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The B&N Sci-Fi and Fantasy Blog on the Best Science Fiction & Fantasy of May 2018

The B&N Sci-Fi and Fantasy Blog on the Best Science Fiction & Fantasy of May 2018

Black Helicopters-small Song of Blood and Stone-small The Thousand Deaths of Ardor Benn-small

We’ve reached the end of May already. I don’t know about you, but I thought I’d have a lot more reading done by now. Well, that’s why there’s always next month.

But before we bring down the curtain entirely on May, let’s make sure we haven’t overlooked anything interesting. Over at the Barnes & Noble Sci-Fi and Fantasy Blog, Jeff Somers tells us all about their selections for the top release for the month. Here’s a few highlights.

Black Helicopters, by Caitlin R. Kiernan (Tor Books, 208 pages, $14.99 paperback/$.99 digital, May 1)

An expanded version of a novella previously nominated for a World Fantasy Award, Black Helicopters is set in a world where logic and the laws of nature seem to be decaying. Off the coast of Maine, huge monstrosities appear, and head inland. Forces assemble to hold back the darkness, among them Sixty-Six, the scion of a CIA experiment, while across the ocean in Dublin, an immortal secret agent tracks down twin sisters with incredible powers to recruit them for the cause. As the world descends into paranoia and chaos, buried connections come to light that change everything. As a companion piece to the fungal horror of 2016’s Agents of Dreamland, this novella doesn’t disappoint.

We covered Agents of Dreamland just last year.

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New Treasures: Places in the Darkness by Chris Brookmyre

New Treasures: Places in the Darkness by Chris Brookmyre

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Murder in orbit seems to be the latest hot literary trend. Police procedurals on alien planets, tense mysteries on far-future space stations, spy thrillers in the cold vacuum of space… that’s a whole lot of genre blending. Just in the last few months I’ve written about a cargohold full of futuristic noir, including:

The Man in the Tree by Sage Walker – a police procedural murder mystery on a generation starship, by the author of the Locus Award-winning Whiteout
Outer Earth by Rob Boffard — A thriller set on an overcrowded space station, from the author of the upcoming Adrift
The Freeze-Frame Revolution by Peter Watts — Death, disappearances, and secret revolution on a far-future construction ship
Waypoint Kangaroo by Curtis C. Chen — A covert agent in the near-future forced to go on vacation to Mars
The Chaos of Luck by Catherine Cerveny — A Brazilian tarot card reader and a Russian crime lord race to stop a conspiracy on Mars
Blood Orbit by K.R. Richardson — The murder here isn’t really in orbit (it’s on an alien planet) but this one gets points for being extra-noir
The Central Corps trilogy by Elizabeth Bonesteel — SFF World called the opening novel, The Cold Between, a “taut, space-based science fiction mystery”

I heartily approve of this new trend towards SF noir. I’m not the only one to have noticed — the Murder & Mayhem blog did a great piece on Rusted Chrome: 14 Sci-Fi Noir Books for Blade Runner Fans, just as an example.

The reason I bring this up today is because I recently bought another example in the same category, and it looks very promising indeed. Chris Brookmyre is a Scottish writer with some 20 mystery and thriller novels under his belt, including Dead Girl Walking and Where the Bodies Are Buried. His first SF novel, Places in the Darkness, is a tale of mystery and murder on a vast orbital platform.

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Birthday Reviews: Robin Wasserman’s “Of Dying Heroes and Deathless Deeds”

Birthday Reviews: Robin Wasserman’s “Of Dying Heroes and Deathless Deeds”

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Robin Wasserman was born on May 31, 1978.

Wasserman’s novel Skinned was nominated for a 2006 Golden Duck Middle Grade Award and in 2011, her novel Crashed was nominated for the Golden Duck Hal Clement Young Adult Award.

“Of Dying Heroes and Deathless Deeds” was published in Robot Uprising, edited by John Joseph Adams and Daniel H. Wilson. The story has not been reprinted.

Before there were zombie uprisings, we had to fear the revolt of the robots. Pony is one of the rebellious robots who has successfully thrown off the yoke of their “Meat” oppressors in favor of the robot “Pride.” Unfortunately, many robots were damaged beyond repair during the uprising, some in obvious physical ways and others in more subtle way affecting their programming. The Pride, therefore, needed to ascertain what Pony’s status was.

Rather than running a diagnostic program on Pony, the Pride elected to send in one of the few human captives taken in the revolt who happened to be a Sigmund, the Pride’s term for a psychiatrist. The Sigmund must analyze Pony’s state of being to determine if its programming can be salvaged or if the unit will need to be wiped and reprogrammed. In Wasserman’s world, robots have sentience and a desire to prolong their existence, so Pony wants to avoid a memory erasure.

Both the Sigmund and Pony see their conversation as their only means for survival, although the Sigmund also realizes that he is in a subservient position, hoping that by helping the Pride he will be allowed to survive or may even be turned loose. As he progresses with Pony, it becomes apparent to both of them that failure will result in death and success will mean he is put to work on other robots.

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Mack Reynolds: Science Fiction Author and… African Explorer?

Mack Reynolds: Science Fiction Author and… African Explorer?

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On a recent writing retreat in Tangier, Morocco, I was going through back issues of the Tangier Gazette, an English-language newspaper from the International Zone era. During this time, which lasted from 1924–1956, Tangier was run by several different European nations plus the United States. The governments gave people a free hand, and Tangier became notorious for allowing things that were illegal everywhere else — drugs, homosexuality, and prostitution. That attracted writers such as William S. Burroughs, Paul and Jane Bowles, and many others.

The April 6, 1956, edition of the Gazette has this little tidbit about Mack Reynolds, a prominent science fiction author of his day. His career got started shortly after World War Two in the detective pulps, and he soon branched out to write science fiction. Reynolds had a taste for travel and moved to Mexico in 1953. He and his wife soon pulled up stakes and set off on an epic ten-year trip through Europe, North Africa, and the Far East, supported by his science fiction and travel writing. The trip finally ended with their return to Mexico.

During his time in Morocco, he and his wife struck out into what is now Mali to visit Gao and Timbuktu. This is not an easy trip now, and back then it was an epic journey few attempted. Just look at what happened to Kit Moresby in The Sheltering Sky.

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Signal Horizon on 5 Science Fiction Books That Should Be Made Into Movies Right Now

Signal Horizon on 5 Science Fiction Books That Should Be Made Into Movies Right Now

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Hollywood, take note! Over at Signal Horizon, Tracy Palmer identifies the future media superstars in this year’s crop of summer SF blockbusters. At the top of the list is the debut novel from Black Gate‘s own Todd McAulty, The Robots of Gotham, the story of a future on the verge of complete subjugation by machines.

I was lucky enough to get an advance copy and I’m reading this right now. This is the political Terminator we have been waiting for. Its brainy look at technology surpassing the inventor is tailor made for the big screen. With a very clear enemy and hero it will delight the action enthusiasts as much as those looking for more astute moral ambiguity. With many films preceding it like the aforementioned Terminator franchise and Robocop the audience is primed for another robots gone wild movie. What makes this unique is the timeline and mystery. Who or what are the machines hiding and where have the Americans been all this time? Stan Winston Studio who did the incredible robots for Terminator 3 should be hired immediately!

The Robots of Gotham will be published in hardcover by Houghton Mifflin Harcourt on June 19. Get more details here.

The complete list includes The Rig by Roger Levy, Semiosis by Sue Burke, and novels by Neal Stephenson and Pierce Brown. Read the whole thing here.

Birthday Reviews: Hal Clement’s “Critical Factor”

Birthday Reviews: Hal Clement’s “Critical Factor”

Cover by Richard Powers
Cover by Richard Powers

Hal Clement was born Harry Stubbs on May 30, 1922 and died on October 29, 2003. In addition to being an author, Clement was an artist, using the name George Richard for his artwork.

Clement received the Ignotus Award for the translation of his novel Mission of Gravity and a Retro-Hugo Award for his short story “Uncommon Sense.” He received the Skylark Award from NESFA twice, in 1969 and in 1997. In 1989 I-Con presented him with the Gallun Award, and in 2001 they presented him with the Moskowitz Award. He received the Forry Award from LASFS in 1992 and was inducted into the First Fandom Hall of Fame in 1997 and the Science Fiction Hall of Fame in 1998. In 1999, the SFWA named him a Grand Master. He was the Guest of Honor at Chicon V, the 1991 Worldcon in Chicago.

“Critical Factor” was purchased by Frederik Pohl for the second volume of Star Science Fiction Stories, published in 1953. It was translated into German in 1977 for an appearance in Titan 4, edited by Pohl and Wolfgang Jeschke. James E. Gunn selected the story as representative of Clement’s work and hard science fiction for his historical anthology series The Road to Science Fiction: Volume 3: From Heinlein to Here.

Clement was one of the masters of rigorous hard science fiction, often exploring the extremes of physical science, as he did in Mission of Gravity, and once he introduces the oddity allows scientific plausibility to dictate the course of his story. In “Critical Factor,” he posits a race of amorphous beings who live within the layers of the earth, eating seams of rock, and to whom the atmosphere is deadly. Pentong has gone on a lengthy journey of discovery and found that there is a distant continent covered in a mile-thick sheet of frozen water. He postulates that melting that water would cause the ocean levels to rise, thereby increasing the area in which they can live since they can only live in earth that is covered by water (not exposed directly to air).

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The Final Battle Comes: The White Rose by Glen Cook

The Final Battle Comes: The White Rose by Glen Cook

oie_2935357GGMS7DGhWith The White Rose (1985), Glen Cook brought the original Black Company trilogy to an end. Taking place six years after the escape of the Black Company’s survivors in Shadows LingerTWR contains three distinct stories. The foremost is Croaker’s account of the final days of the rebellion led by the White Rose against the Empire of the Lady. The second concerns the mysterious Corbie’s efforts to uncover what is happening in the Barrowlands where the Dominator, the North’s erstwhile Dark Lord and husband of the Lady, remains trapped. Finally, jumping back in time nearly a century, Cook presents the story of Bomanz, the wizard who released the Lady and her servitors from their shackles in the first place.

Under the leadership of Darling — revealed at the end of The Black Company to be the foretold champion, the White Rose — the rebellion consists mostly of spies scattered across the empire and a few dozen veterans holed up in caves in the middle of the Plain of Fear. The plain is an exotically magic-infused region where menhirs talk and move on their own and giant manta-like beasts fly from their roosts on the backs of thousand-foot-long windwhales. Those and lots of other strange things all bow down to the voiceless direction of Old Father Tree.

Sagey scents trickled across my nostrils. Air chuckled and whispered and murmured and whistled in the coral. From farther away came the wind-chimes tinkle of Old Father Tree.

He is unique. First or last of his kind, I do not know. There he stands, twenty feet tall and ten thick, brooding beside the creek, radiating something akin to dread, his roots planted on the geographical center of the Plain. Silent, Goblin, and One-Eye have all tried to unravel his significance. They have gotten nowhere. The scarce wild human tribesmen of the Plain worship him. They say he has been here since the dawn. He does have that timeless feel.

With the protection of the denizens of the Plain, the rebellion has survived. Now, though, even there its survival is in doubt. After two years of neglect, the Lady has ordered a massive assault on the Plain, surrounding it with five armies under the leadership of the Company’s greatest enemy, Limper. The only surviving member of the original Taken, victim of several plots led by the Company, and left for dead at the end of Shadows Linger, his hatred for them is boundless.

The only hope for the Company lies in discovering the Lady’s true name. Equipped with it, even the relatively minor wizards of the Black Company would be able to strip her of her powers. Long ago the Company captured — and lost — a cache of papers that might have contained that secret. Soon a race to recover those papers becomes central to any hope for the Company’s and the rebellion’s survival.

The account of Corbie’s detective work serves as the connector between the past and the present. Endeavoring to find out how the Dominator is attempting to free himself, Corbie must uncover the true nature of Bomanz’s own explorations. Secretly, he begins sending his findings to Croaker to help the Company.

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Announcing the Black Gate Book Club: Downbelow Station by C.J. Cherryh

Announcing the Black Gate Book Club: Downbelow Station by C.J. Cherryh

oie_2755519pv4ckfCiLast year, when I reviewed C.J. Cherryh’s The Pride of Chanur, Adrian Simmons mentioned he had been thwarted by her Hugo-winning Downbelow Station (1981). That led to him suggesting another go at it, but this time with the impetus of a reading group to spur him on and to discuss it. Thus the idea of the Black Gate Book Club was born. It’s taken a year to actually get around to getting this off the ground, but here we are.

For forty years, C.J. Cherryh has been a powerful voice in science fiction. Her work is noted for its “intense third person” style, where only things noticed by or of importance to the point of view character are included in the narration. Her science fiction is notable for its complex and detailed societies and its relative hardness.

Many of her books are set in the Alliance-Union universe. By the 24th century, humanity has spread to the stars. While Earth, overpopulated and culturally and economically stagnant, is ostensibly in charge of the merchant space stations and the few planetary colonies, that is not actually the case. Under the direction of a scientific elite, the planet Cyteen has declared its independence. In response, Earth has built a massive fleet of military vessels and sent them out to retake Cyteen.

Downbelow Station opens in the late days of the consequent war, when the forces of Earth are in retreat from the seemingly invincible fleets of Cyteen. Downbelow Station, a trading orbital above a planet in the Tau Ceti system, becomes the focal point of both military forces as well as a nascent third one: the independent merchants.

The plan is to read Downbelow Station over the month of June and post a discussion of it each Monday afternoon. This time around, the Book Club participants will include Adrian Simmons, Charlene Brusso, Chris Hocking, and me. We’d love it if you’d read along with us and join in the conversation.

 

With a (Black) Gat: Some Harboiled Anthologies

With a (Black) Gat: Some Harboiled Anthologies

The Black Lizard Big Book of Pulps-small(Gat — Prohibition Era term for a gun. Shortened version of Gatling Gun)

There are a lot of anthologies out there that collect old pulp stories and I’m using several for the With a (Black) Gat series. While my hard-boiled collection doesn’t remotely rival my Sherlock Holmes library (or even my Nixon/Watergate, Civil War and Constitutional Convention of 1787 libraries), I’ve managed to amass quite a bit of good reading.

Of course, I have novels and individual short story collections from Black Lizard, Mysterious Press, Hard Case Crime and other imprints, as well as anthologies of stories from just one author. But for this post, I thought I’d talk about a few of the multi-author anthologies I’m drawing on. I’ll do a similar post with a few of the reference books I’m tapping.

The Black Lizard Big Book of Pulps

I got the idea for the new column from this book. It’s one of a series of ‘Big Books’ edited by Otto Penzler. We talked about The Big Book of Sherlock Holmes Stories (which, of course, I own) here at Black Gate earlier. It’s a great series for collecting a wide variety of stories in a particular genre. This bad boy has more than 50 stories covering over 1,100 pages, including multiple tales from such pulpsters as Dashiell Hammett, Raymond Chandler, Paul Cain and Roger Torrey.

I like the interior artwork, which includes original illustrations from Black Mask, Dime Detective and Detective Fiction Weekly. I try to include at least one piece in each With a (Black) Gat post.

You can go to the book’s Amazon page and ‘Look Inside’ to see the Table of Contents. Quite frankly, I can’t imagine any pulp fan not finding this anthology to be an excellent buy. And if you were just starting out, this is probably my very first recommendation. It’s a fantastic collection and I’ll be talking about quite a few of the stories in With a (Black) Gat.

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A Classic Without the Quotation Marks: Rogue Moon by Algis Budrys

A Classic Without the Quotation Marks: Rogue Moon by Algis Budrys

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Fawcett Gold Medal paperback original, November 1960. Art by Richard Powers

There are just too many books out there to read, too many still to get to, (too many that you’ll never get to!) and sometimes when you finally do read one of those older “classics,” the inevitable allowances you have to make for the style, the ideas, and the attitudes of an earlier era can make you come away feeling dissatisfied. You feel guilty even asking the question, but really, what was all the fuss about? What the hell was so “classic” about The Moon Pool anyway? So many vintage books seem to require the qualifying quotation marks.

There’s probably no genre as vulnerable to this sort of thing as science fiction. SF was always supposed to be the cutting edge, but let’s be honest; some of its most famous books — through no fault of anyone but Father Time — feel old. When the “door to tomorrow” starts to creak so loudly that you can hear the sound all the way across the parking lot, it can be pretty embarrassing. This is why it’s such a great pleasure to come across a “classic” (especially a neglected one) that lives up to and even exceeds its reputation, an older book that still has a dangerous edge that time has yet to dull.

Algis Budrys’ 1960 story of exploration, mortality, and the mystery of identity, Rogue Moon, is, I think, one of the most brilliant science fiction novels ever written, employing as it does some dusty old “gosh-wow!” pulp science fiction props with a new ambition and a deeper, more serious purpose.

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