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Goth Chick News: Killing Time Until the 2019 Show Line Up

Goth Chick News: Killing Time Until the 2019 Show Line Up

Ripley and Newt

With the 2018 “season” behind us and cold, dark Chicago winter ahead, it’s time to hunker down with what remains of our current reading list and wait for the start of a new set of Goth Chick News adventures in 2019.

On that note, I told you about three new horror releases a few weeks back, which were currently on my nightstand. I can now report that having finished Dracul, written at least partially by a great, great nephew of Mr. Stoker himself, it’s definitely worth your time. I wasn’t a fan of author Dacre Stoker’s first foray into Uncle Bram’s iconic character via a Dracula sequel entitled Dracula, the Undead. However, this time around Stoker teamed up with a co-author (or was teamed up with one by his editor). J.D. Barker has impressive horror creds and the results for the overall storytelling are definitely better.

Dracul is a pre-quel of sorts with Uncle Bram as the main character. The story concerns the events that inspired Bram Stoker to write Dracula, and though it is so slow in places you’ll think perhaps that was when Barker turned his back on the writing process to grab a sandwich, the overall story is clever and connects entertainingly enough to the source material to be a good read for fans of the original Dracula, as well as those who just like a good gothic vampire tale.

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New Treasures: Keepers by Brenda Cooper, Book Two of Project Earth

New Treasures: Keepers by Brenda Cooper, Book Two of Project Earth

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We reported here on Tuesday the surprising news that Pyr has been sold to Start Publishing, a development that’s produced a lot of speculation in the industry. While there’s been plenty of dark conjecture, I think I can sum up the general mood as “cautious optimism” that the sale won’t hurt one of the most dynamic and exciting genre publishers of the last few decades.

It has caused me to look more closely at Pyr’s latest releases, and that’s not a bad thing. The one that has most interested me recently is Keepers, the second novel in Brenda Cooper’s Project Earth, set in a near-future Earth where “rewilding crews” work to remove all traces of civilization from vast tracks of terrain, returning the planet to its natural state. Gray Scott says the first novel Wilders was “A fantastic voyage into a beautifully intricate solarpunk future,” and Karl Schroeder called it “one of the best near-future adventures in years.”

We covered Wilders here; and Steven Silver’s Birthday Review of Cooper’s short story “Second Shift” appeared here in August. Here’s the description for Keepers.

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The Real Tartan Tat Army! A review of Better is the Proud Plaid by Jenn Scott

The Real Tartan Tat Army! A review of Better is the Proud Plaid by Jenn Scott

At least half looked like soldiers draped in tartan tat.
Regular soldiers draped in tartan tat

What if I told you that the Highland army at Culloden in 1746 wasn’t really a “Highland” Army?

What if I also told you that apart from a few front-ranking testosterone-poisoned sword and targe men, it fought like any other 18th century European army and that at least half the men looked like regular soldiers draped in tartan tat — sashes, tartan trews, a better quality version of the kind of stuff tourists still pick up in Edinburgh’s gift shops — to show which side they were on?

Yes, I’ve been reading Jenn Scott’s new Better is the Proud Plaid: The Clothing, Weapons and Accoutrements of the Jacobites in the ’45. (UK, US)

It’s so far out of my normal period that I’m in danger of doing that thing where I age before your eyes and turn into a puddle of steaming goop.

However, every Scot grows up with the tale of Bonny Prince Charley, the ’45 Rebellion, and the tragic Battle of Culloden. Me being an Anglo-Scot, my ancestors, if involved, wore red coats and cursed in Nottinghamshire accents while they fought for Good King George. No wonder, then, that I’ve always been suspicious of the noble-savage-fighting-for-Scottish-freedom-while-swiving-time-travelling-American-nurses narrative that has wrapped itself around the rebellion. This book promised to debunk some of that — which it does, but in doing so replaces it with something perhaps more impressive.

And, also, I was expecting to be impressed. I’ve been hearing about Jenn’s research for years.

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The Death of the Classical World: Reading The Darkening Age by Catherine Nixey

The Death of the Classical World: Reading The Darkening Age by Catherine Nixey

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The destroyers came out from the desert. Palmyra must have been expecting them: for years, marauding bands of bearded, black-robed zealots, armed with little more than stones, iron bars and an iron sense of righteousness had been terrorizing the east of the Roman Empire.

Thus starts the controversial new history of the pagan/Christian transition by Classics scholar Catherine Nixey. Making a deliberate parallel between the early Christians and ISIS is a bold move, intended to shock and turn our historical and cultural presumptions upside down.

It’s only the first of many. For 250 pages, Nixey makes a full-on assault against the dominant narrative that Christians were brutally oppressed by the Roman Empire, before peacefully taking over by winning the debate against an exhausted and decadent paganism.

In Palmyra c. AD 385, a horde of black-robed monks swarmed out of their desert caves and crude shelters to break into the city’s temple of Athena. There they came upon a graceful, larger-than-life statue of the goddess. They hacked the head from its shoulders, then battered at the head where it lay on the ground. When they left, their rage satiated, the head lay where they had left it for centuries until uncovered by modern archaeologists.

All across the Late Roman Empire, this scene was played out again and again with increasing frequency as Christians grew in number and confidence.

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Dark Evil and Atlantean Gods: Stygian: A Dark-Hunter Novel by Sherrilyn Kenyon

Dark Evil and Atlantean Gods: Stygian: A Dark-Hunter Novel by Sherrilyn Kenyon

Acheron Kenyon-small Styxx Kenyon-small Stygian Kenyon-small

When I received a review copy of Sherrilyn Kenyon’s new novel Stygian, I noticed the subtitle A Dark Hunter Novel. I know Kenyon is the author of multiple ongoing series (including the Deadman’s Cross historical fantasies featuring curses, pirates, and a sentient ship on the Spanish Main), but I wasn’t prepared for the scale of this one.

Depending on how you count, this is the 22nd novel in the Dark Hunter series, a saga of dark evil and the Atlantean gods that began way back in 2002 with Fantasy Lover.

Kenyon has made a name for herself as a paranormal romance writer with a string of #1 New York Times bestsellers under her belt, but Stygian isn’t just the latest in a long running series. It picks up the tale of the Dark-Hunter leader Acheron and his twin brother Styxx, told in the #1 bestselling Acheron and Styxx, to tell the story of Urian, Styxx’s son. Here’s the description.

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A Tale of Alchemy and Magic in Gilded Age New York: The Last Magician Series by Lisa Maxwell

A Tale of Alchemy and Magic in Gilded Age New York: The Last Magician Series by Lisa Maxwell

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I received a review copy of The Devil’s Thief a few months ago. It’s the second volume in Last Magician series by Lisa Maxwell, and I didn’t have a copy of the first one, last year’s The Last Magician.

But The Devil’s Thief still managed to capture my attention. Man, I hate that.

We covered Lisa Maxwell’s previous book, the Peter Pan homage Unhooked, back in 2016. But it was The Last Magician that really put her on the map, becoming an instant New York Times bestseller. The tale of a girl who travels back in time to find a mysterious book that could save her future, The Last Magician was called a “twisty tale of alchemy and magic in Gilded Age New York” by Cinda Williams Chima.

How do I know all this? Because I shelled out for a copy, because I’m a sucker. Here’s the description.

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Ouroboros: The Citadel of the Autarch by Gene Wolfe

Ouroboros: The Citadel of the Autarch by Gene Wolfe

I have no way of knowing whether you, who eventually will read this record, like stories or not. If you do not, no doubt you have turned these pages without attention. I confess that I love them. Indeed, it often seems to me that of all the good things in the world, the only ones humanity can claim for itself are stories and music; the rest, mercy, beauty, sleep, clean water and hot food (as the Ascian would have said) are all the work of the Increate. Thus, stories are small things indeed in the scheme of the universe, but it is hard not to love best what is our own—hard for me, at least.

— Severian

oie_1342155N3OR5AdvWith The Citadel of the Autarch (1983) the story ends where it began: Nessus, the great city of the Commonwealth. Severian is no longer a young torturer exiled for an act of mercy, but a figure of incredible power and importance. Realistic depictions of peace and war are interwoven with excursions into phantasmagoria. Severian encounters old friends as well as enemies, experiences mass combat, and meets the strange soldiers of the Commonwealth’s Orwellian enemy, Ascia. Told in Wolfe’s often elliptical style, there are the familiar hints of Clark Ashton Smith, the stench of Wolfe’s time during the Korean War, and a solid whiff of Chesterton’s The Man Who Was Thursday.

At the end of the previous book, The Sword of the Lictor, Severian’s great sword, Terminus Est, was broken. So too, seemingly, the life-restoring Claw of the Conciliator he means to return to the religious order, the Pelerines. Searching for the blue gem’s pieces, he discovered that at its shattered heart was a simple thorn. The gem itself was mere glass.

Citadel begins with Severian continuing northward in search of the Pelerines and the front between the Commonwealth’s and Ascia’s armies. He soon meets the trailing edge of the Autarch’s armies: supply trains, cavalry patrols, and the scattered remains of the killed. As he pilfers supplies from one dead soldier he is struck by the callousness of his actions and by the contents of a letter written by the dead man to his beloved. He restores the corpse to life with the thorn from the Claw. Whether unable or unwilling to speak, the resurrected soldier travels with Severian until they finally come to a great field hospital run by the Pelerines.

Severian, it turns out, is suffering from a fever and is taken in by the ministering sisters. He strikes up a friendship with several fellow patients, a woman and three men who wish to marry her. And here, Citadel takes a storytelling detour. To choose a husband from among her suitors, Foila decides that whomever can tell the best story will win her hand. She asks Severian to act as judge. Each story has its own strengths, but it’s that of the Ascian prisoner I found the most interesting.

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Pyr Sold to Start Publishing

Pyr Sold to Start Publishing

A Guile of Dragons-small Blood Orbit-small The Hanged Man K.D. Edwards-small

Publishers Weekly is reporting that Pyr, the science fiction and fantasy imprint of Prometheus Books, has been sold to digital publisher Start Publishing.

Under Editorial Director Lou Anders, who founded the line in March 2005, Pyr was one of the most dynamic and exciting independent publishers in the industry, acquiring books from Michael Moorcock, Ian McDonald, Kay Kenyon, Sean Williams, Alan Dean Foster, Adam Roberts, Adrian Tchaikovsky, Kristine Kathryn Rusch, Tim Lebbon, Paul McAuley, Brenda Cooper, Jack Dann, Ken MacLeod, Robert Silverberg, and many others. Pyr launched numerous talented new writers as well, including Black Gate authors James Enge, Chris Willrich, Jon Sprunk, and others. Lou left Pyr in 2014 to pursue his own writing career, but under new editor Rene Sears Pyr has continued to be a force in the industry, with a backlist of over 170 titles. Recent releases include K. R. Richardson’s Blood Orbit, Tracy Townsend’s Thieves of Fate series, and the excellent Nebula Awards Showcase anthologies; its forthcoming titles include K.D. Edwards The Hanged Man.

I’m not sure what this means for Pyr, and especially their print editions. But PW claims Start Publishing will continue the print versions, and retain at least two editors from Pyr and their sister crime fiction imprint Seventh Street Books.

Start Publishing began has an exclusively digital publisher but, through a series of acquisitions, now releases print editions as well. Start will publish both print and digital editions of the newly acquired titles. Jarred Weisfeld, president of Start, told PW two editors from Prometheus will stay on to continue to release frontlist titles under both imprints. Start will also hire a new public relations/marketing person to promote the two imprints.

Read the complete announcement here.

Sentient Starships, Cyborgs, and Eerie Horror: The Best American Science Fiction and Fantasy 2018 edited by N.K. Jemisin and John Joseph Adams

Sentient Starships, Cyborgs, and Eerie Horror: The Best American Science Fiction and Fantasy 2018 edited by N.K. Jemisin and John Joseph Adams

The Best American Science Fiction and Fantasy 2018-small The Best American Science Fiction and Fantasy 2018-back-small

The Year’s Best season came to a close last month. It was a pretty spectacular year, with no less than 10 volumes from editors Rich Horton, Gardner Dozois, Neil Clarke, Jonathan Strahan, Paula Guran, Jane Yolen, Michael Kelly, David Afsharirad, and others. We’ve covered them all, and we close out 2018 with The Best American Science Fiction and Fantasy 2018. This is the fourth volume; the series is edited by John Joseph Adams with a different co-editor every year. His partner this year is N.K. Jemisin, who may be the most honored SF writer in the field at the moment, with three back-to-back-to-back Hugo wins under her belt.

This year’s volume received a rave review from Publishers Weekly. Here’s an excerpt.

An almost unheard-of diversity of tales absolutely sing in this superlative anthology of short speculative stories. Encompassing a wide range of styles and perspectives, the book swings gracefully from thoughtful superhero SF (“Destroy the City with Me Tonight” by Kate Alice Marshall) to nuanced horror based on Congolese mythology (“You will Always Have Family: A Triptych” by Kathleen Kayembe) to musings on the justice and the multiverse (“Justice Systems in Quantum Parallel Probabilities” by Lettie Prell) without a single sour note. A. Merc Rustad contributes “Brightened Star, Ascending Dawn,” a heartfelt piece about sentient spacecraft and found family, and Caroline M. Yoachim delves further into ideas of family and obligation with the windup characters of “Carnival Nine.” From the Chinese afterlife (“The Last Cheng Beng Gift” by Jaymee Goh) to a future of cyborgs run amok (“The Greatest One-Star Restaurant” by Rachael K. Jones), this anthology delivers.

As always, this volume contains 10 fantasy and 10 SF tales. This year’s contributors include Samuel R. Delany, Charlie Jane Anders, Carmen Maria Machado, Maureen F. McHugh, Caroline M. Yoachim, Peter Watts, Tobias S. Buckell, and two stories from Maria Dahvana Headley. Here’s the complete TOC.

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New Treasures: The Wastelanders by K.S. Merbeth

New Treasures: The Wastelanders by K.S. Merbeth

The Wastelanders-small The Wastelanders-back-small

I was picking up some books at Sally Kobee’s table at the World Fantasy Convention when I spotted K.S. Merbeth’s The Wastelanders, with the cover blurb “A full throttle, sand-in-your-eyes, no-holds-barred ride through a Mad Max-style wasteland” (from Delilah S. Dawson). That got my attention, sure enough.

But I was bringing back too many books from the con as it was, so I put it back reluctantly. I finally got a copy on Friday, and I’m glad I did. Turns out The Wastelanders is an omnibus edition of two Orbit paperbacks, Bite and Raid, which share a gritty post-apocalyptic setting. Booklist gave a rave review to the first when it first appeared; here’s a snippet.

Merbeth’s action-driven debut introduces us to Kid, a teenage girl who has known no world other than this postnuclear apocalyptic one. She’s barely surviving alone after the death of her father. Knowing she should not trust strangers but too tired and hungry to care, Kid gets in a car with two ominous figures, the large, dreadlocked Wolf and the bright-blue-haired Dolly. And so begins a fast-paced ride through a barren world in which food and water are scarce, “Raiders” and “Sharks” rule the trade routes, and cannibalism is a real survival option. The first-person narration will leave readers hanging on Kid’s every word as she falls in with Wolf and his gang. The first battle scene comes immediately and is closely followed by another and then another, constantly escalating… Filled with dark humor, wit, and a realistic dystopian setting, Bite plays with the idea of who the good guys are in such a harsh world. Think Carl Hiaasen thriller set in a Mad Max world, and you have an idea of what to expect.

We covered Bite after it first appeared last year (and I note that I was just as intrigued by that cover blurb back then… at least I’m consistent). But I somehow managed to totally miss the sequel Raid, so I’m grateful for the chance to rectify that oversight now.

The Wastelanders was published by Orbit on October 16, 2018. It is 595 pages (including 22 pages of sample chapters from two other Orbit releases, Lilith Saintcrow’s Afterwar and Nicholas Sansbury Smith’s The Extinction Cycle), priced at $16.99 in trade paperback and $9.99 for the digital edition. The cover was designed by Lisa Marie Pompilio.