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Kevin O’Donnell Jr, November 29, 1950 – November 7, 2012

Kevin O’Donnell Jr, November 29, 1950 – November 7, 2012

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mayflies-smallAmerican science fiction writer Kevin O’Donnell Jr., who added “Jr.” to his byline to distinguish himself from his famous father Kevin O’Donnell, director of the Peace Corps, died this week.

O’Donnell graduated Yale University in 1972; his first short story “The Hand Is Quicker” appeared a year later in Analog. He published more than 70 short stories in a variety of genre publications, including Galaxy, Galileo, Isaac Asimov’s Science Fiction Magazine, Amazing/Fantastic, and Omni.

His first novel, Bander Snatch, appeared in paperback from Bantam Books in 1979. He published a total of ten over the next eleven years, including Mayflies (Berkley, 1979), War of Omission (Bantam, 1982), and ORA:CLE (Berkley, 1984).

Most of O’Donnell’s fiction was standalone, with the notable exception of his four-book series The Journeys of McGill Feighan for Berkley Books: Caverns (April 1981), Reefs (October 1981), Lava (April 1982), and Cliffs (February 1986).

His last novel was Fire on the Border from Roc Books, published in September 1990; he retired from writing fiction after his last short story, “The Boys from Bethlehem” (written with Denise Lee) appeared in the anthology The Darkness and the Fire in August, 1998.

O’Donnell was very active in the Science Fiction Writers of America, serving as chairman of the Nebula Award Novel Jury in 1990 and 1991, and chairing the Nebula Award Committee 1990-1998. He was the Business Manager of the quarterly SFWA Bulletin from 1994-1998, and in April 2005 he received the Service to SFWA Award.

2012 World Fantasy Award Winners Announced

2012 World Fantasy Award Winners Announced

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osama-lavie-tidharThe winners of the 2012 World Fantasy Awards have been announced at the World Fantasy Convention in Toronto, Ontario.

This is the first World Fantasy Convention I’ve missed since 2009 and I don’t like to think about how much fun I missed. So let’s just get this over with.

Novel

  • Osama, Lavie Tidhar (PS Publishing)

Novella

  • “A Small Price to Pay for Birdsong,” K.J. Parker (Subterranean, Winter 2011)

Short Story

  • “The Paper Menagerie,” Ken Liu (F&SF, March-April 2011)

Anthology

  • The Weird,  edited by  Ann & Jeff VanderMeer (Tor)

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The Force is With Disney

The Force is With Disney

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star-wars-poster-small1By now, most of you have heard that Disney has purchased Lucasfilm — the studio that produced Star Wars, Indiana Jones, and many other SF and fantasy properties — for over $4 billion. The deal was very similar to Disney’s acquisition of Marvel three years ago.

Prominent among the headlines was the news that Disney and Lucasfilm are already hard at work on Star Wars VII, aiming for a 2015 release, and that they also plan to produce Episodes VIII and IX. Walt Disney chairman Bob Iger announced that they expect to “release a new Star Wars feature film every two to three years.” If this is all news to you, Entertainment Weekly has a lengthy article here, including a 5-minute video in which you can hear George Lucas detail his current work on future films with unnamed writers.

“We could go on making Star Wars for the next 100 years,” Lucas says.

Okay. While part of me is appalled to see Lucasfilm, perhaps the most successful and creative independent studio of the last century, get swallowed up by an all-devouring entertainment conglomerate, that part has been roundly shouted down by my inner twelve-year-old, who desperately wants more Star Wars movies.

Now, I know what you’re thinking. Do I want Star Wars movies if they’re ground out on a schedule by a soulless corporation interested only in profit?

You know, I kinda do.

I’ve got nothing against corporations. Disney’s done pretty well by Marvel, far as I can see — and Pixar, now that I think about it (Disney bought Pixar from Steve Jobs in 2006). As for profit, the neat thing about profitable franchises is that they can attract talent. Look at Batman, Iron Man, and The Avengers.

And finally, I’m a fan of serial fiction. I know that properties can pass out of the hands of their creator, and land safely — especially pulp properties. That’s the process that brought us Frank Miller’s Dark Knight Returns, Star Trek IV, and the tenth regeneration of Dr. Who.

So while I expect to see a lot of debate in the fan press, I don’t expect to be part of it. Instead, I’ll be in line early in 2015, anxious to see the new Star Wars film. Even if it’s terrible, I won’t be too worried. Disney will keep trying. When you pay $4 billion for something, you tend to treat it right.

Arnold Schwarzenegger Signs on to Return as Conan in The Legend Of Conan

Arnold Schwarzenegger Signs on to Return as Conan in The Legend Of Conan

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schwarzenegger-conanWell, this is a day I never thought I’d see.

Deadline is reporting that ex-Governor of California, Arnold Schwarzenegger, has signed on to appear in a fourth Conan film, set for release Summer 2014 from Universal Pictures. It will be produced by Fredrik Malmberg, CEO of Paradox Entertainment (which controls the Conan property), and writer and producer Chris Morgan (The Fast And The Furious, Wanted). Morgan is credited with the screen story and may write the script; Deadline describes this as a “dream project” for the producer.

Schwarzenegger released this comment to the press yesterday:

I always loved the Conan character and I’m honored to be asked to step into the role once again. I can’t wait to work with Universal and the great team of Fredrik Malmberg and Chris Morgan to develop the next step of this truly epic story.

Schwarzenegger appeared in Conan the Barbarian (1982) and the truly terrible Conan the Destroyer (1984). Games of Thrones star Jason Momoa took a turn as Robert E. Howard’s barbarian in last year’s Conan the Barbarian, one of the biggest bombs of the year.

Few details about the new version have been released, but one imagines the 65-year old Schwarzenegger will approach this one a little differently.

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November Brings the Final Volume of Tad Williams’ Shadowmarch Series

November Brings the Final Volume of Tad Williams’ Shadowmarch Series

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shadowheartThose of you who wait until a series is completed before picking up the first volume (especially if, like me, you wait until it arrives in paperback) will be glad to hear that DAW Books will be releasing Tad Williams’s Shadowheart, the fourth and final volume in his well-reviewed epic fantasy series Shadowmarch, in mass market paperback on November 6th:

Southmarch Castle is about to be caught between two implacable enemies, the ancient, immortal Qar and the insane god-king, the Autarch of Xis. Meanwhile, its two young defenders, Princess Briony and Prince Barrick, are both trapped far away from home and fighting for their lives.

And now, something is awakening underneath Southmarch Castle, something powerful and terrible that the world has not seen for thousands of years. Can Barrick and Briony, along with a tiny handful of allies, ordinary and extraordinary, find a way to save their world and prevent the rise of a terrible new age — an age of unending darkness?

I bought Williams’s first novel, the cat fantasy Tailchaser’s Song, in 1985, and have followed his career with interest ever since. His massive Memory, Sorrow, and Thorn (starting with The Dragonbone Chair in 1988) catapulted him to the front ranks of epic fantasy writers, and the 4-volume Otherland series, beginning with City of Golden Shadow (1996) and ending with Sea of Silver Light (2001), proved he was as proficient with science fantasy.

The first novel in his latest series, Shadowmarch, was published in hardcover in 2004. Just as with Otherland, Shadowmarch was initially announced as a trilogy, but the third book became so large and unwieldy it was broken into two volumes. It’s been a long wait for the fourth and final installment, but epic fantasy fans are nothing if not patient.

Shadowheart will be released by DAW Books on November 6. It is 840 pages for $8.99 in paperback; the digital version is $9.99,

A Starred Review from Publisher’s Weekly for The Bones of the Old Ones

A Starred Review from Publisher’s Weekly for The Bones of the Old Ones

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bones-of-the-old-onesI’ve been anxiously awaiting the arrival of Howard Andrew Jones’s The Bones of the Old Ones, the sequel to my favorite novel from last year, The Desert of Souls.

Publisher’s Weekly isn’t making that wait any easier. In a starred review just last week, the magazine raved:

This rousing sequel to The Desert of Souls offers a mélange of ancient adventure myths populated by convincing, endearing characters… Asim el Abbas and scholar Dabir ibn Khalil rescue alluring and aristocratic Najya binta Alimah from her kidnappers, the Sebitti, seven sinister wizards from the remote past. In Asim and Dabir’s subsequent quest to find and destroy the ancient and powerful bone-weapons also sought by the Sebitti and free Najya from the weapons’ soul-threatening spell, the friends experience one fearful ordeal after another, while brave Asim falls more and more for Najya’s wit, courage, and charms. As intricately woven as the magic carpet of Greek sorceress Lydia, Jones’s tale incorporates real historical personages and settings like Mosul of “haggard beauty” from the early days of Islam, and fills the pages with gallantry and glamour to provide a thrilling spectacle.

You can read the complete review at Publisher’s Weekly‘s website here.

Like I didn’t want this book enough already. Now I know why publishers want us to wait until the month a title is published before we blab about it on the blog. I want this book right now.

We first reported on The Bones of the Old Ones in August. It will be released in hardcover and eBook by Thomas Dunne Books on December 11. If you’ve got an advance proof you’re willing to part with, we should talk.

Weird Tales 360 Arrives This Week

Weird Tales 360 Arrives This Week

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weird-tales-360-smallWeird Tales 360,  the first issue helmed by new editor Marvin Kaye, is scheduled to ship this Friday, October 19.

It’s an auspicious and entirely appropriate number, I think. After changing direction several times over the last few years, Weird Tales has now turned 360-degrees and returned to where it started: publishing classic weird fiction.

The theme of the first Kaye issue is “The Elder Gods,” and the table of contents makes it clear that he is whole-heartedly embracing the Lovecraftian fiction that helped make Weird Tales one of the most sought-after magazines of the pulp era:

FICTION: THE ELDER GODS

  • “The Long Last Night” by Brian Lumley
  • “Momma Durtt” by Michael Shea
  • “The Darkness at Table Rock Road” by Michael Reyes
  • “The Runners Beyond the Wall” by Darrell Schweitzer
  • “Drain” by Matthew Jackson
  • “The Thing in the Cellar” by William Blake-Smith
  • “Found in a Bus Shelter at 3:00 am, Under a Mostly Empty Sky” by Stephen Gracia

FICTION: UNTHEMED

  • “To Be a Star” by Parke Godwin
  • “The Empty City” by Jessica Amanda Salmonson
  • “Abbey at the Edge of the Earth” by Collin B. Greenwood
  • “Alien Abduction” by M. A. Brines

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Vintage Bits: Black Isle Resurfaces

Vintage Bits: Black Isle Resurfaces

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black-isle-smallInterplay, publisher of some of the most acclaimed fantasy role playing games of all time – such as the Bard’s Tale series, Wasteland, Dragon Wars, Baldur’s Gate, Fallout, and Icewind Dale — has announced that the legendary development studio behind many of its most popular titles, Black Isle Studios, has reformed.

Black Isle was owned by Interplay and created in 1996 by Feargus Urquhart. It was formed from the crack team of developers who had created Fallout. Over the next few years, they developed many hits, including Fallout 2, Planescape: Torment, and Icewind Dale. Working with a tiny outfit in Canada named BioWare, they also produced Baldur’s Gate and Baldur’s Gate II: Shadows of Amn.

Interplay began to experience serious financial difficulties in 2001-2002, after publishing a number of high-budget failures such as Messiah and Kingpin. Black Isle was dissolved as Interplay imploded, a move that shocked the industry. All the employees were laid off on December 8, 2003.

Their last titles were the poorly-received PC game, Lionheart, and Baldur’s Gate: Dark Alliance II for the Playstation 2. At the time they were dissolved, they were working on Baldur’s Gate III: The Black Hound, Baldur’s Gate: Dark Alliance III and Fallout 3, none of which ever saw the light of day. A nearly bankrupt Interplay eventually sold the rights to the Fallout series to Bethesda, who developed and released its own version of Fallout 3 in 2008.

The closing of Black Isle was a serious blow to RPG gamers, and it marked the end of Interplay as a force in the industry. As someone whose all-time favorite games include Dragon Wars and Icewind Dale, I saw it as the end of an era. Interplay survived for most of the next decade by re-packaging its classic games, especially Fallout, Baldur’s Gate, and Icewind Dale, as well as their sequels.

Most of the star developers associated with Black Isle, including Feargus Urquhart and Chris Avellone, are not on board for this new iteration. Urquhart and Avellone founded the successful Obsidian Entertainment (Star Wars: Knights of the Old Republic II, Neverwinter Nights 2). But Mark O’Green and Chris Taylor (designer of the original Fallout) have both reportedly returned.

No announcement yet on what titles the resurrected Black Isle is working on. But I’m certainly looking forward to finding out.

Amanda Palmer’s Kickstarter Scandal (and New Album)

Amanda Palmer’s Kickstarter Scandal (and New Album)

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amanda-palmer-kickstarter-smallMusician Amanda Palmer has been a favorite of fantasy fans since her days with the Dresden Dolls. Her first solo album, Who Killed Amanda Palmer? (a loose homage to “Who Killed Laura Palmer?”, the famous line from cult TV show Twin Peaks), generated a companion photo book with text by Neil Gaiman and pictures by SF photographer Kyle Cassidy. I first heard about it from Kyle when he came to Chicago to add to his “Where I Write” project, photographing SF and fantasy writers in their writing caves (and taking a pic of me in my big green chair.)

Palmer’s 2011 wedding to Gaiman cemented her status as genre royalty. But true fame had to wait until May of this year, and it arrived in the form of a legendary Kickstarter campaign. Seeking $100,000 to fund her new album and tour, Palmer raised closer to $1.2 million, winning the title Queen of Kickstarter from MTV and numerous news outlets in the process.

Palmer’s new album, Theatre of Evil, arrived a few weeks ago. But its success has been overshadowed by a growing controversy surrounding hiring opening acts for her tour. Here’s what The New Yorker said yesterday, under the headline “AMANDA PALMER’S ACCIDENTAL EXPERIMENT WITH REAL COMMUNISM”:

Amanda Palmer, the singer who raised a spectacular sum on Kickstarter to fund her new album and then neglected to pay the musicians who toured with her, is the Internet’s villain of the month… Album in hand, Palmer prepared to tour. She advertised for local horn and string players to help out at each stop along the way: “join us for a couple tunes,” as the post on her Web site had it. Even better, “basically, you get to BE the opening ACT!”

Just one thing, local musicians. There would be none of this million-plus dollars available for you. Supposedly, Palmer had spent it all on producing her album… She promised instead to “feed you beer, hug/high-five you up and down (pick your poison), give you merch, and thank you mightily.” This is a compensation package which, honestly, might be worse than nothing. Depends on the beer.

Cue furor, via the usual music, snark, and music-and-snark Web sites. Palmer has since renounced her hornsploitation scheme and will pay the band, but the outrage remains.

The story has been picked up by The New York Times (“Rockers Playing for Beer: Fair Play?”), Digital Trends (“Kickstarter queen Amanda Palmer, meet your Internet backlash”), Gawker, (“Amanda Palmer’s Million-Dollar Music Project and Kickstarter’s Accountability Problem,” accompanied by a graphic showing Palmer grabbing bags of money), and other news outlets. She’s been called out on Twitter multiple times by musicians unions, and American Federation of Musicians President Raymond M. Hair Jr. told the New York Times, “If there’s a need for the musician to be on the stage, then there ought to be compensation for it.” As The New Yorker noted, Palmer has since relented and agreed to pay the opening acts, but so far the furor shows no sign of dying down.

Black Gate to Publish Online Fiction Starting Sunday, September 30

Black Gate to Publish Online Fiction Starting Sunday, September 30

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black-gate-4-smallWe are very pleased to announce that Black Gate magazine, your home for the finest in adventure fantasy, will begin publishing original online fiction starting Sunday, September 30.

Holy crap, that’s tomorrow.

Wow. Uh, well, into the breach. Best way to do this is to jump right in, and figure it out as we go.

New fiction will be published right here on our website every Sunday, starting tomorrow. Here’s what’s coming in the next two months:

  • “The Duelist,” by Jason Thummel
  • “The Quintessence of Absence,” by Sean McLachlan
  • “The Daughter’s Dowry,” by Aaron Bradford Starr
  • “A Phoenix in Darkness,” by Donald S. Crankshaw
  • Novel excerpt: Queen of Thorns, by Dave Gross
  • “Godmother Lizard,” by C.S.E. Cooney
  • “The Poison Well” by Judith Berman
  • Novel excerpt: Bones of the Old Ones, by Howard Andrew Jones
  • Novel excerpt: The Black Fire Concerto, by Mike Allen

What can you expect from online fiction at Black Gate? We will be presenting original fiction from some of our most popular contributors, as well as exciting new authors and many of the best writers in the industry. All stories are presented completely free of charge.

We will be offering fiction at all lengths, including short stories, novellas, and novel excerpts. It’s just like reading an issue of Black Gate, except you can do it from the comfort of your couch. Or that uncomfortable chair in front of the computer, whatever.

Join us tomorrow as Jason Thummel brings us a riveting tale of a talented swordsman who finds himself caught up in a web of deceit and far-reaching ambition in a fast-paced tale of action in a violent city, “The Duelist.”