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Pulling Off (or Putting On?) the Blog Mask

Pulling Off (or Putting On?) the Blog Mask

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bloggingAs I watch the tumbleweeds blow through my official author web site, I sometimes wonder what I can do to increase traffic. Authors are told that regular blog entries generate interest and that we should keep up a regular stream of witty and attention-getting material to get people curious about our writing.

A lot of us can make all sorts of excuses about how we just can’t do that. Let’s face it: writers aren’t that social to begin with, or are busy enough with writing or the rest of our lives that it’s hard to find time to draft blog entries. And some of us aren’t that witty. On the other hand… longest journey, first step, to sell you must reach your market, tough get going, and so on.Which is why I’ve finally just made myself get to it with regularity. I’ve recently gotten comfortable with drafting material that matters to me in a timely manner. I can’t tell how much it matters to anyone else, but my thought is that if I build it, they will come.

Yet as the tumbleweeds roll stately forward, I naturally wonder if there’s something more I can do to draw in readers, which is why a recent post from editor, writer, and friend James Sutter’s recent post over at Ink Punks got me thinking.

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Name the Dabir and Asim Series

Name the Dabir and Asim Series

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I’m launching a contest to win an advance reader copy (known as an ARC) of the next Dabir and Asim novel, The Bones of the Old Ones. Now Bones won’t actually be available until December 11 of 2012 through bookstores (or via Kindles and Nooks and what have you), but ARCs will start going out to reviewers within the next few months. And one of them could be headed your way.

Here’s the deal. The Dabir and Asim series needs a title. I haven’t yet come up with one that’s especially electrifying, so I’m throwing open the gates, and from now until July 22nd I’m accepting your suggestions for series titles. The series title will appear on the final version of the cover, probably in the place where this version of the cover reads “A Novel,” and on all following Dabir and Asim novels.

Here’s how to enter:

1. E-mail me (with no spaces in the actual e-mail address) at joneshoward AT insightbb.com.

2. Use Dabir and Asim Contest as the subject line.

3. Provide me with the series title you like best, and an e-mail where I can reach you.

4. You can list several ideas in a single entry, or just one. If you’ve already sent me one or more ideas and think of others later, just send me a new entry.

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Leigh Brackett: American Writer

Leigh Brackett: American Writer

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shannach
The 4th and final Leigh Brackett hardback from Haffner Press, a set collecting all her short fiction.

This 4th of July I thought I’d take a look at one of my very favorite writers, the late, great Leigh Brackett, queen of planetary adventure.

Only a few generations ago planetary adventure fiction had a few givens. First, it usually took place in our own solar system.  Second, our own solar system was stuffed with inhabitable planets. Everyone knew that Mercury baked on one side and froze on the other, but a narrow twilight band existed between the two extremes where life might thrive. Venus was hot and swampy, like prehistoric Earth had been, and Mars was a faded and dying world kept alive by the extensive canals that brought water down from the ice caps.

To enjoy Brackett, you have to get over the fact that none of this is real — which really shouldn’t be hard if you enjoy reading about vampires, telepaths, and dragons, but hey, there you go. Yeah, Mars doesn’t have a breathable atmosphere, or canals, or ancient races. If you don’t read her because you can’t get past that, you’re a fuddy duddy and probably don’t like ice cream.

A few of Brackett’s finest stories were set on Venus, but it was Mars that she made her own, with vivid, crackling prose.

Here. Try this, the opening of one of her best, “The Last Days of Shandakor.” You can find it in two of the three books featured as illustrations in this article, Shannach — the Last: Farwell to Mars, and Sea-Kings of Mars and Otherworldly Stories.

Anyway. On to Brackett.

He came alone into the wineshop, wrapped in a dark red cloak, with the cowl drawn over his head. He stood for a moment by the doorway and one of the slim dark predatory women who live in those places went to him, with a silvery chiming from the little bells that were almost all she wore.

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Confessions of a Guilty Reviewer

Confessions of a Guilty Reviewer

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Howard Andrew Jones with his Review Rooster.
Howard Andrew Jones with his Review Rooster.

I used to write occasional reviews for Tangent Online, and once I wrote one that I still regret. I’ve rarely found a slice-of-life story or flash fiction that I enjoyed, so I probably had no business evaluating a piece of short fiction that was both. Yet I read it, and I slammed it. Not because it was bad flash fiction, or because it was a bad slice-of-life story (I had no kind of qualifications for adequately judging either) but because I didn’t like flash fiction or slice-of-life stories. It was the epitome of ill-informed reviewing, where the writer is arrogant enough to know better than fans of an entire genre. Or two.

I didn’t understand my mistake for a while, and when I met the author of the story at a convention years later he was kind enough not to mention my idiocy, or, more likely, hadn’t remembered the name of the idiot who’d written the review.

You’d think that my epiphany about having written such a bad review would have arrived when I started to get my own fiction published more regularly, but it actually hit me faster, probably because it took a loooong time for my fiction to get published regularly.

I began to evaluate game products for Black Gate and it finally dawned on me that I had to consider both a work’s intended function and its intended audience. For instance, if I was looking at a role-playing product, I couldn’t evaluate a retro dungeon crawl by the same standards I looked at a modern story-based adventure with plot arcs.

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New Treasures: Patrice Sarath’s The Crow God’s Girl

New Treasures: Patrice Sarath’s The Crow God’s Girl

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the-crow-gods-girl-patrice-sarathPatrice Sarath has had an enviable career. Her contribution in Black Gate 4, “A Prayer for Captain LaHire,” the tale of three knights and followers of Joan of Arc who discover the horror a fourth disciple has unleashed, was one of the most acclaimed stories from our early years and was reprinted in Year’s Best Fantasy 3 (2003). She edited the anthology Tales From The Secret City in 2007.

She turned to novels in 2008 with Gordath Wood, a book she describes as “hard to categorize:”

It’s fantasy but with only a touch of magic to it. It has romance, but is not a romance (a very different beast). It has a murder-kidnap mystery in it. Basically it has all of the elements of books I like to read. And although everybody has different tastes, I am betting that more than a few of you also like your books the same way I do — shaken and stirred. So if you like fantasy-mystery-romance novels, this one’s for you.

Gordath Wood was well reviewed and spawned a sequel, Red Gold Bridge, in 2009. In 2011 she published The Unexpected Miss Bennet, a Pride & Prejudice sequel which follows middle sister Mary Bennet, the most misunderstood of the Bennet sisters.

Now she’s turned to digital books with a second sequel to Gordath Wood, The Crow God’s Girl. When Lord Terrick’s youngest son is kidnapped, teenage Kate Mosland teams with a mysterious young girl named Ossen to execute a daring rescue… an action with unexpected consequences. As the kingdom stands on the brink of war and Terrick demands Kate submit to a new role, Kate finds that another daring and unexpected action may be the only way to find her true home.

The Crow God’s Girl is 326 pages and was published June 6, 2012. It is available via Amazon Kindle for $3.99.

Chicks Kick Butt

Chicks Kick Butt

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ckI recently reviewed Chicks Kick Butt over at The SF Site. My reaction was a little less than enthusiastic, certainly less so than fellow Black Gater Alana Joli Abbott’s review.  Here’s probably why:

…an anthology called Chicks Kick Butt sounded like something that would appeal to me, even if I’d never read anything by the female authors collected here, nor the editors. But, half the fun of picking up a story collection is discovering the work of people you’ve never heard of, or have heard of but never read.

In this case, however, that’s part of the problem. Some of these stories will no doubt resonate with their fan base. Not being part of them, I’m left to wonder what the fascination is. In part, that’s because I don’t get the whole vampire deal. Though I understand the charismatic kink of the guy (or girl) who drinks your blood and consumes your soul, maybe the first time someone thought of putting a cell phone in the hands of the attractive undead to use their curse for good instead of evil, or at least have highly charged sex, but still have problems just like the rest of us whose throats are unblemished, it was kind of fun. But an entire genre with multiple sub-genres of this stuff, really?

New Treasures: The Fantasy Fan

New Treasures: The Fantasy Fan

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the-fantasy-fanLast month, I got a great e-mail from Black Gate blogger Barbara Barrett. In between her entertaining comments on The Avengers, Arthur Machen, and re-discovering comic books, was this fascinating tidbit:

I’ve started reading The Fantasy Fan — a fan’s tribute to Hornig.  It’s a book containing a compilation of all the Fantasy Fan magazines… I’m only on the first zine but I’m amazed how closely the format matches that of Black Gate. Is this a *coincidence*? The first zine was published in September 1933 and it’s chilling because I keep in mind Robert E.Howard was still alive at that point… the breadth and depth of authors, articles and stories are wonderful. It’s definitely a page out of Living History.

Among fantasy collectors The Fantasy Fan is legendary. The world’s first fanzine dedicated to weird fiction, it lasted for 18 issues, from September 1933 to February 1935. Its contributors included some of the most famous names in the genre — H.P Lovecraft, Clark Ashton Smith, Robert E. Howard, Bob Tucker, Julius Schwartz, Forry Ackerman, Robert Bloch, August Derleth, Eando Binder, and many others — and its young editor Charles Horning so impressed Hugo Gernsback that he hired him to edit Wonder Stories in 1933, at the age of 17. While at Wonder Stories he published Stanley G. Weinbaum’s “A Martian Odyssey” and many other famous pulp stories.

Barbara’s reference to a compilation of The Fantasy Fan was so intriguing I had to track down a copy for myself, and it finally arrived last week. Copies of the original fanzine are so rare that I’ve never even seen one, so to hold a facsimile reprint of all 18 issues in my hands was rather breathtaking. The man behind the book is Lance Thingmaker, and here’s what he says in his introduction:

These fragile gems were so unique. They were simple little fanzines, but were filled with stories, articles and comments by history’s most important weird fiction writers and fans. I felt like I was looking back in time… Since they are extremely hard to find, it seemed many others probably never had the chance to check out the world’s first weird fiction zine. I wanted to make it happen.

The end product is a top-notch piece of work. The magazines are presented in facsimile format, with painstaking restoration of the original barely legible pages, hand printed and hand-bound in hardcover by Thingmaker. The book is over 300 pages, including the complete text of H.P. Lovecraft’s famous essay “Supernatural Horror in Literature,” which was being serialized when the magazine folded. It is limited to 100 copies and sold for $50. Thingmaker’s next project, due to ship later this month, is a facsimile reprint of all four issues of the ultra-rare pulp Marvel Tales.

You can find a detailed breakdown of the contents of The Fantasy Fan here. My thanks again to Barbara for alerting me to this before it sold out!

Apex #37 and Interzone #240

Apex #37 and Interzone #240

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apexmag0612June’s Apex Magazine features  ”Winter Scheming” by Brit Mandelo, “In the Dark” by Ian Nichols and “Blocked by Geoff Ryman  (who is interviewed by Maggie Slater), as well as Seanan McGuire’s poem, “Wounds.” Ken Wong provides the cover art. Nonfiction by Tansy Rayner Roberts and editor Lynne M. Thomas round out the issue.

Apex is published on the first Tuesday of every month.  While each issue is available free on-line from the magazine’s website, it can also be downloaded to your e-reader from there for $2.99.  Individual issues are also available at  Amazon and Weightless.

467_large2A version for the Nook will also be available in the near future.  Twelve issue (one year) subscription can be ordered at Apex and Weightless for $19.95; Kindle subscriptions are available for $1.99 a month.

The May–June issue of Interzone has stories by Vylar Kaftan, Ray Cluley, Lavie Tidhar, Elizabeth Bourne and Tracie Welser. Cover art is ‘The Hanged Man’ by Ben Baldwin, the third of his covers commissioned for 2012.

The issue also includes all the usual suspects: “Ansible Link” by David Langford (news and obits); “Mutant Popcorn” by Nick Lowe (film reviews); “Laser Fodder” by Tony Lee (DVD/Blu-ray reviews); along with book reviews by Jim Steel and others, and an interview with Nancy Kress.

Interzone alternates monthly publication with sister dark horror focused Black Static, published by the fine folks at TTA Press.

Yes, The New Yorker

Yes, The New Yorker

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the-new-yorker-science-fiction-issue2This week’s issue of The New Yorker (yes, The New Yorker!) is a science fiction issue, featuring fiction by Jonathan Lethem, Jennifer Egan, and Junot Diaz, among others.

Here’s the complete table of contents.  Now you can have your science fiction fix and feel literary about it at the same time.

A Wiscon Reading Report: The Best in Upcoming Fantasy

A Wiscon Reading Report: The Best in Upcoming Fantasy

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the-unnaturalists-2Last weekend I drove to Madison, Wisconsin, for Wiscon, one of the best SF conventions in the Midwest. My travel companions were four young women, and the two-hour drive from Chicago was filled with enthusiastic discussions of My Little Pony, how to cook kale, the most satisfactory sexual positions, and who that hot-looking agent was. When I wasn’t driving I sat in the back and kept my mouth shut.

You can learn a lot about life by keeping your mouth shut. For example, I learned I definitely need to check out My Little Pony.

I learned some important stuff at Wiscon, too. Wiscon has some pretty heavy panels, with titles like Intersectionality and Feminist Community, Dogmatic Rationalism, and Performing Katniss in Print and On Screen: Gender Performativity and Deconstructing Reality TV in The Hunger Games.

No, I didn’t learn what any of those things meant. The first thing I learned at Wiscon was: Don’t volunteer to be on panels. It’s like picking my teeth with a golf club — it’s painful, and it makes me look stupid.

But the second thing I learned was: Wiscon has the best reading program on the continent. And if you’re not listening to talented authors reading their work, you’re wasting your precious hours here on Planet Earth.

So I packed my hours with as many readings as I could. At the last two Wiscons I simply followed the brilliant C.S.E. Cooney — the Queen of Wiscon, and her most gifted reader-poet — as readings seemed to spontaneously spring  forth wherever she wandered. But this year she was in Ottawa giving a command performance at the most prestigious venue in the country, Canada’s National Art Centre, so we were forced to rely on our own devices. When there weren’t any readings, my driving companions and I simply created our own. In the process we were introduced to some of the hottest new writers on the fantasy scene, and several really terrific new, upcoming, or wholly undiscovered SF and fantasy novels.

Below is a list of the best of the best.

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