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Author: John ONeill

Vintage Treasures: Classic Science Fiction: The First Golden Age, edited by Terry Carr

Vintage Treasures: Classic Science Fiction: The First Golden Age, edited by Terry Carr

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Terry Carr may be my all-time favorite editor. His Creatures From Beyond (1975) was one of the very first SF anthologies I read in Junior High, and the sixteen volumes of The Best Science Fiction of the Year he produced remain a high water mark for the genre. Carr died in 1987, at the too-young age of 50, but I still read his books with enormous pleasure today.

It may be a sign of age (mine, not Carr’s), but I usually associate him with modern science fiction. So I was a little surprised to discover his anthology Classic Science Fiction: The First Golden Age, which collects a dozen stories published in pulp magazines in 1940-41. This is not an easy book to find; it had a single hardcover printing from Harper & Row in 1978, a UK reprint from Robson a year later, and then promptly vanished. There’s been no paperback, no reprint since 1979, and no digital version. If I hadn’t stumbled on a copy on Amazon through blind luck back in 2011, I probably still wouldn’t know this book existed.

I love pulp SF, so it’s always nice to get a new selection of Golden Age tales, especially from an editor with Carr’s eye. Here he includes a handful of classics, like Asimov’s “Nightfall,” Kuttner’s “The Twonky,” and Heinlein’s “By His Bootstraps,” and “–And He Built a Crooked House–,” but also stories I’ve never seen before, like Lester del Rey’s “The Smallest God,” Ross Rocklynne’s “Into the Darkness,” and Leigh Brackett’s “Child of the Green Light.”

But even more interesting than that, at least for me, is Carr’s lengthy editorial material exploring the history of SF’s Golden Age, the major personalities involved, and the stories behind the fiction. Easily 20% of this book (some 90 pages) is written by Carr, and he draws from a great many sources, including a lot of personal correspondence and interviews, to tell some fascinating anecdotes and illuminate the surprising history of some of the greatest science fiction ever written. This is a book that belongs in every serious library of pulp SF, alongside The Science Fiction Hall of Fame, Asimov’s Before the Golden Age, and Healy and McComas’ Adventures in Time and Space.

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Ancient Gods, World in Darkness, Ragtag Band of Fighters: The Bound Gods Trilogy by Rachel Dunne

Ancient Gods, World in Darkness, Ragtag Band of Fighters: The Bound Gods Trilogy by Rachel Dunne

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I made my Saturday bi-weekly trip to Barnes & Noble today, ostensibly to pick up the latest issue of The Magazine of Fantasy & Science Fiction, which has a brand new Alaric the Minstrel novella by my friend Phyllis Eisenstein. While browsing the new releases half a dozen books caught my eye, including The Winter Road by Adrian Selby, The Lost by Kevin A. Munoz, and The Lost Puzzler, by Eyal Kless. But the one that leaped into my hands was The Shattered Sun by Rachel Dunne, with the words A Bounds Gods Novel stamped on the cover, which certainly meant it was the umpteenth novel in series. This was on the back.

The epic sword-and-sorcery Bound Gods fantasy series comes to its dark conclusion in this thrilling story of a vibrant world whose fate lies in the hands of vengeful gods and bold warriors.

The world has been plunged into darkness… and only the scheming priest Joros might be able to bring back the sun.

With his ragtag band of fighters — a laconic warrior, a pair of street urchins, a ruthless priestess, and an unhinged sorcerer — Joros seeks to defeat the ancient gods newly released from their long imprisonment. But the Twins have champions of their own, and powers beyond knowing… and the only sure thing is that they won’t go down without a fight.

The fate of the world hangs in the balance as the Twins aim to enact revenge on the parents that imprisoned them, and the world that spurned them. The Long Night has begun, and the shadows hide many secrets — including that the Twins themselves may not be as powerful as they would have everyone think.

Joros and his allies must strike now — before the Twins can consolidate their power… and before they are allowed to shape the world in their vision.

Now, last thing I need is the final book in a series I’ve never heard of. But then again… there’s a lot that appeals to me here. Epic sword-and-sorcery. Desperate battle against ancient gods. World plunged into darkness, ragtag band of fighters. And Tony Mauro’s cover, with the stooped priest Joros and a mischievous imp familiar on his shoulder, is terrific. Ah, the hell with it. My house is already filled to the brim with fantasy novels. One more won’t hurt.

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Future Treasures: The Blackest Heart, Book 2 of The Five Warrior Angels by Brian Lee Durfee

Future Treasures: The Blackest Heart, Book 2 of The Five Warrior Angels by Brian Lee Durfee

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The Forgetting Moon, the 800-page fat-fantasy debut from Brian Lee Durfee, was published in 2016 to some acclaim, and drew comparisons to Steven Erikson, David Eddings, and George R. R. Martin. SFFWorld was impressed, though it found things a little on the grimdark side.

When a young boy, Nail, is orphaned and taken in by a gruff and mostly silent warrior named Shawcroft, you might have an idea that Brian Lee Durfee’s The Forgetting Moon is going to tread into the waters of Epic Fantasy. You’d be mostly correct, but the routes he takes are down some of the more shadowy, grim, and darkest roads traveled in this popular sub-genre of Fantasy. To say that The Forgetting Moon leans on the shady grimdark side of fantasy would be an understatement, but nothing else about Durfee’s epic novel (and saga) is understated.

Not too surprisingly, one of the most enthusiastic reviews came from Matthew Cropley at Grimdark Magazine.

The Forgetting Moon by Brian Lee Durfee is a fantastic new addition to the grimdark fantasy landscape… The story begins with Nail, a young man living in a sleepy whaling village in the corner of the kingdom of Gul Kana. Unbeknownst to Nail, he has a grand destiny to fulfil and magical items that only he can wield. In Amadon, the capital of Gul Kana, Princess Jondralyn seeks to become a warrior as her younger sister, Tala, is swept into an assassination plot. Gault, a knight of the invading army from Sør Sevier, has become disillusioned with the conflict, and questions the rule of the conquering Angel Prince, Aeros Raijael. Other individuals scattered across the kingdom give further insight into the escalating war… It sounds like a familiar story but, in this case, Durfee turns it on its head. Nail is far from the moralistic hero of traditional fantasy, and everyone seems to have a different interpretation of the prophecies, if they’re even genuine in the first place…

The Forgetting Moon is an engaging tale about the fine line between truth and lies. It skilfully subverts stories of destiny and ancient magic without losing the grandeur such stories possess. The characters are memorable and realistic, the world is steeped in lore, and the book succeeds in being both fast-paced and sweeping. Brian Lee Durfee has done a fantastic job with his first novel, and the four more to come in the series are books to get excited about.

Wait, there are four more?? Volume two, The Blackest Heart, arrives in hardcover on February 26, and my advance copy tips the scales at 941 pages. We’re only two books into this series, and it’s already over 1,700 pages long. It you like your grimdark epic, I have good news for you.

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New Treasures: Black Leopard, Red Wolf by Marlon James

New Treasures: Black Leopard, Red Wolf by Marlon James

Black Leopard Red Wolf-smallLast year I bought a copy of Marlon James’s A Brief History of Seven Killings, a widely praised novel that won the Man Booker Prize. His latest, Black Leopard, Red Wolf, a 640-page fantasy epic published this week, arrives with the kind of advance praise most writers can only dream of. The New York Times calls it “The literary equivalent of a Marvel Comics universe,” Rolling Stone labels it ”a stunning, word-drunk take on sword-and-sorcery sagas,” Neil Gaiman says it’s set in “A fantasy world as well-realized as anything Tolkien made,” and the LA Times proclaims it “Absolutely brilliant.” But my favorite quote is from Entertainment Weekly, which said:

Drenched in African myth and folklore, and set in an astonishingly realized pre-colonized sub-Saharan region, Black Leopard crawls with creatures and erects kingdoms unlike any I’ve read… This is a revolutionary book.

Over at Tor.com, Alex Brown gives us a better sense of what folks are so excited about.

Y’all, Marlon James’ Black Leopard, Red Wolf is a miracle. It’s a gift from Anansi himself. This book. This book. THIS BOOK.

Dead. I’m dead. I have died. It is so good it killed me. Murdered by my own ARC. Please bury me in my To Read pile.

The basic story is this: a man known only as Tracker, and several of his acquaintances and enemies, are hired to find a boy. The boy is missing (or not) and may be dead (or not). Of the hired group, there are those wish to find the boy, those who plan to kill him, and those who want him to remain missing. Some are human, some witches, some mercenaries, and some are magical beings. Who is the boy? What happened to him? What was really going on? Is Tracker lying? What if he’s really telling the truth?

But the plot isn’t really the plot. Finding the boy provides the skeleton, but the muscles, blood, and heat come from everything that happens along the way. This is no stroll through a dreamland of fairies and pixie dust. James drags us through a nightmare world of shapeshifters, witches, mermaids, mad scientists, cannibals, vampires, giants, sadistic slavers, selfish monarchs, and a sentient buffalo…

If Charles R. Saunders’ Imaro series opened the door to new ways of telling epic fantasy, and N.K. Jemisin’s Inheritance trilogy leapt over the threshold, then Marlon James’ Black Leopard, Red Wolf just ripped the whole damn door off its hinges.

Good things continue to happen for this book. The film rights were snapped up just yesterday by Warner Bros and Michael B. Jordan’s Outlier Society.

Black Leopard, Red Wolf was published by Riverhead Books on February 5, 2019; it is the first installment of The Dark Star Trilogy. It is 640 pages, priced at $30 in hardcover and $14.99 for the digital edition. The cover artist is uncredited. Read the complete first chapter here, and see our recent New Treasures here.

A Rich Library of Modern Science Fiction: The SF Gateway Omnibus Editions

A Rich Library of Modern Science Fiction: The SF Gateway Omnibus Editions

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Yesterday I posted a brief article on Jack Vance, and as one of the header images I included a pic of the Jack Vance SF Gateway Omnibus, a massive volume from Orion Publishing/Gollancz containing three complete works: Big Planet, The Blue World, and the collection The Dragon Masters and Other Stories. I did it because I thought the book was very cool, and I wanted readers to know about it. And it paid off — in the comments section Glenn posted the following:

Just an aside John. Has anyone at Black Gate taken a look at the Gateway Omnibus series? I saw a whole bunch of them turn up at my local Half Price Books. The covers are weird but they seem dedicated to getting some lesser read classics out there in an inexpensive format.

Glenn read my mind. And in fact, he had the exact same experience I did. In April last year, while I was in Lombard, Illinois for the Windy City Pulp & Paper Show, I dropped into the local Half Price Books. I came out with a few interesting vintage paperbacks, but the real find was a handsome assortment of bright yellow oversized trade paperbacks with the Gateway Omnibus logo. All were brand new, and each volume contained a generous sampling of reprints from a well-known science fiction name. I’d never seen them before, but I was struck by both the eclectic mix of titles, and the wide range of authors: folks like Algis Budrys, C.L. Moore, Damon Knight, Clifford D. Simak, Edmond Hamilton, E.C. Tubb, Edgar Pangborn, John Brunner, Jack Williamson, Kate Wilhelm, James Blaylock, Joe Haldeman, Frank Herbert, Henry Kuttner, and many others. Best of all, the books were very reasonably priced — $7.99 each. I ended up taking four home with me that day (the Wilhelm, Kuttner, Williamson and Moore), and doing an online search to find just how many were out there.

What I discovered was an extremely impressive catalog of over 50 titles. All were originally published in the UK, so distribution in the US is spotty at best, but many are still widely available (and still reasonably priced). To give you an idea of the amazing scope of the collection, I’ve gathered 51 thumbnail images for you to browse below.

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Nora Roberts meets Neal Stephenson: The Felicia Sevigny Trilogy by Catherine Cerveny

Nora Roberts meets Neal Stephenson: The Felicia Sevigny Trilogy by Catherine Cerveny

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I first discovered Catherine Cerveny’s Felicia Sevigny trilogy when Unbound Worlds selected the second novel, The Chaos of Luck, as one of the Best SF Titles of December 2017. The tale of a Brazilian tarot card reader and a Russian crime lord and their desperate race to unmask a conspiracy sounded different enough to be very appealing, and I took a chance and bought the first two books.

The series opened with The Rule of Luck (2017), Catherine Cerveny’s debut novel, an unusual blend of romance and SF thriller in which tarot card reader Felicia Sevigny discovers she’s at the heart of a far-reaching plot to manipulate human genetics. Alison Spanner at Booklist gave the book a starred review, saying

In the year 2950, dark days of floods, war, famine, and devastation are over, but the world has been reshaped forever. Terraforming on Venus and Mars, tech implants allowing for seamless access to the Internet-like CN-net, genetic modification to enhance beauty, government-sponsored anti-aging treatments, and strictly regulated population control are the new normal under the world’s new government, One Gov. Felicia Sevigny grows up blindly believing her life is her own until she discovers, for reasons unknown to her, she has been blacklisted from having a baby. Felicia has made a name for herself as a skilled fortune-teller, and her life changes the day Alexei Petriv, a high-ranking member of the Tsarist Consortium, a shadow organization set to take One Gov down, walks into her shop and demands a reading. In return for a promise to remove her blacklisted status, Felicia agrees to help Alexei in his quest to take power from One Gov… Cerveny’s first novel in a planned trilogy mingles romance and science fiction — think Nora Roberts meets Neal Stephenson — and is certain to satisfy audiences of both genres.

The final novel, The Game of Luck, arrived in September 2018. All three volumes were published in trade paperback and digital formats by Orbit Books; the striking covers were designed by Lisa Marie Pompilio. The digital version of The Rule of Luck is priced at just $4.99 at most major online bookstores — well worth checking out.

See all of our recent coverage of the best SF and fantasy series here.

Hector DeJean on Why Jack Vance Was Science Fiction’s Tightest Worldbuilder

Hector DeJean on Why Jack Vance Was Science Fiction’s Tightest Worldbuilder

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Jack Vance died in 2013, but his work continues to be avidly discussed and appreciated. New readers are still discovering his timeless SF adventures like Big Planet, and publishers like Subterranean have produced gorgeous collections like The Early Jack Vance (five volumes) and The Jack Vance Treasury. And his mass market paperbacks from DAW, Ace and others remain inexpensive and continue to circulate, winning him new readers.

I’ve quite enjoyed some of the more recent discussions of Vance, like Hector DeJean’s January 11 Tor.com article “A Lean, Mean, Writing Machine: Jack Vance Was Science Fiction’s Tightest Worldbuilder,” which looks at three of Vance’s early novels from a rather different perspective. Here’s the opening paragraphs.

I’m a big fan of concise stories. If a writer fills a three-volume science fiction epic with 2000 pages of detailed worldbuilding, intriguing speculative concepts, and captivating character arcs, that’s all well and good, but if that writer can get that down to 300 pages, that’s better. And if a writer goes further and nails it in 150 pages — well then, that writer can only be Jack Vance.

Vance produced well over 70 novels, novellas, and short story collections over the course of his writing career, creating fantasy stories and mysteries as well as science fiction, and even producing a substantial number of doorstoppers that would have impressed George R. R. Martin with their girth. Vance’s extensive oeuvre has its imperfections — especially glaring today is his near-complete lack of interesting female characters — but at their best the books set an excellent standard for the construction of strange new worlds. Three tales in particular, The Languages of Pao (1958), the Hugo Award-winning The Dragon Masters (1962), and The Last Castle (1966), squeeze artfully assembled civilizations into focused, tight paragraphs. Other authors might have used these worlds as settings for bloated trilogies, but Vance quickly builds each society, establishes his characters, delivers the action, and then is off to create something new. I can’t think of any other author who put together so many varied worlds with such efficiency.

I think DeJean has a fine point. Vance’s early experiences writing for the markets, and especially the painful and arduous task of substantially cutting his first novelBig Planet for publication in hardcover (and later at Ace), taught him the valuable skill of spinning a complex tale in a very small space.

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Future Treasures: Broken Stars: Contemporary Chinese Science Fiction in Translation, edited by Ken Liu

Future Treasures: Broken Stars: Contemporary Chinese Science Fiction in Translation, edited by Ken Liu

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Science Fiction has a reputation — deserved, I think — for being an inhospitable market for non-English writers. Some of the great science fiction writers of all time, like Jules Verne, Jorge Luis Borges, Stanisław Lem, Arkady & Boris Strugatsky, Pierre Boulle, Elizabeth Vonarburg, and Karel Čapek, wrote in languages other than English…. but remarkably few found real success with American readers.

But that’s changing rapidly as the world gets smaller, and the American appetite and appreciation for international culture grows, especially among the young. Japanese anime, manga, and videogames have been hugely popular in the US for decades, and that helped open the door for Asian cinema, Bollywood, K-pop, Afrofuturism… and much, much more. Clarkesworld magazine has published a Chinese SF story in translation every issue for the past two years, and writers like Cixin Liu (The Three-Body Problem) have achieved breakout success in the U.S.

Ken Liu (The Grace of Kings, The Paper Menagerie and Other Stories) has been at the forefront of the Chinese SF invasion, as both promoter and translator. Invisible Planets, his 2016 anthology of contemporary Chinese SF in translation, came in #2 in the Locus Poll for Best Anthology. This month he builds on that success with Broken Stars, a brand new collection of 16 short stories from Liu Cixin, Hao Jingfang, Xia Jia, Chen Qiufan, and many others. It also includes three essays that explore the history of Chinese SF, survey modern Chinese fandom, and the impact of the growing popularity of SF in China. Broken Stars arrives in hardcover from Tor on February 19.

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The Most Ambitious First Contact Saga in Science Fiction: The Foreigner Series by CJ Cherryh

The Most Ambitious First Contact Saga in Science Fiction: The Foreigner Series by CJ Cherryh

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CJ Cherryh Foreigner 17 Visitor-small CJ Cherryh Foreigner 18 Convergence-small CJ Cherryh Foreigner 19 Emergence-small CJ Cherryh

Art by Michael Whelan (1,2,6,7), Dorian Vallejo (3), Stephen Youll (4,5), Donato Giancola (8,9), and Todd Lockwood (10-19)

I like to talk about SF and fantasy series here, and last week I dashed off a quick article about a 9-volume space opera that caught my eye, Lisanne Norman’s Sholan Alliance. The first two commenters, R.K. Robinson and Joe H, both compared her novels to the queen of modern space opera, C.J. Cherryh. That certainly got me thinking. Like Norman, Cherryh is published by DAW, and as I said last week,

For many years DAW’s bread and butter has been extended midlist SF and fantasy series that thrive chiefly by word of mouth… You won’t connect with them all of course, but when you find one you like they offer a literary feast like no other — a long, satisfying adventure series you can get lost in for months.

More than any other writer, Cherryh may be responsible for DAW’s success with space opera. She’s been associated with the publisher for over four decades, since her first two novels, Gate of Ivrel and Brothers of Earth, were purchased by founder Donald A. Wollheim in 1975. Cherryh has produced many of DAW’s top-selling series, including the popular Chanur novels, the Company War (including the Hugo Award-winning Downbelow Station), The Faded Sun trilogy, and especially the 19-volume Foreigner space opera, perhaps the most ambitious and epic first contact saga ever written.

C.J. Cherryh became a SFWA Grand Master in 2016, and the Foreigner books are perhaps her most celebrated achievement. The first, Foreigner, was published in 1994, and has remained in print for the last 25 years; the most recent, Emergence, arrived in hardcover last year, and was reprinted in paperback less than four weeks ago. Four of the books were shortlisted for the Locus Award for Best Science Fiction Novel, and all 19 titles remain in print today.

If you’re truly on the hunt for “a long, satisfying adventure series you can get lost in for months,” Foreigner — all 7,200 pages of it — may be the most important literary discovery you ever make.

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Reading for a Good Cause: 32 White Horses on a Vermillion Hill edited by Duane Pesice

Reading for a Good Cause: 32 White Horses on a Vermillion Hill edited by Duane Pesice

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I’ve heard from several readers about a new charity anthology benefiting horror writer Christopher Ropes, 32 White Horses on a Vermillion Hill. Most recently Robert Adam Gilmour wrote, saying:

There are no shortage of writers going through difficult times and I imagine you might get quite a number of emails for funding them but this involves two anthologies and some writers you are familiar with. His situation is horrifying enough that it has stuck in my head and I just wanted to see if you’d feature it on Black Gate.

I’m informed about a lot of worthy fundraising efforts every year, but Robert is right — this one is of particular interest, as it involves dozens of writers of keen interest to Black Gate readers. Editor Duane Pesice has assembled two volumes of 32 White Horses on a Vermillion Hill, both of which contain 32 stories & poems generously donated from members of the weird fiction & horror communities, including Jonathan Maberry, Michael Wehunt, Ashley Dioses, K.A. Opperman, Marguerite Reed, Jon Padgett, Douglas Draa, John Linwood Grant, Jeffrey Thomas, Jason A. Wyckoff, Frank Coffman, and many others. All the profits from the books go towards helping Christopher cover the costs of some long-needed dental work (see the Go-Fund-Me page here).

Christopher’s work has been published in Vastarien (Grimscribe Press), Nightscript (Chthonic Matter), Ravenwood Quarterly (Electric Pentacle Press), and other fine publications, and it’s clear he has a lot of friends in the industry. If you’re active in fandom or on social media, you doubtless encounter calls for help on a regular basis. But I’ve never seen one quite like this. Pesice has assembled two anthologies that would look impressive under any circumstances. Copies are available at Amazon and directly from Planet X Publications. If you’re going to read some horror this month, why not read for a good cause?