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Half A Century of Reading Tolkien Part Ten: Beren and Lúthien edited by Christopher Tolkien

Half A Century of Reading Tolkien Part Ten: Beren and Lúthien edited by Christopher Tolkien

So it was, but it is said that in recompense Mandos gave to Beren and to Lúthien thereafter a long span of life and joy, and they wandered knowing thirst nor cold in the fair land of Beleriand, and no mortal Man thereafter spoke to Beren or his spouse.

from The Quenta Silmarillion

When I wrote about The Silmarillion last year, without much detail, I described the story of Beren and Lúthien as the great love story of Middle-earth. Inspired by Prof. Tolkien’s love for his wife, Edith, as well as the story of Orpheus and Eurydice, its narrative is integral to the events of The Lord of the Rings. Aragorn’s lineage goes straight back down the millennia to the couple, as does Elrond’s.

Christopher Tolkien, continuing the great work he undertook to edit and publish the greatest portion of his father’s work developing the myths, legends, and tales of Middle-earth, published three books brining a jeweler’s eye to the three great tales contained with The Silmarillion; The Children of  Húrin (2007), Beren and Lúthien (2017), and The Fall of Gondolin (2018). Much more than with The Children of Húrin, Beren and Lúthien digs deeply into the evolution of the story, presenting multiple versions and commentary.

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Murder and Courtship: Strong Poison by Dorothy Sayers

Murder and Courtship: Strong Poison by Dorothy Sayers

Strong Poison, by Dorothy Sayers (Avon Books #328, 1951)

In Strong Poison, Sayers gives Peter Wimsey a love interest, and makes this central to the story. Traditional mystery writers had avoided this kind of plot (Irene Adler, for example, was clearly not romantically involved with Sherlock Holmes, however profound an impression she made on him).

Not all of her readers welcomed the innovation. In particular, Harriet Vane, a successful author of detective stories, was sometimes looked at as what fan fiction readers now call a “self-insertion” by Sayers — a view that gains plausibility from Vane’s involvement in a love affair, given what we know now about Sayers’s life story.

We first meet Vane in a courtroom, where she is being tried for the murder of her former lover, Philip Boyes, a less successful but more artistically pretentious novelist (what little is said of his books suggests Aldous Huxley’s early novels, before Brave New World made him immortal).

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A Vintage Horror Collection: Young Blood, edited by Mike Baker

A Vintage Horror Collection: Young Blood, edited by Mike Baker


Young Blood (Zebra Books, March 1994). Cover uncredited

Young Blood, from Zebra 1994, Edited by Mike Baker. Cover looks like a photo: Artist unknown.

Here’s another book I picked up originally because it had a Robert E. Howard story in it. This one’s different, though. It isn’t a collection of Sword & Sorcery tales, but of horror stories. The Howard story is “Pigeons From Hell,” which is somewhat universally recognized as the best of his supernatural tales. In Danse Macabre, his nonfiction book on horror, Stephen King called it “one of the finest horror stories of our century.” I agree.

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The Cornerstones of High Fantasy: E. R. Eddison, J.R.R. Tolkien, Stephen R. Donaldson, J. K. Rowling, and George R. R. Martin

The Cornerstones of High Fantasy: E. R. Eddison, J.R.R. Tolkien, Stephen R. Donaldson, J. K. Rowling, and George R. R. Martin

The Lord of the Rings trilogy by J.R.R. Tolkien: The Fellowship of the Ring, The Two Towers, and The Return of the King (Ballantine paperback editions, October & November 1965). Covers by Barbara Remington

I’ve defined Heroic Fantasy (HF) as a type of fiction in which a heroic (bigger than life) figures use a combination of physical strength and edged weapons (Swords, Axes, Spears) to face bigger than life foes. The hero may be either male or female, but the focus is primarily on personal conflict between the hero and various villains.

I divide Heroic Fantasy into four categories: Sword and Sorcery, Sword and Planet, High Fantasy, and Heroic Historical. I’ve previously discussed S&S, S&P, and Heroic Historical (HH). Today let’s check out High Fantasy.

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S. E. Lindberg is One of the most unique voices in Modern Sword & Sorcery

S. E. Lindberg is One of the most unique voices in Modern Sword & Sorcery


Lords of Dyscrasia by S. E. Lindberg (IGNIS Publishing, July 7, 2011). Cover by S. E. Lindberg

One of the most unique voices working in Sword & Sorcery today is S. E. Lindberg. I met Seth a few years back and we’ve corresponded frequently as well as running into each other here at Black Gate, where he is the Managing Editor, and at Goodreads. Lindberg has put together a unique setting for what he calls Dyscrasia Fiction.

Dyscrasia means “a bad mixture of liquids,” which is related to the Greek concept of the four “humors” of Blood, Phlegm, Black Bile, and Yellow Bile. In Dyscrasia fiction, these humors are sources of magical power and often soul and body corrupting influences.

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Another Classic Sword & Sorcery Anthology: The Barbarian Swordsmen, edited by Sean Richards (AKA Peter Haining)

Another Classic Sword & Sorcery Anthology: The Barbarian Swordsmen, edited by Sean Richards (AKA Peter Haining)


The Barbarian Swordsmen (Star, 1981). Cover by Gino D’Achille

The Barbarian Swordsmen, edited by Sean Richards, Star publishers, a British press, 1981, cool cover by Gino D’Achille. A collection of Sword & Sorcery (S&S) tales that likely wouldn’t exist except for Robert E. Howard.

I couldn’t find out much about Mr. Richards but Toby Hooper revealed to me that Richards has been reported as a pseudonym for Peter Haining and that appears to be true. His intro here doesn’t reveal anything.

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La Belle Dame sans Merci: Tam Lin by Pamela Dean

La Belle Dame sans Merci: Tam Lin by Pamela Dean


Tam Lin (Tor Books paperback reprint edition, April 1992). Cover by Thomas Canty

There’s been a lot of genre fiction set at schools. Hogwarts is an obvious example, but such settings were around long before Harry Potter; Heinlein’s Space Cadet, The Uncanny X-Men, and Le Guin’s A Wizard of Earthsea were all there first. Tam Lin is another early example, published six years before Harry Potter and the Philosopher’s Stone made scholastic fantasy a best-selling subgenre.

But it has an important difference: Its setting, the fictional Blackstock College, doesn’t teach magic, or superheroic combat, or spaceflight, or anything else fantastic. It’s a fairly typical small liberal arts college (based on the real college where Pamela Dean did her undergraduate work) where the supernatural elements are hidden beneath the surface.

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The Mighty Sword & Sorcery Anthologies of Hans Stefan Santesson

The Mighty Sword & Sorcery Anthologies of Hans Stefan Santesson


The Mighty Barbarians: Great Sword and Sorcery Heroes, edited by
Hans Stefan Santesson (Lancer Books, 1969). Cover by Jim Steranko

Hans Stefan Santesson (1914 – 1975) was born in France and lived in Sweden with his parents until 1923 when his mother immigrated to the US. She was a commercial artist and he soon became an editor for various mystery publications.

I likely would never have heard of him if not for two books of Sword & Sorcery he edited for Lancer Books. These were The Mighty Barbarians (1969) and The Mighty Swordsmen (1970), both with evocative covers by Jim Steranko.

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Horror and Gothic, Magic and Witchcraft: The Dark of the Soul, edited by Don Ward

Horror and Gothic, Magic and Witchcraft: The Dark of the Soul, edited by Don Ward


The Dark of the Soul (Tower Books, 1970)

Here’s another anthology I picked up because it had a Robert E. Howard story in it.

The Dark of the Soul, edited by Don Ward, A Tower book, 1970. Cover artist unknown. It contains a short story by Robert E. Howard called “The Horror from the Mound.” It’s a good story, although not one of Howard’s best.

This collection is more horror and gothic, magic and witchcraft, and not Sword & Sorcery (S&S). The stories are atmospheric but maybe slow for modern audiences. Here are my thoughts.

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