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New Treasures: The Eleventh Gate by Nancy Kress

New Treasures: The Eleventh Gate by Nancy Kress

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Now here’s an attractive combo: a brand new space opera novel by multiple award-winner Nancy Kress, wrapped up in a gorgeous vision of deep space adventure by Bob Eggleton. You know this book would look damn handsome on your shelf.

I’m not sure how this one managed to slip past me when it was first released in May of last year. (I was probably hiding in my basement from the pandemic.) What’s it all about? Russell Letson at Locus Online fills us in:

The Eleventh Gate… combines elements of space opera with quasi-dystopian political conflict and intrigue among a collection of extrasolar colonies. A century and a half earlier, the discovery of a set of mysterious interstellar gates allowed waves of emigrants to escape an Earth ravaged by ecological collapse and global war: ten gates, eight surprisingly habitable worlds, and three very different sets of refugee-settlers.

Now the Eight Worlds are occupied by their descendants… these societies have gotten along mostly peacefully until the discovery of an eleventh gate sets off a land-rush rivalry that lurches into warfare.

Publisher’s Weekly reviewed the book warmly; here’s an excerpt.

Warring families and philosophies drive this complex science fiction thriller… Refugees from a dying Earth escape via a mysterious stargate leading to the Eight Worlds system. They divide these worlds between three political factions: the totalitarian Peregoy Corporation, the Landry Libertarian Alliance, and the planet Polyglot, a “patchwork of individual nations” and economies. Then a new stargate appears, sparking a race to claim it and whatever world waits on the other side. Ambitious Tara Landry, heir to the Landry Alliance, hatches a hare-brained scheme to prevent the reignited tensions between factions from breaking into war. But when Tara’s plan goes awry, war becomes inevitable… This swift, political story proves a rip-roaring diversion.

The Eleventh Gate was published by Baen Books on May 5, 2020. It is 352 pages, priced at $15.99 in trade paperback and $8.99 in digital formats. The cover is by Bob Eggleton. Read a generous excerpt at the Baen website.

See all our recent new Treasures here.

Alien Warfare, Gunwrights, and Cyborg Hobos: January/February Print SF Magazines

Alien Warfare, Gunwrights, and Cyborg Hobos: January/February Print SF Magazines

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I haven’t had time to jump into my plaguemobile and navigate all the pandemic roadblocks and decontamination checkpoints to get to Barnes & Noble to pick up the latest print magazines. But according to what I’ve read online, I don’t have any choice… looks like these are can’t-miss issues. Here’s what Michelle Ristuccia at Tangent Online said about the latest issue of Asimov’s SF.

American combat veteran Sylvia Aldstatt is the only person on Earth who can search dead criminal Dimitrios’ memories for crucial intel in “A Rocket for Dimitrios” by Ray Nayler. Racing against the ticking clock of decomposing neural pathways, Sylvia Aldstatt investigates Dimitrios’ claim of a second crashed extraterrestrial ship… Nayler brings readers an adventure that’s as immersive as it is thought-provoking. “A Rocket for Dimitrios,” stands alone as an engaging and accessible novella for all genre readers, but spy novel enthusiasts will recognize the nod to Eric Ambler’s classic 1967 novel, A Coffin for Dimitrios. Readers who want more of Nayler’s fascinating alternative history SF can find Sylvia Aldstatt in “The Disintegration Loops,” published first in Asimov’s Nov/Dec 2019 issue and also now available on Ray Nayler’s website…

Suzanne Palmer brings readers a delightfully comedic who-done-it set on a menagerie of a space station in “Table Etiquette for Diplomatic Personnel, in Seventeen Scenes.” Through Palmer’s strategic humor, readers soon identify the obnoxious Joxto as the main antagonists of newly appointed Station Commander Niagara, though she has yet to meet the infamous aliens herself. She’ll get her chance soon enough… Palmer brings her station and the larger universe to life through the POV’s of several station inhabitants, painting readers a vivid picture through casually dropped space lore, a melting pot of clashing cultures, and truly alien extraterrestrials who resemble sea cucumbers, birds, and overly curious pumas. Running jokes and excellent comedic timing provide an enthralling mix of slap stick and sitcom drama…

The moment after Lieutenant Balázs’ starship bridge is breached and most of its bridge crew incapacitated, “Hunches” by Kristine Kathryn Rusch begins. Reeling from the unexpected attack, Balázs soon realizes he is the only crew member left conscious on the bridge.. Rusch brings us an action-packed story of split-second decisions and willing sacrifice, of heroic acts performed in the absence of sufficient information but with the help of a little luck and a lot of perseverance…

Here’s all the details.

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Vintage Treasures: Fairyland by Paul J. McAuley

Vintage Treasures: Fairyland by Paul J. McAuley

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Fairyland by Paul J. McAuley. Cover by Bruce Jensen

Paul J. McAuley was one of our earliest contributors, with a book review column in the very first issue of Black Gate magazine. His writing career was taking off at the same time — his debut novel Four Hundred Billion Stars won the Philip K. Dick Award in 1988, and Kirkus Reviews raved about his 1995 novel Red Dust, calling it “An extraordinary saga… Superb.”

But his breakout book was Fairyland, an early nanotech novel set in a ruined Europe where bioengineered dolls are used as disposable slaves. It won both the Arthur C. Clarke Award and John W. Campbell Memorial Award for Best SF Novel, and was eventually reissued as part of Gollancz’s SF Masterworks series. In his SF Site review Matthew Cheney wrote:

Fairyland was first published in 1995; it dazzles still. Though some of the props of its future have been churned into clichés by many subsequent novels and movies, few of those props have gathered dust in the intervening years… even more remarkable is that, at least for its first two thirds, the novel succeeds as much on the strengths of its structure, characters, and themes as it does on its whizz-bangs and gosh-wows…

The basic plot is a simple thriller-quest: a man goes in search of a woman who bewitched him with something he considers love (though it might be the residual effect of being sprayed with nanobots)… Along the way, McAuley gives us a vision of EuroDisney that is as disturbing as the visions of its American counterparts in Stanley Elkin’s The Magic Kingdom and Carl Hiaasen’s Native Tongue. The chapters set here are among the most compelling and vivid in the book, a posthuman primordial ooze fueled by excesses of capital and biology in the ruins of a labyrinth built by corporate “Imagineers”….

It is a story propelled at its best moments by ideas, and yet it doesn’t neglect to present characters who are, more often than not, individual and unpredictable, and so it helps break down the supposed barriers between the novel of ideas and the novel of psychology in the same way that it breaks down the more intractable barriers between hard science fiction and high fantasy.

Fairyland was published in the UK by Gollancz in 1995, and reprinted in mass market paperback in the US by Avon in July 1997. The Avon paperback is 420 pages, priced at $5.99. The cover is by Bruce Jensen.

See all our recent Vintage Treasures here.

A Near-Perfect Blend of Detective Story and Military SF: The Planetside Trilogy by Michael Mammay

A Near-Perfect Blend of Detective Story and Military SF: The Planetside Trilogy by Michael Mammay

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The Planetside Trilogy by Michael Mammy. Covers by Sébastien Hue

I discovered Michael Mammay’s debut novel Planetside, the opening novel in a new military SF trilogy, while browsing a list of the most interesting new sci-fi of July 2018 at io9. They summed it up as:

A semi-retired war hero takes on a mission at the behest of an old friend, searching for an important officer’s MIA son. But what seems like a simple search-and-rescue gig soon gets a lot more complicated when he arrives on the far side of the galaxy and discovers a strange, ravaged planet teeming with secrets.

When volume #2, Spaceside, arrived a year later, Jeff Somers at The Barnes & Noble Sci-Fi & Fantasy Blog included it in his Best Science Fiction & Fantasy Books of August 2019, saying:

Last year, Michael Mammay’s Planetside delivered a near-perfect blend of detective story and military sci-fi. The sequel finds Colonel Carl Butler returning from his assignment in that book with a split reputation — part hero, part outcast. He’s once again forced into retirement, but this time he at least gets a cushy corporate job that capitalizes on his military reputation. When he’s asked by his bosses to investigate a devastating hack of a competitor’s computer systems — a hack no one will take responsibility for — Butler finds himself caught in a dangerous web that has him doubting his own mind even as he suspects he’s onto something much bigger than simple corporate espionage.

After all that you can understand why I kept my eye out for the third book. Colonyside arrived right on time on December 29, 2020, to warm reviews. In a starred review Library Journal said it’s “Highly recommended for readers who like their heroes cynical, their mystery twisted, and their sf thought-provoking.” That’s all the endorsement I need. All three books were published as paperback originals by Harper Voyager, with covers by Sebastien Hue. Here’s the complete details.

Planetside (370 pages, $7.99 paperback/$6.99 digital, July 31, 2018)
Spaceside (368 pages, $7.99 paperback/$5.99 digital, August 27, 2019)
Colonyside (384 pages, $7.99 paperback/$5.99 digital, December 29, 2020)

See all our coverage of the best SF and fantasy series old and new here.

Evil Space Plants, Lecherous Dragons, and the Mysteries of the Vampire: Weird Tales 364 Arrives

Evil Space Plants, Lecherous Dragons, and the Mysteries of the Vampire: Weird Tales 364 Arrives

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Weird Tales #364. Cover by Lynne Hansen

What’s this? Can it be? Two issues of Weird Tales magazine published in a single year? That hasn’t happened since (hastily checks notes) 2012!

There are other changes afoot as well, not just this insanely overambitious publication schedule. Marvin Kaye, who took over as editor in 2012 with issue 360 and managed just four issue in the last nine years, is no longer on the masthead. Replacing him as editor is Jonathan Maberry, who was Editorial Director of issue 363, which I wrote about last January.

But enough editorial gossip — what about the issue itself? It is real? Who’s in it? Who painted that awesome cover?

It is in fact real — at least digitally. Weird Tales #364 was published in digital formats on December 21, with print issues “available soon.” It’s crammed with tales of “Evil space plants, lecherous dragons and the mysteries of the vampire” by a stellar line up of writers, including Seanan McGuire, Marguerite Reed, Joe R. Lansdale, Gregory Frost, Tim Waggoner, and many more. And that entirely awesome and weird bird-lady cover? It’s by Lynne Hansen.

Here’s the complete Table of Contents.

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New Treasures: Best New Horror 30, edited by Stephen Jones

New Treasures: Best New Horror 30, edited by Stephen Jones

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Best New Horror 30 (PS Publishing, November 2020). Cover by Warren Kremer

Gardner Dozois edited 35 volumes of The Year’s Best Science Fiction between 1984 and 2018, an extraordinary achievement that I didn’t expect to be equaled any time soon. But closing fast on his heels is Stephen Jones, who just released volume 30 of his Best New Horror series in November.

Publishing delays have accumulated for Best New Horror over the years; as result this volume collects tales from 2018. But that blemish aside, it’s a fine anthology with top notch horror from Ramsey Campbell, Michael Marshal Smith, Alison Littlewood, Graham Masterton, Damien Angelica Walters, two stories from Peter Bell, and lots more — all packaged under a delightfully retro cover by Warren Kremer. Black Gate blogger Mario Guslandi offers up an in-depth review at Ginger Nuts of Horror; here’s a sample.

First of all I’d like to mention the two stories by Peter Bell, a fantastic author of ghostly tales, whose body of work has appeared so far only in books from small, indie imprints… “The House” is an eerie piece of fiction about three gentlemen following the traces of an elusive, ambiguous ghost story writer, and “ The Virgin Mary Well” is a dark, atmospheric story where ancient, unholy secrets about a mysterious well are unearthed and brought back to the present…

“The Deep Sea Swell” by John Langan is a tense, thrilling story where the ghost of a past sea tragedy gets loose during a storm, while “ Holiday Reading” by Rosalie Parker is a delightful tale suspended between literature and reality. In the creepy “The Smiling Man, by Simon Kurt Unsworth, violating the grave of a disreputable character brings about serious disturbances in a quiet small village…

Mark Samuels provides “Posterity”, an Aickmanesque story (not a simple coincidence…) describing the uncanny experience of a literary researcher exploring the legacy of a deceased writer whose initials are R.A. In Thana Niveau’s truly outstanding “ Octoberland” nostalgia and childhood horrors blend to create an insightful, unforgettable mix.

Here’s the complete Table of Contents.

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Future Treasures: The Forever Sea by Joshua Phillip Johnson

Future Treasures: The Forever Sea by Joshua Phillip Johnson

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Ah, there’s nothing like a good fantasy debut novel. Joshua Phillip Johnson has published a handful of short stories in small-press online journals (including “The Ghost Repeater” at The Future Fire and “The Demon in the Page” at Metaphorosis Magazine), and now leaps into the big time with a major hardcover release from DAW, coming in two weeks.

The Forever Sea is the opening book in a new epic fantasy series set in a world where ships sail an endless grass sea. Mary Robinette Kowal said, “This was everything I wanted it to be. Wind-swept prairie seas, pirates, magic, and found families,” Tor.com called it “a thrilling pirate fantasy that follows a crew of women that sail a sea of prairie grass,” and Publishers Weekly said it “calls to mind Ursula K. Le Guin’s Earthsea series… this entertaining story makes a nice addition to the growing hopepunk subgenre.” I don’t know what the heck “hopepunk ” is, but between the comparisons to Earthsea and the “pirate fantasy” label I’m sold.

Here’s the publisher’s description.

On the never-ending, miles-high expanse of prairie grasses known as the Forever Sea, Kindred Greyreach, hearthfire keeper and sailor aboard harvesting vessel The Errant, is just beginning to fit in with the crew of her new ship when she receives devastating news. Her grandmother — The Marchess, legendary captain and hearthfire keeper — has stepped from her vessel and disappeared into the sea.

But the note she leaves Kindred suggests this was not an act of suicide. Something waits in the depths, and the Marchess has set out to find it.

To follow in her grandmother’s footsteps, Kindred must embroil herself in conflicts bigger than she could imagine: a water war simmering below the surface of two cultures; the politics of a mythic pirate city floating beyond the edges of safe seas; battles against beasts of the deep, driven to the brink of madness; and the elusive promise of a world below the waves.

Kindred finds that she will sacrifice almost everything — ship, crew, and a life sailing in the sun — to discover the truth of the darkness that waits below the Forever Sea.

The Forever Sea will be published by DAW Books on January 19, 2021. It is 464 pages, priced at $27 in hardcover and $14.99 in digital formats. The cover art is by Marc Simonetti. Read Chapter One at Tor.com.

See all our coverage of the best upcoming fantasy and science fiction here.

Vintage Treasures: Fungi From Yuggoth & Other Poems by H.P. Lovecraft

Vintage Treasures: Fungi From Yuggoth & Other Poems by H.P. Lovecraft

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Fungi From Yuggoth & Other Poems (Ballantine, 1971). Cover by Gervasio Gallardo

I’m a little embarrassed to admit I haven’t read much Lovecraft poetry. Well, I read his marvelous “Drinking Song,” from his first published story “The Tomb,” which reads exactly like the ballads belted out by drunken revelers in every Scottish tavern I’ve ever been in. Here’s the first stanza.

Come hither, my lads, with your tankards of ale,
And drink to the present before it shall fail;
Pile each on your platter a mountain of beef,
For ’tis eating and drinking that bring us relief:
        So fill up your glass,
        For life will soon pass;
When you’re dead ye’ll ne’er drink to your king or your lass!

Read the whole thing at the link above.

Lovecraft didn’t get much respect as a poet until long after his first fiction collection, The Outsider and Others, appeared in 1939. His Collected Poems was first published by Arkham House in a tiny print run in 1963, and then retitled Fungi From Yuggoth & Other Poems for its Ballantine paperback reprint eight years later.

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Monsters, Magic, and Kung fu: The Daoshi Chronicles by M. H. Boroson

Monsters, Magic, and Kung fu: The Daoshi Chronicles by M. H. Boroson

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The Daoshi Chronicles, published in paperback by Talos Press. Covers by Jeff Chapman

I discovered M. H. Boroson’s delightful Daoshi Chronicles when Sarah Avery reviewed the opening novel The Girl With Ghost Eyes here at Black Gate five years ago, saying in part:

We’re connoisseurs of kickass combat scenes, eldritch lore, and victories won at terrible, unpredictable price. We want our heroes unabashedly heroic and morally complicated at the same time. Add a decade or more of research on the author’s part, distilled to the most concentrated and carefully placed drops, and a well-timed sense of humor, and you’ve got the recipe for the perfect Black Gate book…

Li-lin’s family has protected the world of the living from the spirit world for generations. Most Daoist priests and priestesses take it on faith that their rituals work — they can’t literally see the spirit world and the efficacy of their magic. Li-lin can, though. She has yin eyes, ghost eyes, a visionary ability that appalls her father and would disgust her trusting neighbors if they knew…

Devoted daughter, faithful widow, compassionate protector of Chinatown, Li-lin must conceal her rarest talent, lest she shame everyone she loves. Long practice at concealment, combined with the necessity of bending rules and stories if she’s to be effective in a world where even a warrior priestess is expected to show deference to men and elders no matter what, has prepared her almost too well for the mystery she must solve.

Someone wants her father dead. That someone wants it enough to lay trap after trap for her family. Bad magic is on its way, of the kind only the Maoshan can stop.

Li-Lin and her ghost eyes save Chinatown, don’t you doubt it.

The Girl With Ghost Eyes proved popular in broader circles as well. Publishers Weekly called it “A brilliant tale of monsters, magic, and kung fu in the San Francisco Chinatown of 1898,” and The A.V. Club proclaimed it a compelling page-turner, saying it “Introduces a thrilling world of kung fu, sorcery, and spirits… The pace never slows, offering a constant stream of strange characters, dire threats, and heroic actions.”

I had to wait for the paperback of the sequel, but Talos released The Girl With No Face in mass market in September and now I finally have a matching set.

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A Fine Addition to any SF Library: Isaac Asimov’s Wonderful Worlds of Science Fiction, edited by Isaac Asimov, Martin H. Greenberg, and Charles G. Waugh

A Fine Addition to any SF Library: Isaac Asimov’s Wonderful Worlds of Science Fiction, edited by Isaac Asimov, Martin H. Greenberg, and Charles G. Waugh

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Tin Stars (Signet, 1986), volume 5 of Isaac Asimov’s Wonderful Worlds of Science Fiction. Cover by JAV

Isaac Asimov published more than 500 books in his lifetime. Now Asimov was amazingly productive — averaging around 1,700 words published per day over the last two decades of his life — but no one is that prolific. In later years he became a proficient book packager, working with editors like Charles G. Waugh and especially Martin H. Greenberg to churn out dozens and dozens of science fiction anthologies in which he contributed little more than an introduction and perhaps some editorial guidance.

If this sounds dismissive, oh my friends, it is not meant to be. Asimov was interested in a great many things, but one of his earliest and most enduring passions was short fiction. It was his love for early science fiction pulps that set him firmly on the path towards being a successful SF writer by his later teens, and in his later years he became one of the staunchest champions of the science fiction short story — and in particular those stories and authors that, by the 70s and 80s, were in growing danger of being forgotten. Between 1979 and his death in 1992 he put his name (and the considerable selling power behind it) on numerous SF anthologies and long-running anthology series edited with Greenberg and Waugh, including The Great SF Stories (25 volumes, 1979-92), The Mammoth Book series (6 books, 1988-93), Isaac Asimov’s Magical Worlds of Fantasy (12 books, 1983-91), and others. I don’t know if it was ever made explicit, but it seemed pretty clear that Waugh made the selections, Greenberg handled the rights paperwork, and Asimov was sort of a godfather over the whole process. In any case, the success of these books helped inspire other reprint anthologies, and for many decades life was good for classic science fiction lovers.

Those days, of course, are long over, and mass market reprint genre anthologies are scare as hens teeth today. But when times are tough, the tough get creative, and so I’ve been on the hunt for older science fiction anthologies I may have overlooked all those years ago. That’s how I rediscovered Isaac Asimov’s Wonderful Worlds of Science Fiction — and it is a delight.

Like many of his other popular series it was edited with Greenberg and Waugh, and included 10 volumes published between 1983-90. Each had a different theme: Intergalactic Empires, Space Shuttles, Monsters, Invasions, and so forth. They were generously sized (300-400 pages) and came packed with wonderful stories selected by an editor with a keen eye. These books have never been reprinted, but they’re not hard to find. In fact I recently bought a set of five in nearly brand new condition for significantly less than original cover price.

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