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In 500 Words or Less: Revenger by Alastair Reynolds

In 500 Words or Less: Revenger by Alastair Reynolds

oie_3005748uG2KzsYG (1)Revenger
Alastair Reynolds
Orbit (544 pages, $15.99 paperback, $9.99 eBook, September 2016)

Alastair Reynolds is one of the few authors I’ve read who manages to draw me into a standalone novel, immerse me with compelling characters and a complex world, and leave me begging for a sequel by the time I read the last page. He accomplished it with Terminal World. Then he did it again with House of Suns. And with my latest Reynolds read, Revenger, I sat back again and demanded out loud, “But wait – what happens next?!”

No one should be surprised when I say that Reynolds is a masterful storyteller. If you’re a fan of science fiction, you’ve probably at least heard his name – and if you haven’t, go pick up one of his books right now. Probably the best part about his writing is that it’s very much hard science fiction, but isn’t overly detailed or cumbersome the way I find a lot of hard SF writers to be (I lean way more toward soft SF and fantasy).

Reynolds’ work is always fast-paced and interesting, weaving the detailed science with just enough of the fantastic to add that sense of wonder and a perfect balance of action and character work. Revenger, for example, has the pacing of Firefly or Star Wars, so that even as he’s explaining the steampunkiness (is that a word?) of the starships and personal technology in the novel, you’re never mired in an info-dump or bored by too much scientific description, just to understand how everything works.

Revenger is particularly good because it’s a very human story: it focuses on two sisters who want to escape their homeworld and sign on with a starship crew not for pure escapism like Luke Skywalker, but specifically to earn money to help their father’s struggling business. What begins as a story of adventure and wild-eyed wonder as these sisters get to know their very first crew becomes a dark and harrowing tale almost immediately, as Reynolds takes his protagonists through multiple twists and unexpected locales.

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Vintage Treasures: Agents of Insight by Steven Klaper

Vintage Treasures: Agents of Insight by Steven Klaper

Agents of Insight-small Agents of Insight-back-small

These days blending genres is fairly routine. Like supernatural mob crime novels? Try Chuck Wendig’s The Blue Blazes. Enjoy human P.I’s in a fantasy setting? Try Glen Cook’s Garrett, P.I.. Vampire detectives? P.N. Elrod’s The Vampire Files. Zombie private eyes? There’s lots to enjoy! Check out Tim Waggoner’s The Nekropolis Archives or Stefan Petrucha’s Hessius Mann series.

Science fiction and spy thrillers… now that’s a slightly rarer breed. There are a few, but you have to look around. The earliest one I can think of is Agents of Insight, a mid-80s SF novel by Steven Klaper. Agents of the psi-spy agency Insight are being murdered around the world, and two agents have to expose the sinister nemesis behind the scenes, in a fast-paced race for the truth across a futuristic Earth — and beyond.

I don’t know much about this Steven Klaper fellow. Nuthin’, really. He published this single novel, and nothing else. No short stories, no articles, no reviews. Is Klaper a pseudonym for a more well-known writer? I have no idea. Anybody know?

Agents of Insight was published by Tor Books in October 1986. It is 224 pages. priced at $2.95. It has never been reprinted, and there is no digital edition. The cover is by Barclay Shaw. See all our recent Vintage Treasures here.

New Treasures: Want by Cindy Pon

New Treasures: Want by Cindy Pon

Cindy Pon Want-small Cindy Pon Want-back-small

One thing I look for in modern SF is exotic locales. When I read science fiction, I want intrepid explorers in strange landscapes… and what could be more exotic than a near-future Taipei plagued by viruses and strange pollutants? Cindy Pon’s new novel Want features a group of teens who take on a corrupt society to save their city, and soon discover that their enemies may be even more dangerous than they thought. It was published in hardcover this month by Simon Pulse.

Jason Zhou survives in a divided society where the elite use their wealth to buy longer lives. The rich wear special suits, protecting them from the pollution and viruses that plague the city, while those without suffer illness and early deaths. Frustrated by his city’s corruption and still grieving the loss of his mother who died as a result of it, Zhou is determined to change things, no matter the cost.

With the help of his friends, Zhou infiltrates the lives of the wealthy in hopes of destroying the international Jin Corporation from within. Jin Corp not only manufactures the special suits the rich rely on, but they may also be manufacturing the pollution that makes them necessary.

Yet the deeper Zhou delves into this new world of excess and wealth, the more muddled his plans become. And against his better judgment, Zhou finds himself falling for Daiyu, the daughter of Jin Corp’s CEO. Can Zhou save his city without compromising who he is, or destroying his own heart?

Want was published by Simon Pulse on June 13, 2017. It is 327 pages, priced at $18.99 in hardcover and $10.99 for the digital edition. The cover is by Jason Chan. Get more details at cindypon.com.

Tournaments, Isolated Outposts, and Strange Magic: The Wall of Night Trilogy by Helen Lowe

Tournaments, Isolated Outposts, and Strange Magic: The Wall of Night Trilogy by Helen Lowe

The Heir of Night-small The Gathering of the Lost-small Daughter of Blood-small

There are times when I want a quick read. And there are times when I want something edgy and new. And then there are times when I just want to sink back into my chair with a comforting 2,000-page fantasy trilogy, featuring squabbling royal houses, dark forces, river cities, tournaments, honor guards, wind-swept bastions, strange magic, wild lands, isolated outposts, black treachery — and a towering mountain wall that’s the last defense against the ravening hordes.

Helen Lowe’s The Wall of Night trilogy fits the bill nicely. The opening novel, The Heir of Night, won the Gemmell Morningstar Award for Best Fantasy Newcomer, and The Gathering Of The Lost was nominated for the Gemmell Legend Award for the Best Novel. The series wrapped up last year with Daughter of Blood. Here’s the complete publishing deets.

The Heir of Night (466 pages, $7.99 paperback/$2.99 digital, September 28, 2010) — cover by Gregory Bridges
The Gathering of the Lost (672 pages pages, $7.99 paperback/$3.99 digital, March 27, 2012)
Daughter of Blood (768 pages, $7.99 paperback/$4.99 digital, January 26, 2016) — cover by Don Sipley

All three are paperback originals from Harper Voyager; all three are still in print. Here’s the back covers.

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Future Treasures: At the Table of Wolves by Kay Kenyon

Future Treasures: At the Table of Wolves by Kay Kenyon

At the Table of Wolves-small At the Table of Wolves-back-small

I love science fiction conventions. They’re an opportunity to meet old friends, make new ones, and catch up on current events in the genre. And especially, they’re a chance to sit in on readings and — if you’re lucky — get a tantalizing early glimpse of upcoming new novels. That’s exactly what I did at the World Fantasy Convention last year, and I was rewarded with some of the most enjoyable readings I’ve attended in years. And among all that literary glory there was one reading, and one novel in particular, that really stood out. Kay Kenyon’s At the Table of Wolves, set in an alternate Britain where the psychic trauma of World War I has triggered the rise of paranormal abilities in ordinary people, and Nazi Germany has secretly begun to weaponize its most gifted citizens, completely captivated me. At the Table of Wolves is the novel I’ve anticipated most in 2017 and, after long months of waiting, it finally arrives in hardcover next month.

In 1936, there are paranormal abilities that have slowly seeped into the world, brought to the surface by the suffering of the Great War. The research to weaponize these abilities in England has lagged behind Germany, but now it’s underway at an ultra-secret site called Monkton Hall.

Kim Tavistock, a woman with the talent of the spill — drawing out truths that people most wish to hide — is among the test subjects at the facility. When she wins the confidence of caseworker Owen Cherwell, she is recruited to a mission to expose the head of Monkton Hall — who is believed to be a German spy.

As she infiltrates the upper-crust circles of some of England’s fascist sympathizers, she encounters dangerous opponents, including the charismatic Nazi officer Erich von Ritter, and discovers a plan to invade England. No one believes an invasion of the island nation is possible, not Whitehall, not even England’s Secret Intelligence Service. Unfortunately, they are wrong, and only one woman, without connections or training, wielding her talent of the spill and her gift for espionage, can stop it.

Publishers Weekly calls the novel “A superb adventure, worthy to launch a distinguished historical fantasy series,” and Black Gate author Martha Wells calls it “A fabulous read. It’s got the feel of Foyle’s War and the tense mystery plot of a spy thriller.” We previously covered Kay’s 2015 novel Queen of the Deep, and her last blog post for us was “When Ideas Collide.”

At the Table of Wolves is described at the first novel of Dark Talents. It will be published by Saga Press on July 11, 2017. It is 421 pages, priced at $26.99 in hardcover and $7.99 for the digital version. The cover is by Mike Heath.

Vintage Treasures: The Worlds of Jack Vance

Vintage Treasures: The Worlds of Jack Vance

The Worlds of Jack Vance-small The Worlds of Jack Vance-back-small

We live in an age where an astonishing amount of pulp science fiction and fantasy is readily available, both in print and digital formats. Want to read the complete stories of Leigh Brackett, or Fredric Brown, or Robert E. Howard, or Clark Ashton Smith, or Harold Lamb, or dozens of other fabulous pulp writers? For the first time in decades, they’re all available in handsome permanent editions and digital compilations. As well as inexpensive pulp reprints, if that’s your thing. And if you’re a serious collection who really wants the joy of tracking down each story in its original format… well, that’s easier than ever as well, thanks to online sites like eBay and Amazon.

So really, if you’re a fan of 20th Century SF and fantasy, you don’t have much to complain about. Unless, like me, you remember mass market collections and anthologies. Gone are the days when books like The Worlds of Jack Vance would line bookstore shelves, and that’s a shame.

The Words of Jack Vance is a delightful collection of some of the very best of Vance’s early fiction, including “The Moon Moth” (1961), one of his most brilliant stories, alongside three Magnus Ridolph tales, a novella in his Nopalgarth story cycle, and four other stories. It’s terrific introduction to one of the most gifted fantasists of the 20th Century. Sure, there are similar collections published today — the five volumes of The Early Jack Vance from Subterranean Press, for example. But they cost $45 each, which means not too many people (if any) will be buying them to try Vance for the first time. That Ace paperback? It’s $1.25.

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2017 Locus Award Winners Announced

2017 Locus Award Winners Announced

Death's End Cixin Liu-small All-the-Birds-in-the-Sky-medium Revenger Alastair Reynolds-small

The Locus Science Fiction Foundation has announced the winners of the 2017 Locus Awards, one of the most prestigious (and certainly one of the longest running) fan-voted awards in the industry.

The winners are selected by fans in an online poll. The awards began in 1971, originally as a way to highlight quality work in advance of the Hugo Awards. The winners were announced yesterday, during the annual Locus Awards Weekend in Seattle WA. The winners are:

SCIENCE FICTION NOVEL

Death’s End, Cixin Liu (Tor)

FANTASY NOVEL

All the Birds in the Sky, Charlie Jane Anders (Tor)

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New Treasures: Wilders by Brenda Cooper

New Treasures: Wilders by Brenda Cooper

Brenda Cooper Wilders-small Brenda Cooper Wilders-back-small

Brenda Cooper got her start collaborating with Larry Niven. They co-wrote eight short stories between 2001 – 2007, and one novel, Building Harlequin’s Moon, in 2005. She branched out and began writing short fiction of her own in 2003; her first solo novel was The Silver Ship and the Sea, which won the 2008 Endeavour Award, and kicked off The Silver Ship trilogy. She followed up with the Ruby’s Song duology (The Creative Fire, The Diamond Deep) and The Glittering Edge (Edge of Dark, Spear of Light).

Her latest is the start of a brand new series, Project Earth, set in a near-future Earth where “rewilding crews” work to remove all traces of civilization from vast tracks of terrain, returning the planet to its natural state. Gray Scott calls it “A fantastic voyage into a beautifully intricate solarpunk future,” and Karl Schroeder says it’s “A vision of future America that’s by turns exhilarating and terrifying… one of the best near-future adventures in years.” It’s available now in paperback.

Wilders was published by Pyr on June 13, 2017. It is 367 pages, priced at $18 in trade paperback and $9.99 for the digital version. The cover is by Stephan Martiniere. Click the covers above for bigger versions.

Nobles, Pirates and Supernatural Creatures in 15th Century Venice: The Assassini Trilogy by Jon Courtenay Grimwood

Nobles, Pirates and Supernatural Creatures in 15th Century Venice: The Assassini Trilogy by Jon Courtenay Grimwood

The Fallen Blade-small The Outcast Blade-small The Exiled Blade-small

This week I received a review copy of Moskva, the upcoming thriller by Jack Grimwood, aka Jon Courtenay Grimwood, author of the SF novels Stamping Butterflies (2004), 9Tail Fox (2005), and the British Science Fiction Award winner End of the World Blues (2006). It’s good to see one of the most talented writers in our genre branching out… but I must admit that mostly what the book did was spark an interest in some of Grimwood’s early genre books. I ended up digging up his Assassini trilogy, which Library Journal called “A tale of politics, love, and the supernatural… 15th Century Venice springs to life, along with a varied cast of nobles, pirates, and supernatural creatures.” It was published in paperback by Orbit earlier this decade:

The Fallen Blade (417 pages, $14.99 trade paperback/$9.99 digital, January 27, 2011) — cover by Larry Rostant
The Outcast Blade (432 pages, $14.99 trade paperback/$9.99 digital, March 26, 2012) — cover by Emma Graves
The Exiled Blade (338 pages, $15.99 trade paperback/$9.99 digital, April 2, 2013) — cover by Emma Graves

It’s fascinating to contrast Larry Rostant’s photo-based cover for The Fallen Blade with his stylistically similar (and yet markedly different) cover for Jay Posey’s Sungrazer, which we posted here just two days ago. Rostant’s cover work is almost entirely photo-based; he has some striking examples — including some gorgeous dance photos — at his website.

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A Tale of Three Covers: Only the Dead Know Brooklyn

A Tale of Three Covers: Only the Dead Know Brooklyn

Only the Dead Know Brooklyn Chris Vola-small Only the Dead Know Brooklyn Thomas Boyle-small Only the Dead Know Brooklyn Thomas Wolfe-small

Chris Vola is the author of two previous novels, Monkeytown (2012) and the self-published E for Ether. His first mainstream release is the horror/thriller Only the Dead Know Brooklyn, published last month by Thomas Dunne Books.

If the title sounds familiar, perhaps it’s because you’re remembering the crime novel by Thomas Boyle (Cold Stove League, Post Mortem Effects) about the kidnapping of Whitman scholar Fletcher Carruthers III. It was published in hardcover by David R Godine in 1985, and reprinted in paperback by Penguin in 1986.

Or perhaps you’re thinking of the famous short story by Thomas Wolfe (which you can read here), about four guys on a subway platform in a heated discussion on how to get to Bensonhurst, narrated in a thick Brooklyn dialect. It was originally published in the June 15, 1935 New Yorker magazine, and collected in paperback by Signet in 1952 under the same title, with a spectacular cover by Ruth Nappi. To this day, readers are still debating what the story is about.

Whatever the case, you have to admit it’s a killer title, and I can’t blame Vola one bit for poaching it. Here’s the description of his novel.

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