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Carrie Patel Completes The Recoletta Trilogy With The Song of the Dead

Carrie Patel Completes The Recoletta Trilogy With The Song of the Dead

The-Buried-Life-medium Cities-and-Thrones-medium The Song of the Dead-small

I love tales of subterranean cities. Like Charles R. Tanner’s fabulous Tumithak pulp adventure tales, Gary Gygax’s famous Drow enclave Erelhei-Cinlu, R.A. Salvatore’s Menzoberranzan, and… uh, that’s it, really. My love is fierce, but lonely.

At least it was, until Carrie Patel came along with her novels of the fantastical, gaslit underground city of Recoletta, where the last remnants of mankind huddle after a mysterious apocalypse. There have been two novels so far, and the third is due in paperback next month from Angry Robot.

The Buried Life (359 pages, March 6, 2015)
Cities and Thrones (448 pages, July 7, 2015)
The Song of the Dead (448 pages, May 2, 2017)

All three books are priced at $7.99 in paperback and $6.99 for the digital edition. The covers are by John Coulthart.

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The Pride of Chanur by C.J. Cherryh

The Pride of Chanur by C.J. Cherryh

oie_172136AgOgCew8My first encounter with C.J. Cherryh was in Merchanter’s Luck, a short, action-packed story set in Cherryh’s super-dense Alliance-Union Universe. While the plot could have been drafted by any number of skilled space opera purveyors, I’d never before encountered one who wrote with Cherryh’s level of near contempt for explaining things to the reader. She writes in what she’s variably called  “very tight limited third person” and “intense internal voice.” This means characters only think or talk about what actually interests them. Descriptions will not be forthcoming when a character is observing what is commonplace to him. Exposition, well, don’t count on her books having much.

While Merchanter’s Luck, with its thrilling races through hyperspace and deadly mysteries, is quite good, what made me a lifelong fan of Cherryh is a slim volume from 1982, The Pride of Chanur. The title refers to the merchant ship of the same name, one of several operated by the Chanur clan. The Chanur are hani: an alien, leonine race of which only females travel into space, the males being considered too violent and psychologically unstable. The title takes on a second, humorous meaning when the crew of the Pride find themselves harboring and protecting a lone human male.

Since then, I’ve read Pride and its sequels three or four times. They are among the very best space opera stories I have ever read. Cherryh’s writing demands you keep up and are as willing as her heroes to leap into the dark of the cosmos at times. The payoff is a tale of incredible thrills in a highly complex and believably detailed universe.

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John DeNardo on The Science Fiction & Fantasy Books Everyone Will be Talking About in April

John DeNardo on The Science Fiction & Fantasy Books Everyone Will be Talking About in April

Void Star Zachary Mason-small Change Agent Danial Suarez-small Entropy in Bloom Stories-small

At the end of March, John DeNardo crafted a brief article at Kirkus Reviews highlighting “The Science Fiction & Fantasy Books Everyone Will be Talking About in April.” Wait, wait, wait. How the heck does he know that? I’m still not sure what books people were taking about in February.

Well, no sense trying to suss out the roots of DeNardo’s uncanny forecasting abilities (’cause they’re probably supernatural, involving dark underworld pacts. Best not to know.) But we can share a few of his recommendations with you here, as long as you don’t ask too many questions.

Void Star by Zachary Mason (Farrar, Straus and Giroux, 400 pages, $27 hardcover/$12.99 digital, April 11, 2017)

Void Star is a mind-bending story set in the near-future that follows three characters. There’s Irina, possessing an artificial memory that lets her earn a living by acting as a medium between her employers and their complex artificial intelligences; there’s Kern, a refugee who lives in a drone-built slum who gets by as a thief and paid enforcer; and Thales, the mathematically-inclined scion of a Brazilian political clan, who has fled to L.A. after the attack that left him crippled and his father dead. Strangers at the outset, events – or more specifically forces that remain just out of sight – conspire to push these characters towards the same path.

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Future Treasures: The Guns Above by Robyn Bennis

Future Treasures: The Guns Above by Robyn Bennis

The Guns Above Robyn Bennis-smallRobyn Bennis’s debut novel The Guns Above, a steampunk military fantasy about a female airship captain, arrives in hardcover from Tor in two weeks. The book sounds interesting enough, but it’s Bennis’s riff on the cover at Tor.com that really got my attention.

Why do I love this cover so much? Let me direct your attention first to the badass lady jumping over a gondola rail with pistol in hand. That’s Josette, Garnia’s newest airship captain… let’s be honest, when a woman sees a job that needs doing, her first instinct is always to roll up her sleeves and do it herself. And sometimes that means leaping from your airship with pistol in hand. Back me up here, ladies.

Here’s the description.

They say it’s not the fall that kills you.

For Josette Dupre, the Corps’ first female airship captain, it might just be a bullet in the back.

On top of patrolling the front lines, she must also contend with a crew who doubts her expertise, a new airship that is an untested deathtrap, and the foppish aristocrat Lord Bernat, a gambler and shameless flirt with the military know-how of a thimble. Bernat’s own secret assignment is to catalog her every moment of weakness and indecision.

So when the enemy makes an unprecedented move that could turn the tide of the war, can Josette deal with Bernat, rally her crew, and survive long enough to prove herself?

The Guns Above will be published by Tor Books on May 2, 2017. It is 352 pages, priced at $25.99 in hardcover and $12.99 for the digital edition. The cover is by Tommy Arnold, whose done several recent covers for Tor.com, including Kai Ashante Wilson’s A Taste of Honey, David Dalglish’s Fireborn, and Corey J. White’s upcoming Killing Gravity.

A Tale of Two Covers: Skullsworn by Brian Staveley

A Tale of Two Covers: Skullsworn by Brian Staveley

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We covered the first three novels in Brian Staveley’s Chronicle of the Unhewn Throne right here last year. Skullsworn, the new standalone novel in the same world, features the adventures of a priestess-assassin for the God of Death. It will be published by Tor Books this week in both the US and the UK.

Although the US and UK editions have similar publishing dates, that’s pretty much all they have in common. The descriptions for each book are markedly different — and the covers are dramatically different. The US version by Richard Anderson (above left) has lush colors and and action scene, while the UK cover (above right), designed by Matthew Garrett, is heavily design-focused. In a guest post at Tor.com, Brian Staveley talks about the US cover.

This one hits all the right notes… it gives a feel for the city, but here Pyrre is in the shadows, close to the quotidian world of human affairs, but separate, unnoticed. She’s also motionless. Her knife is drawn, but the drama doesn’t come from the knife itself, or the imminent violence, but from what’s in her mind, from her struggle to understand her own motives and emotions, then to translate them into the life she wants to live. It’s not easy to fall in love, especially when you’re staying up late every night giving women and men to the god of death. That’s the book I’m trying to write… The final version of the cover is just perfect. The color, the claustrophobia of Dombang’s hot, narrow alleys, the fish-scale lanterns, Pyrre’s crouch, ready, predatory, but not yet committed — this cover captures everything I’d hoped about the book.

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New Treasures: The Best Science Fiction of the Year: Volume Two, edited by Neil Clarke

New Treasures: The Best Science Fiction of the Year: Volume Two, edited by Neil Clarke

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Neil Clarke has been nominated for the Hugo Award for Best Professional Editor for each of the last five years (not including 2015, when the Puppies took over the ballot and nominated pretty much exclusively their Puppy-aligned pals), and has won three Hugo Awards for his magazine Clarkesworld.

But recently he’s been gaining more recognition as a highly-regarded anthology editor, for books such as Galactic Empires, the cyborg anthology Upgraded, and The Best Science Fiction of the Year, Volume 1. Volume 2 of his Best Science Fiction of the Year arrived earlier this month, with stories by Ian R. MacLeod, Nina Allan, Lavie Tidhar, Sam J. Miller, Xia Jia, Aliette de Bodard, Alastair Reynolds, Sarah Pinsker, Margaret Ronald, Robert Reed, Suzanne Palmer, Ken Liu, Carolyn Ives Gilman, and many others. Its arrival kicked off the Best of the Year season — nearly a dozen more Best of volumes are scheduled to arrive over the next few months.

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Witches, Time Travel, and Enchanted Manuscripts: The All Souls Trilogy by Deborah Harkness

Witches, Time Travel, and Enchanted Manuscripts: The All Souls Trilogy by Deborah Harkness

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I’m not much of a fan of typographical covers — covers which feature the title, and not much else. I expect to be able to learn a lot about a book from the cover art and design, and typographical covers seem designed chiefly to keep a book mysterious. And they just don’t draw my eye the way a good piece of art does.

Mind you, that flaw didn’t seem to hurt A Discovery of Witches, the debut fantasy novel from Deborah Harkness which hit #1 on the New York Times bestseller list. She followed it with Shadow of Night and The Book of Life, which together comprise the All Souls Trilogy. The books are modern urban fantasies which feature reluctant witch Diana Bishop and vampire geneticist Matthew Clairmont, and their search for the legendary lost manuscript Ashmole 782. The actions roams across Oxford’s Bodleian Library, a fantastical underworld, Elizabethan London, and Matthew’s ancestral home of Sept-Tours, France.

I was curious enough to purchase all three books in trade paperback. They’re also available in mass market paperback and digital formats from Penguin. Here’s a look at the back covers for A Discovery of Witches and Shadow of Night.

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Smoke and Mirrors by Jane Lindskold Released as an eBook!

Smoke and Mirrors by Jane Lindskold Released as an eBook!

Smoke and Mirrors Jane Lindskold-smallJane Lindskold is in the process of re-releasing some of her out of print books as ebooks, and the first of these, Smoke and Mirrors is out now. Below I’ve included the cover copy, but if you want to read more about this re-release, check out Jane’s release day post.

How do you fight an enemy who can, literally, change your mind?

From the moment she first senses the whispers of the alien mind within the thoughts of her current client, Smokey – touch telepath, industrial spy, and high-end prostitute – becomes an unwitting player in a conflict that may be as old as humanity.

Determined to protect herself and her young daughter, Smokey soon realizes that the stakes are much, much higher.

After millennia of setting up the field, the aliens may be making their final move. If Smokey is to defeat them, she must win the respect and trust of people who despise her – perhaps at the cost of those she loves the most.

This reprint of the 1996 science fiction novel features an original afterword by the author.

The book is available from Amazon, Barnes and Noble, iBooks, Google Play, and Kobo.


Emily Mah is a writer and the owner of E.M. Tippetts Book Designs, a company that provides formatting and cover design services for independent authors and publishers. Her last interview for Black Gate was with German author Emily Bold.

Cover to Cover

Cover to Cover

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Until relatively recently, I never looked at cover art. I bought books because of a review, or, more likely, because of a personal recommendation. There was art I liked, and some I didn’t like, and some that embarrassed me for one reason or another. But, the art in and of itself didn’t influence my purchasing of any book.

It was recently brought to my attention, however, that the style of cover art comes in and out of fashion, like anything else. Many of us can tell, just looking at the clothing in a photograph, in what decade the photo was taken. Hairstyle is a great indicator, as are necklines, width and length of collars and cuffs, of hemlines and sleeves. Shoulder pads anyone? Thirty years from now, someone looking at today’s photos are going to think of the 2010’s as “the decade of the beard.”

There are many people better qualified than I to talk about cover art as art. I just want to talk about it as covers. My examples are completely arbitrary, and usually come from my own shelves. Keep in mind that in order to look at changing fashion in covers over decades, I have to look at works that have been in print for that long.

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A Tale of Three Covers: Allen Steele Resurrects Captain Future

A Tale of Three Covers: Allen Steele Resurrects Captain Future

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Captain Future was created by editor Mort Weisinger way back in 1940, but it was the great pulp writer Edmond Hamilton who made him popular. Hamilton wrote dozens of stories featuring the futuristic adventurer between 1940 and 1951, such as “Captain Future and the Seven Space Stones,” which appeared in the Winter 1941 issue of Captain Future: Man of Tomorrow (above left, cover by Earle K. Bergey). Most of Hamilton’s short novels were reprinted in paperback in the 60s, and there was even a 1978-79 anime production that brought the Captain some fame in markets like Spain and Germany, but in general the character was long forgotten here in the US by the mid-80s.

In 1995, Allen Steele wrote “The Death of Captain Future,” a fond homage to Hamilton’s classic tales. It was the cover story for the October 1995 issue of Asimov’s Science Fiction, with a stellar retro-pulp cover by Black Gate cover artist Todd Lockwood (click the image above left to see Todd’s original painting). “The Death of Captain Future” was nominated for a Nebula Award, and won the Hugo Award for best novella of the year. Steele returned to the same characters four years later with “The Exile of Evening Star” (Asimov’s SF, January 1999).

Fast forward nearly 20 years, and we find Steele’s brand new novel Avengers of the Moon on sale at bookstores across the country. It returns once again to Hamilton’s Captain Future milieu, but with a more ambitious tale, and this time Steele hews much closer to the original source material, right down to Captain Future’s colorful cast of sidekicks, and the villainous U1 Quorn, a half-Martian renegade scientist. Avengers of the Moon was published in hardcover by Tor Books this week; the cover artist is uncredited.

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