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A Tale of Two Covers: Skullsworn by Brian Staveley

A Tale of Two Covers: Skullsworn by Brian Staveley

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Skullsworn-small Skullsworn UK-small

We covered the first three novels in Brian Staveley’s Chronicle of the Unhewn Throne right here last year. Skullsworn, the new standalone novel in the same world, features the adventures of a priestess-assassin for the God of Death. It will be published by Tor Books this week in both the US and the UK.

Although the US and UK editions have similar publishing dates, that’s pretty much all they have in common. The descriptions for each book are markedly different — and the covers are dramatically different. The US version by Richard Anderson (above left) has lush colors and and action scene, while the UK cover (above right), designed by Matthew Garrett, is heavily design-focused. In a guest post at Tor.com, Brian Staveley talks about the US cover.

This one hits all the right notes… it gives a feel for the city, but here Pyrre is in the shadows, close to the quotidian world of human affairs, but separate, unnoticed. She’s also motionless. Her knife is drawn, but the drama doesn’t come from the knife itself, or the imminent violence, but from what’s in her mind, from her struggle to understand her own motives and emotions, then to translate them into the life she wants to live. It’s not easy to fall in love, especially when you’re staying up late every night giving women and men to the god of death. That’s the book I’m trying to write… The final version of the cover is just perfect. The color, the claustrophobia of Dombang’s hot, narrow alleys, the fish-scale lanterns, Pyrre’s crouch, ready, predatory, but not yet committed — this cover captures everything I’d hoped about the book.

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3×3 Illustration Annual #13 Now Available

3×3 Illustration Annual #13 Now Available

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3x3magazine interior

One of my most cherished annual purchases is the Spectrum anthology of Contemporary Fantastic Art, which collects some of the finest SF, fantasy, and comic art created every year. It’s a gorgeous volume that’s well worth a leisurely browse on a Sunday morning.

Volume 23, edited by John Fleskes, was released last November. We’ve previously covered Spectrum 20, with a Donato Giancola cover that’s a companion piece to his Red Sonja cover for Black Gate 15, and Spectrum 16, which contained Malcolm McClinton’s cover to Black Gate 13.

I know that Spectrum is unique in celebrating the best fantastic art every year, but I also knew — at least theoretically — that there had to be other illustration anthologies out there. But it was still a surprise to stumble on a copy of 3×3 Illustration Annual #13 in the magazine rack at Barnes & Noble last week. It’s a thick magazine printed on heavy stock, 400 pages crammed full of full color art. And such art!

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Cover to Cover

Cover to Cover

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Heinlein Door 1 Heinlein Door 2 Heinlein Door 3

Until relatively recently, I never looked at cover art. I bought books because of a review, or, more likely, because of a personal recommendation. There was art I liked, and some I didn’t like, and some that embarrassed me for one reason or another. But, the art in and of itself didn’t influence my purchasing of any book.

It was recently brought to my attention, however, that the style of cover art comes in and out of fashion, like anything else. Many of us can tell, just looking at the clothing in a photograph, in what decade the photo was taken. Hairstyle is a great indicator, as are necklines, width and length of collars and cuffs, of hemlines and sleeves. Shoulder pads anyone? Thirty years from now, someone looking at today’s photos are going to think of the 2010’s as “the decade of the beard.”

There are many people better qualified than I to talk about cover art as art. I just want to talk about it as covers. My examples are completely arbitrary, and usually come from my own shelves. Keep in mind that in order to look at changing fashion in covers over decades, I have to look at works that have been in print for that long.

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A Tale of Three Covers: Allen Steele Resurrects Captain Future

A Tale of Three Covers: Allen Steele Resurrects Captain Future

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Captain Future Winter 1941 Asimovs-October-1985-small Avengers-of-the-Moon-smaller

Captain Future was created by editor Mort Weisinger way back in 1940, but it was the great pulp writer Edmond Hamilton who made him popular. Hamilton wrote dozens of stories featuring the futuristic adventurer between 1940 and 1951, such as “Captain Future and the Seven Space Stones,” which appeared in the Winter 1941 issue of Captain Future: Man of Tomorrow (above left, cover by Earle K. Bergey). Most of Hamilton’s short novels were reprinted in paperback in the 60s, and there was even a 1978-79 anime production that brought the Captain some fame in markets like Spain and Germany, but in general the character was long forgotten here in the US by the mid-80s.

In 1995, Allen Steele wrote “The Death of Captain Future,” a fond homage to Hamilton’s classic tales. It was the cover story for the October 1995 issue of Asimov’s Science Fiction, with a stellar retro-pulp cover by Black Gate cover artist Todd Lockwood (click the image above left to see Todd’s original painting). “The Death of Captain Future” was nominated for a Nebula Award, and won the Hugo Award for best novella of the year. Steele returned to the same characters four years later with “The Exile of Evening Star” (Asimov’s SF, January 1999).

Fast forward nearly 20 years, and we find Steele’s brand new novel Avengers of the Moon on sale at bookstores across the country. It returns once again to Hamilton’s Captain Future milieu, but with a more ambitious tale, and this time Steele hews much closer to the original source material, right down to Captain Future’s colorful cast of sidekicks, and the villainous U1 Quorn, a half-Martian renegade scientist. Avengers of the Moon was published in hardcover by Tor Books this week; the cover artist is uncredited.

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Revolutionary Street Art in Cairo

Revolutionary Street Art in Cairo

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From January 25 to February 11, 2011, the world watched as Egypt convulsed in a mass uprising. Across the country, protesters from a wide range of backgrounds vented their anger at the regime of President Hosni Mubarak, which they accused of corruption and police brutality. They also protested against rising prices, high rates of unemployment, and a host of other grievances. Everyone from students to labor unions to feminists to Islamists marched to topple the regime.

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Masterpieces of Islamic Art in Cairo

Masterpieces of Islamic Art in Cairo

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Mamluk era mosque lamp from 15th century Cairo.
The tradition of hand painted mosque lamps continues
to this day, even though they now contain electric lights

Last week I discussed some of Tutankhamun’s treasures in Cairo’s National Museum. That museum is an amazing collection of items from ancient Egypt. The city’s other great museum, the Museum of Islamic Art, focuses on the Muslim period and has one of the greatest collections of its kind in the world.

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Goth Chick News: The Horror of Adult Coloring Books

Goth Chick News: The Horror of Adult Coloring Books

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Grimm Fairy Tales Adult Coloring Book-small Grimm Fairy Tales Adult Coloring Book-back-small

The explosion in popularity of adult coloring books over the past few years is quite possibly one of the greatest things to happen for us big kids, who are stuck performing stupid “adulting” activities such as going to a day job and paying bills.

Relieving anger and stress by coloring complex and hilarious pictures, (seriously, check out the Farting Animals coloring book; you won’t be disappointed) has become a norm among grown-ups, resulting the marketing of implements significantly more expensive and fancy than the most coveted of childhood creativity tools; the 64-color crayon pack.

So it was only a matter of time before the “Shut the F*** Up and Color” and “Drunk, Foul-Mouthed Jerk Unicorns” coloring book creators sought to capture revenue from an even more diverse audience by venturing further into inappropriate subject matters such as the horror genre.

Welcome to the new world of coloring slashers, corpses and skulls.

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A Tale of Two Covers: The Collapsing Empire by John Scalzi, and The Corroding Empire by Johan Kalsi

A Tale of Two Covers: The Collapsing Empire by John Scalzi, and The Corroding Empire by Johan Kalsi

The Collapsing Empire-small The Corroding Empire-small

io9 is reporting that Amazon temporarily blocked sales of The Corroding Empire, the short story collection from pseudonymous “Johan Kalsi” that Castalia House created to troll John Scalzi’s new Tor release The Collapsing Empire.

The Collapsing Empire by John Scalzi was released from Tor Books Tuesday, almost a year after it was first announced. Earlier this month, Theodore Beale (aka Vox Day) revealed on his blog that The Corroding Empire from Johan Kalsi was available for pre-order… and would be released one day before Scalzi’s book. Amazon temporarily made the book unavailable to buy, but it looks to have been restored for the time being… There’s a reason Beale made a cover that looks exactly like Scalzi’s, and it’s not to ride his coattails. This is all part of Beale’s longstanding feud (or obsession) with Scalzi, who hasn’t shied away from criticizing him in the past.

I assumed the Castalia House release was a parody of Scalzi’s new book, but that doesn’t appear to be the case — it’s a straight up collection of SF stories, packaged to look virtually identical to The Collapsing Empire. I’m not sure of the exact point, but Theo is obsessively tracking the comparative sales of the two books on his blog.

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King Tut’s Treasure: The Items You Don’t Usually See

King Tut’s Treasure: The Items You Don’t Usually See

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Ivory headrest. This is used as a pillow in many African
cultures if you want to preserve your hairdo. How you’re
supposed to actually get any sleep is beyond me

King Tutankhamun (1336-1327 BC) was a short-lived 18th dynasty pharaoh who was obscure and little studied by egyptologists until Howard Carter discovered his nearly intact tomb in 1922. Since then his most elaborate burial goods have been photographed countless times, and the whole world is familiar with images of his famous death mask, sarcophagi, and other golden treasures.

But these are only a small fraction of all the finds in the tomb. A total of 5,398 artifacts were retrieved, and on a recent visit to the Egyptian Museum during a writing retreat in Cairo, I had the privilege to see some of the ones not often reproduced in books.

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A Tale of Two Covers: Richard Adams’ Watership Down

A Tale of Two Covers: Richard Adams’ Watership Down

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Watership-Down-Poster by Raid71-small Watership-Down-Poster by Raid71 blue-small

Richard Adams’ Watership Down is perhaps my favorite fantasy novel. It’s been reprinted countless times since it was first published in 1972, on the way to selling over 50 million copies worldwide. I’ve collected multiple editions over the years, since I’m a sucker for a good cover.

But I’ve never seen anything like the poster series for the novel created by Raid71, which I fell in love with immediately. These aren’t covers for the novel, but full size wall posters suitable — very suitable, in my opinion — for framing. Click the images above for bigger versions.

I learned about the posters from John Freeman’s British comics blog Down the Tubes last year. Here’s what he said at the time.

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