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Corum and Me:  The Redemption of the Scarlet Robes

Corum and Me:  The Redemption of the Scarlet Robes

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The Chronicles of Corum, Berkley Medallion (1983, artist uncredited) and Grafton (1987, Mark Salwowski)

In late 2017 I published an article at Black Gate called Elric and Me, in which I discussed revisiting Michael Moorcock’s most famous creation. Three years later, I’ve decided to revisit another of his creations, Corum Jhaelen Irsei, the Prince of the Scarlet Robe. Recently I published the first half of the essay, Corum and Me: The Disappointment of the Swords, which discussed my reaction to the first trilogy of Corum novels, frequently called The Swords Trilogy and comprised of The Knight of the Swords, The Queen of the Swords, and The King of the Swords. I came away from the trilogy disappointed and not looking forward to the follow-up trilogy, for my fond memories of Corum were rooted in the first trilogy. (Greg Mele presented a thoughtful counter argument here, in In Defense of Corum, Elric’s Brother-from-a-Vadhagh-Mother.)

The second trilogy, The Chronicles of Corum, including the novels The Bull and the Spear, The Oak and the Ram, and The Sword and the Stallion, is set centuries after the first. It opens several decades after The King of the Swords. Corum’s love, the Margravine Rhalina, has died and he is living an empty existence, occasionally kept company by his companion Jhary-a-Conal.

Suffering from dreams in which people are calling him, he discusses the situation with Jhary-a-Conal, who has a greater than typical understanding of the way the multiverse works. Jhary-a-Conal explains that Corum is being summoned by Rhalina’s distant descendants who are in need of a hero. Their calls are getting weaker as Corum continues to ignore them but if he chooses to go to their aid, it is not too late. Being a hero and an aspect of the Champion Eternal, Corum allows himself to be dragged into his future.

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New Treasures: Agent of the Imperium by Marc Miller

New Treasures: Agent of the Imperium by Marc Miller

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Agent of the Imperium Marc Miller-smallMarc Miller created Traveller back in 1977, and over the last forty years it’s become pretty much the de facto science fiction role playing game. It’s certainly the one to beat, anyway.

A few years back Marc Miller launched a Kickstarter to fund the publication of the Traveller novel Agent of the Imperium. It was a huge success. raising $35,113 from 970 backers, and the book appeared in 2015. Like most Kickstarter-funded book projects however, it’s early success didn’t immediately translate into a lot of readers.

Baen Books is hoping to rectify that with a 2020 reissue, which arrived this week in a handsome new trade paperback edition. Here’s an excerpt from Shannon Appelcline’s thoughtful review at RPG.Net.

Jonathan Bland is a dead man, but he lives on in a technological wafer that allows him to exist again for 30 days at a time as an Agent of the Imperium. When called upon, he continues the work of the Imperial Quarantine Agency — which as often as not requires the scrubbing of dangerous planets. Jonathan Bland is a dead man, but that doesn’t mean he’s stopped learning… The threats of Agent of the Imperium include rogue robots, virulent diseases, and psionic infections, but at its core it’s a journey into the heart of a man who lives the most unusual life imaginable….

Agent of the Imperium is a troubleshooter novel, much like the Retief series (1967+) that Miller has listed as an influence on Traveller. Here, you can see the connection; where Keith Laumer wrote silly tales of a diplomatic troubleshooter, Miller instead offers the serious and sometimes grim tales of a quarantine troubleshooter in the Official Traveller Universe….

It is surprising that Marc Miller is able to incorporate so many elements of the Traveller universe in such an effortless, organic way. Vilani, psionics, newts, stasis globes, Geonee, naval officers, Threep, and amber zones. They’re all here, and they never feel gratuitous. Somehow, Miller is able both to fill Agent of the Imperium with the wonders of the Third Imperium and to convince us that he had to include those many and varied elements to give us the complete story…. Agent of the Imperium also does a great job of depicting Traveller‘s history. Because his book is set so far before the Golden Age, Miller is able to easily introduce historic elements such as the Frontier Wars and the Emperors of the Flag that could be backstory for any Traveller game… At the same time, Miller also foreshadows some of the future problems of the Imperium — great mysteries from the final days of the classic game. It’s an impressive (and surprising) trick.

Agent of the Imperium was published by Baen Books on November 3, 2020. It is 368 pages, priced at $16 in trade paperback and $8.99 in digital formats. The cover is by Alan Pollack. Read a generous sample at the Baen website.

See all our recent New Treasures here.

Vintage Treasures: The Calling of Bara by Sheila Sullivan

Vintage Treasures: The Calling of Bara by Sheila Sullivan

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The Calling of Bara (Avon, 1981, cover uncredited)

I like to use my Vintage Treasures columns to highlight overlooked classics of SF and fantasy, or books that mean something special to me. But every once in a while I’ll stumble on a complete mystery, a book I’ve never previously come across in over four decades of collecting. Are these titles worth showcasing? Of course they are! You even have to ask?

Which brings us to The Calling of Bara, a 1981 Avon paperback I found in a collection I bought on eBay over the summer. Never seen it before, and never heard of the author, Sheila Sullivan, either. But it’s clearly dressed up as a mainstream fantasy — and it even has an enthusiastic blurb on the cover by the great Peter Beagle (“”A haunting, scary, highly original book.”) Plus, it’s got a post apocalyptic, ruined-Earth vibe, and that’s a plus. That was enough to send me on the hunt for online mentions, and eventually I found this 40-year-old Kirkus Review in the faded memory banks of an old Univac machine at the U. of I:

When Con, the child Bara bears in 2044 — after all 20th century western civilization had crumbled away — is five years old, Bara hears voices within her demanding she bring Con to Ireland. They are pursued by Con’s father, the savage White Michael, travel through wild lands and tribes, until, after being joined by Bara’s man Tam, they are welcomed in Ireland by the ruling class of telepaths which had called them. Con, with his unique powers, will one day head this elite who are debating whether or not to restore 20th century civilization, while the evil principle, White Michael, waits in the wings. Atmospheric and moderately involving if you haven’t been there before.

Atmospheric and involving… evil principle… crumbling ruins. What the hell, my needs are simple. I’ll try it.

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Samuel R. Delany on The Shores Beneath, edited by James Sallis

Samuel R. Delany on The Shores Beneath, edited by James Sallis

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The Shores Beneath (Avon, August 1971). Cover by Ron Walotsky

It’s been a good few weeks for obscure SF anthologies. Sunday I talked about the 50-year old Swords & Sorcery anthology Swords Against Tomorrow, which Alan Brown at Tor.com unexpectedly reviewed recently. And two weeks ago the great Samuel R. Delany posted this on Facebook, about James Sallis’ long-forgotten 1971 anthology The Shores Beneath, which collected four tales by Delany, Thomas M. Disch, John Sladek, and Roger Zelazny.

This 1971 collection of four long stories is a collection that made me very happy to be in — though all the stories have been reprinted, it never got the introduction that the editor had promised when he first sold the idea of the book to Avon. I wonder if that has anything to do with why the book was never reprinted.

“The Asian Shore” [by Disch] is an upsetting tale about racism again Muslims. [Zelazny’s] “The Graveyard Heart” is an SF vampire tale. To flip through [John Sladek’s] “Masterson and the Clerks” is to encounter a text that looks just like Aeolus chapter in Ulysses — and to read it is to realize it presents the same theme. The extra information about my own story is actually on the back — it won a Hugo Award (and a Nebula) which is probably why it also got the wonderful Walotsky cover. But might it have [helped] to add that it was a fairly early tale about same-sex desire…? Might even that much extra information have kept the collection itself in print for more than the year it was widely available?

The book dates from the time when Zelazny and I had the same agent — and when Avon was doing some of the most literary books in English. (I assume the in-house editor on the book was George Ernsberger, if not Peter Mayer himself.)

The saddest words of tongue or pen
Are the words “it might have been.”

The Shores Beneath was published by Avon Books in August 1971. It is 192 pages, priced at $0.75. The cover is by Ron Walotsky. It has never been reprinted, and there is no digital edition. See all our recent Vintage Treasures here.

Return to the World of The Three Musketeers in Blood Royal by Alexandre Dumas

Return to the World of The Three Musketeers in Blood Royal by Alexandre Dumas

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Blood Royal Alexandre Dumas-smallNeed a break from obsessively following US election results tonight? I have just the thing: Blood Royal, the latest entry in the acclaimed series of new translations of the Musketeer novels by our very own Lawrence Ellsworth, is on sale today.

I’ve really been enjoying Lawrence’s Cinema of Swords series here at Black Gate. But his day job is even cooler: he’s been bringing Alexandre Dumas’s classic novels of swashbuckling intrigue back into print in exciting and handsome new editions, complete with modern translations.

The latest, Blood Royal, continues the adventures of the valiant d’Artagnan and his three loyal friends. It follows The Red Sphinx and the newly translated The Three Musketeers; here’s what Lawrence told us about it last week.

Blood Royal is the second volume of Dumas’s Twenty Years After; there hadn’t been a significant new English translation of this novel in over a century, which was reason enough to take on the challenge, but the truth is I did it because it was so much fun.

Here’s the publisher’s description.

The latest translation in Lawrence Ellsworth’s acclaimed new series of Alexandre Dumas’s greatest adventures is Blood Royal, the second half of what Dumas originally published as Twenty Years After. In this volume all the plots and schemes set up in the previous novel come to dramatic fruition in the kind of exciting thrill-ride Dumas is famous for — while at the same time introducing the characters and themes that form the foundation of the rest of the series, leading to its great climax in The Man in the Iron Mask.

In Blood Royal, the Four Musketeers all venture to England on parallel missions to save King Charles I, pursued by the murderous and vengeful Mordaunt, the son of Milady de Winter, the great villain of The Three Musketeers. Despite all his experience, d’Artagnan is repeatedly foiled by the much-younger Mordaunt, who erupts out of the past to embody the strengths of audacity and cunning that were once d’Artagnan’s hallmarks. Mordaunt has corrupted those youthful strengths, and the older d’Artagnan is no match for him until he is able to pull his former team together again. To do this d’Artagnan will have to become a true leader of men, leading not just by example but also by foresight, persuasion, and compromise. Only then can the team of Athos, Porthos, and Aramis be re-formed in all its might to defeat the specter of their past. Blood Royal is unmatched in Dumas’s oeuvre in its depictions of his most famous and beloved characters, and an unforgettable saga of swordplay, suspense, revenge, and ultimate triumph.

Blood Royal was published today by Pegasus Books. It is 496 pages, priced at $26.95 in hardcover and $17.99 in digital formats.

See all our recent coverage of the best new releases here.

In Defense of Corum, Elric’s Brother-from-a-Vadhagh-Mother

In Defense of Corum, Elric’s Brother-from-a-Vadhagh-Mother

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The Swords Trilogy by Michael Moorcock (Berkley, 1971). Covers by David McCall Johnston.

Wow, I don’t think I could agree less with a column.

Michael Moorcock is one of the tower giants of sword & sorcery and New Wave SciFi; a member of early Conan fandom who by 16 was a published author and editor, and has spent 64 years writing a vast body of work. Most of this work chronicles snapshots of his Multiverse, and the struggles of the Eternal Champion, the tortured, ever-reincarnating hero of the Cosmic Balance in the struggle between Law and Chaos. And, of course, no aspect of that hero is more famous than Elric, Doomed Prince of Melnibone, wielder of the demonic, soul-stealing rune-sword, Stormbringer. No character has perhaps come to symbolize Sword & Sorcery more, other than Conan himself (*maybe* Fafhrd and the Grey Mouser) than Elric.

Only, as Lin Carter wrote in Flashing Swords! #2:

In 1965 followed an Elric novel called Stormbringer, wherein Moorcock made the tactical error of killing off his hero and terminating the series by the simple method of blowing up the universe. Since then Mike has created many another fantasy hero, but he has recently confessed to me that he is tired of making up carbon copies of Elric: hence this story, and the good news that he is back at work, fitting new Elric tales in among the ones written almost a decade earlier…

And so, Moorcock began writing about other incarnations of the Eternal Champion (and retconning some of his earlier characters to become such). It’s quite a pantheon, but some characters are far better known than others. After our Albino Prince, the most famous must be Dorian Hawkmoon, Jerry/Jhary/jeremiah Cornelius, and Erekosë, who alone of the various incarnations, recalls his past lives, and his dark fate. It’s a mixed pantheon to be sure, with a wildly varying quality of work — I find The Jewel in the Skull, first of the Hawkmoon novels, to be one of the best novels Moorcock wrote, but still can’t get through the Jerry Cornelius tales.

But for me, none of the other incarnations quite work the way Corum Jhaelen Irsei, the Prince in the Scarlet Robe does.

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Witches, Sorcerers, and Space Citadels: Alan Brown on Swords Against Tomorrow, edited by Robert Hoskins

Witches, Sorcerers, and Space Citadels: Alan Brown on Swords Against Tomorrow, edited by Robert Hoskins

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Swords Against Tomorrow (Signet / New American Library, August 1970). Cover by Gene Szafran.

I’ve been enjoying Alan Brown’s classic science fiction reviews at Tor.com. In just the last few months he’s looked at Masters of the Vortex by E. E. “Doc” Smith, H. Beam Piper’s Space Viking, Edgar Rice Burroughs’ Pirates of Venus, Sterling E. Lanier’s Hiero’s Journey, and Murray Leinster’s Med Ship. That’s a pretty satisfying journey through some great 20th Century SF right there (depending on how generously you’re disposed towards “Doc” Smith, I grant you).

But I was especially intrigued by his lengthy review of Robert Hoskins’ 1970 sword & sorcery anthology Swords Against Tomorrow, a long-forgotten volume that contained five long stories by Poul Anderson, Fritz Leiber, Lin Carter, John Jakes, and Leigh Brackett, including a pair of reprints from Planet Stories and an original novelette from Lin Carter. All but one are reprints — including a standalone novella by Anderson, a Fafhrd and the Gray Mouser adventure, a Brak the Barbarian story, and a tale in Brackett’s famous Venus series.

This is a fine little paperback that introduced readers to some of the most popular heroic fantasy series of the era in the early 70s, and I certainly didn’t expect to see it featured so prominently at the premier genre site over half a century after it was published.

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New Treasures: The Loop by Jeremy Robert Johnson

New Treasures: The Loop by Jeremy Robert Johnson

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Cover design by Richard Yoo

Way back in early 2017, John DeNardo included Entropy in Bloom: Stories in a Kirkus Reviews article on The Science Fiction & Fantasy Books Everyone Will be Talking About in April. That was my introduction to the work of Jeremy Robert Johnson, a rising star in horror fiction, author of the 2015 novel Skullcrack City and the earlier collection We Live Inside You (2011).

His new novel The Loop was released by Saga Press last month to some pretty gonzo acclaim. Kirkus called it a “grotesque teen nightmare that’s pretty much Stranger Things meets Rogue One,” and I have no idea what that even means. Here’s a cut from Sadie Hartmann’s enthusiastic notice at Cemetery Dance:

This book covers a lot of ground and offers something for everyone: A strong, female protagonist named Lucy; witty (hilarious) sidekick besties, Brewer and Bucket; and a rocket-fueled storyline about a biologically engineered virus leaked from a lab and wreaking havoc in a small, rural town in the Pacific Northwest. There’s even a likable radio personality known as the Nightwatchman that gave me strong Pump Up the Volume vibes. Do you remember that movie with Christian Slater? Well I do. One of my favorite aspects of Johnson’s writing is the way everything is stylistically cinematic to read like a cult-classic from a familiar era (definitely the late ‘80s to mid-’90s)…

Folded into this tension is Johnson’s natural-born talent for wit and sarcasm as well as his flair for spot-on pop culture references — a trifecta of storytelling gifts that Johnson’s fanbase has come to expect from his books…. This is a favorite book of 2020 for sure.

The Loop was published by Saga Press on September 29, 2020. It is 306 pages, priced at $26.99 in hardcover and $9.99 in digital formats. The cover was designed by Richard Yoo. Listen to an audio excerpt or read Chapter One at the Simon & Schuster website.

See all our recent New Treasures here.

Rogue Blades Author: A Love Letter to Bear Creek

Rogue Blades Author: A Love Letter to Bear Creek

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The following is an excerpt from Mark Finn’s essay for Robert E. Howard Changed My Life, an upcoming book from the Rogue Blades Foundation.

Howard changed my lifeI’ve spent roughly seventy-five percent of my life thinking about Robert E. Howard, one of his many literary creations, or some combination of the two. It’s common when, in the bloom of one’s youth, a reader decides who their favorite author is and then reads everything they can get their hands on, indiscriminately. I was certainly no exception, and while I was quick to devour all the Conan, Kull, and Solomon Kane I could find, I don’t think I learned about Howard’s humor stories until I was a senior in high school.

It was in the problematic pages of Dark Valley Destiny (1983) where L. Sprague de Camp wrote favorably (well, as favorably as he was able, which in this case, was fairly glowing) about Howard’s humor fiction; the fighting sailor of the Asiatics, Steve Costigan, and the lumbering mountain man from Bear Creek, Nevada, Breckinridge Elkins. Given that de Camp’s biography was so full of scant praise for the author’s literary output, these plaudits stood out in sharp relief against the backhanded compliments. As the single biggest fan of Robert E. Howard that I knew, I could not let this omission in my reading stand.

As it turned out, it would have to, at least for a couple of years, until I could get to a better class of used bookstore. I bought both The Iron Man (1976) and A Gent From Bear Creek (1975) at the same time at Austin Books, in (where else?) Austin, Texas. They were the Zebra editions with wonderfully evocative covers by Jeff Jones. I was stunned and a little disheartened to find out that Howard’s humor writing was, in the late ’80s and early ’90s, about 95% unpublished. Sure, A Gent From Bear Creek was available, but it was, at the time, at odds with the rest of Howard’s work in print. Specifically, it was hard to reconcile this picaresque romp of a humor novel, full of hyperbole and exaggerations, with the same author that wrote “The Black Stone” and “Red Nails.” If I’m being completely honest, I didn’t quite get it.

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Andrew Liptak on 24 Sci-fi and Fantasy Books to Check Out in October

Andrew Liptak on 24 Sci-fi and Fantasy Books to Check Out in October

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Covers by: Kathryn Galloway English, DoFresh, and uncredited (click to embiggen)

Andrew Liptak’s monthly SF and fantasy book roundup in his email newsletter is both exhilarating and frustrating. You probably know what I’m talking about. It’s like being rushed through a tantalizing buffet — it looks fantastic, but no way you’ll have time to try it all.

His October book list is especially appetizing, with new releases from Linda Nagata, Kim Stanley Robinson, V.E. Schwab, Elizabeth Bear, P. Djèlí Clark, Cory Doctorow, Alix E. Harrow, Rebecca Roanhorse, Patrick Tomlinson, Neil Gaiman, Yoon Ha Lee, Cixin Liu, Lou Diamond Phillips, Benjamin Rosenbaum, Charles Stross, and more. But time’s a-wasting. Let’s check out the highlights.

Trinity Sight by Jennifer Givhan (Blackstone Publishing, 304 pages, $15.99 paperback/$7.99 digital, October 13, 2020) – cover design by Kathryn Galloway English

An anthropologist named Calliope Santiago is driving home from work and experiences a bright flash of light, and crashes. When she awakens, she discovers that almost everyone has vanished, and that New Mexico has turned into an unforgiving landscape of volcanoes, monsters, and magic. Along with her son and unborn twins, she and a neighbor’s child navigate this new wilderness, meeting survivors along the way as they try and find safety.

Kirkus Reviews notes that Givhan “employs Southwestern Puebloan mythology to inform the plot,” as well as more contemporary tensions between the US Government, atomic bombs, and more.

Jennifer Givhan is also the author of Jubilee and the collection Girl with Death Mask.

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