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Author: John ONeill

Bigfoot, Uplifted Creatures, and the Largest Black Hole in the Universe: September/October Print SF Magazines

Bigfoot, Uplifted Creatures, and the Largest Black Hole in the Universe: September/October Print SF Magazines

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Analog Science Fiction September October 2020-small Asimov's Science Fiction September October 2020-small The Magazone of Fantasy and Science Fiction September October 2020-small

Covers by Soo Lee, Maurizio Manzieri, and Bob Eggleton

When Illinois went into lockdown in March, and retail stores and movie theatres closed, life changed pretty quick. I thought an indefinite nationwide lockdown might be the death knell for the print magazines I’d been reading for decades, not to mention my local bookstores and comic shops. And yeah, I felt I little shallow for being preoccupied with that while tens of thousands of people were dying.

Nonetheless, I’m relieved to see that, with the pandemic (sorta?) under control and the hope of a vaccine on the horizon, stores in St. Charles are gradually re-opening, I can visit my local comic shop again, and the print magazines I love are back on the shelves.

I’m especially relieved because none of the steps I suggested back in April to worried readers worked at all. Chuck Timpko reported he was able to contact the Customer Service team at Asimov’s and Analog and order individual issues; I tried the same thing, but never saw any magazines. I vowed to support F&SF with a subscription, but I never saw that either. So I’m back to haunting the magazine racks at Barnes & Noble, wearing a face mask and furtively looking for the latest issues.

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New Treasures: Children of the Fang and Other Genealogies by John Langan

New Treasures: Children of the Fang and Other Genealogies by John Langan

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Cover by Matthew Jaffe

Word Horde, Ross E. Lockhart’s small press, has produced some knockout titles over the past few years, including Vermilion by Molly Tanzer, the Bram Stoker Award-winning novel The Fisherman by John Langan, and The Children of Old Leech, edited by Ross E. Lockhart and Justin Steele. Last month they released Children of the Fang and Other Genealogies, the big new collection by horror master John Langan. The Publishers Weekly review teased some of the stories within nicely.

Langan (The Fisherman) draws inspiration from Stephen King, H.P. Lovecraft, David Lynch and other masters of the strange and horrific to create an impressive collection of 21 tales as terrifying as they are mysterious. The exceptional title story finds two siblings investigating family secrets hidden away in their grandfather’s basement and stumbling on a horrific realization. “With Max Berry in the Nearer Precincts” offers a disturbing vision of the afterlife, while “Ymir” ventures into a Canadian mine with an eccentric billionaire and his female bodyguard. True Detective meets Stephen King’s It in “The Communion of Saints,” about a detective whose faith is tested when the Catholic saints are revealed to be other than they appear… This well-crafted collection will delight fans of dark, literary horror.

On his website Langan notes, “This is a big book, modeled after collections like King’s Skeleton Crew and Barker’s Books of Blood.” Here’s the complete table of contents.

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Vintage Treasures: Merchanter’s Luck by C.J. Cherryh

Vintage Treasures: Merchanter’s Luck by C.J. Cherryh

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Merchanter’s Luck (DAW, 1982). Cover by Barclay Shaw

I haven’t covered many C.J. Cherryh novels in my ongoing Vintage Treasures project, and that seems like a serious oversight. Cherryh was a constant presence on the paperback racks in my youth. She sold her first novel Brothers of Earth to Donald A. Wollheim at DAW in 1975; since then she’s published more than 80 science fiction and fantasy books, including the most ambitious and successful first contact saga in science fiction, The Foreigner Series. Volume 21, Divergence, arrives in hardcover next week.

I recently picked up a copy of the author’s 1982 paperback original Merchanter’s Luck, and I thought it would be a good place to start. It’s the first novel in her Company Wars saga, set in the Alliance-Union universe where humanity has split into three space-faring power blocs: Union, the Merchanter’s Alliance and Earth. I remembered Jo Walton’s Tor.com review of Merchanter’s Luck from a decade ago, enticingly titled “A girl on a haunted spaceship.” Here’s an excerpt.

Ben JB and I were talking about Gothics, and Ben JB asked if you could have a Gothic on a spaceship. My immediate response was Merchanter’s Luck, a 1982 novel by C.J. Cherryh. It has a girl and a haunted spaceship and a mysterious man with lots of secrets in his past. But on re-reading it, I have to admit that it doesn’t quite work as a Gothic… Allison is far from a gothic heroine — she’s empowered, and most of the time in the novel she is the one in the position of power. She goes onto the spaceship and goes into abandoned cabins, full of the possessions of the dead, but she doesn’t go alone. She’s not virginal, not isolated, and never helpless…

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Future Treasures: The Year’s Best Science Fiction Vol. 1: The Saga Anthology of Science Fiction 2020 edited by Jonathan Strahan

Future Treasures: The Year’s Best Science Fiction Vol. 1: The Saga Anthology of Science Fiction 2020 edited by Jonathan Strahan

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Cover design by Richard Yoo (click to embiggen)

Jonathan Strahan’s The Year’s Best Science Fiction Vol. 1 feels like a beginning. Probably because it is a beginning, in more ways than one. Jonathan has been editing Year’s Best books since 2003, and he curated thirteen volumes of the excellent Best Science Fiction and Fantasy of the Year, the first seven with Night Shade (2007-2013) and the last six with Solaris (2014-19). He’s now switched publishers to Saga Press/Gallery Books, and with that transformation comes other changes as well.

Most obvious is a switch in title, to The Year’s Best Science Fiction Vol. 1: The Saga Anthology of Science Fiction 2020, a reset in the numbering scheme (back to #1), and a refocus (dropping fantasy altogether). But the most interesting alteration (to me, anyway) is foreshadowed by the touching dedication:

In memory of my dear friend Gardner Dozois (1947-2018), who would have loved these stories.

With the title change, it seems to me that Jonathan assumes the mantle of Dozios (who edited 35 volumes of his own The Year’s Best Science Fiction between 1984-2018), and the duties and responsibilities that go with it. For example, Gardner’s introductions to his volumes were legendary, an annual summation of the Year in Science Fiction that fans looked forward to and read with relish. Jonathan’s summations have always been more modest — his intro to last year’s edition was a humble 8 pages — but with this one, titled A New Beginning, Jonathan stretches his legs admirably. His introduction to The Year’s Best Science Fiction Vol. 1 clocks in at 23 pages, room to weigh in not just on the best stories of the year, but the finest novels, collections, anthologies, magazines, and nonfiction, and well as report on rumblings in publishing, deaths in the field, award news, and more. Jonathan is a natural at this kind of opinionated writing, and he nails it.

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Andrew Liptak on 20 Sci-fi and Fantasy Books to Check Out in August

Andrew Liptak on 20 Sci-fi and Fantasy Books to Check Out in August

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Cover art: uncredited, Dan dos Santos, and Anthony Ramondo (click to embiggen)

I’ve grown to rely on Andrew Liptak’s newsletter to keep me up-to-date on the latest releases, especially during the era of the pandemic. He’s got a keen eye, and roves far and wide to compile a list of the best new books every month. His list of August’s most noteworthy titles does not disappoint, with new releases from Carrie Vaughn, Tamsyn Muir, Seth Dickinson, L. Penelope, Lavie Tidhar, Lisbeth Campbell, Marina J. Lostetter, Emily Tesh, Gardner Dozois and Michael Swanwick, Karen Osborne, Carole Stivers, and Ashley Blooms. Here’s a few of the highlights.

By Force Alone by Lavie Tidhar (Tor Books, 416 pages, $27.99/$14.99 digital, August 11, 2020)

Over the years, I’ve really enjoyed Lavie Tidhar’s work — particularly The Violent Century and Unholy Land. (I still need to read Central Station). He likes to play with tropes, upending conventional characters and stories, and his next is an intriguing-sounding take on the King Arthur mythos.

Tidhar puts a gritty edge to the Arthurian legend, portraying Arthur and his companions as gangsters and criminals running drugs and weapons through a London that’s been abandoned by Rome. Writing for Locus, Ian Mond writes that “For all its foul language and radical deconstruc­tion, of which I’ve provided only a taste (you should see what Tidhar does with the Holy Grail), By Force Alone isn’t a desecration of the Arthurian romances. Instead, he pays homage to the writers and poets who took their turn in adapting and refining Monmouth’s text.”

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New Treasures: grotesquerie by Richard Gavin

New Treasures: grotesquerie by Richard Gavin

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Cover by Mike Davis (click to embiggen)

Undertow Publications commands my attention these days. Editor Michael Kelly has a truly keen eye for fiction, and he’s published some of the most acclaimed short story collections of Weird Horror in the last decade, including Simon Strantzas’s Nothing is Everything, V. H. Leslie’s Skein and Bone, and Kay Chronister’s Thin Places. On Tuesday he adds another to that impressive list, grotesquerie by Richard Gavin.

Gavin is the author of five previous collections, including Omens (Mythos Books, 2007), At Fear’s Altar (Hippocampus Press, 2012), and Sylvan Dread: Tales of Pastoral Darkness (Three Hands Press, 2016). Ramsey Campbell said, “Richard Gavin’s tales are genuinely evocative of the strange and alien,” and Publishers Weekly reviewed grotesquerie warmly last month, saying:

The 16 dark tales in this collection from Gavin (Sylvan Dread) are distinctive and macabre… The strongest — including “Neithernor,” in which a man stumbles upon his cousin’s uncanny art show at a strange gallery; “Scold’s Bridle: A Cruelty,” about a mask used as a torture device; and “Three Knocks on a Buried Door,” about a man who discovers an elaborate residence occupied by a mysterious being just beneath his apartment building — are richly articulated nightmares that will delight horror fans… the heady, transportive atmosphere of many of these stories… will put readers in mind of both classic weird fiction and the supernatural mysteries of the 1970s. Dedicated weird fiction readers will find this worth a look.

grotesquerie will be published by Undertow Publications on September 1, 2020. It is 292 pages, priced at $17.99 in paperback and $5.99 in digital formats. The hypnotic cover is by Mike Davis. Order copies directly from Undertow.

See all our recent New Treasures here.

Vintage Treasures: So Bright the Vision by Clifford D. Simak

Vintage Treasures: So Bright the Vision by Clifford D. Simak

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So Bright the Vision by Clifford D. Simak (Ace, 1976). Cover uncredited, but likely Michael Whelan

Over the last few weeks I heartily enjoyed writing a pair of lengthy articles on the way Berkley Books packaged and marketed Poul Anderson in 1976-79, and Ace Books did the same thing with Robert Silverberg in 1977. I think I had so much fun because it allowed me to indulge in my favorite past time (obsessing over old paperbacks) for hours, and dress it up as legit research. Yes, I did relentlessly track down every single Poul Anderson paperback published by Berkley in the 70s, including The High Crusade, even though I already had four editions of that damn book. But I did it for science. Well, paperback science. Which is totally a thing, and not a form of hoarding or mental illness or anything. Look, I have these scholarly articles to prove it.

In any event, my thoughts have now turned to what author/publisher combo I should examine next (for science, naturally). There are lots of possibilities of course, but ideally it should be a terrific writer, paired with a cover artist who knocked it out of the park. And the more I think about it, the more I think it should be the four Clifford D. Simak paperbacks published by Ace in a single month in September, 1976.

Simak had been a steadfast earner at Ace for decades, but despite having many of his titles in their back catalog, they’d never done any author branding for him. When the Ace editorial team simultaneously secured the rights to a set of Simak reprints in 1976 — City, So Bright the Vision, The Trouble with Tycho, and Time and Again — they gave him a consistent cover design for the first time, and paired him with a young 26-year old up-and-coming artist named Michael Whelan, who’d done only four previous covers for Ace in his short career.

Needless to say, Whelan did indeed knock it out of the park, delivering iconic illustrations for all four books. Well unofficially, anyway. Because while the cover art for the sole collection in the set, So Bright the Vision, is clearly by Michael Whelan, officially the cover artist remains unidentified.

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New Treasures: Hope Island by Tim Major

New Treasures: Hope Island by Tim Major

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Cover design by Julia Lloyd

Thank God for review copies. I purchase a lot of books, but truth be told, I tend to buy in a pretty predictable band. Space opera, weird westerns, short story collections, some epic fantasy… when I crack open my wallet, that’s usually not the time I step out of my comfort zone. But I don’t control the flow of review copies into the Black Gate offices, and frequently I get one I might not have given a second glance on a bookstore shelf — but which is well worth a closer look all the same.

Tim Major’s new novel is a perfect example. A small-town supernatural thriller in the vein of The Wicker Man and John Wyndham’s The Midwich Cuckoos, Hope Island “is a deliciously creepy mystery. Tim Major knows how to wield the weird” (D. K. Fields). Here’s an excerpt from Elloise Hopkins’ feature review at The British Fantasy Society.

Nina Scaife, TV producer, English-woman, recently abandoned wife and mother of one, has arrived in Maine and is trying to work out how to break the news to her daughter and her husband’s parents that he has not only left them but has another family, another wife and other children, elsewhere. It never seems the right time to break the news to Laurie. Each time she tries, it seems someone is intent on interrupting her.

Breaking the news and visiting Cat’s Ear Cottage would mark a new start in Nina’s life, now she knows the truth. But on the way to Hope Island the strange occurrences begin. Nina swerves to avoid a child in the road, follows her, but finds nothing. As the week goes on, and as she encounters more of the island’s few residents, the unspoken hangs over Nina and the tension swells. There is a threat in the air and much as Nina tries to avoid it, she is slowly drawn into the island’s terrible secrets.

From the moment it starts, Hope Island carries in its narrative a continuous sense that something awful is about to happen… Major cleverly explores the impact of aural disturbance on body and mind through a sinister thriller that unveils deliciously slowly through to its climax… What we have here is supernatural speculative fiction set against the backdrop of an island with a secretive and segregated community. We have the local pub and an artists’ colony, a summer school and little else, but it is enough to cleverly convey Nina’s loneliness and struggles as an outsider upon arrival and her slow but sure realisation that something on the island is very wrong and the danger to she and her daughter may be very real.

Tim Major is the author of Snakeskins (Titan 2019) and the collection And The House Lights Dim (Luna Press, July 2019). Hope Island was published by Titan Books on March 31, 2020. It is 381 pages, priced at $14.95 in paperback and $7.99 in digital formats. The cover was designed by Julia Lloyd. Read an excerpt at the B&N Sci-Fi & Fantasy Blog.

See all our recent New Treasures here.

Future Treasures: The Bone Shard Daughter by Andrea Stewart

Future Treasures: The Bone Shard Daughter by Andrea Stewart

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The Bone Shard Daughter by Andrea Stewart. Orbit Books, September 8, 2020. Cover by Sasha Vinogradova.

I love a good fantasy debut, and Andrea Stewart’s The Bone Shard Daughter, coming from Orbit next month, looks like a doozy. It’s the tale of Lin, the former heir to an empire controlled by bone shard magic, fighting to reclaim her magic and her place on the throne, and it’s the opening volume of an epic fantasy trilogy by an unknown author purchased for a six-figure advance. Library Journal called it a “richly told, emotional, action-laced debut” in a starred review. Here’s an excerpt from S.W. Sondheimer’s rave review at The Roarbots.

You know what I love? I love that we are getting a tsunami of fantasy based in cultures that aren’t medieval Western Europe. I love it a lot….

Roving island chains? Hybrid constructs powered by bone magic? A collapsing Empire akin to that of Imperial China? Newly and inexplicably minted elemental wizards with mysterious, talking familiars (who compromise me emotionally, excuse me, your honor, I love Jovis and Mephi and will die for them)?

Inexplicable ships and missing memories? Queer rep that is without it being a thing? Yes, thank you, I’ll take it all, and I’ll take as many entries in Andrea Stewart’s The Drowning Empire series as she’ll write… It all starts when Deerhead Island sinks without sign, without warning, and without mercy. Jovis, searching for his lost wife, finds himself rescuing a child from the same ceremony that killed his brother years before – the ceremony in which the empire harvests a small shard of bone from every child’s skull to be used to power the emperor’s constructs. These creatures, created from leftovers and remains to do the ruler’s bidding, are powered by the life tethered to the shard.

Lin, the emperor’s daughter, tries to salvage lost memories, desperate to please her father while Phalue and Ranami try to love each other through a rebellion. As the three stories converge, the truth of the emperor’s plans – and the depth of his grief-driven madness – are revealed.

I love a good creepy magic system, and there’s a lot to like about this one. The Bone-Shard Daughter will be released by Orbit Books on September 8, 2020. It is $28 in hardcover and $14.99 in digital formats. The cover art is by Sasha Vinogradova. Read a lengthy excerpt at Gizmodo., and see all our recent Future Treasures here.

Understanding Gamers through Belly Laughs: Knights of the Dinner Table by Jolly R. Blackburn

Understanding Gamers through Belly Laughs: Knights of the Dinner Table by Jolly R. Blackburn

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Three issues of Jolly Blackburn’s long-running
Knights of the Dinner Table, all shipped simultaneously: #273, 274, & 275

The COVID-19 pandemic has played havoc with virtually every aspect of life around the globe. That was driven home to me (again) when three issues of my Knights of the Dinner Table subscription were delivered in a single envelope last week.

Given all the upheaval the world has gone through in just the last five months, it was an eerie look into the recent past to open the first of them, issue #273 (planned on-sale date: May 2020) and read Jolly R. Blackburn’s editorial, written in March 2020 and titled “And Just Like That — Everything Changes.” Children of the Apocalypse, gather round and read these words from the long ago before-time:

Hey folks — I hope this finds each of you reading this, healthy, safe and doing well. Clearly, with what has transpired in recent weeks, that is most certainly not the case for everyone. Many of you have likely lost loved ones, are sick, unemployed, wondering what the future will bring or all of the above. This is indeed something that has left no one untouched.

I [know] that Knights of the Dinner Table has always been a refuge of sorts from the hard realities of the real world. Readers come here to forget their worries, have a laugh, possibly be touched and celebrate the love of rolling dice and gaming with friends. That won’t change… we’re all in this together, despite differences.

As I write this, there is a lot going on. The nation is in a state of self-isolation and shut down. I wanted to tell you what that means for KenzerCo and the Knights even though in the grand scheme of things, it might be the last thing on your minds. We are fortunate in that we are a small company with our own warehouse and shipping facility. Barb and I continue to ship product twice a week and can do so without interacting with others. So we are completely safe in doing so.

Here’s the glitch. Our distributors recently announced they will NOT be shipping product to retailers until this is all over. Which is understandable because many game and comic shops are currently shutting down and there’s no place to ship product to.

On top of that, the printer who publishes our monthly deadtree issues is in a shutdown also!

Take it from me: It’s tough to keep a monthly magazine going when both your printer and your distributors cease operations. But Jolly and team battened down the hatches and did it, producing digital issues, and getting them out to subscribers, on time. And when their printer opened up again they did a bulk run of all three issues, shipping them to subscribers as quickly as possible. Getting all three at once allowed me to read the issues back-to-back, and re-appraise just what it is that Jolly is doing, and how much it’s impacted the hobby.

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