Birthday Reviews: Homer Eon Flint’s “The Nth Man”

Sunday, September 9th, 2018 | Posted by Steven H Silver

Cover by Frank R. Paul

Cover by Frank R. Paul

Homer Eon Flint was born Homer Eon Flindt on September 9, 1889 and died on March 27, 1924 under suspicious circumstances.

Flint’s career as a speculative fiction author ran from 1918 until his death in 1924, during which time he collaborated with Austin Hall. The majority of his work appeared in All Story and Argosy All Story, which were published by Munsey. Flint’s death is a mystery that remains unsolved. He was killed when a car he was driving in ran over a cliff. Although there have been claims that Flint stole the car at gunpoint with the intent to commit a bank robbery, that charge was put forward by a gangster, E.L. Handley, several years later. There is no evidence that Flint was involved with anything illegal, and may have found himself in the wrong place at the wrong time.

Although “The Nth Man” was originally sold to the Munsey Corporation in 1920, it didn’t appear until after Flint’s death when the rights had been re-sold to Hugo Gernsback and it was published in the April 1928 issue of Amazing Stories Quarterly. It disappeared and wasn’t reprinted until 2015 when it was included in the Wildside Press e-anthology The 26th Golden Age of Science Fiction Megapack.

Flint opens the story with six lengthy vignettes describing miracles that occurred between 1920 and 1933, promising that they were linked in some way, but not offering any explanation for how they occurred. These instances range from the rescue of a nine-year old girl drowning after falling off a cliff to the transportation of a freighter from the middle of a typhoon to the Australian desert, to the disappearance of a bank in Hamburg.

Once he relates all of these miracles, which takes about half of the story, he begins to refocus his tale on the specifics, which tie the various vignettes together. The key vignette to our understanding is the one set in 1920, in which a young Bert Forsburgh meets a young Florence Neil. Fosburgh is the son of a wealthy businessman, Daly Fosburgh, who by the time the main story is set is prepared to economically take over the United States with his son, now a young adult, set to be his figurehead governmental leader.

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A (Black) Gat in the Hand: Black Mask — Spring, 2017

Monday, September 3rd, 2018 | Posted by Bob Byrne

BlackMask_Spring2017“You’re the second guy I’ve met within hours who seems to think a gat in the hand means a world by the tail.” – Phillip Marlowe in Raymond Chandler’s The Big Sleep

(Gat — Prohibition Era term for a gun. Shortened version of Gatling Gun)

In the Fall of 2016, Altus Press revived the legendary Black Mask magazine, reprinting stories from the old pulps with a mix of new hardboiled tales; including a cover story from my talented friend Paul Bishop. Altus also relaunched two other classic pulps: Argosy (which only lasted one issue) and Famous Fantastic Mysteries (just two issues). However, the fifth issue of Black Mask will be out this Fall (with an essay from yours truly).

Today in A (Black) Gat in the Hand, we’re going to look at each of the entries in the second issue of the new Black Mask, from the Spring of 2017. And this issue starts big!

Carroll John Daly’s “Murder for a Stuffed Shirt” is a previously unpublished tale!

Carroll John Daly was the biggest star at Black Mask in the twenties and thirties. Putting Race Williams on the cover guaranteed increased sales. When he fell out of favor at Black Mask, Daly took Williams to Dime Detective, where he also created Vee Brown (I have a tough time buying into Brown, a hardboiled special DA operative and also a wealthy composer of hit sentimental songs. I wrote about Daly’s creation of the hardboiled genre with “Three Gun Terry Mack” here.

But this issue of Black Mask contains a never-before-seen Daly story, uncovered by his grandson. It feels very much like a pre-hardboiled piece and not one person is shot! It’s different than any other Daly story I’ve read and I liked it.

“Mr. Detective is Annoyed” by William Robert Cox originally appeared in the March, 1938 issue of Captain Satan. Cox had over 130 stories published in the pulps under his own name, plus more using various pseudonyms. He wrote eighty novels, many westerns and was the creator of Cemetery Jones and the Maverick Kid.

The story is one of four to feature Donny Jordine, who doesn’t like to sit around and wait for the machinery of justice to creak along. He makes things happen on his own. “Mr Detective is Annoyed” isn’t a bad story, but it didn’t leave me wanting more Jordine.

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A (Black) Gat in the Hand: Back Deck Pulp #2

Monday, August 27th, 2018 | Posted by Bob Byrne

“You’re the second guy I’ve met within hours who seems to think a gat in the hand means a world by the tail.” – Phillip Marlowe in Raymond Chandlers’ The Big SleepGat_NebelCardigan

(Gat — Prohibition Era term for a gun. Shortened version of Gatling Gun)

Over on Facebook, I frequently post tidbits related to my research for this column. There’s usually a picture included, and all of this happens on my back deck. So, I call it Back Deck Pulp! Well, there’s a lot of stuff coming out of Back Deck Pulp. So, last month, I collected a bunch of those FB posts and Back Deck Pulp #1 appeared here at Black Gate. Well, there have been a LOT more of them, so here’s Back Deck Pulp #2. I’ve already got #3 ready to go! Friend me on Facebook and see the posts as they go up. This is a collection of posts over time, so it doesn’t necessarily flow perfectly. Live with it…

FREDERICK NEBEL – CARDIGAN

And it’s another Office Desk Pulp. Last week, A (Black) Gat in the Hand was about Donahue of the Interstate Agency. That series was written by Frederick Nebel for Black Mask.

Nebel is one of my favorite pulpsters and I’m a huge fan of his Cardigan of the Cosmos Agency stories.

Cardigan appeared 44 times in Dime Detective – more than any other character.

Altus Press has issued the whole series in four volumes. And only $4.99 per ebook! With a great intro by Will Murray. I’ll be doing a post on this series. Highly recommended!

HORACE MCCOY

This Saturday’s back deck pulpster is Horace McCoy, best known for They Shoot Horses, Don’t They?

A WW I pilot, he wrote a series of air adventures featuring Jerry Frost of The Texas Air Rangers. The group, known as Hell’s Stepsons, were a Texas Rangers special ops aerial team. And Frost was hard boiled.

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A (Black) Gat in the Hand: Black Mask — October, 1933

Monday, August 20th, 2018 | Posted by Bob Byrne

BlackMask_October1933

“You’re the second guy I’ve met within hours who seems to think a gat in the hand means a world by the tail.” – Phillip Marlowe in Raymond Chandler’s The Big Sleep

(Gat — Prohibition Era term for a gun. Shortened version of Gatling Gun)

October of 1933 featured yet another solid issue of Black Mask under Joseph ‘Cap’ Shaw’s direction. The cover art was by J.W. Schlaiker, who had about fifty covers from 1929 to 1934. I don’t know why he abruptly stopped drawing for Black Mask. He served in France during World War I and was the War Department artist during World War II. He did portraits of Eisenhower, MacArthur and Patton.

With “Murder in the Open,” Race Williams made his forty-second appearance in Black Mask, dating back to June 1, 1923. For several years, Williams on the cover had guaranteed increased sales, but Carroll John Daly would be gone from Black Mask in just over a year and he was already regularly appearing in Dime Detective.

Daly was the first author to write in what became the hardboiled style with “Three Gun Terry” (which, of course, you read about here…) in the May 15, 1923 issue of Black Mask. Williams would follow in “Knights of the Open Palm in June, with Dashiell Hammett introducing his famous Continental Op in “Arson Plus” in October of that year. Daly’s writing style was far less polished and developed than Hammett’s, though I feel that it did improve over the years.

W(illiam) T(odhunter) Ballard was Nero Wolfe creator Rex Stout’s first cousin (which would explain why they shared such an unusual middle name). Ballard, who went on to become a very successful western author, wrote extensively for the detective pulps in the thirties and forties. He explained that he was struggling to sell to the lesser pulps when he saw The Maltese Falcon starring Ricardo Cortez. Hammett’s terse prose spoke to him and he bought an issue of Black Mask. He stayed up all night, wrote a story and sold it to the magazine. He would go on to a long career in the pulps and as a novelist.

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From the Moon to Mars: The British Library Science Fiction Classics by Mike Ashley

Sunday, August 19th, 2018 | Posted by Todd McAulty

Lost Mars The Golden Age of the Red Planet-small Moonrise The Golden Age of Lunar Adventures-small

The Moon and Mars have fascinated science fiction writers for generations, although I thought the era of classic Mars and Moon anthologies was over. But it turns out that’s not the case. At least not while editor Mike Ashley is on the job, anyway.

Lost Mars: The Golden Age of the Red Planet, which collects pulp-era tales (and pre pulp-era tales) from Wonder Stories, Amazing Stories, Astounding, and Worlds of If, was published in April 2018. Its sister anthology Moonrise: The Golden Era of Lunar Adventures, with stories from F&SF, Amazing, Tales of Wonder, Astounding, New Worlds, and Fantastic, arrives in September. Both are part of the British Library Science Fiction Classics, which I’ve never heard of, but for which I immediately have a deep and passionate love. Near as I can figure out, it’s a relatively new imprint devoted to early 20th Century SF. Or maybe just stories of Mars and the Moon, I dunno. But either way, love love love.

These are very welcome books. They include tales of adventure and exploration from the pre-spaceflight era (the most recent stories are from 1963, only two years after the start of the Apollo space program), which means they’re not particularly concerned with getting the science right. Scientific verisimilitude was the province of late 20th Century SF; these stories concern themselves chiefly with imagination and adventure.

And when it comes to the Moon and Mars, human imagination has been pretty darn fertile. These books contain some of the greatest SF ever written, including Arthur C. Clarke’s brilliant tale “The Sentinel,” which inspired 2001: A Space Odyssey, and Stanley G. Weinbaum’s groundbreaking “A Martian Odyssey,” which Isaac Asimov said, “had the effect on the field of an exploding grenade. With this single story, Weinbaum was instantly recognized as the world’s best living science fiction writer.” There’s also a Martian Chronicles tale by Ray Bradbury, an excerpt from H.G. Wells’ classic First Men in the Moon, and stories by Walter M. Miller Jr, J. G. Ballard, Gordon R. Dickson, Edmond Hamilton, John Wyndham, E. C. Tubb, and many others.

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A (Black) Gat in the Hand: Day Keene

Monday, August 13th, 2018 | Posted by Bob Byrne

Gat_KeeneGander“You’re the second guy I’ve met within hours who seems to think a gat in the hand means a world by the tail.” – Phillip Marlowe in Raymond Chandler’s The Big Sleep

(Gat — Prohibition Era term for a gun. Shortened version of Gatling Gun)

“The Bloody Tide” appeared in the June, 1950 issue of Dime Detective. John D. MacDonald (my favorite writer) also appeared that month. Both men had stories in the May issue as well, with JDM scoring the cover.

The story opens with Charlie White being released from a Florida prison after serving three years for smuggling. He’s given some advice by another inmate on Death Row to go straight and stay on the outside. Get back to working on the water, even if it’s a menial job. Wouldn’t be much of a story if that’s how things go, though, would it?

White’s lover (not his wife) is waiting outside for him and drives him to a secluded beach cabin. He’s going to get back into that fast life again. While he was in jail, $1,000 had been deposited monthly into his bank account, presumably by the ‘big man,’ who he felt had cast him to the wolves.

‘The Devil came up behind me and pushed. To hell with Beth [his wife]. To hell with everything, I thought. To hell with trying to kill Senor Peso. In his way the guy had played square with me. Why should I try to goose into his grave an egg who laid so many golden pesos?’

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A (Black) Gat in the Hand: The Phantom Crook, Ed Jenkins (Erle Stanley Gardner)

Monday, August 6th, 2018 | Posted by Bob Byrne

Gat_GardnerPic“You’re the second guy I’ve met within hours who seems to think a gat in the hand means a world by the tail.” – Phillip Marlowe in Raymond Chandler’s The Big Sleep

(Gat — Prohibition Era term for a gun. Shortened version of Gatling Gun)

Erle Stanley Gardner is well-remembered as the creator of Perry Mason, star of over eighty novels, radio and tv. The famed defense attorney (portrayed by Raymond Burr) started out as something of a hardboiled PI in the first ten or so novels before settling into ‘lawyer mode.’

And Gardner also wrote thirty novels featuring Bertha Cool and Donald Lam (who you know ALL about from reading this post and this post here at Black Gate!). Gardner was the definition of a prolific pulpster, writing over one million words a year for over a decade: while working as a lawyer!

After many rejections, Gardner finally made the pages of Black Mask (under the name of Charles M. Green). in the December 15, 1923 issue of Black Mask with “The Shrieking Skeleton.” His seventh story to make the magazine was “Beyond the Law” and it featured Ed Jenkins, ‘The Phantom Crook.’

Jenkins appeared seventy-two times from 1925 to 1943 and made Gardner one of the Black Mask mainstays, alongside Dashiell Hammett, Carroll John Daly and Raoul Whitfield. He brought Jenkins back in the sixties for the short novel The Blonde in Lower Six in Argosy, which was owned by his old friend, Harry Steeger.

Jenkins almost didn’t make it to print. In early drafts, Jenkins committed a cold-blooded murder. Assistant editor Harry C. North wrote to Gardner that heroizing such a man wasn’t the sort of thing that he felt the magazine should be publishing. The author responded accordingly.

“Hell’s Kettle” was the second of a linked trilogy and appeared in the June, 1930 issue of Black Mask. “The Crime Crusher” was included in the May issue and “Big Shot” wrapped things up in July. The June issue also included the fourth and final installment of what became Dashiell Hammet’s novel, The Glass Key, as well as Carroll John Day’s “Tainted Power,” which featured Race Williams and The Flame.

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A (Black) Gat in the Hand: Black Mask — May, 1934

Monday, July 30th, 2018 | Posted by Bob Byrne

BlackMask_May1934

“You’re the second guy I’ve met within hours who seems to think a gat in the hand means a world by the tail.” – Phillip Marlowe in Raymond Chandler’s The Big Sleep

(Gat — Prohibition Era term for a gun. Shortened version of Gatling Gun)

Last week, we looked at an article on writing from famed Black Mask editor, Joseph ‘Cap’ Shaw, which appeared in the May, 1934 issue of Writer’s Digest. What? You didn’t read that post? Well, click on over, do it, and then come back here and continue! Yeesh..

Done? Okay, let’s continue.

May, 1934 featured yet another solid issue of Black Mask under Shaw’s direction. The cover art was by J.W. Schlaiker, who had about fifty covers from 1929 to 1934. I don’t know why he abruptly stopped drawing for Black Mask. He served in France during World War I and was the War Department artist during World War II. He did portraits of Eisenhower, MacArthur and Patton.

Carroll John Daly carried the cover with Race Williams’ “Six Have Died,” which became part of the novel, Murder in the East. There were two more stories in this serial, which featured  The Flame. There would be one more story (“The Eyes Have It”) in November, and then Race Williams was no more in Black Mask. Williams would appear twenty-one times in Dime Detective but his successful career was in decline by May of 1934.

George Harmon Coxe’s Flashgun Casey was the subject our the very first post in this column. The hardboiled newspaper photographer was in the midst of appearing in seven consecutive issues; this story being “Two Man Job.” I like Casey, who was replaced by the more genteel Kent Murdoch.

From 1927 to 1934, Horace McCoy wrote thirteen stories about Captain Jerry Frost, leader of a group of Air Texas Rangers nicknamed ‘Hell’s Stepsons.’ They were basically a special ops team and Frost was a hardboiled problem solver. “Flight at Sunrise” was the second-to-last Frost story. I don’t believe that McCoy’s air tales have every been collected.

Of all the pulpsters, none may have had greater pretensions to greatness than McCoy. He’s best remembered for his novel, They Shoot Horses, Don’t They?, which became a successful film after his death. McCoy was a member of ‘The Fictioneers,’ which was an informal social club consisting of southern California pulpsters, including, at various times, Raymond Chandler, Norbert Davis, William Campbell Gault and W.T Ballard.

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A (Black) Gat in the Hand: W.T. Ballard’s Bill Lennox

Monday, July 23rd, 2018 | Posted by Bob Byrne

Gat_DetectiveDragnet_BallardOne of the authors that I’ve ‘discovered’ while working on A (Black) Gat in the Hand is W.T. Ballard. I had read a story here and there in various anthologies, but nothing stuck with me. I knew he was a Black Masker and had been successful as a writer of westerns. But I’ve just read a couple stories of his Hollywood ‘fixer,’ Bill Lennox and I was sold!

Ballard, who wandered out west when the Depression hit, had been trying to sell to the New York pulps with minimal success. He saw a Detective Dragnet Magazine with one of his stories in a store window (December, 1930). As he walked away, a man called out his name: it was Harry Warner, who he had known a little back in Cleveland, where the family had been making movie trailers for local organizations.  Warner asked what Ballard was doing in Hollywood. A bit embarrassed, the latter exaggerated a bit, bought that magazine and gave it to Warner, saying he was a freelance writer.

Warner and his brothers had just taken over First National Studios, and impressed with Ballard, Harry W. hired him as a screenwriter at a good salary. That gig lasted eight months until Ballard made a crack about Warner, not knowing the man was standing behind him. Fired!

Ballard was picked up by Columbia Pictures, who hired him to produce B-films for $10,000 each. To hit that target, Ballard had to write the script, direct and produce, and even move scenery for shoots. He endured this exhausting assignment for six months – but the two studio jobs gave him an invaluable inside knowledge of the industry.

In 1931, Ballard was trying struggling trying to write and sell to Detective Story Magazine, which favored Agatha Christie/Mary Roberts Rinehart types of mysteries. At his uncle’s house (where he was living), he heard a radio ad for The Maltese Falcon, a movie starring Ricardo Cortez (Bogart hit gold in the third adaptation). He went to see the movie. As Ballard said in an excellent interview conducted by Stephen Mertz. “Hammett’s ear for words sounded the way I thought criminals and detectives should talk. It rang true, the way I wanted mine to do.”

The radio ad had mentioned Black Mask, which Ballard was unfamiliar with. After the movie he went around the corner, bought the latest issue and read it on the streetcar ride home. He was hooked.

Ballard didn’t want to write about the typical newspaper reporter. His friend Jim Lawson worked at Universal Studios and was often called on to get stars out of trouble. Ballard liked the idea, knowing he had the studio experience to write realistically.  Using the phone book to help with names, that very night, around midnight, he started writing. About five in the morning, he had a 10,000-word story featuring Bill Lennox. He mailed the manuscript off and went to bed.

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A (Black) Gat in the Hand: Back Deck Pulp #1

Monday, July 16th, 2018 | Posted by Bob Byrne

Gat_GooseDavis

“You’re the second guy I’ve met within hours who seems to think a gat in the hand means a world by the tail.” – Phillip Marlowe in Raymond Chandlers’ The Big Sleep

(Gat — Prohibition Era term for a gun. Shortened version of Gatling Gun)

Of course, we’re all friends here at Black Gate. But if you’re my friend on Facebook, you have probably seen at least one of my Back Deck Pulp posts (I mean; how could you miss them?). I am reading a TON of pulp stories and also reading info on pulpsters for A (Black) Gat in the Hand. And when the weather permits, I’ve been sitting on my very nice back deck and taking a picture with the story of the moment. I include a bit of info on the picture’s story or author or magazine issue. Thus, ‘Back Deck Pulp.’

I think they’re neat, myself. And most of the topics I cover will end up being A (Black) Gat in the Hand posts. Friend me on FB and see what I’ve been writing about.

Well, I started collecting all those posts and discovered that I’ve already done enough for at least two Black Gate essays. So, here’s the first. It’s very informal, and it doesn’t read like a normal post: think of it like an anthology of short stories. There’s no continual narrative – But there’s some good pulp info! I made very minimal changes and most read exactly as the original FB post did.

NORBERT DAVIS/BEN SHALEY

Today’s Back Deck Pulp is Norbert Davis’ “Red Goose,” the first of his two Black Mask stories featuring PI Ben Shaley.

When Raymond Chandler began writing for the pulps, he said that “Red Goose” impressed him more than any other tale he had read. Years later, he said he had not forgotten it.

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