Black Gate

June’s Apex Magazine features  ”Winter Scheming” by Brit Mandelo, “In the Dark” by Ian Nichols and “Blocked by Geoff Ryman  (who is interviewed by Maggie Slater), as well as Seanan McGuire’s poem, “Wounds.” Ken Wong provides the cover art. Nonfiction by Tansy Rayner Roberts and editor Lynne M. Thomas round out the issue.

Apex is published on the first Tuesday of every month.  While each issue is available free on-line from the magazine’s website, it can also be downloaded to your e-reader from there for $2.99.  Individual issues are also available at  Amazon and Weightless.

A version for the Nook will also be available in the near future.  Twelve issue (one year) subscription can be ordered at Apex and Weightless for $19.95; Kindle subscriptions are available for $1.99 a month.

The May–June issue of Interzone has stories by Vylar Kaftan, Ray Cluley, Lavie Tidhar, Elizabeth Bourne and Tracie Welser. Cover art is ‘The Hanged Man’ by Ben Baldwin, the third of his covers commissioned for 2012.

The issue also includes all the usual suspects: “Ansible Link” by David Langford (news and obits); “Mutant Popcorn” by Nick Lowe (film reviews); “Laser Fodder” by Tony Lee (DVD/Blu-ray reviews); along with book reviews by Jim Steel and others, and an interview with Nancy Kress.

Interzone alternates monthly publication with sister dark horror focused Black Static, published by the fine folks at TTA Press.

This week’s issue of The New Yorker (yes, The New Yorker!) is a science fiction issue, featuring fiction by Jonathan Lethem, Jennifer Egan, and Junot Diaz, among others.

Here’s the complete table of contents.  Now you can have your science fiction fix and feel literary about it at the same time.

The May  issue of Clarkesworld is currently online. Featured fiction: “Prayer” by Robert Reed, “Synch Me, Kiss Me, Drop” by Suzanne Church and “All the Things the Moon is Not” by Alexander Lumans.  There are also audio versions of all three stories, read by Kate Baker. Non fiction by Aletha Kontis, Jeremy L.C. Jones and Elizabeth Bear.  The cover art is by Jessada Suthi.

All of this is available online for free. However, nothing is really free. The magazine is supported by “Clarkesworld Citizens” who donate $10 or more. There’s also a Kindle edition.

One personal reaction to Bear’s very funny essay, “Another Word: Dear Speculative Fiction, I’m Glad We Had This Talk”: I agree that Lenny Bruce didn’t get funnier when he got angrier (his drug problems certainly didn’t help), but I found George Carlin to be more interesting the angrier he got. Maybe he wasn’t quite as funny, but his anger certainly resonated with me.  Sometimes having your “face pressed down into a trough of human misery until the bubbles stop” is necessary to remind people that life is not a television sitcom. At least the ones who haven’t already drowned.

Someone else who got less interesting when he started taking himself too seriously (and, once again, the drugs didn’t help) was Philip K. Dick. Simon Critchley examines Dick’s metaphysical worldview as expressed in Exegeiss, a posthumously published series of philosophical ramblings. While I tend to think all this stuff really is the result of a bad acid trip, Critchley as a professor of philosophy for the most part keeps a straight face. Some of you may laugh out loud not only at the source material, but the attempt at exegesis.

We last covered Clarkesworld with issue #67.

May’s Apex Magazine features  ”Decomposition” by Rachel Swirsky  (who is interviewed by Maggie Slater),  ”Tomorrow’s Dictator” by Rahul Kanakia and “The Chaos Magician’s Mega Chemistry Set”  by Nnedi Okorafor.

Naoto Hattori provides the cover art. Nonfiction by Tim Akers  and editor Lynne M. Thomas round out the issue.

Apex is published on the first Tuesday of every month.  While each issue is available free on-line from the magazine’s website, it can also be downloaded to your e-reader from there for $2.99.  Individual issues are also available at  Amazon and Weightless. A version for the Nook will also be available in the near future.  Twelve issue (one year) subscription can be ordered at Apex and Weightless for $19.95; Kindle subscriptions are available for $1.99 a month.

The April-May Black Static features new horror fiction from Carole Johnstone (”The Pest House”), Jon Ingold (”Cracks”), Priya Sharma (”The Ballad of Boomtown”), Joel Lane (”The Messenger”) and Daniel Kaysen (”Pale Limbs”).

Nonfiction by the usual suspects, Peter Tennant, Christopher Fowler, Tony Lee, and Mike Driscoll. The editor is Andy Cox.

Black Static alternates monthly publication with sister SF and fantasy focused Interzone.

In other news, check out this NPR feature about Ray Bradbury’s Something Wicked This Way Come, which should resonate with anyone who, as I did,  read the book as a young boy.

This past week’s issue of Strange Horizons features a story by Andrea Kneeland. “Beneath Impossible Circumstances”:

Analise wants to have a baby. A real baby. I tell her that if we had a baby together, it would be a real baby. It would be a real baby and it would have parts from both of us, and it would be a real person made from both of our genes, and that I want parts of myself in a child just as much as she wants parts of herself in a child. When I tell her these things, she turns on the faucet or runs the vacuum or opens the refrigerator door wide and sticks her head in like she’s looking for something so she can pretend not to hear me and I can pretend not to see how damp and salted her reddening cheeks are, and on days like these, when I tell her things like these, the bed sheets between us stay cool and dry and I remind myself of the virtue of silence and I bite my lip to draw blood so that in the morning, when I move my mouth, the pain will remind me not to say a thing.

Other features include poetry by Virginia M, Mohlere, commentary by Adam Roberts on the 2012 Arthur C. Clarke shortlist and a review of Lev Grossman’s The Magician King by Bill Mingin.

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The April  issue of Clarkesworld is currently online. Featured fiction: “Fragmentation, or Ten Thousand Goodbyes” by Tom Crosshill, “Draftyhouse” by Erik Amundsen and “The Womb Factory” by Gary Kloster.  Non fiction by Brian Francis Slattery, Jeremy L.C. Jones and Danile Baker.  The cover art is by Steve Goad.

All of this is available online for free; there’s even an audio podcast version of the Crosshill story read by Kate Baker. However, nothing is really free. The magazine is supported by “Clarkesworld Citizens” who donate $10 or more. There’s also a Kindle edition.

We last covered Clarkesworld with issue #66.

This month’s Apex Magazine is a special international themed issue, featuring ”Love is a Parasite Meme” by Lavie Tidhar  (who is interviewed by Stephanie Jacob) and  ”The Second Card of the Major Arcana” by Thoraiya Dyer; the classic reprint is “Alternate Girl’s Expatriate Life”  by Rochita Loenen-Ruuize.

Raul Cruz provides the cover art. Nonfiction by Charles Tan and editor Lynne M. Thomas round out the issue.

While each issue is available free on-line from the magazine’s website, it can also be downloaded to your e-reader from there for $2.99.  Individual issues are also available at  Amazon and Weightless. A version for the Nook will also be available in the near future.  Twelve issue (one year) subscription can be ordered at Apex and Weightless for $19.95; Kindle subscriptions are available for $1.99 a month.

The March-April issue of Interzone features new stories by Chris Beckett (”The Gates of Eden”), Steve rasnic Tem (”Twember”), Jon Wallace (”Lips and Teeth”), Suzanne Palmer (Tangerine, Nectarine, Clementine, Apocolypse”), Matthew Cook (“Railriders”) and Nigel Brown (“One-Way Ticket”); cover artwork by Ben BaldwinJacob Boyd (“Bound in Place”); “Ansible Link” genre news and miscellanea by David Langford; “Mutant Popcorn” film reviews by Nick Lowe; “Laser Fodder” DVD/Blu-Ray reviews by Tony Lee; book reviews by Jim Steel and other contributors.

Interzone alternates monthly publication with sister dark horror focused Black Static, published by the fine folks at TTA Press.