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Adventure on Film: The Duellists

Adventure on Film: The Duellists

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duellists2One of the oddest, most esoteric regrets in my life is that I long ago gave away my collection of the now defunct American Film magazine. Most of these, purchased primarily from sidewalk vendors in Manhattan, I do not care to recover; but I would give a great deal to have again the October issue from 1986. It contains a dialogue with film producer David Puttnam, and one small paragraph in that interview taught me more about collaboration than any other single event I know.

More on that in a moment. In the meantime, let me introduce one of Hollywood’s really fine on-screen adventures, The Duellists.

Now, I admit up front that as with The Horseman On the Roof, a title I explored a few weeks back, The Duellists contains no overt fantasy element; but what it lacks in sorcery, it more than makes up for in swords. Right out of the gate, Lieutenant D’Hubert (Keith Carradine, one of my very favorite actors) is ordered by a busy general to round up fellow cavalry man Feraud (Harvey Keitel) and escort him to the brig; it seems that Feraud has been dueling, illegally, with the mayor’s nephew. Feraud takes offense first to D’Hubert’s assignment and then to D’Hubert himself; he challenges him on the spot to a duel, an event D’Hubert, a reasonable man, ultimately cannot prevent.

Thus the wheel of this most simple of plots grinds into implacable motion: D’Hubert cannot ever contrive to avoid Feraud, and neither, in repeated duels, each instigated by Feraud, can ever quite kill off the other. Over the course of the Napoleonic wars, these two clash again and again in a battle both particular and symbolic. D’Hubert’s enlightened rationalism must stave off Feraud’s chivalric single-mindedness, and both, to D’Hubert’s dismay, must contend with the expectations of the times: that their differences constitute a “point of honor” (indeed, such was the title of the story on its U.S. publication), and that to settle this point, one of them must die.

But wait, you cry! What about David Puttnam and all those moldering magazines?

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Apex Magazine #44

Apex Magazine #44

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Apex Magazine 44-smallEugie Foster portrays a god of vengeance in “Trixie and the Pandas of Dread,” Lettie Prell writes about “The Performance Artist” and Tansy Rayner Roberts provides something of a romance in “The Patrician.”

Sarah Kuhn’s column explores the phenomenon of well-known genre figureheads making ill-conceived statements about women genre participants and fans, Maggie Slater interviews Eugie Foster, and editor Lynne M. Thomas’s regular “Blood on the Vellum” column rounds out the 44th edition of this e-magazine.

The issue is available for download from:

Buy issue 44 from Apex
Buy issue 44 from Amazon

The issue can also be read for free online at www.apex-magazine.com.

January/February Fantasy & Science Fiction Magazine now on Sale

January/February Fantasy & Science Fiction Magazine now on Sale

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fsf-jan-feb-2013The new issue of Fantasy & Science Fiction goes on sale today. Not often you see cows (or floating eyeballs, for that matter) on the cover. Louis West reviews the issue at Tangent Online; here’s what he says about the cover story:

This issue of F&SF contains a diverse and (mostly) entertaining selection of SF, horror, and fantasy stories. Many of the authors have a long history of producing award-winning work. For the most part, that excellence is displayed throughout this issue.

“Watching the Cow,” by Alex Irvine, is masterfully told. Once started, I couldn’t stop. I had to know how it would end, and the end was nicely unexpected….

Ariel, the genius of the family, has accidently blinded two million teens who had been playing a game using VR goggles. And two of the kids were her brothers. But it wasn’t a physical blindness. All the parts still worked. The brain simply had stopped processing the visual data. The kids didn’t seem bothered at all, although the parents freaked and conspiracy theories thrived.

Ariel was determined to fix the problem, and her angry brother believed her. Instead of sight, all the kids could now mentally network with each other… This story is told from Ariel’s brother’s POV. It follows his emotional roller-coaster ride as he deals with what’s happening to his kids, their lack of reaction, keeping the secret that his sister had caused the problem and wondering when the FBI will finally catch up to him and Ariel. A pleasure to read.

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Winter 2013 Issue of Subterranean Magazine now Available

Winter 2013 Issue of Subterranean Magazine now Available

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subterranean-winter-2013I enjoy doing these magazine updates. They keep me on top of the latest and greatest in genre short fiction and I can pretend I’m doing work.

Subterranean‘s 25th issue continues with the new policy of posting the complete contents online all at once, rather than in a weekly rolling format. This is the special Walter Jon Williams issue, with a brand new novella and a classic reprint, “Surfacing” — which I read years ago in a Dozois Best of the Year anthology, and had something to do with communicating with big alien whales. It’s cool, you should check it out.

Here’s the complete table of contents:

  • “Raptors,” by Conrad Williams (11,500 word novelette)
  • “Hard Silver,” by Steven R. Boyett (12,000 word novelette)
  • “The Boolean Gate,” by Walter Jon Williams (32,000 word novella)
  • “Surfacing,” by Walter Jon Williams (21,000 word novella, reprint)

Subterranean Press recently announced the deluxe edition of Robin Hobb’s lengthy new novella, The Willful Princess and the Piebald Prince, two collections by Harlan Ellison, and the on-sale date for the signed limited edition of Stephen King’s The Shining. Get all the news at their website.

Subterranean is edited by William Schafer and published quarterly. The Winter 2013 issue is completely free and available here; see their complete back issue catalog here. We last covered Subterranean magazine with their previous issue, Fall 2012.

The Nightmare Men: “The Blind Man”

The Nightmare Men: “The Blind Man”

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weird-tales-march-1944-small‘…an elderly man who wore his hair long and white…a firm, almost prognathus chin, half-pursed lips and a strong Roman nose. His eyes were not visible at all, for he wore dark glasses with shields which prevented one from seeing his eyes even from the side.’

Such is our first glimpse of Dr. Laban Shrewsbury, late of Arkham, late of the distant star Celaeno, and the Hyades in the 1944 story, “The House on Curwen Street”.  Blind, and yet all-seeing, Shrewsbury stands between humanity and Lovecraft’s nightmarish god-things, employing weapons both material and supernatural in the world’s defense.

Created in 1944 by August Derleth for a series of interlinked stories set firmly in the dark universe of HP Lovecraft’s Cthulhu Mythos — a term coined by Derleth himself — Shrewsbury was far from the standard Lovecraftian protagonist. With his incantations and machinations, he is at first glance the antithesis of the hapless antiquarians and artists who populate both the original stories and many of the pastiches that came after.

“They are at the mouth of the Miskatonic now. But I am ready.”

-Dr. Laban Shrewsbury, “The House on Curwen Street”

Shrewsbury is far more active than his predecessors, who are, in most cases, passive victims of the horrors they encounter. Unlike John Kirowan, who has seen the audient void and been frightened by it into a haunted and semi-reclusive retirement, Shrewsbury is more akin to Titus Crow—he is an active combatant in a war in which humanity is, at best, a pawn, and at worst, food for the titanic forces at play.

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Genre 2012: The Trouble With (no, not Tribbles) Pace

Genre 2012: The Trouble With (no, not Tribbles) Pace

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tangent5summer1976

One should never read one’s own notices, as many a British actor, most of them knighted, have said. Does it then follow that a writer should never read reviews of his or her work? Or, for that matter, the fine print of incoming rejections?

Tangent Online was kind enough, just recently, to give my Black Gate story “The Trade” a really glowing review, but while that review made me very happy, it also gave me pause. It forced me to reflect both on my own writing and on writing in general. Why? Because of one line, short and sweet: “The pace is fast.”

And so it is, I suppose. But consider the email I got ten days after “The Trade” debuted, a note penned by David M. Armstrong, fiction editor for Witness, a literary magazine into which I’ve been trying to jam my work for about a decade. At last, a Witness acceptance, and for their upcoming spring 2013 issue! Can you guess what Mr. Armstrong said he appreciated in my story? The pace. “This,” he wrote, “was a layered and often impressively restrained narrative.”

Let’s translate, shall we, to the realm of fantasy adventure fiction. What Mr. Armstrong just said is that my Witness story, “The Last Horse in Skopje,” exhibits a pace so glacial and plodding that it would put a charging sabre-tooth to sleep at thirty paces.

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Galaxy Science Fiction, November 1950: A Retro-Review

Galaxy Science Fiction, November 1950: A Retro-Review

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galaxy-science-fiction-november-1950-smallI’m slowly making my way through my collection of Galaxy Science Fiction, continuing with the second issue, dated November 1950.

“Honeymoon in Hell” by Fredric Brown: In the futuristic year of 1962, due to some unknown cause, all of Earth’s babies are born as females. With their own ideas running out, the U.S. government turns to Junior – the largest cybernetic computer in the nation. The computer hypothesizes there could be something local to the planet causing the issue.

It suggests testing the theory by sending married couples to the moon – to see if conception in a different environment would produce males. The government chooses Ray Carmody, a former rocket pilot who was one of the few people ever to land on the moon.

To Carmody’s dismay, the U.S. teams up with Russia for the first of multiple missions, and he is married remotely to Anna Borisovna, also a rocket pilot. They land separately in Hell Crater and begin assembling a shelter, but their work is interrupted by unexpected arrivals.

This is a story that gives away its age with numerous details, but it moves along really well. It’s an interesting idea, and I liked how the plot unfolded.

“Forgotten Missionary” by Isaac Asimov: Humans land on Saybrook’s Planet, taking caution to establish a barrier between themselves and the indigenous species. Because they must. The previous explorers, under Saybrook’s guidance, found that the planet was like a single organism, and it wanted to add new species to its body. Given the opportunity, the planet’s organisms could impregnate other species, which would later birth scions with green patches of fur where their eyes should be.

When the barrier fails for a brief moment, one of the planet’s organisms sneaks aboard, disguising itself as part of the ship. Its mission is to wait until it encounters the humans’ home world before affecting all other specimens of life – otherwise, the humans would simply destroy themselves as their first explorers had.

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Analog, July 1961: A Retro-Review

Analog, July 1961: A Retro-Review

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analog-july-1961This is one of the earlier issues after Astounding completed its name-change to Analog. (The issues from February through September 1960 showed both titles on the cover – so October 1960 was the first purely Analog issue.)

Its Table of Contents is familiar to readers of the magazine even to the present day – there’s an editorial, there’s In Times to Come, there’s The Reference Library (book reviews), there’s the letter column (Brass Tacks). There is also a Science Fact article, and a serial, two novelettes, and two short stories.

The only item you won’t find in most present-day issues is The Analytical Laboratory, which ranks the stories from the issue two months earlier based on reader votes. (This was discontinued some time after I became a subscriber in the ’70s – I remember sending in my postcard with my votes a number of times.)

At any rate, for the April issue the number one story was the opening of Clifford Simak’s serial “The Fisherman”, better known these days by the book title, Time is the Simplest Thing.

The cover shows an asteroid mining setup. It’s by Thomas, who did a few covers for Analog in 1961 and 1962, and nothing much else I can find. I don’t even know his first name. Interiors are by Douglas, John Schoenherr, and H. R. Van Dongen.

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Electric Velocipede 25 Now Available

Electric Velocipede 25 Now Available

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electric-velocipede-25-smallJohn Klima’s groundbreaking magazine Electric Velocipede continues to innovate in its new electronic format. John tells us:

This is one of our strongest issues to date. I’m very proud of the stories and poems (nine!) in it. The stories will be going up through bi-weekly through the end of the year, but we’re putting the entire issue on sale right away so that people can get it now and read it on their e-reader of choice… Our first story, “The Night We Drank Cold Wine” by Megan Kurashige has received incredible response from readers to date.

Many of you are already helping spread the word about the issue, but because I think it’s pretty special that we’re at our 25th issue (with four issues planned for next year!)

Let’s talk turkey for a moment. Electric Velocipede is one of the best independent genre magazines out today, period. It’s been nominated for the World Fantasy Award four times and won the 2009 Hugo Award for Best Fanzine.

In September, it closed a successful Kickstarer round, funding the next four issues, and even reached the $7,500 stretch goal that allowed it to make electronic versions of all its past issues.

It’s an exciting time for the magazine and if you’re not paying attention, you’re missing out on some of the most exciting short fiction the field has to offer.

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Interzone 243 and Black Static 31

Interzone 243 and Black Static 31

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527526Together again, TTA Press releases Interzone and Black Static in the same month as part of its new publishing scheduling. (I understand the economic reasons why the publishers are doing this, but I liked the old way of alternating issues. Ah, well, if it’s the price to be paid for having a magazine that is actually printed instead of pixalated, it’s well worth it.)

The Nov–Dec issue of Interzone is the second in the new slightly more compact format, with novelettes by Jon Wallace, and Jason Sanford, plus stories by Chen Qiufan (translated by Ken Liu), Caroline M. Yoachim, and Priya Sharma. Cover art is ‘The Star’ by Ben Baldwin.  Features include “Ansible Link” by David Langford (news and obits); “Mutant Popcorn” by Nick Lowe (film reviews); “Laser Fodder” by Tony Lee (DVD/Blu-ray reviews); book reviews by Jim Steel and the team, including an interview with Adam Roberts conducted by Paul Kincaid.

Black Static features cover art by Richard Wagner; novelettes by Jackson Kuhl, Steven J. Dines, and Victoria Leslie; stories by Seán Padraic Birnie, Steven Pirie, and James Cooper; illustrations by Ben Baldwin, David Gentry, and Rik Rawling; comment columns by Stephen Volk and Christopher Fowler; book reviews by Peter Tennant; and DVD/Blu-ray reviews by Tony Lee.