Wordsmiths: An Interview with Kevin Hearne, Recorded Live at Can*Con 2018!

Saturday, November 17th, 2018 | Posted by Brandon Crilly

You know what I haven’t done here in a while? Interviewed some fellow creatives.

Luckily, on top of writing for Black Gate I’m also one of the programming directors for Can*Con, Ottawa’s annual conference for sci-fi, fantasy and horror writing (okay, you probably knew that already). Last month at Can*Con 2018 I had the pleasure of sitting down with Guest of Honour Kevin Hearne, author of the Iron Druid Chronicles, Seven Kennings series, Tales of Pell, and more, for a live interview — and hey, we just happened to record it.

Check out the video above for a discussion of how Kevin works, the role of the author in society, the perfect whiskey for a whiskey sour, some special shout-outs to his friends in the industry, and a sneak peek at what’s next for the Iron Druid Chronicles!


Pie and a Slice of Sky: An Interview with Brooklyn Writer Rob Cameron

Friday, October 26th, 2018 | Posted by C.S.E. Cooney

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Writer Cameron Roberson (Cam Rob)
of Brooklyn SF Writers group & Kaleidocast

Greetings, Black Gaters! I’m here today with an interview for you with Rob Cameron, or “Cam” as I like to call him, a New York speculative fiction writer, among — as you will see — other things.

Cam was one of the first friends I made in New York City. Wait, let me take that back a few steps. It all started with Readercon, as so many things (including my marriage) do! It was probably Readercon, circa 2015. I was attending a panel to hear Ellen Kushner talk about something very interesting that I cannot now recall. I do recall that she opened the panel up to questions very early — which is one of her neat tricks: she’s there to serve the audience, and wants to talk about what interests them most. One of the first questions from the audience — and I remember thinking it was very keen and interesting — came from a bright-eyed young man who was sitting on the edge of his seat, leaning forward, as if he wanted to be the first to hear everything. He obviously knew Ellen, and she him, but I didn’t know him, and I thought, “Well! He must be a friend I haven’t met yet!” and determined at that moment to fulfill my own prophecy and get to know him better.

It turns out that this gentleman was none other than Rob Cameron, writer, gamer, teacher, as well as one of the main movers and shakers of the Brooklyn Speculative Fiction Writers and Kaleiodocast, the podcast they produce, which features fiction by and interviews with speculative fiction writers, and also stories that occur in a shared world.

The more I got to know him, the more I realized Cam was at the heart of New York’s electric, eclectic, thunderous spec fic scene, deeply involved in a community of writers all rising together, reading and critiquing each other’s work, attending events and conventions, and learning the business of being a writer. I thought he’d be a fantastic person to interview for Black Gate, so that we could all share in some of his knowledge, wisdom, and love of pie. After all — ’tis the season for pie. But then, when isn’t it?

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Myke Cole and The Queen of Crows

Wednesday, October 24th, 2018 | Posted by Managing Editor Howard Andrew Jones

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The Sacred Throne novels by Myke Cole (Tor Books)

I first met Myke Cole at a World Fantasy Convention some years back, but I feel as though I’ve known him a little longer because John O’Neill published him in Black Gate, and Myke’s fiction is direct and compelling and intense, rather like Myke himself.

The second novel in his new series has just debuted, and I thought it high time to sit down with him to talk about the book and his writing.

HAJ: Suppose you bump into me on an elevator with a copy of your book, and I ask what the book’s about. What do you tell me?

Myke: It’s about the weight of expectations, and the struggle to do what’s right in spite of them.

I’m interested in your brief description and want to know more, so what else do you say about it?

The weight of expectations are falling on a young woman in a suit of badass power armor, so she’s got a fighting chance :)

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Modular: Sagas of Midgard Invades… Well, Midgard

Wednesday, October 24th, 2018 | Posted by Gabe Dybing

SoMcoverIt’s been awhile, and not because there’s been any shortage of Norse-themed role playing games! In this time, we’ve had the 5e derivative Dragon Heresy, a d6 system called Vikingr, older campaign settings such as Hellfrost and systems such as Trudvang Chronicles, and many others. Our topic on this Odin’s Day, however, is the latest of these: Sagas of Midgard.

Honestly, I had kind of retired from investment in Viking-age rpgs. My home game hasn’t involved the Norse-specific setting for more than a year, my pocketbook doesn’t drip nine golden rings as Odin’s Draupnir does, and there isn’t much utility in owning much more, since I doubt I’d be able to wrest my gamers from my tabletop version of Fourth Age Middle-earth anytime soon. But the Sagas of Midgard Kickstarter advertised savage, fast-paced gameplay and rules for Raiding—an essential component of the northern milieu and one that I had not ever seen treated to my satisfaction. So I backed a PDF copy, mostly out of curiosity.

When I received it, I realized I was encountering something much more than a few interesting mechanics. This looks like a really good game! You’ll notice that I don’t precisely say that it is simply because I haven’t had a chance to run it yet. Character abilities originate from five separate Domains, and each Domain is governed by a Norse deity. At character creation (and during advancement) players spend points within these domains for specific powers and abilities. These are fueled by a currency called Favor, which characters can obtain through a variety of methods, many of them mechanical. The core mechanic is what the designers call the “Rollover System.” Every task and adversary has a “Rollover Score,” usually between 1 and 100, that a PC has to beat (with a roll of d100) to obtain the effect she wants. There are modifiers, of course, resulting from other game mechanics, and a core feature is that the GM never rolls the dice, something shared by a few other systems and (though denying the GM the pleasure of rolling dice) allows her to focus on storytelling and character interaction.

My main criticism, though, is that the rules explanations can be hard to follow (while recognizing reasons for the authors’ organizational choices). I contacted the authors about this, and they told me that they already had been drafting a “cheat sheet” that should be helpful even to new gamers. And, in the midst of my enthusiasm for their game, I succeeded in getting the creators, Nick Porter and Dominic De Duonni, to agree to an interview.

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The Beauty in Life and Death: An Interview with Sebastian Jones

Sunday, October 21st, 2018 | Posted by SELindberg

Erathune-small Niobe She is Death-small Essessa-small

Niobe returns to reclaim her throne in 3 tales. Get the Erathune hardcover, She is Death #1 & #2, and the vampire epic, Essessa #1!

It is not intuitive to seek beauty in art deemed grotesque/weird, but most authors who produce horror/fantasy actually are usually (a) serious about their craft, and (b) driven my strange muses. This interview series engages contemporary authors & artists on the theme of “Art & Beauty in Weird/Fantasy Fiction.” Previously we cornered weird fantasy authors like John Fultz, Janeen Webb, Aliya Whiteley, and Richard Lee Byers. Recently we heard from the legendary author and editor of weird fiction, Darrell Schweitzer!

This round we corner Sebastian A. Jones: Author, actor, and teacher, Sebastian A. Jones grew up in England and moved to America at the age of eighteen where he founded MVP Records, releasing albums that included James Brown, John Coltrane, and Billie Holiday. In 2008 he founded Stranger Comics and Stranger Kids. Sebastian has written children’s books including Pinata and co-created the I Am book series with Garcelle Beauvais, including titles I Am Mixed and I Am Living in 2 Homes. Under Stranger’s dark fantasy line Asunda, he has received critical praise for his written work on The Untamed: A Sinner’s PrayerDusu: Path of the Ancient, and Niobe: She is Life, co-authored by Amandla Stenberg.

Note that the Asunda, the world of Niobe, is being realized with Pathfinder for RPG lovers. Check out the recent Paizo interview for more, and the ongoing Kickstarter which brings an omnibus versions of Niobe to life.

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The Poison Apple: Talking About Ghosts — an Interview with the Queen of Many Genres, Heather Graham

Wednesday, October 10th, 2018 | Posted by Elizabeth Crowens

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Elizabeth: Heather, of all people you’ve not only explored many genres but often you’ve blended them together.

Heather: Recently at ThrillerFest, I encountered other authors who had a stigma against horror and its association with slasher themes. If it has ghosts or similar phenomena call it paranormal. I’m so glad now that genres do cross so much. Seriously, Conan the Barbarian — great romance. Look at the love between the two of them. Star Wars — its adventure but it’s a romance, too. My first sales were romance novels.

How many books have you written, and how long have you been writing?

I don’t know the exact number, but it’s been over two hundred. My first book was sold in 1982 and published in 1983.

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The Beauty in Horror and Sadness: An Interview with Darrell Schweitzer

Monday, September 3rd, 2018 | Posted by SELindberg

We Are All Legends-back-small We Are All Legends-small

Cover by Stephen Fabian

Intro

It is not intuitive to seek beauty in art deemed grotesque/weird, but most authors who produce horror/fantasy actually are usually (a) serious about their craft, and (b) driven my strange muses. This interview series engages contemporary authors & artists on the theme of “Art & Beauty in Weird/Fantasy Fiction.” Previously we cornered weird fantasy authors like John Fultz, Janeen Webb, Aliya Whiteley, and Richard Lee Byers.

Today we hear from the legendary author and editor of weird fiction, Darrell Schweitzer!

Darrell Schweitzer is an American writer, editor, and essayist in the field of speculative fiction. Much of his focus has been on dark fantasy and horror, although he does also work in science fiction and fantasy. Schweitzer is also a prolific writer of literary criticism and editor of collections of essays on various writers within his preferred genres. Together with his editorial colleagues Schweitzer won the 1992 World Fantasy Award special award in the professional category for Weird Tales. His poem Remembering the Future won the 2006 Asimov’s Science Fiction‘s Readers’ Award for best poem. His novels include The White Isle, The Shattered Goddess, The Mask of the Sorcerer, and The Dragon House. His most recent story collection is the explicitly Lovecraftian Awaiting Strange Gods published by Fedogan & Bremer. He has also been known to lead the choir at Cthulhu Prayer Breakfasts, where his The Innsmouth Tabernacle Choir is used. He has published books about H.P. Lovecraft, Robert E. Howard, and Lord Dunsany.

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A Conversation with 2000AD‘s Rory McConville

Sunday, September 2nd, 2018 | Posted by Derek Kunsken

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I’ve been reading 2000AD regularly for a few years now, and I noticed that more and more of the stories are being written by Rory McConville. First a Future Shock here and there, then a 3-part Tharg 3riller, and now multi-part Dredd stories. Since more than a few Black Gate readers are 2000AD fans, so I wanted to chat with Rory about his success and caught up with him online. Welcome to Black Gate, Rory!

Cheers, Derek. Thanks for having me!

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Deadpool Writer Gerry Duggan Creates New Image Series: Analog

Saturday, August 18th, 2018 | Posted by Derek Kunsken

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Many people know Gerry Duggan from his long run as the writer of Deadpool, or possibly as a TV writer on Attack of the Show. He’s recently paired with artist David O’Sullivan, colorist Mike Spicer and letterer Joe Sabino on Analog, a future noir action comedy Image comic set in a world where internet communications are not secure. The first trade is coming out soon, and a feature film adaptation is in the works at Lionsgate with the director of the John Wick trilogy, Chad Stahelski.

In the world they’ve created, computers and internet are no longer secure, so valuable corporate information must be carried by private couriers, who go armed and anonymous.

Jack McGuinness is one such courier, who has to fight his way through a lot of resistance to deliver his packages. His larger problem is that NSA’s surveillance function is also adapting to the analog world and he’s part of their answer. I managed to catch up with Gerry and David for an e-interview.

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Lauren C. Teffeau Talks Her Debut Novel, Her Career to Date, and Dealing with Annoying Writers Group-mates

Wednesday, August 8th, 2018 | Posted by Emily Mah

teffeaulauren-4818webresimplanted_144dpi-1Lauren C. Teffeau’s debut novel Implanted was published yesterday!

When college student Emery Driscoll is blackmailed into being a courier for a clandestine organisation, she’s cut off from the neural implant community which binds the domed city of New Worth together. Her new employer exploits her rare condition which allows her to carry encoded data in her blood, and train her to transport secrets throughout the troubled city. New Worth is on the brink of Emergence – freedom from the dome – but not everyone wants to leave. Then a data drop goes bad, and Emery is caught between factions: those who want her blood, and those who just want her dead.

I’ve had the privilege of knowing Lauren for several years now and watching her writing go from strength to strength. She has a master’s degree in Mass Communication and worked for several years as a researcher in that field before moving to New Mexico. There, she attended the Taos Toolbox Writer’s Workshop and sold several short stories before earning her first contract with Angry Robot.

We recently sat down to talk about Implanted, her career to date, and her future projects.

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