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New Treasures: The Space Between Worlds by Micaiah Johnson

New Treasures: The Space Between Worlds by Micaiah Johnson

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We’re nearing the end of 2020 and like most of you, all I can think is, man. Good riddance.

There were a few highlights, of course. As always there were a number of exciting debuts, and that cheered me up a little. One of the most talked about SF debuts of 2020 has been Micaiah Johnson’s The Space Between Worlds, named one of the Best Books of the Year by Library Journal, NPR, and Book Riot.

In The New York Times, Black Gate blogger emeritus Amal El-Mohtar says the word ‘debut’ “is utterly insufficient for the blazing, relentless power of this book, suggesting ballroom manners where it should conjure comet tails… this tale is profoundly satisfying… The book remained two steps ahead of my imagination, rattling it out of complacency and flooding it with color and heat.”

That sounds pretty good to me. Here’s the description.

Multiverse travel is finally possible, but there’s just one catch: No one can visit a world where their counterpart is still alive. Enter Cara, whose parallel selves happen to be exceptionally good at dying — from disease, turf wars, or vendettas they couldn’t outrun. Cara’s life has been cut short on 372 worlds in total.

On this dystopian Earth, however, Cara has survived. Identified as an outlier and therefore a perfect candidate for multiverse travel, Cara is plucked from the dirt of the wastelands. Now what once made her marginalized has finally become an unexpected source of power. She has a nice apartment on the lower levels of the wealthy and walled-off Wiley City. She works — and shamelessly flirts — with her enticing yet aloof handler, Dell, as the two women collect off-world data for the Eldridge Institute. She even occasionally leaves the city to visit her family in the wastes, though she struggles to feel at home in either place. So long as she can keep her head down and avoid trouble, Cara is on a sure path to citizenship and security.

But trouble finds Cara when one of her eight remaining doppelgängers dies under mysterious circumstances, plunging her into a new world with an old secret. What she discovers will connect her past and her future in ways she could have never imagined — and reveal her own role in a plot that endangers not just her world but the entire multiverse.

The Space Between Worlds was published by Del Rey on August 4, 2020. It is 322 pages, priced at $28 in hardcover and $13.99 in digital formats.

See all our coverage of the best new releases in SF & fantasy here.

An Evocation of the Science Fiction Dream of Exploration: “The Star Pit” by Samuel R. Delany

An Evocation of the Science Fiction Dream of Exploration: “The Star Pit” by Samuel R. Delany

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Worlds of Tomorrow, February 1967, containing “The Star Pit” by Samuel R. Delany. Cover by Morrow

This is the first of what I hope will be an extended series of essays taking a closer look at some stories I either consider to be particularly good, or interesting for other reasons. Of necessity, each of these essays will go into some detail as to the plot of the stories – in most case, in my opinion, this will not “spoil” the stories, but I know that I am less spoiler-phobic than many, so tread carefully.

I remember reading “The Star Pit” as a teen, probably in Robert Silverberg’s exceptional reprint anthology Alpha 5. It was a story I liked then, and loved on a reread a few years later. I remember it as one of the great underappreciated novellas in SF. But it’s been quite a few years since my last read.

In fact this is a story with a decent history of anthologization and recognition over the years, so my term “underappreciated” is off base. It first appeared in Worlds of Tomorrow for February of 1967 – and as Worlds of Tomorrow was widely considered the “third-string” magazine in Fred Pohl’s editorship, behind sister magazines Galaxy and If, that could be regarded as “underappreciation,” though more likely it reflected the difficulty of fitting novellas into magazines. (Interestingly, the magazine ceased publication after the next issue (May 1967) before a brief (three issue) revival in 1970 and 1971.)

“The Star Pit” was a finalist for the 1968 Hugo for Best Novella, which went in a tie to “Riders of the Purple Wage” by Philip Jose Farmer and “Weyr Search” by Anne McCaffrey. It was in Judith Merril’s SF 12, the very last outing for her seminal series. Robert Silverberg anthologized it twice – not just in Alpha 5 but in the Arbor House Treasury of Great Science Fiction Short Novels. Gardner Dozois put it in his anthology with a similar title (and ambition) to Silverberg’s: Modern Classic Short Novels of Science Fiction. And Richard Lupoff chose it for What If? Volume 3, the third entry in his series of books highlighting the stories that he felt should have won the Hugo each year. (Unfortunately, the What If? series was cancelled after the first two books, and Volume 3 only appeared decades later from a small press.)

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Vintage Treasures: The Sky is Filled With Ships by Richard C. Meredith

Vintage Treasures: The Sky is Filled With Ships by Richard C. Meredith

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The Sky Is Filled with Ships (Ballantine Books, 1969). Cover by Jerome Podwil

Richard C. Meredith died tragically young in 1979, at the age of 41. He left behind a body of work that’s still read and discussed today, including the Timeliner trilogy, We All Died at Breakaway Station (1969), which John Clute and Peter Nichols at the Encyclopedia of Science Fiction call “a bleak, well-crafted space opera in a kind of Alamo setting, where a scarred cyborg crew must withstand both external alien enemies and the devils of introspection,” and Run, Come See Jerusalem! (1976), a complex and effective alternate history set in a world where the Nazis were victorious.

Although he sold his first stories to Fred Pohl at Worlds of Tomorrow in 1966, rightly or wrongly I still think of Meredith as a Campbell writer. He bought his first copy of Astounding at the age of 13 and became an instant fan, faithfully purchasing every issue until John W. Campbell passed away in 1971.

Meredith’s debut novel was The Sky Is Filled with Ships, published as a paperback original by Ballantine Books in 1969 with a striking cover by Jerome Podwil. It was selected to be part of Singularity & Co’s “Save the Sci-Fi” digital reissue campaign in 2013, and that put it in the hands of a lot of modern readers. I was surprised to see that it held up well with them, and enjoys an impressive 4.51 rating at Goodreads. BJ Haun’s 4-star review is fairly typical.

The Sky is Filled with Ships might be my favorite book to come out of Singularity & Co’s “Save the Sci-Fi” campaign thus far. It’s an interesting little story that has some action, some space battles, some intrigue, and maybe a couple too many melodramatic bits.

The Sky Is Filled with Ships is 184 pages, and was originally priced at 75 cents. It has been out of print since 1969, though it’s available in ebook formats from Singularity & Co. See all of our recent Vintage Treasures here.

Where Ghoulish Shadows Haunt the Appalachians: The Witchy War Series by D.J. Buter

Where Ghoulish Shadows Haunt the Appalachians: The Witchy War Series by D.J. Buter

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Covers by Daniel Dos Santos

Apparently I haven’t been paying enough attention to DJ Butler. I can tell because when Serpent Daughter, the newest in his Witchy War saga, arrived in November, I thought it was the second in the series. Not so! There are actually four novels in Witchy War, and I managed to miss half of them.

I didn’t miss Serpent Daughter though — thanks mostly to Daniel Dos Santos’ knockout cover, which caught my eye the moment I spotted it in the Books You May Like tray at Amazon. A little digging revealed three previous installments, which have been labeled a blend of “alternate history, Appalachian Folklore, and epic fantasy.” The series opened with Witchy Eye, a Baen hardcover, back in 2017; Publishers Weekly gave it an enthusiastic starred review, saying:

In an alternate North America where magic is pervasive and the Appalachians are under the boot of Emperor Thomas Penn, 15-year-old Sarah Calhoun, youngest daughter of imperial war hero Iron Andy Calhoun, is content with her rural Tennessee tobacco-farming life, in which she gets to cast the occasional small spell… When the priest Thalanes, an acquaintance of Andy’s, arrives and helps to reveal that Sarah is not a Calhoun daughter but carries royal blood — and is being hunted by humans and magical entities in the service of the emperor… Butler’s fantasy is by turns sardonic and lighthearted; ghoulish shadows claw into the most remote areas and heroism bursts out of the most unlikely people. Sarah is the epitome of the downtrodden hero who refuses to give up until she gets what she needs, and her story will appeal to fantasy readers of all stripes.

I’m not quite sure how many books the series will run, but with four on the shelves already, I think it’s safe to give this one a try. Serpent Daughter was published by Baen on November 3, 2020; it is 608 pages, priced at $15.99 in trade paperback and $8.99 in digital formats. Read the first five chapters of Witchy Eye here.

See all our recent coverage of the best new fantasy series here.

Imaro Series Tour Guide

Imaro Series Tour Guide

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Masthead 2020 Nov Dec Saunders Soul B

“Who am I? Who is my father? Where is my mother? Why do death and demons follow me wherever I go?” – Imaro in The Quest for Cush

Charles R. Saunders, the originator of Sword & Soul, passed away May this year (2020, Greg Mele covered a tribute for Black Gate). Saunders is most known for his Imaro tales chronicling an African-inspired “Conan the Barbarian” on the fictional continent of Nyumbani. Saunders also wrote of a heroine named Dossouye (separate series), amongst other characters. Over the years, Black Gate has reviewed the entire Imaro series and the book of associated stories called Nyumabi Tales (see list). The Goodreads Sword and Sorcery group honored his memory with a groupread, catalyzing this post. If you are looking for some buddies to share experiences while you read, then please join in (formally the Saunders group read goes through Dec., but discussions will continue beyond). This post serves as a tour guide for the series, clarifying transition from Book#1 to #2 per edition, provides Saunder’s own voice (excerpts) to capture the essence of Imaro’s Nyumbani, and reviews book availability.

Imaro Series Publication History:

The publication history also follows Imaro’s chronology as well. Links to Black Gate reviews included.

  1. Imaro: DAW 1981, Nightshade reprinted 2006 with story changes; Lulu 2014; 2008 Review by Howard Andrew Jones
  2. Imaro II: The Quest for Cush: DAW 1984, Nightshade reprinted 2006 with story changes 2008 Review by Ryan Harvey
  3. The Trail of Bohu: DAW 1985 & Lulu 2009 2009 Review by Bill Ward
  4. Naama War: Lulu 2010 2010 Review by Ryan Harvey, and 2009 coverage Howard Andrew Jones & John O’Neill
  5. Nyumbani Tales: Mvmedia, LLC 2018 2017 by Fletcher Vredenburgh
  6. The Warrior’s Way: unpublished collection mentioned in the 2017 introduction to Nyumbani Tales penned by Saunders (more on this below).

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By Crom: A Pair of Perrys (Conan)

By Crom: A Pair of Perrys (Conan)

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I have talked about Conan pastiches in a couple of prior Black Gate posts; and I’ve linked to them at the bottom of this one. Here’s something from one of them:

From 1982 through 2003, eight authors (though primarily four) cranked out 43 new Conan novels for Tor. At two per year, the quality varied wildly, as you can imagine. John M. Roberts’ Conan the Rogue is an homage to Dashiell Hammett’s Red Harvest and one of my favorite Conan books. Steve Perry’s Conan the Indomitable is one of the worst fantasy books I’ve ever read (even though it is a direct sequel to Perry’s Conan the Defiant, which I mostly liked.)

So, let’s take a look at those two Steve Perry books. I think that Ryan Harvey may hold Roland Green in less esteem than he does Perry, but I suspect it’s a close call. I think that Perry was the Tor author cranking out Conan books just for the money. On the whole, they’re bad, and I recommend everyone else ahead of him. Though I don’t recommend Green much, if ever. I talk about the books, and Conan writers, who I like, in the other posts below. You can see what I consider good about them. I don’t think Perry respected the character, or cared about the quality of the plot. Having said that, Conan the Defiant wasn’t too bad as a sword and sorcery paperback. Unfortunately, its follow-up was tripe.

Conan the Defiant

Conan the Defiant is the second of the five novels which Perry wrote in the Tor Series. In William Galen Gray’s chronology it is the fourth Conan tale (following Conan of Venarium, “Legions of the Dead” and “The Thing in the Crypt”), and taking place before Sean Moore’s Conan the Hunter.

The young Conan comes upon a lone priest being waylaid by five bandits. Impressed with the stranger’s skill with a wooden staff, the Cimmerian wades in and helps the man dispatch his opponents. Cengh, a priest of the Suddah Oblates, is later murdered, sending Conan on a quest of justice for his short-time friend.

In typical Conan fashion, he beds Elashi, a desert-bred warrior maiden, as well as Tuanne, a beautiful zombie. Yep, a zombie. Being the irresistible stud he is, the trio engage in threesomes all along their trek to the bad guy’s castle. This one seems to rate higher than normal on the Conan adolescent fantasies scale.

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Out of the Past: The Scarecrow and Other Stories by G Ranger Wormser

Out of the Past: The Scarecrow and Other Stories by G Ranger Wormser

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The Scarecrow and Other Stories
G Ranger Wormser
Edited by William P. Simmons
Shadow House Publishing (161 pages, October 26, 2020)

Originally published in 1918, this collection of short stories is the first installment of a Macabre Mistresses series aiming to unearth forgotten dark fiction, much to the joy of genre fans.

As William P. Simmons points out in his insightful Introduction, Wormser’s work has nothing to do with the horror genre in its more blatant expressions, but relies upon subtlety, introspection and psychological uneasiness.

The volume assembles twelve stories, some of which are particularly worth note.

The title story is a subtly disturbing piece in which a scarecrow made from the uniform of an old soldier comes to life to signal to his grandson what he has to do with his life.

A somehow similar concept is developed in “China-Ching,” in which a quiet dog kept restrained becomes the symbol of an unhappy marriage.

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A Tale of Horrific First Contact: The Sentience Trilogy by Terry A. Adams

A Tale of Horrific First Contact: The Sentience Trilogy by Terry A. Adams

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Covers by James Gurney, Richard Hescox, and Stephan Martiniere

Every time an author completes a trilogy, we bake a cake at the Black Gate rooftop headquarters. Given how long some big fantasy trilogies take to wrap up, we’ve learned patience over the years. Even so, we rarely have have to wait 27 years, as dedicated fans did for Terry A. Adams popular Sentience trilogy.

It opened with Sentience, Adams’ debut novel, which made quite a splash in 1986.  It was nominated for the Locus Award for Best First Novel; Locus magazine said “Adams writes with an elaborate, intricate prose … [and] weaves an elegant tale that makes for fascinating reading,” and Voya called it “an exciting story, well told and well written…. An excellent SF thriller by a new writer.” John Clute at The Science Fiction Encyclopedia describes the series this way:

Begins in the conflict between “true” humans and D’Neerans, who are human telepath, and builds into a Space-Opera sequence involving new races and challenges to their female telepath protagonist, who saves several worlds. They are told in a skittish but engaging style designed to give some sense of a telepath’s way of thinking.

Ken Richards gave the first book a 4-star review at Goodreads. Here’s an excerpt from his more detailed review.

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Zig Zag Claybourne Author Interview: Flipping the Bird and Finding Joy while Writing Afro Puffs are the Antennae of the Universe

Zig Zag Claybourne Author Interview: Flipping the Bird and Finding Joy while Writing Afro Puffs are the Antennae of the Universe

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Zig Zag Claybourne is infectiously joyous on the page and in real life. He’s a comfort to read but not everything he writes is comforting. There’s no seeing the light without being in the dark, but you can trust Claybourne to make you laugh while you’re there. He’s a chill-seeking truth-slinger who’ll shove you into action-packed absurdity then somehow make you feel…cozy.

Afro Puffs are the Antennae of the Universe is the sort of sci-fi that could get Prince’s sexyass ghost to slink outta the celestial void to host a book club. It’s the second, standalone installment in the Brothers Jetstream series. All Captain Desiree Quicho wants is a day off. Maybe a barbeque. But somebody’s got to save the universe. Again. This time from an immoral billionaire and a mega-corporation, each wanting power but neither wanting the responsibilities that come with it.

Here’s the hella fun phone chat Black Gate had with Zig Zag Claybourne about writing Afro Puffs and taking time in 2020 to find joy.

PATTY TEMPLETON:  What kind of feelings do you want to invoke in your readers with Afro Puffs are the Antenna of the Universe?

ZIG ZAG CLAYBOURNE:  Joy, rage, defiance, more joy, and fun. This book is definitely one that comes out of the gate with both middle fingers raised up high. I like that about it.

Who’s it flipping the bird at?

To the fan bois out there who are constantly being asses to everybody else. To the economic systems that treat people like they’re paper assets. This is a book for people saying enough is enough. We’re done with all that.

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Goth Chick News: Ray Bradbury’s “The Wish” Brings New Magic to the Holidays

Goth Chick News: Ray Bradbury’s “The Wish” Brings New Magic to the Holidays

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Just about a year ago I finally got around to writing about my first encounter with Ray Bradbury and his story “The Wish.” It isn’t one of his most famous or well known, but when it appeared in the December issue of Woman’s Day magazine in 1973, it touched my 9-year-old self in a deeply personal way. Following its appearance in Woman’s Day, “The Wish” only appeared twice more; once in a compilation called Long After Midnight, which I discovered in my subsequent youthful pursuit of all things Bradbury, and once in a format I only just discovered.

Here is where the magic comes in…

Back in October I received an unusual voicemail on my “day job” phone. The gentleman introduced himself and asked if I was the Sue Granquist who writes for Black Gate. If so, he had something for me. If not, he apologized for bothering me and then left his number for me to call. What was exceptionally strange about this is that I don’t even know my office phone number, not to mention my very strict policy of separation of church and state – no one at the day job knows about my gig at Black Gate.

So how, exactly, did this gentleman track me down there?

With curiosity killing me I rang the number back and met Peter Schneider, former Vice President at Viking Penguin, William Morrow, Prentice Hall and Grove Press; translate that to mean a titan in the publishing world. Now retired, Mr. Schneider’s last gig was as owner of a boutique publishing firm called Hill House Press. He explained that he was the publisher for and personal friend of Ray Bradbury in the ten years before Bradbury’s death in 2012. During that time, he convinced Bradbury to let him publish a limited-edition hard cover book of The Wish; limited as in fifty-two copies were made, each containing an actual photo of Bradbury’s father and a short note about the origins of the tale from Bradbury himself. Mr. Schneider explained that he had copy number 8 in his possession which he found when cleaning out the attic. That made him wonder when the story had first appeared in public so he Googled “The Wish” and what was the first listing that came up?

The article I had written about it, which appeared in Black Gate last December.

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