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Caffeine, Snacks, and a Thousand Notecards: How the Story Summit was the Key to Tremontaine‘s Success

Caffeine, Snacks, and a Thousand Notecards: How the Story Summit was the Key to Tremontaine‘s Success

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Tremontaine Season 1-small Tremontaine Season 2-small Tremontaine Season 3-small

For my whole life I’ve considered myself, in my heart-of-hearts, to be not a writer, but a novelist. Despite writing dozens of short stories, a handful of novellas, and even having serialized my own long-form story on my (defunct) blog in 2008, the novel has always had my devotion as a writer and reader. I’m both comforted and challenged by the boundaries of a novel’s of length and depth, the pacing and potential of the form. Not to mention the simple pleasure of a mass market paperback in my hands.

This is all to say that writing with a team for Serial Box’s Tremontaine is not my natural state. But it’s been a wild, fulfilling ride, and that seems accurate to describing the experience our readers have had.

Before joining Serial Box, I knew nothing about TV writing except that I loved watching the results. When Ellen Kushner invited me to write for Season Two of Tremontaine, I dove in head first with barely an understanding of the form from which we would be stealing.

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Birthday Reviews: China Miéville’s “Entry Taken from a Medical Encyclopedia”

Birthday Reviews: China Miéville’s “Entry Taken from a Medical Encyclopedia”

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The Thackery T. Lambhead Pocket Guide to Eccentric & Discredited Diseases-small

Cover by John Coulthart

China Miéville was born on September 6, 1972.

Miéville won the World Fantasy Award, the Kitschie, the British SF Association Award, and the Hugo Award for Best Novel for The City & the City in 2010. The book also earned him his third Arthur C. Clarke Award, following one for Perdido Street Station in 2001 and Iron Council in 2005. He has won the British Fantasy Award for Perdido Street Station and The Scar. All four of the previously named novels have also won the Kurd Lasswitz Preis. He has won the Ignotus Award for Perdido Street Station and Embassytown and the Grand Prix de l’Imaginaire for Perdido Street Station and The City & the City.

China Miéville wrote “Buscard’s Murrain” for Jeff VanderMeer and Mark Roberts’ anthology The Thackery T. Lambshead Pocket Guide to Eccentric & Discredited Diseases in 2003. When he included the story in his 2005 collection, Looking for Jack, Miéville changed the title to “Entry Taken from a Medical Encylopedia,” which was more descriptive, especially with the work taken out of the context for which it was created. The story was translated into German to appear in the collection Andere Himmel, with the title based on the new title of the work. He has collaborated on non-fiction with Mark Bould and on fiction with Max Schäfer, Emma Bircham, and Maria Dahvana Headley.

“Entry Taken from a Medical Encyclopedia” is a short work presented to offer the history and symptoms of the fictional Buscard’s Murrain, also known as the Gibbering Fever. The entry is filled with humor, discussions of quackery, filial defenses, fraud, and footnotes.

Miéville begins with a history of the disease, explaining that it was first contracted by Primoz Jansa, when he read a word aloud, causing his brain to experience an alteration that possible caused some sort of worm to start tunneling through his brain. The disease was believed to have been spread by the repeating of that word, known as a wormword. Jansa traveled to London where his gibbering preaching caused several outbreaks of the disease, first described by Samuel Buscard, who may have become associated with the patient through the revenge of another surgeon Buscard was blackmailing.

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Future Treasures: Vengeful, Book 2 of Villains by V. E. Schwab

Future Treasures: Vengeful, Book 2 of Villains by V. E. Schwab

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Vicious V E Schwab-small Vicious V E Schwab-back-small Vengeful V E Schwab-small

V. E. Schwab (who also writes YA fantasy under the name Victoria Schwab) is one of the few — indeed, perhaps the only — author with a bestselling superhero fiction saga that doesn’t belong to Disney or Warner Bros. Her Shades of Magic trilogy, the epic tale of an ambassador and smuggler who travels between parallel Londons, was a New York Times bestseller, and This Savage Song, the opening volume of her Monsters of Verity series, set in a divided city overrun with monsters, was both a #1 New York Times bestseller and an Amazon Best Book of the Year.

Matthew Surridge was the first person to bring her to my attention, with his 2014 Black Gate review of Vicious, the opening novel inVillains. Here’s Matthew:

Ten years ago, Victor Vale and Eli Cardale (later Eli Ever) are brilliant pre-med students who discover that near-death experiences can, under certain circumstances, grant survivors strange powers. They experiment, things go wrong, and while they both get powers, they end up as enemies. Now, in the present, Victor’s gotten out of prison, recruited some assistants, and is seeking out Eli — who himself has been up to some surprising things in the previous years, having come to hate the extraordinary people (or EOs) gifted with powers…

I think Vicious is interesting precisely because it straddles genres. It attenuates some of the signifiers of the super-hero genre (costumes, code-names, and so on) while maintaining others. And the result, I feel, moves the story in the direction of another genre. It moves it toward the gothic… It comes to feel a little like some of the early Vertigo comics, the Morrison and Pollack Doom Patrol, perhaps Nocenti’s Kid Eternity or Peter Milligan’s Shade: clear super-heroic elements mixed with a greyer world and some elements of horror. It’s not as complex as the best of the Vertigo books, but has a narrative drive many of them lacked… It’s fascinating to see the gothic emerging from under the skin of the super-hero genre. And as a character study, it succeeds, integrating flashbacks while maintaining narrative momentum. It reads smoothly, swiftly, and well.

Vengeful, the long-awaited second novel, arrives in hardcover from Tor on September 25. Here’s the description.

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And in the End: Soldiers Live by Glen Cook, Part 2

And in the End: Soldiers Live by Glen Cook, Part 2

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SLDRSLVCKG2000So that’s that. Last night I closed the cover of Soldiers Live (2000), the final volume of Glen Cook’s Black Company series. (Yes, yes, I know there’s a new book, Port of Shadows, coming out this month, but it’s set in the past, before Shadows Linger.) All the Company’s enemies and most of its veterans are laid to rest, mostly in their graves. In the last few pages the Black Company, Last of the Free Companies of Khatovar, leaves one universe for another. Only a single veteran from the pre-Taglian days remains and, after two devastating battles, most of the Taglian recruits are gone as well. And still…the Company remains the Company.

From this point on: Spoilers!

Sleepy leads the Company north from the Plain of Glittering Stone. Her plan is to defeat Soulcatcher’s army, then march on the great city of Taglios and force Mogaba and his fellow commanders to surrender. Outnumbered, Sleepy hopes that the magical advantages afforded by the wizard Tobo will give her the intelligence edge needed to overcome the larger, if less competent, opposing armies.

There are few happy endings in Soldiers Live. Willow Swan, Blade, Murgen, and many of their brethren fall in battle or succumb to their wounds afterwards. Shara is presumably killed in the final great fight near Taglios but her body is never found. We see Sleepy and her command staff caught in a magical trap and later learn they were all burned too severely to be identified. Goblin comes back but he’s been possessed by a demon of Kina. Mogaba, in a new found state of reflection, abandons Taglios in order to prevent its destruction only to be tortured and killed by Tobo. Just as he’s about to resume rule of Taglios, the Prahbrindrah Drah is killed by a stray bolt of magic. Much of the book’s second half is a roll call of the dead, punctuated by vicious battles.

At the heart of Soldiers Live is the fate of Croaker. It is through him that we first meet the Black Company, and through his eyes we leave it. His plan to rebuild the Company would have them traverse the worlds connected by the Plain of Glittering Stone, so Croaker makes a deal with the golem that maintains it. Shivetya is ancient and exhausted, desiring death but trapped in an immortal body. In the end the two swap bodies, allowing the golem to die and Croaker to become a near-divine being, able to access all the ancient history of the sixteen worlds and maintain the gates between them.

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Birthday Reviews: Rick Wilber’s “Greggie’s Cup”

Birthday Reviews: Rick Wilber’s “Greggie’s Cup”

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Cover by Thomas Canty
Cover by Thomas Canty

Rick Wilber was born on September 4, 1948.

Rick Wilber won the Stephen R. Donaldson Award for scholarship at the IAFA in 2006 and the Sidewise Award for Alternate History in 2013 for his story about catcher/spy Moe Berg. He has also been nominated for the John W. Campbell Memorial Award. In 1997, along with Sheila Williams, Wilber founded the Isaac Asimov Award for Undergraduate Excellence in Science Fiction and Fantasy Writing that is presented annually to students at the IAFA. In 2005, Asimov’s name was replaced in the award title with Dell Magazines.

“Greggie’s Cup” was written for the 1992 anthology Grails: Quests, Visitations and Other Occurences, edited by Richard Gilliams, Martin H. Greenberg, and Edward E. Kramer. The only place it has been reprinted is in one of the two trade paperbacks which were issued to split that massive collection into a more manageable size for reprinting, Grails: Quests of the Dawn, in 1994.

Greg is a back-up quarterback at the end of an uninspiring career, dealing with the aftermath of his second divorce, who takes Greggie, his twelve year old son with Down’s syndrome, with him to visit his sister in Scotland to try to figure out the next steps of his life. While Greg is talking to his sisters and brother-in-law, striking up a conversation with a woman who is interested in him for who he is rather than because he’s a football player, and talking to a team owner about a possible coaching job in the Scottish league, Greggie is off exploring the ruins of a Roman fort and pretending to be a knight.

The fort is more than just a playground for Greggie. Having heard his uncle Tam talking about how everything in Scotland has a tie to King Arthur, Greggie plays that he is fighting with a knight, who slips through time to actually befriend the boy. Sir Lancelot is supposed to be questing for the Holy Grail, but has doubts about his ability to find it since he knows he isn’t pure enough to hold the Grail. Greggie, of course, only sees the good in Lancelot, the fact that he befriended the boy. That is enough for Greggie and knowing that Lancelot is looking for a cup, he gives him the small plastic trophy that he won at a basketball game.

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The Beauty in Horror and Sadness: An Interview with Darrell Schweitzer

The Beauty in Horror and Sadness: An Interview with Darrell Schweitzer

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We Are All Legends-back-small We Are All Legends-small

Cover by Stephen Fabian

Intro

It is not intuitive to seek beauty in art deemed grotesque/weird, but most authors who produce horror/fantasy actually are usually (a) serious about their craft, and (b) driven my strange muses. This interview series engages contemporary authors & artists on the theme of “Art & Beauty in Weird/Fantasy Fiction.” Previously we cornered weird fantasy authors like John Fultz, Janeen Webb, Aliya Whiteley, and Richard Lee Byers.

Today we hear from the legendary author and editor of weird fiction, Darrell Schweitzer!

Darrell Schweitzer is an American writer, editor, and essayist in the field of speculative fiction. Much of his focus has been on dark fantasy and horror, although he does also work in science fiction and fantasy. Schweitzer is also a prolific writer of literary criticism and editor of collections of essays on various writers within his preferred genres. Together with his editorial colleagues Schweitzer won the 1992 World Fantasy Award special award in the professional category for Weird Tales. His poem Remembering the Future won the 2006 Asimov’s Science Fiction‘s Readers’ Award for best poem. His novels include The White Isle, The Shattered Goddess, The Mask of the Sorcerer, and The Dragon House. His most recent story collection is the explicitly Lovecraftian Awaiting Strange Gods published by Fedogan & Bremer. He has also been known to lead the choir at Cthulhu Prayer Breakfasts, where his The Innsmouth Tabernacle Choir is used. He has published books about H.P. Lovecraft, Robert E. Howard, and Lord Dunsany.

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Wit and Play in Classic Science Fiction: The Best of Fredric Brown

Wit and Play in Classic Science Fiction: The Best of Fredric Brown

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The-Best-of-Fredric-Brown-smallThe Best of Fredric Brown (1977) was the tenth installment in Lester Del Rey’s Classic Science Fiction Series. The then living horror author Robert Bloch (1917–1994) gives the introduction. H. R. Van Dongen (1920–2010) returns to do his second cover in the series, having done the cover for the seventh volume in honor of John W. Campbell.

There is no afterword since, generally, the series seems to include an afterword by the author only if (fair enough) the author was living at the time. Since Fredric Brown had already died (1906–1972) by the time this book was published there is no afterword.

I first heard of Fredric Brown a few years ago here at Black Gate. Our own esteemed editor John O’Neill was reminiscing about this very book. As with so many of John’s Del Rey “Best of” posts, I was intrigued and tracked down a copy. I read through the book and enjoyed many of the stories.

But, my main memory of Brown was primarily one of annoyance.

At that time Brown struck me as an author who often tried to be too cute for his own good. My impression was not helped when I picked up his short novel Martians, Go Home (1954) a few months later. I enjoy a bit of humor in my fiction. But I guess I was not in the mood for something like Hitchhiker’s Guide to the Galaxy at the time.

I also found the twist endings of many of Brown’s short stories to be less than satisfying. So when I started to go through this series for reviews on Black Gate, I was not looking forward to returning to Fredric Brown.

But upon re-reading this volume, I surprisingly found that my prior annoyance had dissipated. What changed?

I am convinced that one’s reading is sometimes greatly affected by the context of one’s life. Perhaps the first time I read The Best of Fredric Brown I just was not in the mood to experience, what the book’s back cover calls, the “Wit and Whimsy of Fredric Brown.” Perhaps I wanted my fiction to be a bit more serious. And perhaps I was living in the post-hangover era of M. Night Shyamalan movie twist-endings. Whatever it was, this go-around was much more enjoyable.

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Birthday Reviews: Roland J. Green’s “Strings”

Birthday Reviews: Roland J. Green’s “Strings”

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Oceans of Space
Oceans of Space

Roland J. Green was born on September 2, 1944.

Green’s only award nomination was for the Sidewise Award in 1998 for his story “The King of Poland’s Foot Cavalry.” He has used the pen name Jeffrey Lord for his work on the Richard Blade novels. In addition to his own Wandor series, he has written Conan and Dragonlance novels. Green collaborated with Jerry Pournelle on three books in the Janissary series, with Gordon R. Dickson on the novel Jamie the Red, Andrew J. Offutt, John Carr, and with his wife, Frieda A. Murray. Along with Harry Turtledove, he co-edited two volumes in the Alternate Generals anthology series and co-edited Women at War with Lois McMaster Bujold.

Green wrote “Strings” for the anthology Oceans of Space, edited by Brian M. Thomsen and Martin H. Greenberg in 2002. The story has never been reprinted.

In “Strings,” Green creates a complex interspecies political system in a short amount of space, presenting humans, Baernoi, and K’thressh in the same system. The humans and the Baernoi are attempting to navigate the possibility of open warfare between them while the telepathic K’thressh monitor, and possibly influence, the system.

Green’s entry into the story is through the eyes of Brigitte Tachin, a newly minted lieutenant aboard the FSS Trollstep. As the situation escalates with the realization that the Baernoi may have established an illegal colony on the nearby planet, Tachin’s commander begins to give orders that heighten the risk of war and Tachin must decide whether she will follow the orders and possibly die, or refuse them and jeopardize her fledgling career. The realization that the K’thressh are watching telepathically and might be influencing the decisions on both sides for their own gain only raises the stakes.

The situation is interesting, but Green’s focus on the military details of the human’s attack on the Baernoi forces tends to detract from the ethical considerations that Tachin raises in her decision to follow or ignore her commander’s orders. Green manages to lessen the impact of the situation he has set up by moving the story into the realm of standard military science fiction.

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Birthday Reviews: C.J. Cherryh’s “The Unshadowed Land”

Birthday Reviews: C.J. Cherryh’s “The Unshadowed Land”

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Sword and Sorceress II-small Sword and Sorceress II-back-small

Cover by Ilene Meyer

C.J. (Carolyn Janice) Cherry was born on September 1, 1942. When she sold her first work, editor Donald A. Wollheim suggested adding the final “h,” making her byline C.J. Cherryh. Her brother is artist David Cherry, who did not add a final “h.”

Cherryh won the John W. Campbell Award for Best New Writer in 1977. In 1982, she won the coveted Balrog Award for her short story “A Thief in Korianth.” She has won three Hugo Awards, first for her short story “Cassandra” in 1979, for her novel Downbelow Station in 1982, and for her novel Cyteen in 1989. In 1988 NESFA presented her with the Skylark Award. She named a Damon Knight Grand Master by SFWA in 2016. Cherryh was the guest of honor at Buccaneer, the 1998 Worldcon in Baltimore.

“The Unshadowed Land” first appeared in Marion Zimmer Bradley’s Sword and Sorceress II: An Anthology of Heroic Fiction in 1985 and was translated into Italian as part of the anthology in 1988 and again in 1994. It was reprinted in English in The Collected Short Fiction of C.J. Cherryh in 2004.

Cherryh slowly creates her world in “The Unshadowed Land,” subverting the reader’s expectations as she goes along. It opens with a description of God (or a god) callously creating and changing the world by looking at it in different ways or flapping wings. This setting seems to indicate an alien world, mostly desert, at least the part Cherryh is interested in. A woman, whose name might be Akhet, is introduced to the world, giving the reader a viewpoint character, but also, like the reader, unsure of the situation she is in.

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Future Treasures: Worlds Seen in Passing: Ten Years of Tor.com Short Fiction, edited by Irene Gallo

Future Treasures: Worlds Seen in Passing: Ten Years of Tor.com Short Fiction, edited by Irene Gallo

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Worlds Seen in Passing Ten Years of Tor.com Short Fiction-smallTor.com is one of the finest genre websites on the planet. Originally created to promote Tor Books, it has taken on a very substantial life of its own, with news, art, commentary, thoughtful re-reads of many of my favorite novels (and more than a few that I’ve overlooked)… and especially fiction. It’s become widely renowned for its top-notch fiction, from many of the biggest names in the genre.

How did it all start? Tor.com publisher Irene Gallo tells all in the Preface to Worlds Seen in Passing: Ten Years of Tor.com Short Fiction, a feast of a book collecting 40 of the best stories published at the site over the years.

Tor.com celebrated its tenth anniversary on July 20, 2018 — the forty-ninth anniversary of the first manned moon landing. It started out innocently enough. In 2006, our publisher, Fritz Foy, while attending the Tor Books holiday party, pulled Patrick and Theresa Nielsen Hayden and me aside and said he wanted to create “a river of conversation, art, and fiction” within the SF/F community — an online magazine that crossed the borders between publishers and media.

It took us a couple years to get off the ground. During that time, whenever we felt lost in the process, we’d come back to the word “genuine.” We wanted to build a place that treated science fiction and fantasy (and related subjects) with gravitas and humor, a place to have fun without shying away from weightier, more thoughtful subjects. In short, we wanted to build a place where we wanted to hang out…

We knew from the start that fiction was always going to be at the heart of Tor.com. As publishers it made sense, but also… the entire site is dedicated to storytelling. Of course we wanted fiction to be our focal point. We have since published hundreds of original stories, along with art, reprints, comics, and poems — all of which are a source of pride for us, as well as bringing enjoyment to our readers.

This is a very substantial volume — 567 pages! — and it’s packed with fiction from the best writers in the industry, including Kathleen Ann Goonan, Jeff VanderMeer, Leigh Bardugo, Lavie Tidhar, A.M. Dellamonica, Dale Bailey, Tina Connolly, Max Gladstone, Alyssa Wong, Genevieve Valentine, Kij Johnson, Mary Robinette Kowal, Rachel Swirsky, Ken Liu, Ruthanna Emrys, Isabel Yap, Helen Marshall, Pat Murphy, Kameron Hurley, Yoon Ha Lee, N. K. Jemisin, Carrie Vaughn, Charlie Jane Anders, and many, many others.

Here’s the publisher’s description.

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