Black Gate

As the chill of December frosts our doorsteps, it’s time to wrap up our ‘Summer’ Pulp series for another year. Last summer I wrote about Robert E. Howard’s Kirby O’Donnell. His tales can be found in Del Rey’s FANTASTIC El Borak, and Other Desert Adventures. That tome rivals the Conan books as my favorite in the entire series.

While I like O’Donnell, the reason I chose him, is because nothing I write about El Borak could hold a candle to Dave Hardy’s essays on REH’s transplanted cowboy. David’s afterward, Gunfighters of the Wild East, is THE definitive essay on the subject. He also wrote the introduction to The REH Foundation’s The Early Adventures of El Borak.

So naturally, I asked him to talk about El Borak (which means, ‘The Swift’) for our Discovering Robert E. Howard series here at Black Gate. And he delivered one of my favorite essays. I wanted to get it back out there, and into A (Black) Gat in the Hand. I re-read at least one El Borak story every year; usually more than that. Plus O’Donnell, and Clancy. Just thrilling adventures. There’s no one better suited to expound on Francis Xavier Gordon, so enough blathering from me. Let’s check out ‘The Swift.’

Francis Xavier Gordon, known from Stamboul to the China Sea as “El Borak”-the Swift-is perhaps the first of Robert E. Howard’s characters, and the last. El Borak is one of those distinctive characters that could only come from the fertile imagination of REH. He is a Texas gunslinger from El Paso, an adventurer, who has cast his lot in the deserts and mountains of Arabia and Afghanistan. There’s a little bit of John Wesley Hardin in his makeup, a bit of Lawrence of Arabia, and just a touch of Genghis Khan.

Howard described the origin of Gordon and other characters to Alvin Earl Perry: “The first character I ever created was Francis Xavier Gordon, El Borak, the hero of “The Daughter of Erlik Khan” (Top Notch), etc. I don’t remember his genesis. He came to life in my mind when I was about ten years old.”

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A couple weeks ago, I reposted James Reasoner’s excellent  ‘Discovering Robert E. Howard’ essay on REH and trail towns in his Westerns. Another Pulp-centric post from that series was from my New Pulp (and Solar Pons) buddy, Frank Schildiner. He wrote about one of my favorite REH characters, Solomon Kane.

There are a lot of Kane fans here at Black Gate. And for a couple years now, I’ve been trying to follow up ‘Discovering Robert E Howard,’ and ‘Hither Came Conan,’ with a multi-contributor series on Kane.

That Del Rey Solomon Kane volume pictured, is an absolutely terrific book, and it’s a shame more of the Kanes weren’t published during his lifetime. Take it away, Frank!

Solomon Kane. I can still remember when I first read the name. I was 11 and looking through books and comics at a flea market, my mother one row over looking through the Robin Cook section. I pulled a slim paperback from the pile, the cover showing a cold eyed Puritan staring at me with open condemnation (at least that’s how I interpreted the visual). But then I read the name… SOLOMON KANE. And there wasn’t a prayer on Earth of getting me to let go of this book that day.

And that first short story, “Red Shadows,” changed me forever. I became a fan for all things Robert E. Howard, but especially Solomon Kane. Caught by the enemy he’d chased from Europe into Africa, Kane looked up at this man he’d hounded relentlessly for years, and the following thought summed up why this hero became my favorite.

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