymond Chandler’s The Big Sleep

So basically, I don’t do horror. Robert E. Howard is my second-favorite writer in any genre (trailing only John D. MacDonald), and I’m not really even that into his horror stuff. “Pigeons from Hell” is considered one of his best stories, but I don’t really like it. Other than a few exceptions, like the terrific Robert R. McCammon, and F. Paul Wilson, horror doesn’t work for me (no, I don’t really care for Lovecraft, either, though I’m well-versed thanks to those old Del Rey paperbacks).

But I do like several stories which are in Del Rey’s The Horror Stories of Robert E. Howard, such as Solomon Kane’s “Rattle of Bones.” There’s an upcoming post on “Out of the Deep,” and we are about to talk about his Conrad and Kirowan tales, which are part of the Cthulhu Mythos.

SPOILER WARNING – Look…the story I’m about to discuss is eighty-one years old. And it’s readily available. If you read my stuff here, you know I try to minimize spoilers. But you’ve had a lot of opportunities to read Robert E Howard. You have been warned.

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A (Black) Gat in the Hand: Kirby O’Donnell and The Bloodstained God (REH)

A (Black) Gat in the Hand: Kirby O’Donnell and The Bloodstained God (REH)

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“You’re the second guy I’ve met within hours who seems to think a gat in the hand means a world by the tail.” – Phillip Marlowe in Raymond Chandler’s The Big Sleep

 

It can’t be a Summer of Pulp without some Robert E. Howard now, can it? Heck no!!! The looong shadow cast by my buddy Dave Hardy, with his two terrific essays on El Borak, still prevents me from tackling ‘The Swift.’

However, I am comfortable continuing to blaze my own trail regarding the similar, but different, Kirby O’Donnell.

I wrote about “Gold from Tartary,” and “Swords of Shahrazar,” in prior summers. Which just leaves the third, long-unpublished, “The Trail of the Bloodstained God.” Now having tackled this one, I’m sure there’s a Steve Clarney post (“The Fire of Asshurbanipal”) somewhere down the road.

In my first two essays, I explained how the second O’Donnell story, “Swords of Shahrazar,” found print first, in the October, 1934 issue of Top-Notch magazine. It was a direct sequel to “Gold from Tartary,” which appeared four months later in the January, 1935 issue of Thrilling Adventures. It’s quite likely that many people did not read “Swords,” then “Gold” shortly thereafter. But it certainly would seem odd to do so.

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What I’ve Been Reading: June 2025

What I’ve Been Reading: June 2025

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Last week, I talked about the most recent audiobooks I’ve been listening to. After enjoying the Egil & Nix short story, two more Thieves World books, and finishing The Black Company again, I wanted more S&S. I have a Kothar book, but it’s an AI voice. Meh. So, I am listening to volume one of the Elric saga. Which I have read many times. Man – those stories are still terrific.

I’ve been watching a lot of movies and shows lately, so that’s probably gonna be a post soon. And I’ve been working on Fortnite levels. But I have also been sitting down with some books when I can. So away we go.

SEA OF GREED– Clive Cussler and Graham Brown

I used to stay up into the wee hours, devouring Clive Cussler and Robert Ludlum books. THOSE were page turners. Cussler ‘handed off’ his various series’ and seemed to be a franchise manager, rather than a writer. But they were still good (with one exception). Then he passed, so the lines are definitely just the work of the current authors.

I never did the Tom Clancy technical stuff, but I really like The Oregon Files. And I’m okay with Isaac Bell, though after the first one, I liked the concept more than the actual books. I’ve barely tried the Fargo series – meh. And I quit reading Dirk Pitt because Cussler gave it to his son (named Dirk) and he’s a bad writer. I read the first two and quit. Life’s too short to read bad books written through nepotism (Anne Hillerman is the poster child for this).

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What I’ve Been Listening To: June, 2025

What I’ve Been Listening To: June, 2025

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I continue to listen to audiobooks daily. I frequently drift off to sleep with a fifteen minute timer on. The BBC radio plays of the two Dirk Gently novels are regular late night listens. So is the terrific Marx Brothers homage, Flywheel, Shyster, and Flywheel. It was originally done by the Marxes themselves. BBC radio made a new version in 1990 and I frigging LOVE it.

Since I often have an audiobook on while I’m doing other things, I re-listen to things; or listen to books I’ve already read. It works great for me. I get some through my library app, but I mostly use Audible.

Here are some recent listens.

LEE GOLDBERG’S EVE RONIN

In the most recent What I’ve Been Listening To, I talked about Goldberg’s ‘buddy cop’ series featuring Sharpe & Walker. They are arson investigators in LA, and book one was pretty good. I just got the audiobook for number two, and I’m thrilled it crosses over with Lee’s Eve Ronin series. Even more thrilled that Nicol Zanzarella is doing Eve again – she’s terrific!!

The books are part of Kindle Unlimited, and number six is coming out later this year. I re-listened to all five in less than a week. Eve and her partner Duncan are a terrific buddy cop pair. Eve rose to fame when she was off duty and subdued a drunken action movie star who was smacking around his girlfriend in a parking lot. The video went viral on the Net and she parlayed it into a big promotion.

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By Crom: It’s Conan…I Mean, Starr the Slayer!

By Crom: It’s Conan…I Mean, Starr the Slayer!

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Having finished the first 100 issues of Marvel’s Conan the Barbarian, I did a post last week on Roy Thomas’s memoirs and that series. Which OF COURSE you read, here.

I started reading the first Savage Sword of Conan Omnibus from Marvel, but I’m still in a CtB mood. So, I decided to write another post about it. Sort of…

The first issue of Conan the Barbarian actually followed the sandalled feet of Starr the Slayer.

Just for fun, Roy Thomas had written a sword and sorcery story, and he had Barry (not yet ‘Windsor’) Smith draw it. Starr the Slayer was a very Conan-esque barbarian. In the story, he was the creation of Len Carson (named after Conan pastiche writer, Lin Carter), who dreamed his plots. But mentally exhausted from this, Carson wanted to kill off his meal ticket. Starr somehow travels to Carson’s time and kills the writer for attempting to dispose of him. Uh, okay, sure.

Starr appeared in the fourth issue of the Marvel anthology, Chamber of Darkness, hitting newsstands in April of 1970 (CtB debuted in October of the same year). Smith both penciled and inked the entire installment for Starr, from Thomas’ story.

Thomas did not intend for it to be an ongoing character, though it seems entirely conceivable that if Marvel had followed form and developed their own in-house character (giving them all the rights), instead of licensing one, Starr could well have been Marvel’s sword-swinger.

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