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Vintage Treasures: Talking Man by Terry Bisson

Vintage Treasures: Talking Man by Terry Bisson

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Talking Man (Avon, 1987). Cover by Jill Bauman

Terry Bisson is a brilliant short story writer. He’s published five collections, including Bears Discover Fire and Other Stories (1993), which contains one of my all-time favorite SF tales, “They’re Made out of Meat.” You can read the whole thing online here. Go ahead, it’s short. I’ll wait. Wasn’t that amazing? That killer last line!

Bisson has also written over a dozen SF novels. A fair number, but not so many that you can, you know, lose track of them. Presumably. So imagine my surprise last month when I’m minding my own business, surfing paperback collections on eBay (as one does), when I glimpse the slender spine of something that looks like “Talking Man” by Terry Bisson.

What the heck was Talking Man? I’d never heard of it. To add insult to injury, a simple internet search revealed that this was a highly regarded novel — and a major oversight for a self-described Bisson fan such as myself. It was nominated for the World Fantasy Award, and Publishers Weekly gave it a warm review back in 1986, saying  (in part):

Having dreamt this world into being, the wizard called “Talking Man” falls in love with what he has made and retires there. He lives in a house trailer on a Kentucky hillside close by his junkyard, and he only uses magic on the rare occasions he can’t fix a car the other way. He’d be there still if his jealous codreamer Dgene hadn’t decided to undo his creation and return this world to nothingness. Talking Man lights out to stop her… The geography shimmers and melts, catfish big as boats are pulled from the Mississippi, the moon crumbles into luminous rings and refugees from burning cities choke the highways… fantastic and gothic… very entertaining.

Even Jo Walton raved about this book, at some length, over at Tor.com. Damn it, does the whole world know about this novel but me? Apparently.

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Future Treasures: Creatures of Charm and Hunger by Molly Tanzer

Future Treasures: Creatures of Charm and Hunger by Molly Tanzer

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Creatures of Will and Temper (2017 cover by Eduardo Recife), Creatures of Want and Ruin (2018, Eduardo Recife),
and Creatures of Charm and Hunger (2020, artist unknown)

When I sold The Robots of Gotham to John Joseph Adams, I learned a lot about the publishing biz, and some of it was weird. For example John taught me that, for various reasons, the acquisition announcement released by the publisher, which includes the title, release date, rights acquired, and a detailed description of the forthcoming book, was traditionally a single sentence. As you can imagine, that results in some pretty tortured sentences. Ever since then I’ve enjoyed dropping by John’s blog at John Joseph Adams Books to read the acquisition announcements, and I was delighted to see this artfully crafted sentence a year ago:

Molly Tanzer’s Creatures of Charm and Hunger, the third book in her series that began with Creatures of Will and Temper, WWII-era fantasy set in England where two teenage girls seek to become full members of an international society of diabolists, a quest that will nearly ruin their friendship and take them down dark paths when one girl learns her parents were taken to a concentration camp and the other summons a powerful and mysterious demon, to John Joseph Adams Books, for publication in Spring 2020…

The first novel in Molly’s series, Creatures of Will and Temper, was nominated for the Locus Award for Best Fantasy Novel, and Jeff VanderMeer called it “A delightful, dark, and entertaining romp.” The follow up, Creatures of Want & Ruin, was selected as a Barnes & Noble Best Science Fiction Fantasy Book of November 2018,” and the B&N Sci-Fi Blog said “Molly Tanzer does it all; from her debut novel, named best book of 2015 by i09, to the “thoughtful erotica” she edits at her magazine, Congress, she’s proven to be one of the most distinct voices in contemporary SFF.”

Creatures of Charm and Hunger rounds out the Diabolist’s Library trilogy, one of the most acclaimed fantasy series of recent memory. It arrives from John Joseph Adam Books on April 21. Here’s an excerpt from the starred review at Publishers Weekly.

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New Treasures: The Companions by Katie M. Flynn

New Treasures: The Companions by Katie M. Flynn

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Jacket design by Laywan Kwan

You gotta wonder about the pitch for this novel. “I got this idea, you know, for a book about a highly contagious virus. The country is unprepared, people die by the thousands, the president says it will be cured soon, but then there’s mass layoffs, the borders are closed and California is quarantined.” I can see the editorial team exchanging glances, shrugging and saying, “It’s far-fetched and crazy, but I like that bit about California under quarantine. Does it affect surfers?”

Katie M. Flynn’s debut The Companions was published March 3, perfect timing for a viral-apocalypse novel. It got all the press you’d expect. The New York Times included it in “Your Quarantine Reader” (alongside Michael Crichton’s The Andromeda Strain and Stephen King’s The Stand), and it was listed in Bustle’s “16 Novels About Viral Outbreaks To Make You Feel Less Alone,” and The Hollywood Reporter’s “8 Pandemic-Themed Books to Read Amid Coronavirus,” among similar lists. I don’t know if that’s the kind of thing that opens wallets these days, but you know what they say. No such thing as bad publicity.

Lumping The Companions in with other viral-outbreak entertainment probably does this book a disservice, however. Yes, it opens with a plague, but the novel also addresses questions about identity in a world of machines, and wraps it all up in a compelling story of a 16-year old trying to solve her own murder.

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The Story Bright Should Have Been: The Carter Archives by Dan Stout

The Story Bright Should Have Been: The Carter Archives by Dan Stout

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Covers by Chris McGrath

Dan Stout’s novel Titanshade was one of the breakout hits of 2019. W. Michael Gear called it “A masterpiece of a first novel,” John DeNardo picked it as one of the Best Books of March, and Black Gate columnist Brandon Crilly selected it as one of his Top Five of the year, saying:

Titanshade is the story Bright should have been. Stout provides this fascinating, pseudo-dieselpunk world populated by unique creatures instead of orcs and elves. It has everything I loved about Lethal Weapon and Bad Boys without the problematic bits, centered on truly engaging and dynamic characters. And I just found out we’ll be getting a sequel in April 2020!

Brandon was right about the sequel. Titan’s Day arrives in hardcover next week, returning us to the gritty town of Titanshade, where danger lurks around every corner. Here’s the publisher’s description.

The city of Titanshade pulses with nervous energy. The discovery of new riches beneath its snowfields has given residents hope for prosperity, but it also means the arrival of federal troops, along with assurances that they are only there to “stabilize the situation.”

Newcomers flood the streets, dreaming of finding their fortunes, while in the backrooms and beer halls of the city, a populist resistance gains support, its leaders’ true motives hidden behind nativist slogans. And in an alley, a gruesome discovery: the mutilated body of a young woman, a recent immigrant so little-regarded that not even her lovers bothered to learn her name. But in death, she’s found a champion.

Detective Carter single-mindedly pursues the killer as he navigates political pressures and resists becoming a pawn in the struggles tipping the city toward anarchy. But when more innocent lives are lost and time runs short, he’s forced to decide if justice is worth sparking all-out war in the streets during the biggest celebration of the year: Titan’s Day.

Titan’s Day will be published by DAW on April 7, 2020. It is 432 pages, priced at $26 in hardcover and $13.99 in digital formats. The cover is by Chris McGrath. Read an excerpt from the first novel Titanshade here, and get all the details on the series at Dan Stout’s website here. See all our recent cover of the best new fantasy series here.

Vintage Treasures: Imaginary Lands edited by Robin McKinley

Vintage Treasures: Imaginary Lands edited by Robin McKinley

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Imaginary Lands (Ace Books, 1985). Cover by Thomas Canty

By 1985 Robin McKinley was already a star. Her breakout novel The Blue Sword (1982) was a nominee for both the Mythopoeic Award and the Newbery Medal, and two years later The Hero and the Crown (1984) won the Newbery Medal, one of the most coveted accolades in children’s literature. If there was a hotter new writer in the field at the time, I can’t think of her.

In 1982 Ace Books had published her successful collection The Door in the Hedge, and in 1985 McKinley approached them with a different idea: an original anthology of secondary world fantasy tales, with contributions primarily from newer writers. Patricia A. McKillip, whose Riddle-Master trilogy had been a significant hit in the 70s; Joan D. Vinge, whose 1980 novel The Snow Queen had won a Hugo; P. C. Hodgell, whose 1982 debut novel God Stalk became a cult classic; modern master James P. Blaylock, whose career was just getting started with The Elfin Ship (1982) and The Disappearing Dwarf (1983); popular YA author Robert Westall; and McKinley’s husband Peter Dickinson, author of The Changes Trilogy, among others.

Imaginary Lands was a doozy, winning the World Fantasy Award and helping cement McKinley’s reputation. It contained some of the year’s best fantasy, including Blaylock’s famous story “Paper Dragons” (a Nebula nominee and winner of the World Fantasy Award), and “Flight,” by Peter Dickinson, a World Fantasy Award nominee for Best Novella. Imaginary Lands was a paperback original, and was successful enough to be re-released in hardcover in 1986 for the library market by Greenwillow. It had a UK release from Orbit in 1987, but that was the end of its short literary life. It’s a classic volume of fantasy that’s been out of print for over three decades, and never had a digital release.

I think that’s a shame. There are a lot of things I like about modern publishing, but the slow death of the mass market anthology isn’t one of them. It’s just not economical to bring books like this back into print, and certainly not as cheap paperbacks, and that means modern readers will probably never learn about this book. Unless folks like me champion it, and point out that you find buy copies online at criminally low prices — like the one above, a virtually new copy which I bought on eBay for less than two bucks back in January.

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Future Treasures: Vagabonds by Hao Jingfang

Future Treasures: Vagabonds by Hao Jingfang

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Jacket design by Jonathan Bush

Hao Jingfang won the Hugo Award in 2016 for her novelette “Folding Beijing,” translated by Ken Liu and published in the January/February 2015 issue of Uncanny magazine (you can read the complete story at the Uncanny website here). Her debut novel is one of the most anticipated books of the year; it finally arrives in two weeks from Saga Press.

A century after the Martian war of independence, a group of children are selected to travel to Earth as delegates. Five years later they return to Mars, only to find themselves caught between two worlds and two cultures… and facing some difficult questions. Kirkus Reviews calls it “Social science fiction…. a thoughtful debut” in its online review:

The year is 2201. Just over a hundred years ago, the Martian colonies fought and won a war of independence against Earth, and since then, the two planets have diverged sociologically. In Hao’s incisive and all-too-plausible extrapolation, Earth embodies the triumph of Western laissez faire capitalism driven by the internet’s savagely competitive social media. Mars, technologically much more advanced and apparently utopian — and here the author treads more cautiously — persuasively represents what benevolent Chinese communo-capitalism might possibly evolve into. Consequently, mutual suspicion and resentment bordering on outright hostility dominate the Earth-Mars relationship….

A thoughtful debut with ample scope for reader engagement.

Read the complete review here.

Vagabonds is translated by Ken Liu, and will be published by Saga Press on April 14, 2020. It is 603 pages, priced at $27.99 in hardcover and $14.99 in digital formats. The cover design is by Jonathan Bush. Read a lengthy excerpt (the complete 16-page first chapter, titled The Ship) at the Simon & Schuster website. See all of our recent coverage of the best upcoming SF and fantasy here.

New Treasures: Sword of Fire by Katharine Kerr

New Treasures: Sword of Fire by Katharine Kerr

Sword of Fire-smallKatharine Kerr’s science fiction novels include Polar City Blues, Palace (with Mark Kreighbaum), and Snare. But she’s much more well known for sixteen epic fantasy novels set in the world of Deverry, starting with Daggerspell (1986), Darkspell (1987), and The Bristling Wood (1989).

Kerr’s roots are firmly in fantasy gaming, which immediately increases her cred in my book. She was introduced to fantasy gaming in in 1979, and she quickly began writing articles for gaming magazines. She was a contributing editor to Dragon magazine, and authored adventure modules for TSR and Chaosium’s Pendragon role-playing game. Her first novel was published in 1986, and she’s never looked back. It’s fiction that brings the fame and the fast cars, so I guess I can’t blame her.

The last few years she’s been occupied with her Nola O’Grady urban fantasy series for DAW (which the author describes as a “female James Bond with magic rather than violence”). It’s been over a decade since we’ve seen a new novel in Deverry, though, and it’s good to see her return. Ralph Harris gave Sword of Fire a warm review at BookPage; here’s a sample.

Sword of Fire centers around a sociopolitical struggle against the unjust courts of the Kingdom of Deverry. While that certainly could be a backdrop for a bleak, dark struggle, Kerr’s novel is instead a lovely quest with an ever-optimistic, wholeheartedly enthusiastic crew of brilliant women and chivalrous men. Alyssa, our primary heroine, embarks on a trip to recover a book that can help usurp the old traditions of the courts with even older, supposedly more fair traditions….

With a lightly magical, extremely familiar setting and lovable cast of characters, Kerr sets out to take the reader through the Kingdom of Deverry’s evolution to a (hopefully) more just world. She doles out plot points via chatty gossip between noble families and secret messages sent by way of servants… Meandering through the pages of Kerr’s Sword of Fire was escapism of the finest quality. For readers looking for a dark drama of epic proportions, these 380 pages will hold nothing for you. Here, you will only find charming banter, happy endings and optimism in prose form.

Sword of Fire is the opening volume in The Justice War. It was published by DAW on February 18, 2020. It is 384 pages, priced at $27 in hardcover and $13.99 in digital formats. The cover was designed by Katie Anderson. Read an excerpt from Chapter One here.

See all our recent New Treasures here.

John Bullard on Robert E. Howard’s “Beyond the Black River”

John Bullard on Robert E. Howard’s “Beyond the Black River”

Beyond the Black River-smallKeith West dropped me a note this week to alert me to the publication of an intriguing 3-part article on his blog Adventures Fantastic.

“Beyond the Black River”: Is it Really “Beyond the Brazos River”? was written by Robert E. Howard scholar John Bullard, who’s been editing Howard’s correspondence for the next edition of his collected letters. The article examines Howard’s influences when writing the classic Conan tale “Beyond the Black River,” and particularly how he drew from a famous incident in Texas history to create the ending.

I’m not a Howard scholar myself, and generally leave these debates on Howard’s sources to the experts, but Bullard’s piece weaves together fascinating tidbits from letters to H.P. Lovecraft, Carl Jacobi, and others, plus an interview with Novalyne Price Ellis, to make a compelling case for his theory. Just as interesting to me was the intimate glimpse into Howard’s creative process, and his close friendships with his fellow pulp writers. Here’s a sample:

Robert E. Howard’s Conan story, “Beyond the Black River” is considered to be one of his best stories by his fans. It tells of an attack by Howard’s favorite historical peoples, the Picts, against the encroaching colonization of the Aquilonians on the Picts’ deeply forested land between the Thunder River to the East, and the Black River to the west in his fictional Hyborian world setting…

Howard’s recounting of Texas history and characters enthralled his pen pals, and in several of the surviving letters, they encouraged him to write about this history in his fiction…. Yet, prior to the second half of 1934, Howard was unsure of how to incorporate his knowledge of the settling of the Texas frontier into his stories….

Yet sometime after writing the letter to Jacobi, Howard seems to have had a breakthrough in how to incorporate his knowledge of Texas history into his stories and began writing what is generally considered to be one of his finest stories sometime during the Summer or possibly early Fall of 1934… In a December 1934 letter to Lovecraft, Howard wrote:

“My latest sales to Weird Tales have been a two-part Conan serial: “Beyond the Black River” — a frontier story; …in the Conan story I’ve attempted a new style and setting entirely — abandoned the exotic settings of lost cities, decaying civilizations, golden domes, marble palaces, silk-clad dancing girls, etc., and thrown my story against a background of forests and rivers, log cabins, frontier outposts, buckskin-clad settlers, and painted tribesmen. Some day I’m going to try my hand at a longer yarn of the same style, a serial of four or five parts.”(Lovecraft, Dec. 1934)

We’ve discussed “Beyond the Black River,” and its importance to the modern fantasy canon, previously at Black Gate. Recent coverage includes:

Hither Came Conan: Keith West on “Beyond the Black River”
Discovering Robert E. Howard: Howard Andrew Jones and Bill Ward Re-Read “Beyond the Black River”

Read John Bullard’s complete 3-part article at Adventures Fantastic, starting here.

Fighting Schools, Ancient Palaces, and a Killing Fog: The Grave Kingdom Trilogy by Jeff Wheeler

Fighting Schools, Ancient Palaces, and a Killing Fog: The Grave Kingdom Trilogy by Jeff Wheeler

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Cover design by Shasti O’Leary Soudant

Jeff Wheeler was been toiling away in the fantasy word mines for nearly two decades, and in 2014 he took the leap and retired from Intel to write full-time. He’s written several popular series, including the Whispers from Mirrowen trilogy, two novels in the Landmoor series, and two trilogies in the Muirwood universe, the second of which was the Covenant of Muirwood, which we covered here back in 2015.

His latest, The Grave Kingdom trilogy, kicked off this month with The Killing Fog. At Mary Robinette Kowal’s blog, Jeff Wheeler contributed a My Favorite Bit entry that piqued my interest — and not just for the Big Trouble in Little China and Kung Fu references (though they definitely didn’t hurt). Here’s what he said.

When I was young, I used to watch the TV show Kung Fu with David Carradine. I respected the loner monk wandering through America’s Wild West and taking out the bad guys. During high school, one of my favorite films was Big Trouble in Little China, just for the great martial art medley of different styles they demonstrated. What many don’t know about me is that I’ve been a practitioner of many forms of Kung Fu for almost thirty years, starting at Wing Lam Kung Fu school in Silicon Valley after my missionary service.

When I was inspired to write The Killing Fog after a month-long trip to China, I chose to set it in a world with the geography of Alaska and the culture of medieval China. Instead of palaces and royalty, I wanted to focus on the martial artists. The protagonist of the story, Bingmei (a name which means ‘ice rose’ in Chinese), is the granddaughter and daughter of a family who owns a fighting school… Bingmei’s world is a lot harsher than the one we live in. While ancient forms of fighting have been passed down within families, history has not. There is no written language, no knowledge of where the ancient buildings and palaces came from. No understanding of why the Death Wall was built and why no one is allowed to cross it. Most importantly, no one knows who left behind magical relics carved from meiwood and imbued with magical power. People collect these relics to hide them away because if their power is invoked, the presence of magic summons a deadly fog which kills any creature caught within it. And no one knows why.

It’s Bingmei’s destiny to find out.

The KIlling Fog will be followed by The Buried World in June of this year, and The Immortal Words arrives three months later, on September 22. Publishers Weekly calls the opening volume a “winding tale of valor and sacrifice… [an] excellent introduction to the prolific Wheeler’s work.”

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Future Treasures: The Southern Book Club’s Guide to Slaying Vampires by Grady Hendrix

Future Treasures: The Southern Book Club’s Guide to Slaying Vampires by Grady Hendrix

The Southern Book Club's Guide to Slaying Vampires-smallGrady Hendrix knows horror. His Paperbacks from Hell, which Goth Chick said “takes readers on a tour through the horror paperback novels of the 1970s and ’80s… I couldn’t have found a more perfect beach read,” won the Stoker Award, and is one of the most talked-about nonfiction genre books of the last decade. His novels include Horrorstör (2011) and My Best Friend’s Exorcism (2016).

His latest is The Southern Book Club’s Guide to Slaying Vampires, which is already getting a TV adaptation. In a starred review Publishers Weekly calls it a “clever, addictive vampire thriller.. This powerful, eclectic novel both pays homage to the literary vampire canon and stands singularly within it.” It arrives in hardcover in two weeks. Here’s the description.

Patricia Campbell’s life has never felt smaller. Her husband is a workaholic, her teenage kids have their own lives, her senile mother-in-law needs constant care, and she’s always a step behind on her endless to-do list. The only thing keeping her sane is her book club, a close-knit group of Charleston women united by their love of true crime. At these meetings they’re as likely to talk about the Manson family as they are about their own families.

One evening after book club, Patricia is viciously attacked by an elderly neighbor, bringing the neighbor’s handsome nephew, James Harris, into her life. James is well traveled and well read, and he makes Patricia feel things she hasn’t felt in years. But when children on the other side of town go missing, their deaths written off by local police, Patricia has reason to believe James Harris is more of a Bundy than a Brad Pitt. The real problem? James is a monster of a different kind — and Patricia has already invited him in.

Little by little, James will insinuate himself into Patricia’s life and try to take everything she took for granted — including the book club — but she won’t surrender without a fight in this blood-soaked tale of neighborly kindness gone wrong.

The Southern Book Club’s Guide to Slaying Vampires will be published by Quirk Books on April 7, 2020. It is 408 pages, priced at $22.99 in hardcover and $13.99 in digital formats.

Check out Matthew David Surridge’s Black Gate interview with Hendrix here, and see all our coverage of the best in upcoming fantasy and horror here.