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Forgotten Authors: Carl Selwyn

Forgotten Authors: Carl Selwyn

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Carl Selwyn

Carl Selwyn Pugh, Jr. was born on December 12, 1918 on Roanoke Island, North Carolina to Carl Selwyn Pugh and Amelia (née Myatt). He was the first of two sons.

He attended the University of North Carolina where he edited the college humor magazine. After college, he moved to New York where he attempted to sell jokes to humor magazines, achieved a small amount of success, but not enough to sustain himself.

During World War II, he served as a lieutenant in the Signal Corps and after the war he worked as a scenario writer at the Signal Corps Photographic Center in Astoria, writing military training films.

His science fiction, published using the name Carl Selwyn, appeared during and immediately after World War II, with his first story, “The Strange Death of Richard Sefton,” being published in the January 1940 issue of Amazing Stories. his next story, “Revolt on the Earth-Star” was his debut in Planet Stories, where most of his fiction appeared.

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Richard Stark’s Parker, Part 6: The Man with the Getaway Face

Richard Stark’s Parker, Part 6: The Man with the Getaway Face

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The second Parker novel: The Man With the Getaway Face (Pocket Books, 1963)

What is it?

Parker has gone to a lot of trouble and expense to get a new face. Now he has to fight to keep his identity hidden, while also planning and executing an armored car heist.

A treacherous waitress and a punch-drunk former boxer complicate those matters tremendously.

This is Volume 2 of Richard Stark’s “Parker” series of crime novels. It is also the second part of the unofficial Outfit Trilogy, the first three books in the series, in which Parker goes up against an organized crime syndicate.

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Into the Weird: Weird Tales, April 1923 (Volume 1, Number 2) Part 2

Into the Weird: Weird Tales, April 1923 (Volume 1, Number 2) Part 2

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Weird Tales, April 1923

The table of contents of the second issue of Weird Tales advertises “Sixteen thrilling short stories / Two complete novelettes / Two two-part stories / Interesting, odd, and weird happenings.” More specifically, one of the two-part stories, the cover story, begins this month while the other concludes. As for the “interesting, odd, and weird happenings,” I wrote about them here, so now let’s get to the fiction. (Note that discussion of one of these stories necessitates quoting an ethnic slur, directed against the French, of all people.)

The first of the tales on offer in this issue is one of the novelettes, “The Scar,” by Carl Ramus (whose surname’s misspelled in the table of contents as ‘Rasmus’). It’s the only known published story by Ramus, though his sister Sybla was a writer whose work would later appear in Weird Tales. Carl Ramus had a day job as a doctor, and as it happens “The Scar” is a tale of a dashing young doctor pulled into a kidnapping plot. It’s not a terrible story, but it’s a surprising choice to lead off the issue as there’s little supernatural about it — the heroine claims to be able to bring on a fever by willing it and the hero believes he has a knack for hypnotism — and nothing I can see as ‘weird’ in any other sense. If the magazine’s still in the process of defining itself, then editor Edwin Baird has a different sense of where he intends it to go than we might expect from our later perspective.

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Forgotten Authors: Dave Dryfoos

Forgotten Authors: Dave Dryfoos

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Fantastic Adventures, October 1950, cover by Robert Gibson Jones

Dave Dryfoos was born on March 29, 1915 in San Francisco, California to Jesse and Beatrice (née Goodman) Dryfoos. He attended Lowell High School and attained the rank of Eagle Scott before attending the University of California at Berkeley.  He earned a law degree from the University of California’s Hastings School of Law before being admitted to the bar in 1936.

In 1942, Dryfoos married Dorothea Gallatin and shortly afterwards was drafted into the Army, serving in Australia, New Guinea, and the Philippines during World War II before being mustered out in 1946 as a staff sergeant. He returned to Benicia California after the war.

Dryfoos published his first short story in the October 1950 issue of Fantastic Adventures: “Lest Ye Be Judged…” Over the next six years, he published twenty-one additional short stories, including “Some Like It Cold,” “The Old-Fashioned Spaceman,” and “Younger by the Minute.” His work appeared in Galaxy, Startling Stories, Thrilling Wonder Stories, The Magazine of Fantasy and Science Fiction, as well as several other magazines. He stopped published in 1955 with “Seller of the Sky,” which appeared in the February issue of If.

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A (Black Gat in the Hand: Ballard’s Bill Lennox in Hollywood (my intro)

A (Black Gat in the Hand: Ballard’s Bill Lennox in Hollywood (my intro)

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“You’re the second guy I’ve met within hours who seems to think a gat in the hand means a world by the tail.” – Phillip Marlowe in Raymond Chandler’s The Big Sleep

(Gat — Prohibition Era term for a gun. Shortened version of Gatling Gun)

Pulp Fest took place in Pittsburgh first week of the month. It’s a really cool event, and the Hilton Doubletree is a nice site. Steeger Books rolls out its Summer line at this event. Last week I shared the latest intro I wrote for Hammett’s Continental Op series; which is up to four volumes. This week, it’s my other new Steeger release. I’m a big fan of W.T. Ballard’s Hollywood studios troubleshooter, Bill Lennox. He’s a neat take on the hardboiled PI. 

Lennox was featured in short stories and novels, and I wrote the intro for Volume 2.

Willis T. Ballard’s middle name is ‘Todhunter.’ While that is certainly a rare one, it is also the middle name of his cousin, Rex Stout, who created the hugely popular Nero Wolfe. Apparently Todhunter is a good name if you want to become a successful writer.

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Weird Times 3: Fashion

Weird Times 3: Fashion

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Fashions of the week in March of 1923.

This post is the third in a series reflecting on the world of 1923, and the 1920s generally, as a background to early issues of Weird Tales. Imagine that you’re an American in 1923, and you’re taking a walk to the newsstand to buy the first issue of a new pulp fiction magazine. What sort of things will you see?

Walk down a city street and you’ll observe other people around you, meaning you’ll see the fashions of the time. Any given era has its characteristic clothes and hairstyles, and the nineteen-twenties are no exception. Interesting to me personally are the reasons behind the adoption of specific fashions, and what they have to say about the way the world is changing. I’m writing these background posts as though one aspect of the 1920s can be divided from the others, but the truth is that then as now everything’s mashed together. Fashion’s affected by technology and politics, by ideas about formality and ideas about sexuality; and it can create images that will, for later years, define its moment.

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Forgotten Authors: Edwin K. Sloat

Forgotten Authors: Edwin K. Sloat

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Edwin K. Sloat

Edwin K. Sloat was born on March 1, 1895 in Denmark, Iowa.

The attended State Normal College in Edmond, Oklahoma (now University of Central Oklahoma), graduating in 1916. Following his graduation, he worked as a newspaperman, an employee of the post office, and as a band leader during World War I, in which he was a Musician 1st Class Petty Officer.

After the war, he married Corinne Evelyn Lake in 1922 and they had two sons, Jerry and Donald.

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A (Black) Gat in the Hand: Hammett & The Continental Op – Volume 4 (My intro)

A (Black) Gat in the Hand: Hammett & The Continental Op – Volume 4 (My intro)

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“You’re the second guy I’ve met within hours who seems to think a gat in the hand means a world by the tail.” – Phillip Marlowe in Raymond Chandler’s The Big Sleep

(Gat — Prohibition Era term for a gun. Shortened version of Gatling Gun)

Pulp Fest takes place in Pittsburgh first week of the month. It’s a really cool event, and the Hilton Doubletree is a nice site. Steeger Books rolls out its summer line at this event. And for the fourth year in a row, there was a new Continental Op collection, with a brand new intro by yours truly. Getting to write about Dashiell Hammett remains a definite thrill. This volume contains the first great hardboiled novel, Red Harvest. 

Unable to make a living writing for Phil Cody, Dashiell Hammett quit Black Mask – and the Pulps, entirely – after “The Creeping Siamese,” which appeared in the March 1926 issue. It was also the last story in Volume Three of this series.

Hammett had written some top-tier stories, such as “The Girl with the Silver Eyes,” and “The House in Turk Street.” But he was not yet THE Dashiell Hammett when he took a full-time job as advertising manager for Albert S. Samuels Co. Jewelers, in March of 1926. Hammett worked, drank, got a second apartment as a writing studio, and romanced the office secretary; all while his second child was being born. The stress was too much for his war-damaged lungs and he collapsed, coughing up blood. Unable to work full-time, he did free-lance advertising writing. He simply did not want to write fiction again. Enter Joseph ‘Cap’ Shaw.

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Into the Weird: Weird Tales, April 1923 (Volume 1, Number 2) Part 1

Into the Weird: Weird Tales, April 1923 (Volume 1, Number 2) Part 1

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Weird Tales, April 1923, front and back covers

The second issue of Weird Tales, on sale from March of 1923 through to April, looked much like the first: a pulp magazine roughly 6 and a half inches by 9 and a half, with 192 pages. The April issue was .75 of an inch shorter and half an inch narrower. The black-white-and-red cover was more striking than the previous issue’s, with the main image contained in a thick red frame, and the date and price more easily visible under the title. There was a new and smoother-looking logo. Unlike the first issue, this cover didn’t share a format with that month’s issue of Weird Tales’ older sister publication Detective Tales. Although to phrase it that way may be misleading; John Locke, in The Thing’s Incredible! The Secret Origins of Weird Tales, argues that what is referred to as the April/May 1923 issue of Detective Tales was actually an issue that came out in May which the publisher retroactively dated as a bimonthly issue, and if that’s so then there was no Detective Tales issue in April for the second issue of Weird Tales to parallel.

Either way, the cover’s about all you might hope for from a magazine called Weird Tales. Mysterious gigantic eyes stare out of darkness, while from just below them pink rays shoot out to strike a man who screams and throws out his hands. It’s not terribly sophisticated — background details are nonexistent or lost in the ink wash, and you can’t help but wonder if the mysterious creature in shadows is firing rays from its nostrils. But it is an image that tells you things supernatural and horrific lurk within these pages.

This post will take a look at the physical and editorial package of the second issue of Weird Tales, with an eye to tracking the magazine’s evolution. It’ll run long, because I’ve included numerous extracts from pulp magazine editorials — mostly for the sake of making an argument about how Weird Tales was positioning itself in its marketplace, but partly, I have to admit, for historical interest and potential amusement value.

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Into the Weird: Weird Times 2 — Cars, Roads, and Travel

Into the Weird: Weird Times 2 — Cars, Roads, and Travel

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A 1923 Ford Model T

This post is the second in a series reflecting on the world of 1923 as a background to early issues of Weird Tales. Imagine that you’re an American in February of 1923, and you’re taking a walk to the newsstand to buy the first issue of a new pulp fiction magazine. What sort of things will you see?

Probably the first thing you’ll notice as you set out into the street is the street itself, and its contents. The motor car has begun to change urban life. Since Ford introduced the Model T fifteen years ago the price has steadily dropped; there were almost 11 million registered passenger automobiles in the United States by the end of 1922, and will be just shy of 13.5 million by the end of 1923. Cars are registered, incidentally, and license plates have been required since 1918, but most states do not issue driver’s licenses; half the states will require licenses by 1930, and as late as 1935 only 39 states will mandate licenses and not many of those will require passing a test. In 1923 Model Ts are still the most common make of car, though competing models are about to cut into its sales. Famously, you can get a Model T in any colour, so long as it’s black; Ford used to offer a range of colours, but in 1914 streamlined production by cutting back to a particular type of black paint that was cheap and fast-drying. Model Ts do not at this time have shock absorbers, windshield wipers, rear view mirrors, bumpers, or an instrument panel for a speedometer (not a standard feature) or gas gauge.

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