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Richard Stark’s Parker, Part 8: The Mourner

Richard Stark’s Parker, Part 8: The Mourner

The Mourner by Richard Stark (Pocket Books, 1963)

What is it?

Volume 4 of Richard Stark’s Parker series of crime novels. It is also the first book in the series in which Parker goes on an entirely new heist, unrelated to the previous books. There is, however, a connection back to Bett Harrow, one of the supporting characters in the third book.

What that means is, we now have proof of concept. Parker doesn’t only work in one big, multi-part revenge story, as with the first three books. He’s also great in a more episodic sort of format where he finds a job, puts together a team and goes on a mission. This will remain the pattern for most of the succeeding novels.

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Richard Stark’s Parker, Part 7: The Outfit

Richard Stark’s Parker, Part 7: The Outfit


The third Parker novel: The Outfit (Pocket Books, 1967)

What is it?

Volume 3 of Richard Stark’s Parker series of crime novels. It is also the third part of the unofficial Outfit Trilogy, the first three books in the series, in which Parker goes up against an organized crime syndicate.

Quick and Dirty Summary

After surviving an assassination attempt by a killer hired by the Outfit, Parker decides it’s time to settle matters with organized crime once and for all.

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Richard Stark’s Parker, Part 6: The Man with the Getaway Face

Richard Stark’s Parker, Part 6: The Man with the Getaway Face


The second Parker novel: The Man With the Getaway Face (Pocket Books, 1963)

What is it?

Parker has gone to a lot of trouble and expense to get a new face. Now he has to fight to keep his identity hidden, while also planning and executing an armored car heist.

A treacherous waitress and a punch-drunk former boxer complicate those matters tremendously.

This is Volume 2 of Richard Stark’s “Parker” series of crime novels. It is also the second part of the unofficial Outfit Trilogy, the first three books in the series, in which Parker goes up against an organized crime syndicate.

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Richard Stark’s Parker, Part 5: Payback

Richard Stark’s Parker, Part 5: Payback

Payback: Straight Up Director’s Cut (Paramount direct-to-home-video, 2006)

Payback: Theatrical Cut and Straight Up (The Director’s Cut)

1999 theatrical release; recut, direct-to-home-video DVD in 2006. Written by Brian Helgeland (with Terry Hayes) and directed by Brian Helgeland (with Paul Abascal).

What is it?

Brian Helgeland (A Knight’s Tale; Man on Fire; the script for LA Confidential) wrote and directed this adaptation of The Hunter, the first novel in the Parker series, starring Mel Gibson.

As the film was nearing completion, test audiences reportedly reacted poorly to the ending. And yeah, it’s pretty dark and violent and certainly not the triumphant conclusion many Gibson fans were probably expecting. Consequently, Gibson and the studio removed Helgeland from the film. They brought in Terry Hayes to rewrite the ending and added Kris Kristofferson as a new “final boss” villain.

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Richard Stark’s Parker, Part 4: The Hunter

Richard Stark’s Parker, Part 4: The Hunter


Parker’s first appearance: The Hunter (Pocket Books, 1962)

What is it?

Parker begins!

He’s angry. He’s determined. He’s out for blood. And he’s got big hands!

He’s walking across the George Washington Bridge into New York, scaring motorists who glimpse him out the window as they drive by.

Later he will decide he wants the money that was taken from him. At the moment, however, he just wants revenge.

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Richard Stark’s Parker, Part 3: Why Can’t Anyone (Except Darwyn Cooke) Get Him Right?

Richard Stark’s Parker, Part 3: Why Can’t Anyone (Except Darwyn Cooke) Get Him Right?

Payback (Paramount Pictures, February 5, 1999)

In the first two installments of this series, we looked at the master criminal known as Parker, and at his creator, Richard Stark, the pseudonym Donald E. Westlake used when writing spare and stark but hard-hitting prose.

Now let’s look at some of the many attempts to bring Parker to a wider audience.

The novels are extremely popular with a segment of the population, and so studios and directors have come calling from time to time, with attempts to adapt the character and his stories to film.

But they never quite get Parker right.

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Richard Stark’s Parker, Part 2: Parker the Barbarian!

Richard Stark’s Parker, Part 2: Parker the Barbarian!

Richard Stark’s Parker by Darwyn Cooke

Last time we discussed the character of Parker, Donald E. Westlake’s master thief and heist planner.

This time, we’ll look at why we’re talking about Parker at all, here in the hallowed spaces of this fine magazine.

Parker might seem like an odd fit. Allow me, however, to draw some parallels that will help to illustrate how and why the master criminal Parker fits in with classic sword and sorcery characters like Conan the Barbarian. For these two gentlemen have far more in common than one might guess.

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Richard Stark’s Parker, Part 1: The Master Criminal

Richard Stark’s Parker, Part 1: The Master Criminal

All 16 original series Parker Novels by Richard Stark in 15 paperbacks (Avon and Berkely editions). Deadly Edge is a double volume also containing The Sour Lemon Score

This week we kick off an occasional new series of reviews of the Parker crime novels by Richard Stark.

If you know Parker, you understand. If you aren’t familiar with him, trust me: You are in for a treat.

In installment two, I’ll explain why he’s worthy of being discussed in this august forum.

But first, let’s chat a bit about the character, his creator, and why he matters.

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Roger Zelazny’s Jack of Shadows: Amber-Lite is Still Awesome

Roger Zelazny’s Jack of Shadows: Amber-Lite is Still Awesome


Jack of Shadows (Signet, August 1972). Cover by Bob Pepper

A decade ago this summer, Jack of Shadows by Roger Zelazny was reissued in print, after many years languishing in obscurity even among the author’s most devoted fans. The novel is vintage Zelazny. For many who just read those words, that will be enough. They can stop reading now and go and buy a copy and enjoy — even if, like me, they read it before, quite a while ago, in an earlier release from a different publisher. You guys, go have fun. We’ll chat later. The rest of you, continue on with me to the next paragraph, if you would.

If you’re still with me here, then two things must be true: One, you are intrigued enough to want to know more — and I applaud you for it! — but two, simply saying “a classic Zelazny book is back in print” is not enough to send you racing to the bookstore. You demand more. Very well.

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Thundarr the Barbarian: Demon Dogs and Lords of Light

Thundarr the Barbarian: Demon Dogs and Lords of Light

Thundarr the Barbarian (Ruby-Spears Productions/ABC, October 4, 1980 – October 31, 1981)

Thundarr the Barbarian (21 episodes; 1980-81)

Created by Steve Gerber (Howard the Duck; The Defenders).

The look of the main characters was designed by Alex Toth. After he was unavailable to continue working on the series, Jack “King” Kirby was brought in, at the recommendation of Gerber and Mark Evanier (who would later write a biography of Kirby). Kirby designed the look of most of the villains and supporting characters.

What is it?

What is it?? Lords of Light, it’s awesome, is what it is!

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