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New Treasures: The Wormwood Trilogy by Tade Thompson

New Treasures: The Wormwood Trilogy by Tade Thompson

Rosewater Tade Thompson-small The Rosewater Insurrection Tade Thompson-small The Rosewater Redemption-small

Tade Thompson’s second novel Rosewater was one of the more intriguing books published last year. Here’s a snippet from Ross Johnson’s rave review at the B&N Sci-fi & Fantasy blog, which labeled it “a groundbreaking future noir.”

In the Nigeria of the mid-21st century, a makeshift town has sprung up around a mysterious dome that inexplicably appeared there some time in the recent past. Though the structure is alien in origin, its purpose is unclear—its influences can be malign, but also dramatically beneficial. Approximately once a year, people come from far and wide to take advantage of the healing powers released by the structure, but the effects aren’t entirely predictable, and sometimes leave pilgrims mangled and malformed — and those who die are left vulnerable to soulless reanimation. Still, HIV and cancer are completely curable in this altered world, and that alone makes the journey worth the risk.

This is all the backdrop for the story of Kaaro, a former thief and sometimes rogue government agent, first recruited for his unique sensitivity to the minds of others. For in the new world of the dome, a small portion of humans have developed empathic and telepathic powers, to greater and lesser degrees, and Kaaro is near the top of the scale. As a young man, he used his abilities to hunt down his neighbors’ valuables. As an adult, he’s tasked with interrogating subversives and potential public enemies, even as turbulent political waters leave those categories clouded.

Though generally mercenary in his considerations, Kaaro is ultimately pushed too far by his handlers in Section 45, threads of classic noir run thread through the story. A reluctant hero (when he’s being heroic at all), there’s a strong sense throughout that Kaaro’s sins and flaws might ultimately be his undoing…  It is, on one level, an engaging future noir about a flawed protagonist falling into the role of reluctant hero while coming to grips with an alien mystery, and that alone would make for a solid read. But Thompson’s ambitions are greater, and alongside the complex puzzles and multiple mysteries, he has a great deal to say about the ways in which individuals, whatever their nations of origin, respond to oppressive governments.

The second volume in what’s now being called The Wormwood Trilogy will be published next week in trade paperback from Orbit; and the final book arrives just six months later. Here’s the description for both.

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In 500 Words or Less: Two New Anthologies! New Suns and Resist

In 500 Words or Less: Two New Anthologies! New Suns and Resist

New Suns Original Speculative Fiction by People of Color-small Resist Tales from a Future Worth Fighting Against-small

New Suns: Original Speculative Fiction by People of Color
Edited by Nisi Shawl
Solaris (384 pages, $15.99 paperback, March 2019)

Resist: Tales from a Future Worth Fighting Against
Edited by Gary Whitta, Christie Yant and Hugh Howey
Independently published (386 pages, $14.99 paperback, $7.99 eBook, October 19, 2018)

I’ve never been a fan of predictions about the time we live in, especially if they’re grandiose, but damn if someone doesn’t claim decades from now that today was a new golden age of SFF, especially in short fiction. Sure, there’s still a lot of the same generic crap being published (for some reason), but simultaneously there’s so much compelling, engaging work coming out that I can’t keep up.

Take, for example, New Suns: Original Speculative Fiction by People of Color, edited by Nisi Shawl. A few of the names I recognized in here, but so many of them I had never heard of before, which I imagine is part of the point. “Harvest” by Rebecca Roanhorse is dark and delicate as it explores a relationship between a chef and a supernatural being called the “deer woman.” Jaymee Goh’s “The Freedom of the Shifting Sea” provides soft undertones about industrial development and environmental destruction, while Tobias S. Buckell doesn’t mince any of that with his depiction of an Earth bulldozed by aliens looking for resorts and tourist traps in “The Galactic Tourist Industrial Complex.” But the one that really blew me away was Minsoo Kang’s “The Virtue of Unfaithful Translations,” written as a treatise about a painting that tells the tale of a peace treaty concocted by two translators. I’m not sure that sounds captivating, but I promise you, it is.

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John DeNardo on Terrific Science Fiction & Fantasy for Every Kind of Reader in March

John DeNardo on Terrific Science Fiction & Fantasy for Every Kind of Reader in March

A Memory Called Empire Arkady Martine-small The Near Witch V. E. Schwab-small Titanshade Dan Stout-small

I don’t know why I even try to keep up with all the new science fiction and fantasy every month. It’s literally an impossible task. Well, impossible unless you’re SF Signal founder and ace Kirkus reviewer John DeNardo. When he was a child John was bitten by a radioactive bookworm, and now he has literary superpowers. Probably. It’s the only explanation that makes sense, anyway.

Fortunately for mankind, John uses his awesome powers for good. Meaning he catalogs all the coolest science fiction and fantasy new releases every month, and summarizes them for eager readers in a handy format. Here’s the highlights for March.

A Memory Called Empire by Arkady Martine

WHAT IT’S ABOUT: Mahit Dzmare is the newly-assigned ambassador of an independent mining station. Her predecessor, she learns after the fact, was killed in a highly-suspicious accident. While Mahit maneuvers to keep the station from being absorbed by the ever-encroaching reach of the Teixcalaanli Empire, she must also find out who is behind the murder and save herself from the same fate.

WHY YOU MIGHT LIKE IT: High stakes political intrigue abounds in this fast-paced story.

A Memory Called Empire is Arkady Martine’s debut novel, and the opening volume in the Teixcalaan series. Black Gate author Martha Wells (The Murderbot Diaries) calls it “a murder mystery wrapped up in a political space opera, and deeply immerses the reader in a unique culture and society.” It is 464 pages, priced at $25.99 in hardcover/$13.99 digital; it will be published by Tor Books on March 26, 2019.

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New Treasures: The Witchlands by Susan Dennard

New Treasures: The Witchlands by Susan Dennard

Truthwitch-small Windwitch-small Sightwitch-small Bloodwitch-small

In her enthusiastic Black Gate review of Susan Dennard’s Something Strange and Deadly, the opening novel in a dark fantasy trilogy, Zeta Moore wrote:

For readers with dark tastes and a deep-seated love for romance… Dennard has a supreme understanding of how to enhance gothic themes with an addictive steampunk flourish, and captivate her readers with antagonists you come to enjoy more than the protagonists.

Dennard’s latest series is the far more ambitious Witchlands saga, which opened with Truthwitch (2016), which Robin Hobb called:

A cake stuffed full of your favorite fantasy treats: highway robbery, swordplay, deep friendships, treachery, magic, piracy on the high seas, and romance. This book will delight you.

Dennard has followed with a new book every year: Windwitch (2017), the novella Sightwitch (2018), and now Bloodwitch (February 12, 2019), just arrived in hardcover. All four are published by Tor Teen. Here’s the back covers for the first two.

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A Mystery in the Ruins of the Future: The Bannerless Saga by Carrie Vaughn

A Mystery in the Ruins of the Future: The Bannerless Saga by Carrie Vaughn

Bannerless-small The Wild Dead-small

Bannerless, the opening novel in Carrie Vaughn’s new science fiction saga, was based on the short story of the same name in the John Joseph Adams & Hugh Howey anthology of post-apocalyptic fiction The End Has Come (2015). It was one of the most acclaimed books of the year, and won the Philip K. Dick Award for best original science fiction paperback. The sequel, The Wild Dead, arrived in trade paperback from John Joseph Adams Books last summer.

When he selected it as one of the premier titles of July 2017, Andrew Liptak at The Verge wrote:

Carrie Vaughn is best known for her urban fantasy novels, but she’s been shifting gears quite a bit lately. Earlier this year, she published Martians Abroad, a YA space opera, and with Bannerless, she’s looking into what happens after society collapses. In this world, the Coast Road is thriving after the fall of civilization, rebuilding with a culture of households. The population is controlled as people earn the right to bear children, displaying their privilege by hanging banners outside their homes. Enid of Haven is an Investigator, who is called upon to mediate disputes in the community. When a dead body turns up, she begins to investigate, finding cracks in society that makes her question everything she’s been raised to believe. You can read the original short story here.

These are complex, ambitious books with a thoroughly original take on post-apocalyptic society. Here’s the back covers to both.

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New Treasures: American Hippo by Sarah Gailey

New Treasures: American Hippo by Sarah Gailey

American Hippo-small American Hippo-back-small

There are books that I ignore until I get a solid personal recommendation, those that win me over only with rave reviews, and those that I warm to, like, immediately. Sarah Gailey’s alternate history of an American west overrun by feral hippos is definitely the latter.

In her review of the first volume, River of Teeth, NPR reviewer and former Black Gate blogger Amal El-Mohtar said:

In 1909, the United States was suffering a shortage of meat. At the same time, Louisiana’s waterways were being choked by invasive water hyacinth. Louisiana Congressman Robert F. Broussard proposed an ingenious solution to both those problems: Import hippos to eat the water hyacinth; then, eat the hippos.

Luckily for the United States in our timeline, the fact that hippos are ill-tempered apex predators not amenable to being ranched was pointed out, the American Hippo Bill failed to pass by a single vote, and consequently, we don’t have hippos casually chomping on passers-by due to a lack of their usual forage. Sarah Gailey’s imagined United States, however, are differently fortuned.

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A Magic Portal to Snowy Enchantment: Spinning Silver by Naomi Novik

A Magic Portal to Snowy Enchantment: Spinning Silver by Naomi Novik

Uprooted-small Spinning-Silver-small

Miryem grows up in poverty even though her father has lent funds to most of the families in her village. While the others prepare holiday feasts in snug homes with roaring fires, she and her parents freeze and starve in a hovel. This is because Miryem’s father has the heart of a rabbi and can’t bring himself to ask for the payments he’s owed.

When Miryem’s mother falls ill, Miryem knows only a doctor can save her, and doctors require money. Seizing matters in her own hands, she goes into the village to collect.

The borrowers try to put her off. They shout, bluster, and lie. But Miryem stands firm, returning home with her first payments. Some families could only offer goods instead of coins, which Miryem accepted. It’s more work for her to convert these products into money, but she does it.

She doesn’t just save her mother – over time, she builds upon these first fruits, creating a fair but thriving business. Through her own ingenuity and hard work, she becomes a trader and entrepreneur as well as a moneylender, thereby turning rolls of silver coins into fat doubloons of gold. Her parents might wish she hadn’t needed to take up such work, but they now live in a snug home of their own, with plenty to eat and enough pennies to hire a local girl who’s grateful for the chance to earn a wage and thereby escape her abusive father.

But when Miryem boasts of her success during a sleigh ride in the forest, the cruel fairy king who rules the woods overhears. Believing that she can turn silver into gold, he arrives on her doorstep with a terrible ultimatum. Either she will replace his silver coins with the same number of golds, or he will freeze her to death where she stands.

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In 500 Words or Less: The Privilege of Peace by Tanya Huff

In 500 Words or Less: The Privilege of Peace by Tanya Huff

An Ancient Peace Tanya Huff-small A Peace Divided-small The Privilege of Peace-small

The Privilege of Peace (Peacekeeper #3)
by Tanya Huff
DAW Books (352 pages, $7.99 paperback, $12.99 eBook, June 19, 2018)

I’ll often come back to one of my favorite lines from Peter Capaldi’s run as The Doctor:

Everything ends, and it’s always sad. But everything begins again, too, and that’s always happy.

It’s one of those simple quotes that applies to a lot in life, and guess what – it applies to writing and reading, too. As much as we clamor for the next book in a favorite series, eventually every series comes to an end (unless you decide to write Harry Bosch books into perpetuity or something) and then there’s a void, like a friend has gone away and you’re never going to see them again.

(Okay, yes, you can always reread the series again, but I’ve reread maybe three books in my life, so just work with me here.)

Last year, DAW Books released the last of Tanya Huff’s Torin Kerr novels (at least as far as she’s indicated), finishing the Peacekeeper trilogy with The Privilege of Peace. And man has this been a ride. I came to Tanya’s writing very late, when she was a Guest of Honor at Can*Con a few years ago, and devoured both the Confederation books and the Peacekeeper follow-up.

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New Treasures: Fleet of Knives, Book 2 of Embers of War by Gareth L. Powell

New Treasures: Fleet of Knives, Book 2 of Embers of War by Gareth L. Powell

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Embers of Wars, the opening volume in Gareth L. Powell’s new space opera series, was selected as one of the Best of 2018 (So Far) by both the Barnes & Noble Sci-Fi & Fantasy Blog and Tor.com. The New York Journal of Books called it “Deep and juicy in the details,” Morning Star labeled it “Top class space fiction,” and The Guardian proclaimed it “Compulsively readable, expansive space opera.” But we all know it’s not a real space opera until the second book arrives, so I was very glad to see Fleet of Knives pub last week. Here’s the description.

The former warship Trouble Dog and her crew of misfits is called upon by the House of Reclamation to investigate a distress call from the human starship the Lucy’s Ghost. Her crew abandon their crippled ship and seek refuge aboard an abandoned, slower-than-light generation ship launched ten thousand years before by an alien race. However, the enormous ship contains deadly secrets of its own.

Recovered war criminal, Ona Sudak, faces a firing squad for her actions in the Archipelago War. But, at the last moment, she is smuggled out of her high security prison. The Marble Armada has called for her to accompany its ships as observer and liaison, as it spreads itself across the human Generality, enforcing the peace at all costs. The alien ships will not tolerate resistance, and all dissenters are met with overwhelming and implacable force. Then her vessel intercepts messages from the House of Reclamation and decides the Trouble Dog has a capacity for violence which cannot be allowed to endure.

As the Trouble Dog and her crew fight to save the crew of the Lucy’s Ghost, the ship finds herself caught between chaotic alien monsters on one side, and on the other, destruction at the hands of the Marble Armada.

We previously covered Embers of War here, and our 2013 discussion of Powell’s call to Escape Science Fiction’s Pulp Roots is here. Fleet of Knives was published by Titan Books on February 19, 2019. It is 405 pages, priced at $14.95 in trade paperback and $8.99 in digital formats. The cover was designed by Julia Lloyd. Read a brief except from Embers of War here, and Fleet of Knives here, and see all our recent New Treasures here.

Weird and Wonderful and Frightening: An Interview with Fantasy Renaissance Man Howard Andrew Jones

Weird and Wonderful and Frightening: An Interview with Fantasy Renaissance Man Howard Andrew Jones

For the Killing of Kings-smaller Howard Andrew Jones thinks big thoughts-small

Howard Andrew Jones is a true renaissance man of modern fantasy. He began writing short stories featuring his Arabian heroes Dabir & Asim for magazines and anthologies like Paradox, Sages & Swords, and Black Gate. He switched to novels with the widely acclaimed The Desert of Souls, one of the major works of fantasy of 2011. He followed that with a sequel, The Bones of the Old Ones (2011), and a 4-book sequence for Pathfinder Tales: Plague of Shadows, Stalking the Beast, Beyond the Pool of Stars, and Through the Gate in the Sea.

In addition to writing, he’s also a gifted editor. He edited eight volumes of the collected tales of Harold Lamb for Bison Books, rescuing the early short fiction of one of the greatest adventure writers of the 20th Century from the moldering pages of pulp magazines. He was Managing Editor for the early e-zine Flashing Swords from 2004-2006, and in 2006 accepted the position of Managing Editor of Black Gate. He is the founding editor of Goodman Games’ new sword & sorcery magazine Tales From the Magician’s Skull, which published two issues last year. And in late 2018 he became Executive Editor at Perilous Worlds, where he oversees the publication of new titles for some of most popular properties in fantasy, including John C. Hocking’s Conan and the Emerald Lotus and Conan and the Living Plague.

Though that keeps him plenty busy, he has not neglected his own writing. For the Killing of Kings, the first novel in a brand new series, The Ring-Sworn trilogy, arrives today from St. Martin’s Press. It’s the top pick of the month of March for Bookpage, and Publisher’s Weekly gave it a starred review, saying it “will have readers laughing, crying, and cheering.” Somehow Howard found time to sit down with us for a lengthy interview about his writing process, his influences (including Zelazny, Raymond Chandler, and Leigh Brackett), and the fast-changing trends he sees from his catbird seat in the industry. Enjoy.

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