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Traveling the Imperium: Agent of the Imperium by Marc Miller

Traveling the Imperium: Agent of the Imperium by Marc Miller

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Agent of the Imperium (Baen Books, November 3, 2020). Cover by Alan Pollack

For having been created and played since 1977, the Traveller roleplaying game (RPG) has very little in the way of official fiction. Nothing like the Dragonlance or Drizzt series for Dungeons & Dragons or the Warhammer 40,000 line of novels. Those series have spent decades fleshing out stories and setting, acted as entry points into their respective RPGs, or stood alone for those not interested in the gaming stuff.

Traveller, on the other hand, with its rich setting and incredible scope has only seen a few (compared to the other cited series) official fiction releases. A few novels in the 1990s supporting the Traveller: New Era edition, one supporting the Marc Miller’s Traveller (the fourth edition), and few others (for example, Fate of the Kinunir and Shadow of the Storm) were published. Recently, Mongoose Publishing published as series of Traveller short stories, mostly set in the Trojan Reach that they mined and developed so excellently in the Pirates of Drinax campaign.

Perhaps the relative lack of fiction (again, compared to the hundreds of novels in the D&D and Warhammer settings) is because so many excellent science fiction novels already exist and function as surrogates for Traveller fiction. Though Traveller’s setting is unique to that RPG, it is a universe that has its roots in the science fiction of the 60s and early 70s.

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The Odyssey of Guy Davenport

The Odyssey of Guy Davenport

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Inside cover of The Odyssey of Homer by TE Shaw (1945),
showing the wanderings of Odysseus

I bought a book last week from a bookseller on Instagram, the first time I’ve ever done that.  It was a copy of T. E. Shaw’s translation of Homer’s Odyssey.  Yes, that T. E. Shaw, Lawrence of Arabia.

The book is old, beat, and tired. It’s probably a twelfth printing, depending on how you count such things, but what caught my attention was that the seller had included a photo of the previous owner’s signature, Guy Davenport, Jr., and the signature was dated 1945.

Did this copy of the book belong to Guy Davenport, a minor but very interesting science fiction writer who won a MacArthur fellowship in 1990? I bought the book and then started to research.

I’ve found nothing conclusive, but everything points in that direction. Davenport was named after his father Guy Mattison Davenport and was, in fact, a Junior. Davenport would have been 18 years old in 1945, just the right age to read the book in either his first year of college or his last in high school. He taught for 27 years at the University of Kentucky and lived in Kentucky for another 15 years until his death in 2005, so the book turned up in the correct geographical location.

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New Treasures: The Big Book of Modern Fantasy edited by Ann and Jeff VanderMeer

New Treasures: The Big Book of Modern Fantasy edited by Ann and Jeff VanderMeer

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Cover art by Leonora Carrington

Here we are at the end of the year, that time when book bloggers create Best of the Year lists. I’m not sure I have the ambition to create a Top Ten list, but at the very least I have a favorite anthology for 2020: The Big Book of Modern Fantasy, edited by Ann and Jeff VanderMeer, the follow-up to the magnificent Big Book of Classic Fantasy. That volume included selections up the end of World War II; this one contains 91 stories published between 1946 and 2010.

And what a rich assortment of old favorites and new discoveries it is. Here’s an excerpt from Paul Di Filippo’s delightfully detailed review at Locus Online.

Over 800 pages of bliss-inducing non-mimetic goodness which attempts the impossible: to limn the full dimensions of the unreal in today’s literature… Rounding out the first decade is Borges’s “The Zahir”, with its cursed coin that preempts all other thoughts… Moving into the 1950s… we enjoy Gabriel García Márquez’s “A Very Old Man with Enormous Wings.” Its portrait of an anomalous derelict who hovers between mortal and angel is touching. And we note that even when the editors select a famous name, they dip into the less-well-known stuff.

As the editors say in their intro, they like to break down barriers between “high” art and popular art, so seeing Fritz Leiber consorting with Márquez and Borges is a delight. His “Lean Times in Lankhmar” is a great choice since it shows us his famous companionable heroes, Fafhrd and the Gray Mouser, separate and at odds.

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Vintage Treasures: The Trackers Series by David Gerrold

Vintage Treasures: The Trackers Series by David Gerrold

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Covers by Michael Herring

David Gerrold began his career as a screenwriter for Star Trek (the famous episode “The Trouble With Tribbles”), Land of the Lost, Babylon 5, Sliders, and others, but today he’s chiefly known as an author and novelist, with such works as the Hugo Award winning “The Martian Child” (made into a 2007 John Cusack film), The War Against the Chtorr series, Star Wolf, and most recently Hella, a 2020 adventure thriller set on a world where everything is monstrously huge (“hella big”).

Anyone with a career that rich has a few interesting tales, and one of the more intriguing is the saga of Trackers, the story of a colony planet of human, androids and reptilian hunters that bands together to “strike back against their vampire overlords and bring revolution to the stars.” In 1987, while he was serving as a story editor for Star Trek: The Next Generation, Gerrold left to develop a Trackers mini-series for CBS.

In April I was offered the opportunity [to] write and produce a four-hour science-fiction mini-series for CBS and Columbia Television. The series is called Trackers and the Executive Producer is Daron J. Thomas. If the mini-series is a hit, then a regular weekly SF TV series would be developed from it. This was a very difficult decision for me to make. Star Trek has always been a home to me… [but] now, it was obvious to me that it was time to leave home. Or as my agent put it: “You can’t turn down the chance to be the Great Bird of your own galaxy.”

Trackers was never produced, and instead Gerrold turned it into a two-volume series for Bantam Spectra, Under the Eye of God (1993) and A Covenant of Justice (1994).

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Witches, Menacing Forests, & the True Meaning of Fairy Tales: A Tale Dark & Grimm by Adam Gidwitz

Witches, Menacing Forests, & the True Meaning of Fairy Tales: A Tale Dark & Grimm by Adam Gidwitz

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Covers by Dan Santat

The Christmas break is usually a bit of a reading vacation for me, a chance to catch up on the year’s big reads. Of course, I don’t always want to read big, important books while I’m on vacation. Sometimes (usually), I just want something fun.

That’s how I ended up reading Adam Gidwitz’s A Tale Dark & Grimm yesterday, the first book in his dark retelling of favorite kid’s stories. The series was published nearly a decade ago, and re-issued with gorgeous new covers by Dan Santat in 2016. The first book was a New York Times bestseller, and it follows Hansel and Gretel as they skip their own story and leap into other classic Grimm fairy tales, meeting witches, warlocks, dragons, and even the devil himself. As they roam menacing forests, the siblings learn the true story behind the famous tales. Here’s a snippet from my favorite review, by Robin Smith at BookPage.

When I teach my second graders about Grimm’s fairytales, they are often shocked by the graphic details… Now that I have read Adam Gidwitz’s take on Hansel and Gretel, I know exactly what my students really feel: sheer terror.

Like any good storyteller, Gidwitz lures his readers into his tale. His light touch, humorous use of direct address (“if such things bother you, we should probably stop right now”) and tongue-in-cheek warnings make the reader want to take up his challenge and turn the page, no matter what. Gidwitz weaves a number of original tales into one satisfying, daring story of a brother and sister making their way in a world where adults, particularly parents, are unreliable, untrustworthy and in desperate need of forgiveness.

The first volume was followed in short order by two sequels. Here’s a closer look at the wraparound covers for all three volumes.

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Fantastical Kung fu Swordsmen Woven Into Historical Events: Legends of the Condor Heroes by Jin Yong

Fantastical Kung fu Swordsmen Woven Into Historical Events: Legends of the Condor Heroes by Jin Yong

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St. Martin’s Press paperback editions. Cover design by Ervin Serrano

Louis Cha Leung-yung, known more widely by his pen name Jin Yong, was a Hong Kong wuxia author whose tales of martial arts heroes in ancient China made him one of the most popular writers of all time. He wrote 15 books between 1955 – 1972, and by the time of his death in 2018 he was the best-selling Chinese author. The New Yorker proclaimed that “in the Chinese-speaking world, has a cultural currency roughly equal to that of Harry Potter and Star Wars combined,” and The Guardian called him “The world’s biggest kung fu fantasy writer.” CNN said that “Cha’s stories were epic, featuring not just fantastical kung fu swordsmen who can fly and walk on water, but also complex characters and plots woven into dramatic historical events.”

At long last four of his most popular fantasy novels have been given modern English translations, and mass market editions in the US. The Legends of the Condor Heroes series has sold over 300 millions copies worldwide; here’s the Kirkus Review of the first volume.

A somewhat simple-minded young man named Guo Jing, raised by his mother after his father’s untimely death, grows up in a world torn apart by palace intrigues and stewing political factions behind the Great Wall. On the other side, there’s a vast Mongol army led by none other than Genghis Khan… Fighting their way across the landscape with Guo are bands of Song dynasty patriots and traitors as well as legendary martial artists with names like The Eastern Heretic Apothecary Huang and Double Sun Wang Chongyang — oh, yes, and the Seven Freaks of the South… Jin Yong draws on a body of legend, history, Taoist precepts, and various martial arts traditions to serve up a tale of stylized contests…. Fans of sword-and-sorcery fantasy and historical fiction alike will enjoy this hard-hitting yarn.

Here’s the back covers for the first three books.

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Vintage Treasures: The Macabre Reader edited by Donald A. Wollheim

Vintage Treasures: The Macabre Reader edited by Donald A. Wollheim

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The Macabre Reader (Ace, 1959). Cover by Ed Emshwiller

Today, December 21st, is the Winter solstice and the longest night of the year in the Northern Hemisphere. What to do with those long winter night hours? Curl up with a blanket, a warm beverage, and a good spooky book, of course.

My pick for tonight is Donald A. Wollheim’s The Macabre Reader, his 14th anthology, published as a paperback original in 1959 and never reprinted in the US. It’s still considered one of his finest anthologies, even today, and has both a fine reputation and the benefit of a good print run — meaning copies are still very inexpensive. There are plenty of reviews out there; here’s an excerpt from one of my favorites, by Dem Bones at Vault of Evil:

Thorp McClusky – “The Crawling Horror”: Hans Brubaker’s farmhouse comes under attack from a colourless jelly which devours rats, cats and cattle before turning [its] attention to human prey. His beautiful young wife Hilda and the local physician Dr. Kurt are the only people who believe his seemingly insane story and help him secure the place versus the shapeless creeping sludge. All is well until eighteen year old Bertha Brandt turns up on the doorstep in the middle of the night…

Zealia Brown Reed – “The Curse Of Yig”: Oklahoma, 1925. An ethnologists’ researches into snake lore amongst the Native Americans leads him to Guthrie Asylum… [and] the tragic history of settlers Walker and Audrey Davis, whose anxieties over her wiping out a nest of baby rattlers culminate in madness, manslaughter and monster births. A pulp classic with a killer ending, reputedly revised by H. P. Lovecraft.

The Macabre Reader contains stories and poems by H. P. Lovecraft, Robert E. Howard, Clark Ashton Smith, Donald Wandrei, Robert Bloch, Henry S. Whitehead, John Martin Leahy, and many others — all under a killer cover by Ed Emshwiller. It’s perfect for a snowbound winter night.

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New Treasures: Rebel Sisters, Book 2 of War Sisters by Tochi Onyebuchi

New Treasures: Rebel Sisters, Book 2 of War Sisters by Tochi Onyebuchi

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Cover by Nekro (left) and unknown (right)

In his enthusiastic review of War Girls here at Black Gate, Jeremy Brett wrote:

War Girls is a novel of intense, determined hope in the face of overwhelming obstacles; in this current historical moment it’s exactly the book we need. In 2172, the world is a damaged place. Climate change and war have destroyed much of the Earth, and millions have fled the planet…  The war has left much of the area saturated in radioactivity that kills or mutates the local wildlife, and battles are fought using unmanned drones, human-piloted mechs, and augmented soldiers refitted with bionic limbs.

Onyii is such a soldier, a young woman and war hero who lives to protect both her new nation and her adopted orphaned sister Ify. When the two become separated through the usual vagaries of war, they find themselves on opposite sides of the conflict….  Part of the greatness of this book lies in Onyebuchi’s multidimensional descriptions of war. Yes, giant mechs fly through the skies and attack each other with gun and sword, which is always fun and exciting and begs to be a movie. But also, children are taken and augmented to become pitiless warriors, at the cost of their humanity and that of the people who build and direct them… There are exciting gunfights, but there are also moments of quieter emotional and physical healing.

The sequel Rebel Sisters arrived in hardcover last month, and it looks like a worthy follow up. Kirkus Reviews calls it “A thought-provoking, action-packed addition to the series,” and there’s been plenty of interest here in our offices. Looks like I’ve found a good 2-book series to dive into over the Christmas break.

Rebel Sister was published by Razorbill on November 17, 2020. It is 464 pages, priced at $18.99 in hardcover and $10.99 in digital formats. The cover artist is uncredited. Read an excerpt (or listen to an audioclip) here.

See all our latest coverage of the best new releases in SF and fantasy here.

A Heist in a Sword and Sorcery World: A Hazardous Engagement by Gaie Sebold

A Heist in a Sword and Sorcery World: A Hazardous Engagement by Gaie Sebold

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Cover by Duncan Kay

I’ve had my eye on Gaie Sebold ever since I bought her brilliant and funny short story “A Touch of Crystal” (co-written with fellow Brit Martin Owton), the tale of a shopkeeper who discovers some of the goods in her New Age shop are actually magical, for Black Gate 9.

She’s been well worth the watch. Her debut novel Babylon Steel (described as “Sword & Sorcery for the girl who wants to be Conan”) kicked off a successful 2-book series at Solaris; you can get both books in a giant 1,000-page omnibus, The Babylon Steel Adventures. Her 2014 effort Shanghai Sparrow was a Far Eastern steampunk tale of Espionage, Etheric Science, and Murder.

Her latest is A Hazardous Engagement, volume #6 in the NewCon Press Novellas line, a prestigious imprint that has published Alastair Reynolds, Tom Toner, Kari Sperring, Adam Roberts, Hal Duncan, Liz Williams, Simon Clark, Alison Littlewood, and loads more. My friend Arin Komins reviewed it on FB this week, saying:

A Hazardous Engagement novella from Gaie Sebold… Delightful heist story in a sword and sorcery world. From NewCon Press. Excellent and swift read, and quite good. Would make a good series of novellas or stories.

That’s all the endorsement I need…. I put it in my Amazon cart immediately. A Hazardous Engagement was published by NewCon Press on June 19, 2019. It is 120 pages, priced at $8.99 in paperback and $4.75 in digital formats. The cover is by Duncan Kay. See all the latest releases by Black Gate writers and staff here.

An Ode to Books and Writing: The Hell’s Library Series by A.J. Hackwith

An Ode to Books and Writing: The Hell’s Library Series by A.J. Hackwith

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Cover design by Faceout Studio/Jeff Miller

One of the delights of fantasy is its diversity. Good fantasy should always surprise readers with its inventiveness, and it certainly needn’t be confined to the mundane world we live in. Case in point: A.J. Hackwith’s Hell’s Library series, which opened last year with The Library of the Unwritten, is set in a library in Hell.

That’s intriguing enough on its own. But what really got my interest was the brief plot synopsis: Hell’s Librarian, a resourceful and determined woman named Claire, learns that pages from the Devil’s Bible have been found on Earth. Authored by Lucifer himself, the pages are so dangerous that Hell and Heaven are both hellbound to find them. Together with her small staff, Claire sets out to prevent an unholy war that would likely destroy her library. Library of the Unwritten received starred reviews from Library Journal and Publishers Weekly; here’s a snippet from the former.

The Unwritten Wing in Hell is home to all stories unfinished by their authors. Claire is the head librarian. Sometimes she must chase down and return characters who have escaped from their pages. When one such hero heads to Earth to find his author, Claire, her current assistant and former muse Brevity, and the demon Leto try to capture him. The trio are attacked by the angel Ramiel, who thinks they are looking for the same tome he is: the Devil’s Bible. Deliberately lost on Earth for centuries, the Devil’s Bible could put the power of either heaven or hell in control. Claire and her companions must find it before the two realms decide to declare war… Elaborate worldbuilding, poignant and smart characters, and a layered plot make this first in a fantasy series from Hackwith… an ode to books, writing, and found families.

The Library of the Unwritten was published by Ace on October 1, 2019. It is 384 pages, priced at $17 in trade paperback and $11.99 in digital formats. Sequel The Archive of the Forgotten arrived on October 6, 2020; it is 368 pages, priced at $16/$11.99 digital. The covers were designed by Faceout Studio/Jeff Miller. See all of our recent coverage of the best new fantasy series here.