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Monstrous Post on Monsters: First Sequence

Monstrous Post on Monsters: First Sequence

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Were I a monster good and proper, I wouldn’t bother with these words shimmering on your computer screen. I’d rather reach through the transparent pane and pluck your eyes right out of your gobsmacked head, and none too neatly either, and as I contentedly burst your eyeballs between my teeth I’d either savor your screams with equal relish, or simply ignore them.

J.R.R. Tolkien's iconic Balrog.

But alas, such an act is (for now) beyond my capacity, and so in lieu of a more hands-on experience I offer you a blog entry about monsters. Perhaps the first of several, depending on the whims of my Lady Cooney, Supreme Sorceress of the Black Gate.

Maybe it’s time for introductions. I’m Mike Allen, and you’ve heard about me here before, in entries on modern Cthulhu Mythos stories, Heavy Metal in Fantasy, the fantasy poetry journal Goblin Fruit, and Arab/Muslim fantasy fiction. Yup, these chaps are all the same Mike Allen. I’m grateful to John R. Fultz, Amal El-Mohtar and of course Miss Cooney for all this foreshadowing.

I have some experience with monsters, which I presume is why Miss Cooney asked me to write about this topic.

At the most recent World Fantasy Convention, aside from hanging out with the Black Gate crew, I participated in a panel called Beyond Modern Horror, that in a nutshell boiled down to what creators of horror do to scare and disturb the readers of today. And as you can imagine, monsters came up in the discussion.

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Walking the Trail(er): Part Two

Walking the Trail(er): Part Two

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Marissa Merrill (“Annalise”)
Marissa Merrill (“Annalise”) and Harry Connolly

Let me summarize part one of this post briefly: Authors and/or publishers sometimes make book trailers, which are supposed to look like movie trailers but for, you know, books… and they’re usually awful, largely for lack of time and funds. Some of the best of the no-budgeters are funny which is fine if you’ve written a funny book.

Also, I’m not sure there’s any evidence at all that they actually sell the books they’re meant to promote. I’ve certainly never bought a book because of a trailer.

So why am I making one?

Let me backtrack: the trailer I mentioned in part one that almost sold me on a novel was something I watched over a year ago. (I’d link to it, but I can’t find it again.) It was a slow pan over a ship. It was obviously someplace cold, and the crew had just found something in the ice. There was a Lone Guy, his back to the camera, chipping away at a giant block of ice.

What was in it? The camera didn’t show us but I was intrigued. Was it Captain America? A Deep One? A Deep One dressed as Captain America? I had to know!

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Walking the Trail(er): Part One

Walking the Trail(er): Part One

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hc2Did you know that there are awards for book trailers? They’re called “The Moby Awards” and you can check the most recent winners (and losers) here. (There doesn’t appear to be any listings for the years before 2010, probably because there aren’t any.)

In case you haven’t heard of them, a book trailer is like a movie trailer — a short video that’s supposed to promote a book. Many of them look like movie trailers, and most are done on a budget (maybe I should say “without a budget”).

But do they work? Do they entice readers to buy books?

It’s an important question for me, because I’m making one.

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New Treasures: Songs of the Dying Earth

New Treasures: Songs of the Dying Earth

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sotdyWe get a lot of review copies here at the rooftop headquarters of Black Gate magazine, and it’s always a treat when the mail truck arrives. Getting free books never gets old, and we usually drop everything to tear open packages and pass around the most intriguing titles.

What is unusual is for a single book to bring all toil to a complete standstill for half an hour  (except for the tireless Howard Andrew Jones, who’s been missing in the restricted section of our pulp library for the last 48 hours). That’s exactly what happened when Songs of the Dying Earth (SotDE), edited by George R.R. Martin and Gardner Dozois, arrived today.

SotDE is a tribute collection; its subtitle is Stories in Honor of Jack Vance, and it contains nearly 700 pages of original fiction set in Vance’s Dying Earth — one of the great settings in all of fantasy, and home to Turjan the wizard, Rhialto the Marvellous, Cugel the Clever, and other fabulous characters. The Dying Earth is a far-future Terra, where the sun is on the verge of extinction, magic is potent and terrible, monsters roam the land, and the ruins of countless civilizations rest uneasily beneath layers of thin dust and vegetation.

dying-earth2The table of contents is one of the most impressive I’ve ever seen — it read like a Who’s Who of the most influential fantasy authors of the decade, including Robert Silverberg, George R.R. Martin, Walter Jon Williams, Jeff VanderMeer, Tad Williams, Glen Cook, Tanith Lee, Howard Waldrop, Elizabeth Hand, Lucius Shepard, Neil Gaiman, Phyllis Eisenstein, Liz Williams, Matthew Hughes, Terry Dowling, Mike Resnick, Paula Volsky, Kage Baker, John C. Wright, and others. It also includes a big new novella from Dan Simmons, an appreciation by Dean Koontz, and a preface by Jack Vance himself.

SotDE was first published in a limited edition by Subterranean Press last July; since then the book — and many of the stories — have received considerable attention. Jeff VanderMeer’s H.P. Lovecraft-inspired tale “The Final Quest of the Wizard Sarnod” has been turned into a novel, and SotDE was nominated for Best Anthology in the 2010 Locus Awards. Neil Gaiman’s story “An Invocation of Incuriosity” took home the Best Short Story prize at the same Awards.

Songs of the Dying Earth: Stories in Honor of Jack Vance goes on sale Dec. 7th. It is published by Tor books, in hardcover for $27.99, and gets our highest recommendation.

Return to : Reviving a Masterpiece

Return to : Reviving a Masterpiece

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The new Norilana edition of a must-read fantasy classic, NIGHT’S MASTER by Tanith Lee.

Fantasy readers…rejoice!

The fact that Tanith Lee’s TALES FROM THE FLAT EARTH has been out of print for years has been a blatant injustice done to all lovers of epic fantasy. Now, thanks to Vera Nazarian’s Norilana Books, one of the field’s great masterpieces is once again available to the public.

The individual books of the FLAT EARTH series (each of which is a stand-alone novel) are being released in hardcover and trade paperback on a roughly annual basis, and feature gorgeous new cover treatments and artwork. If you haven’t yet discovered the FLAT EARTH books, I envy you. You are in for a spectacular reading experience.

The first book in this landmark series is NIGHT’S MASTER (1978), which was nominated for a Best Novel World Fantasy Award. It introduces the time-lost world of ancient sorcery where Azhrarn the Prince of Demons and his fellow Lords of Darkness roam the flat world creating mischief, drama, and tragedy across the primeval human kingdoms.

The book is rich with lyrical prose, jewel-bright imagery, dark beauty, and ironic myths. Human protagonists come and go, while the real main character is Azhrarn, who is despicable yet inhumanly handsome, evil yet oddly compassionate, godlike yet flawed, and an unlikely champion of a doomed humankind. Let all would-be fantasy writers savor the flavor of Lee’s sumptuous prose. This is how it’s done, people.

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A review of War for the Oaks, by Emma Bull

A review of War for the Oaks, by Emma Bull

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warfortheoaksWar for the Oaks, by Emma Bull
Ace Books (309 pages, $3.50, 1987)
Cover by Pamela Patrick

Thematically, War for the Oaks by Emma Bull has a lot in common with Charles de Lint’s Jack the Giant Killer, which also appeared in 1987 (and which I reviewed here.) If I’d known exactly how similar they were, I’m not sure I would have picked it to review for a few months yet. Still, it’s a good book, and I’m glad I got a chance to read it.

Eddi McCandry, guitarist and singer, is about to leave both her old band and her boyfriend, the lead singer. She’s ready, she thinks, for a normal life. It’s a plan that falls apart in only one chapter; the fey need a mortal presence to witness their upcoming war, and they’ve chosen her.

In short order, Eddi is stalked by a man and chased by a huge dog, insulted by a woman made of water, drafted by the Seelie Court, and saddled with a constant guardian: the man-dog shapeshifter who herded her into the encounter.

To make matters worse, Eddi finds out that she has to stay under surveillance for at least half a year so that the Unseelie Court can’t assassinate her. Her watchdog is a phouka who enjoys living up to his trickster roots, and keeping a regular job would be impossible with him following her everywhere even in the unlikely event that he decides to behave himself, so Eddi bows to the inevitable and decides to start a band.

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John Joseph Adams Interviews John R. Fultz

John Joseph Adams Interviews John R. Fultz

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wayofthewizardJohn Joseph Adams, editor of The Way of the Wizard anthology, has interviewed contributor — and Black Gate blogger and author — John R. Fultz in conjunction with the book launch:

In the cannon of classic fantasy, there are many examples of terrific wizardry, such as Fritz Leiber’s Fafhrd and the Gray Mouser tales, where Ningauble of the Seven Eyes and Sheelba of the Eyeless Face are the heroes’ patrons – mysterious inhuman wizards who watch over and protect Fafhrd and the Mouser, as well as giving them preposterous quests now and then. The tales of Clark Ashton Smith are rife with wizardry… Malygris of Susran, Namirrah of Zothique, and Evagh the Warlock, to name only a few. Nobody could build a rich, phantasmagoric world of dark wonders like Smith… Michael Moorcock’s Elric of Melnibone is one of my favorite wizards as well… Who knew a wizard could be such a bad-ass with a sword?

The Way of the Wizard was released on November 16th; the book’s website features seven “Free Reads,” including  John Joseph Adams’ introduction, stories from Adam-Troy Castro, Jeremiah Tolbert, David Barr Kirtley, and the complete  text of John R. Fultz’s “The Thirteen Texts of Arthyria.”

John R. Fultz blogs here regularly; he’s also the author of “Oblivion Is the Sweetest Wine” (Black Gate 12), “Return of the Quill” (Black Gate 13), and the upcoming “The Vintages of Dream.”

The complete interview is here.

Dr. Nikola: An Introduction

Dr. Nikola: An Introduction

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nikola311Dr. Nikola is another highly influential Victorian character who has been all but forgotten in the intervening century. The creation of Australian novelist Guy Boothby, Antonio Nikola was one of the earliest examples of a villain granted his own series. Nikola appears in five novels: A Bid for Fortune (1895), Dr. Nikola Returns (1896), The Lust of Hate (1898), Dr. Nikola’s Experiment (1899), and Farewell, Nikola (1901).

Many of the trademarks associated with later criminal geniuses begin with Nikola. Like James Bond’s nemesis Blofeld and his ever-present white Persian cat, Nikola is rarely seen without his black cat Apollyon. Fu Manchu’s pet marmoset Peko is often depicted perched on his shoulder in Sax Rohmer’s thrillers, so Apollyon is regularly described as perching on Nikola’s shoulder.

It is Fu Manchu who owes the most to Nikola. The description of Fu Manchu’s “brow like Shakespeare and face like Satan” finds a parallel in Nikola’s similarly striking features. Nikola is described as having “the Devil’s eyes.”
Even more so, Fu Manchu shares with Nikola an uncharacteristic code of honor that makes these villains somewhat sympathetic in the reader’s eye. Both villains make generous gifts to the individuals they formerly persecuted treating the entire affair as if it was merely a game.

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Last Chance to Win a Copy of Terror in the House: The Early Kuttner, Volume One

Last Chance to Win a Copy of Terror in the House: The Early Kuttner, Volume One

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kuttnerThree week ago we announced we were giving away three copies of the first volume of The Early Kuttner, titled Terror in the House, newly released from Haffner Press.

How do you win a copy? Just send an e-mail to john@blackgate.com with the title “Kuttner Contest,” and a one-sentence review of your favorite Henry Kuttner short story. And don’t forget to mention what story you’re reviewing!

That’s it.  Three winners will be drawn at random from all qualifying entries, and we’ll publish the best reviews here on the Black Gate blog.

But time is running out — the contest closes on December 1. Because if these things are still piled on top of Alice’s sewing table after that, believe me, there will be hell to pay.

Haffner’s archival-quality hardcovers are some of the most collectible books in the genre. Terror in the House is 712 pages in hardcover, with a preface by Richard Matheson and introduction by Garyn G. Roberts, Ph.D. It is edited by Stephen Haffner and illustrated by Harry V. Parkhurst, and has a retail price of $40.

All entries become the property of New Epoch Press. No purchase necessary. Must be 12 or older. Decisions of the judges (capricious as they may be) are final. Not valid where prohibited by law. Terms and conditions subject to change as our lawyers sober up and get back to us. Eat your vegetables.

Goth Chick News: You Really Need to Tell Me Everything… Now

Goth Chick News: You Really Need to Tell Me Everything… Now

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image0083I’m about to cross into some sacred territory here, but what the heck.

I really didn’t like The Empire Strikes Back, originally the second (ultimately fifth) in the Star Wars series. In fact, it pretty much put me off the rest of the movies and though I doggedly attended each and every one, the shine went off at number two.

Why?

Because the story left me hanging.

Yep, that’s basically it. The fact that we had to — nay, were forced to — come back for number three to find out what became of Han Solo, who was frozen in carbonite and being rocketed toward certain doom at the end of Empire, sucked the life out of the entire experience for me. Darth Vader’s evil pales in comparison to a cheap trick like an unfinished storyline.

Now before you start peppering me with email and comments about how George Lucas is a national treasure and “how dare I” and all that, please hear me out.

I know a lot of you will say that being left in suspense is part of the fun, and that if a tale is too rich to be told in under three hours it deserves to be broken up into segments. In the case of an HBO series or daytime soap operas I completely agree; waiting to see what happens tomorrow or next week is indeed the hook that keeps the viewers coming back, me included (i.e. True Blood).

The big difference is, the individual segments were never conceived or written to stand alone. And perhaps this is the argument one could make about George Lucas and his intentions when he wrote the entire Star Wars epic. However, a little cynical part of me can’t help but wonder if it had something to do with money, and that’s the bit that ever so slightly gets under my skin.

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