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Burn the (Black) Witch

Burn the (Black) Witch

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The-Black-Witch-smallFinishing up your manuscript for a YA novel? Congratulations! You’re almost ready to become a bona fide published author. The final step: evading the pitchfork-wielding mob!

The Black Witch, a debut young-adult fantasy novel by Laurie Forest, was still seven weeks from its May 1 publication date, but positive buzz was already building, with early reviews calling it “an intoxicating tale of rebellion and star-crossed romance,” “a massive page-turner that leaves readers longing for more,” and “an uncompromising condemnation of prejudice and injustice.”

The hype train was derailed in mid-March, however, by Shauna Sinyard, a bookstore employee and blogger who writes primarily about YA and had a different take: “The Black Witch is the most dangerous, offensive book I have ever read,” she wrote in a nearly 9,000-word review that blasted the novel as an end-to-end mess of unadulterated bigotry…

In a tweet that would be retweeted nearly 500 times, Sinyard asked people to spread the word about The Black Witch by sharing her review — a clarion call for YA Twitter, which regularly identifies and denounces books for being problematic (an all-purpose umbrella term for describing texts that engage improperly with race, gender, sexual orientation, disability, and other marginalizations)…

Based almost solely on Sinyard’s opinion, the novel became the object of sustained, aggressive opposition in the weeks leading up its release. Its publisher, Harlequin Teen, was bombarded with angry emails demanding they pull the book. The Black Witch’s Goodreads rating dropped to an abysmal 1.71 thanks to a mass coordinated campaign of one-star reviews, mostly from people who admitted to not having read it…

Positive buzz all but died off, as community members began confronting The Black Witch’s supporters, demanding to know why they insisted on reading a racist book. When Kirkus gave the novel a glowing starred review, dozens of commenters demanded a retraction…

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New Treasures: Devil’s Call by J. Danielle Dorn

New Treasures: Devil’s Call by J. Danielle Dorn

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Devil's Call J Danielle Dorn-smallI like to mix things up in the New Treasures pipeline, offering titles from a range of different publishers. I’ve featured several novels from Inkshares in just the past few weeks — including teleportation thriller The Punch Escrow, and Quebec horror novel The God in the Shed — so when a new Inkshares novel, J. Danielle Dorn’s debut fantasy Devil’s Call, landed on my desk last week, I figured it was a long shot.

But that was before I read the description. The Bibliosanctum calls it “One of the best novels I’ve read this year,” and James Demonaco, creator of The Purge movie trilogy, calls it “The Revenant with witches.” Devil’s Call leapfrogged several titles that have been waiting patiently in the queue, and I think you’ll thank me.

On a dark night in the summer of 1859, three men enter the home of Dr. Matthew Callahan and shoot him dead in front of his pregnant wife. Unbeknownst to them, Li Lian, his wife, hails from a long line of women gifted in ways that scare most folks ― the witches of the MacPherson clan — and her need for vengeance is as vast and unforgiving as the Great Plains themselves.

Written to the child she carries, Devil’s Call traces Li Lian’s quest, from the Nebraska Territory, to Louisiana, to the frozen Badlands, to bring to justice the monster responsible for shooting her husband in the back. This long-rifled witch will stop at nothing ​― ​and risk everything​―​in her showdown with evil.

Devil’s Call will be published by Inkshares on August 8, 2017. It is 275 pages, priced at $14.99 in trade paperback and $6.99 for the digital edition. The cover is by David Drummond.

See all our recent New Treasures here.

A Satisfying Conclusion to Feyre Archeron’s Story: A Court of Wings and Ruin by Sarah J. Maas

A Satisfying Conclusion to Feyre Archeron’s Story: A Court of Wings and Ruin by Sarah J. Maas

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A Court of Wings and Ruin by Sarah J. Maas-smallA Court of Wings and Ruin
A Court of Thorns and Roses, Book 3
Sarah J. Maas
Bloomsbury USA Childrens (720 pages, $18.99 hardcover/$12.99 digital, May 2, 2017)

According to GoodReads voters, Sarah J. Maas’s A Court of Wings and Ruin (known as ACOWAR to YA readers) was the most hotly anticipated 2017 YA release of any genre. The third volume in a series that was launched by New York Times bestseller A Court of Thorns and Roses and propelled to the #1 slot by its sequel, A Court of Mist and Fury, ACOWAR seemed poised to dominate the YA hardcover market after its publication on May 2nd. But even after promising sales in its first few weeks, the book has not cleared the same high bars as its predecessors.

ACOWAR delivers a satisfying conclusion to Feyre Archeron’s story. A classic high fantasy, it’s got vicious faeries, spiteful queens, hot lords, and – ahem – plenty of graphic sex. So what went wrong?

The book gets off to a promising start. Feyre has gone undercover in the Spring Court, ruled by her abusive ex Tamlin, who allied with the evil King of Hybern to wrench her away from her true love, Rhysand. She must hide her true emotions, her magical powers, and her standing as High Lady of the Night Court in order to lull Tamlin into underestimating her. The pace is quick during these early chapters, as readers enjoy Feyre’s stratagems to undermine Tamlin’s court from within. Likewise, we spin through the pages as she makes her escape, longing to reunite her with her mate.

But when that happens much sooner and more easily than expected, the plot shifts focus to defeating Hybern, who wants to enslave humanity. Since the relationships (called “ships” in the YA world) among Feyre, Rhys and Tamlin served as the engine that drove the previous two tomes, ACOWAR’s momentum slows when these issues seem resolved. If you do keep reading, however, the last third of the book will reward you with lots of action and a twist that brings tears to the eyes.

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Self-published Book Review: The Emerald Blade by Steven Kelliher

Self-published Book Review: The Emerald Blade by Steven Kelliher

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The Emerald Blade Cover

I may miss the next month or so, due to the Mysterion Kickstarter and a workshop I’m attending, but please keep sending me books to review, and I’ll get to them soon — see the instructions here.

Steven Kelliher’s The Emerald Blade is a sequel to his novel The Valley of Embers, which I reviewed at Black Gate last year. It follows the fire-wielding Ember Kole, and Linn, who inherited the air-wielding abilities of the White Crest. After defeating the White Crest, they set out to pursue T’alon Rane, the corrupted King of the Embers, whom they hope will lead them to the Eastern Dark, the Sage who is bringing the Dark Kind of the World Apart to their world.

They are joined by two fellow Embers, Misha and Jenk, and the massively strong Rockbled Baas. Both Embers and Rockbled are Landkist, gifted power by the lands in which they live, as opposed to the Sages, who take power from the land. Kole’s and Linn’s expedition travels to the Emerald Road, a rainforest where massive trees form multiple layers of canopy atop one another, and traveling along the Road involves moving from layer to layer. There they discover that the Sage Balon Rael has come to the Emerald Road, seeking the Emerald Blade, the name for both a man and the weapon he wields, a weapon that’s all that remains of the Emerald Sage.

T’alon Rane seeks both the Emerald Blade and the death of Balon Rael, on the orders of the Eastern Dark, but to achieve his goals, he temporarily allies himself with Balon Rael while looking for an opportunity to betray him. Meanwhile, Kole and Linn and their group ally themselves with the Emerald Blade. Similar to the first book, shifting alliances and tenuous loyalties make the action unpredictable, as the sides realign constantly right up to the end.

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A Glimpse of the Secret Pervert Republic: The Best American Noir of the Century, edited by James Ellroy and Otto Penzler

A Glimpse of the Secret Pervert Republic: The Best American Noir of the Century, edited by James Ellroy and Otto Penzler

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The Best American Noir of the Century small The Best American Noir of the Century back-small

I’ve recently been enjoying the massive 2011 anthology The Best American Noir of the Century, which isn’t science fiction or fantasy, but which does showcase a lot of highly regarded SF and fantasy writers, including Charles Beaumont, Cornell Woolrich, Harlan Ellison, David Morrell, and others.

The first question I had when I set set eyes on this book was “Which century are they talking about?” Turns out it’s neither the 20th nor the 21st… it’s the last hundred years, give or take. The book includes 39 stories arranged chronologically by publication date, starting with Tod Robbins “Spurs,” which first appeared in Munsey’s Magazine in February 1923, and ending with Lorenzo Carcaterra’s “Missing the Morning Bus,” from Penzler’s 2007 anthology of poker stories, Dead Man’s Hand.

Penzler gives a nice overview of the history of noir fiction in his Foreword, but it’s Ellroy’s introduction, in which he claims that American noir describes “the demography of a Secret Pervert Republic” that I found especially entertaining. Here’s a few snippets.

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Future Treasures: The New Voices of Fantasy, edited by Peter S. Beagle and Jacob Weisman

Future Treasures: The New Voices of Fantasy, edited by Peter S. Beagle and Jacob Weisman

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The New Voices of Fantasy-smallAside from the usual crop of Best of the Year books, I’ve been disappointed with this year’s reprint anthologies. So I’m intrigued and hopeful about The New Voices of Fantasy, a very promising reprint anthology with a Table of Contents that reads like a Who’s Who of the best new voices in the genre — including Amal El-Mohtar, Sofia Samatar, Sarah Pinsker, Max Gladstone, Hannu Rajaniemi, Maria Dahvana Headley, Ursula Vernon, and many others. Kirkus Reviews calls it “Stellar… proves not only that fantasy is alive and well, but that it will be for years to come.”

The contents include Alyssa Wong’s Nebula and World Fantasy Award winner “Hungry Daughters of Starving Mothers,” Ursula Vernon’s Nebula Award winner “Jackalope Wives,” and Usman T. Malik’s British Fantasy Award Award winner “The Pauper Prince and the Eucalyptus Jinn.” It also contains an original story by Eugene Fischer. Here’s the description.

What would you do if a tornado wanted you to be its Valentine? Or if a haunted spacesuit banged on your door? When is the ideal time to turn into a tiger? Would you post a supernatural portal on Craigslist?

In these nineteen stories, the enfants terribles of fantasy have arrived. The New Voices of Fantasy captures some of the fastest-rising talents of the last five years, including Sofia Samatar, Maria Dahvana Headley, Max Gladstone, Alyssa Wong, Usman T. Malik, Brooke Bolander, E. Lily Yu, Ben Loory, Ursula Vernon, and more. Their tales were hand-picked by the legendary Peter S. Beagle (The Last Unicorn) and genre expert Jacob Weisman (The Treasury of the Fantastic).

So go ahead and join the Communist revolution of the honeybees. The new kids got your back.

Here’s the complete Table of Contents.

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Urban Fantasies and Robot Westerns: The Novels of C. Robert Cargill

Urban Fantasies and Robot Westerns: The Novels of C. Robert Cargill

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Dreams and Shadows Robert Cargill-small Queen of the Dark Things-small Sea of Rust-small

In the wider world, C. Robert Cargill is probably best known for his Nebula-nominated script for the movie version of Doctor Strange, and for the uber-creepy Sinister (brrrr). But around these parts, he’s known for his pair of novels about the Austin wizard Colby: his debut Dreams and Shadows (2013) and the sequel Queen of the Dark Things (2014). In her Tor.com review, Emily Nordling said, “Dark, comedic, and unsettling, Dreams and Shadows is everything an urban fantasy sets out to be.” I bought both books last year and put them near the top of my to-be-read pile.

But now along comes his third novel, Sea of Rust, a robot western set in a post-apocalyptic landscape in which humans have been wiped out in a machine uprising. This doesn’t just one threaten to replace his previous two in my TBR pile; it’s likely it will move right to the top. It arrives in hardcover from Harper Voyager on September 5.

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The Strategy Behind Disabled Stories: The What, Why, and How (but Mostly How) of Disabled People Destroy Science Fiction

The Strategy Behind Disabled Stories: The What, Why, and How (but Mostly How) of Disabled People Destroy Science Fiction

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Disabled People Destroy Science Fiction-small

When I started writing this article my face was spotted with burst blood cells. Earlier in the day I’d had one of my violent convulsive episodes. I was exhausted and aching but I meant to write, because it felt appropriate, topical. I’m here, after all, to write about Uncanny Magazine’s Disabled People Destroy Science Fiction issue.

But I couldn’t muster the energy for more than a few lines. I lacked the spoons.

The project description goes like this: Disabled People Destroy Science Fiction is a continuation of the Destroy series in which we, disabled members of the science fiction community, will put ourselves where we belong: at the center of the story. Often, disabled people are an afterthought, a punchline, or simply forgotten in the face of new horizons, scientific discovery, or magical invention. We intend to destroy ableism and bring forth voices, narratives, and truths most important to disabled writers, editors, and creators with this special issue.

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Dune by Frank Herbert

Dune by Frank Herbert

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oie_3171159srWv2GrQIt’s been called the greatest science fiction novel of all time. Maybe, maybe not, but it’s one of the best I’ve ever read. Published all the way back in 1965, it’s the best-selling science fiction novel of all time. The first half of Dune made its debut as “Dune World,” starting in the December 1963 Analog. The second half, “The Prophet of Dune,” began in the January 1965 issue.

I read Dune for the first time in 1981, at the age of 14. From the very first pages I was hooked.  I was house sitting for my grandfather, and the only things I had to do were let the dog out and feed her and myself, and that meant I barely put the book down all day. Like Dune’s hero, Paul Atreides, I was wondering what the heck is a gom jabbar? Who are the Bene Gesserit? What is melange? My dad’s paperback, at 544 pages, is one of the longest books I’ve read in a single day (beat only by Terry Brooks’ The Sword of Shannara).

I’m not sure what triggered it, but something called out from the depths telling me it was time to reread Dune again. The last time (which was the fourth time) I read it was nearly 20 years ago. A friend wanted to get into science fiction, so a few of us started rereading the classics and tossing them his way. Among the books I revisited were Asimov’s Foundation Trilogy and The Gods Themselves, Clarke’s Rendezvous With Rama, Heinlein’s Orphans of the Sky, and Herbert’s Dune.

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New Treasures: The Punch Escrow by Tal M. Klein

New Treasures: The Punch Escrow by Tal M. Klein

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The Punch Escrow-smallThe Punch Escrow is Tal M. Klein’s debut novel, but it’s getting a lot more attention than most first novels get. It won the reader-voted Geek & Sundry Hard Science Contest last year, and the Barnes & Noble Sci-Fi & Fantasy Blog called it “the smartest sci-fi thriller of the summer.” And Kirkus says “It’s hard to say enough good things about this hard-science future thriller with humor and heart ― an excellent debut.”

It arrived last week in trade paperback from Inkshares. Here’s the description.

It’s the year 2147. Advancements in nanotechnology have enabled us to control aging. We’ve genetically engineered mosquitoes to feast on carbon fumes instead of blood, ending air pollution. And teleportation has become the ideal mode of transportation, offered exclusively by International Transport ― the world’s most powerful corporation, in a world controlled by corporations.

Joel Byram spends his days training artificial-intelligence engines to act more human and trying to salvage his deteriorating marriage. He’s pretty much an everyday twenty-second century guy with everyday problems ― until he’s accidentally duplicated while teleporting.

Now Joel must outsmart the shadowy organization that controls teleportation, outrun the religious sect out to destroy it, and find a way to get back to the woman he loves in a world that now has two of him.

Read an excerpt at Tor.com.

The Punch Escrow was published by Inkshares on July 25, 2017. It is 356 pages, priced at $14.99 in trade paperback and $7.99 in digital formats. The cover was designed by M.S. Corley.

See all our recent New Treasures here.