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Year: 2020

A Solstice Story

A Solstice Story

There’s just something magical about snow at Christmas time. Image by zanna-76 from Pixabay

It’s going to be a rough Christmas for many of us. Where I am, the government is considering an immediate, province-wide shutdown. Just a few days before Christmas. This means that I won’t be able to see my brother, who had been planning to come up and see us (he’s been very good about quarantining, so I feel safe hanging out with him). It is all for the best, though, as cases of our particular plague are spiking and hospitals are struggling to cope as it is. It’s looking increasingly like this Christmas I’ll have my cat, and Zoom. It’s a good thing my cat is a cuddle-monster. I’ll at least have some affection.

What I also have in these difficult times are stories. Stories, in fact, have gotten me, in particular, through so really tough times. Really tough. Since I have nothing else to offer today, I thought that I’d offer a story. I wrote this last year for my publisher’s Christmas season blog hop, so it’s not an original. I mean, it’s original to me, but it’s not new. Sorry. I’ve been a bit caught up making my Christmas gifts this year and I’ve run out of time.

In any case, here it is.

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Vintage Treasures: The Macabre Reader edited by Donald A. Wollheim

Vintage Treasures: The Macabre Reader edited by Donald A. Wollheim


The Macabre Reader (Ace, 1959). Cover by Ed Emshwiller

Today, December 21st, is the Winter solstice and the longest night of the year in the Northern Hemisphere. What to do with those long winter night hours? Curl up with a blanket, a warm beverage, and a good spooky book, of course.

My pick for tonight is Donald A. Wollheim’s The Macabre Reader, his 14th anthology, published as a paperback original in 1959 and never reprinted in the US. It’s still considered one of his finest anthologies, even today, and has both a fine reputation and the benefit of a good print run — meaning copies are still very inexpensive. There are plenty of reviews out there; here’s an excerpt from one of my favorites, by Dem Bones at Vault of Evil:

Thorp McClusky – “The Crawling Horror”: Hans Brubaker’s farmhouse comes under attack from a colourless jelly which devours rats, cats and cattle before turning [its] attention to human prey. His beautiful young wife Hilda and the local physician Dr. Kurt are the only people who believe his seemingly insane story and help him secure the place versus the shapeless creeping sludge. All is well until eighteen year old Bertha Brandt turns up on the doorstep in the middle of the night…

Zealia Brown Reed – “The Curse Of Yig”: Oklahoma, 1925. An ethnologists’ researches into snake lore amongst the Native Americans leads him to Guthrie Asylum… [and] the tragic history of settlers Walker and Audrey Davis, whose anxieties over her wiping out a nest of baby rattlers culminate in madness, manslaughter and monster births. A pulp classic with a killer ending, reputedly revised by H. P. Lovecraft.

The Macabre Reader contains stories and poems by H. P. Lovecraft, Robert E. Howard, Clark Ashton Smith, Donald Wandrei, Robert Bloch, Henry S. Whitehead, John Martin Leahy, and many others — all under a killer cover by Ed Emshwiller. It’s perfect for a snowbound winter night.

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The Casablanca Letters

The Casablanca Letters

I think that Groucho Marx was one of the funniest men who ever lived. And I laugh out loud a the movies he made with his brothers. Well, most of them, anyways. I strongly recommend his book. The Groucho Letters. When word was making the rounds around 1944 that the boys were going to make a movie called A Night in Casablanca, Warner Brothers threatened legal action. Jack and the boys felt that this intruded in the territory of their Humphrey Bogart and Ingrid Bergman movie of a few years before. Casablanca was not yet remotely the classic it is regarded as today. But Warners didn’t want the Marx Brothers trying to make a buck off of their own film.

Groucho penned what has become a well-known letter to the Warners. It’s full of his great wit and is absolutely worth reading. It’s less well-known that he wrote a couple follow-up letters. Here are The Casablanca Letters – with a few footnotes from me.

Dear Warner Brothers:

Apparently there is more than one way of conquering a city and holding it as your own. For example, up to the time that we contemplated making a picture, I had no idea that the City of Casablanca belonged exclusively to Warner Brothers.

However, it was only a few days after our announcement appeared that we received a long, ominous legal document, warning us not to use the name “Casablanca”.

It seems that in 1471, Ferdinand (1) Balboa (2) Warner, the great-great grandfather of Harry and Jack, while looking for a shortcut to the city of Burbank, had stumbled on the shores of Africa and, raising his alpenstock, which he later turned in for a hundred shares of common (3), named it Casablanca.

I just don’t understand your attitude. Even if they plan on re-releasing the picture, I am sure that the average movie fan could learn to distinguish between Ingrid Bergman and Harpo. I don’t know whether I could, but I certainly would like to try.

You claim you own Casablanca and that no one else can use that name without their permission. What about Warner Brothers — do you own that, too? You probably have the right to use the name Warner, but what about Brothers? Professionally, we were brothers long before you were. When Vitaphone was still a gleam in the inventor’s eye, we were touring the sticks as the Marx Brothers and even before us, there had been other brothers — the Smith Brothers (4); the Brothers Karamazoff; Dan Brouthers (5), an outfielder with Detroit; and “Brother, can you spare a dime?” This was originally “Brothers, can you spare a dime” but this was spreading a dime pretty thin so they threw out one brother, gave all the money to the other brother and whittled it down to “Brother, can you spare a dime?”

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Adventures in Art Collecting: Windycon XXX

Adventures in Art Collecting: Windycon XXX

Art from the Gordon R Dickson collection: Cover to Sleepwalker’s World
(DAW, 1972) and The Pritcher Mass (DAW, 1973). Art by Kelly Freas

When folks ask me for advice on how to collect original science fiction and fantasy art, I pass along some tips I’ve learned, but I also tell them that sometimes, you just have to get lucky. Case in point…

Classicon is a one day pulp and paperback show near Lansing, MI, generally held twice per year (at least when things are normal!). It’s organized by a friend of ours, Ray Walsh, who owns Curious Book Shop. Back in 2003, the fall edition of Classicon was to be held on November 9, and Deb and I planned on attending.

That same weekend, the Chicago area’s largest science fiction convention, Windycon, was taking place (Windycon XXX, which ran November 7-9, 2003). We weren’t able to go to Windycon that Friday due to work, but decided to make a short detour to it as we drove to Michigan on Saturday. We planned to just spend an hour or so there, to drop off fliers for the 2004 Windy City Pulp and Paper Convention, take a quick tour through the dealer room and art show and say hi to some friends.

All was going to plan until we made the last of our stops and entered the art show. As we walked in, we spotted two of our friends, Bob Weinberg and Alex Eisenstein, in close conversation. Walking over to them, they didn’t seem quite as excited to see us as we were to see them. They kindly remarked, quite insistently, that there was nothing to see here, and that our time would be better spent anywhere else other than at the art show. Not surprisingly, their helpful advice immediately raised our suspicions, and they soon came clean.

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Underground Bazaars, Generation Ships, and the Mountains of Madness: November/December Print SF Magazines

Underground Bazaars, Generation Ships, and the Mountains of Madness: November/December Print SF Magazines

Covers by Kurt Huggins, Eldar Zakirov, and David A. Hardy

Things have finally settled down in the magazine section of my local Barnes & Noble, and my favorite print magazines are reliably showing up again. I have to say, I’m relieved they all survived the chaos — in distribution, the market, and to their readers — caused by the pandemic. Magazines are fragile things at the best times, and fiction magazines particularly so.

Having said that, the recent issues are well worth a look. This crop contains brand new stories by George Zebrowski, Jack McDevitt, Connie Willis, James Gunn, Matthew Hughes, Albert E. Crowdrey, Nick DiChario, Juliette Wade, Clancy Weeks, Alaya Dawn Johnson, Chen Quifan, Sam Schreiber, and Marissa Lingen (twice!)

Analog Science Fiction/Science Fact

Analog wraps up its 90th anniversary year with a solid issue overstuffed with fiction — a whopping 19 stories! — including a classic reprint by Gordon R. Dickson, the 1967 Nebula Award-winning novelette “Call Him Lord.” The issue is edited by Trevor Quachri. Here’s all the details.

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Uncanny X-Men, Part 25: The Proteus Saga and My First Comics!

Uncanny X-Men, Part 25: The Proteus Saga and My First Comics!

Welcome to the 25th installment of my reread of The Uncanny X-Men from 1963’s issue #1. We’re now in 1979 and this post will cover issues #125-#128. This is a really memorable run for me for a few of reasons.

First of all, it’s an amazing 4-issue story with huge stakes and high drama, and an example of the Claremont-Byrne team entering their creative peak.

Second, in these 4 issues, some really messed up stuff starts to be revealed about the psychological manipulation of Phoenix that puts the whole series and Marvel history on a collision course with the Dark Phoenix Saga.

Third, issue #128 was one of the first four comics my mom gave me after she came back from a trip, and I remember reading it with a sense of wonder and confusion as I learned by myself how to read comics. I very shortly ended up trading parts of my fledgeling collection to a friend in return first for issue #125, and then finally issues #126 and #127 (and #137!). So my inexperience with the form as well as the non-linear way in which I absorbed the story are indelible parts of my view of what later became known as the Proteus saga.

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New Treasures: Rebel Sisters, Book 2 of War Sisters by Tochi Onyebuchi

New Treasures: Rebel Sisters, Book 2 of War Sisters by Tochi Onyebuchi

Cover by Nekro (left) and unknown (right)

In his enthusiastic review of War Girls here at Black Gate, Jeremy Brett wrote:

War Girls is a novel of intense, determined hope in the face of overwhelming obstacles; in this current historical moment it’s exactly the book we need. In 2172, the world is a damaged place. Climate change and war have destroyed much of the Earth, and millions have fled the planet…  The war has left much of the area saturated in radioactivity that kills or mutates the local wildlife, and battles are fought using unmanned drones, human-piloted mechs, and augmented soldiers refitted with bionic limbs.

Onyii is such a soldier, a young woman and war hero who lives to protect both her new nation and her adopted orphaned sister Ify. When the two become separated through the usual vagaries of war, they find themselves on opposite sides of the conflict….  Part of the greatness of this book lies in Onyebuchi’s multidimensional descriptions of war. Yes, giant mechs fly through the skies and attack each other with gun and sword, which is always fun and exciting and begs to be a movie. But also, children are taken and augmented to become pitiless warriors, at the cost of their humanity and that of the people who build and direct them… There are exciting gunfights, but there are also moments of quieter emotional and physical healing.

The sequel Rebel Sisters arrived in hardcover last month, and it looks like a worthy follow up. Kirkus Reviews calls it “A thought-provoking, action-packed addition to the series,” and there’s been plenty of interest here in our offices. Looks like I’ve found a good 2-book series to dive into over the Christmas break.

Rebel Sister was published by Razorbill on November 17, 2020. It is 464 pages, priced at $18.99 in hardcover and $10.99 in digital formats. The cover artist is uncredited. Read an excerpt (or listen to an audioclip) here.

See all our latest coverage of the best new releases in SF and fantasy here.

A Heist in a Sword and Sorcery World: A Hazardous Engagement by Gaie Sebold

A Heist in a Sword and Sorcery World: A Hazardous Engagement by Gaie Sebold

Cover by Duncan Kay

I’ve had my eye on Gaie Sebold ever since I bought her brilliant and funny short story “A Touch of Crystal” (co-written with fellow Brit Martin Owton), the tale of a shopkeeper who discovers some of the goods in her New Age shop are actually magical, for Black Gate 9.

She’s been well worth the watch. Her debut novel Babylon Steel (described as “Sword & Sorcery for the girl who wants to be Conan”) kicked off a successful 2-book series at Solaris; you can get both books in a giant 1,000-page omnibus, The Babylon Steel Adventures. Her 2014 effort Shanghai Sparrow was a Far Eastern steampunk tale of Espionage, Etheric Science, and Murder.

Her latest is A Hazardous Engagement, volume #6 in the NewCon Press Novellas line, a prestigious imprint that has published Alastair Reynolds, Tom Toner, Kari Sperring, Adam Roberts, Hal Duncan, Liz Williams, Simon Clark, Alison Littlewood, and loads more. My friend Arin Komins reviewed it on FB this week, saying:

A Hazardous Engagement novella from Gaie Sebold… Delightful heist story in a sword and sorcery world. From NewCon Press. Excellent and swift read, and quite good. Would make a good series of novellas or stories.

That’s all the endorsement I need…. I put it in my Amazon cart immediately. A Hazardous Engagement was published by NewCon Press on June 19, 2019. It is 120 pages, priced at $8.99 in paperback and $4.75 in digital formats. The cover is by Duncan Kay. See all the latest releases by Black Gate writers and staff here.

Goth Chick News: Christmas Spirits

Goth Chick News: Christmas Spirits

As I enter the last leg of my doctoral studies, I couldn’t help taking advantage of my university’s very impressive library to take a bit of an intellectual detour. I did a search on the origins of modern-day Christmas traditions. Not unsurprisingly our current celebrations owe most to pagan winter festivals, and the rest to mid-19th century England; either way, very little has changed.

And because you’re here at Goth Chick News, you’ve got to know that I zeroed in on the association between Christmas and ghost stories. That particular practice, as it appears in American celebrations, is actually a Victorian tradition which was as much a part of Christmas to them, as Santa Claus is to us.

“Whenever five or six English-speaking people meet round a fire on Christmas Eve, they start telling each other ghost stories,” wrote British humorist Jerome K. Jerome as part of his introduction to an anthology of Christmas ghost stories titled Told After Supper in 1891. “Nothing satisfies us on Christmas Eve but to hear each other tell authentic anecdotes about specters.”

The most obvious example of a Victorian holiday ghost story is Charles Dickens’ A Christmas Carol, which has become such a ubiquitous part of the season that most people don’t even wonder why Dickens chose ghosts to bring about Ebenezer Scrooge’s transformation. So, what is it about Christmas and ghosts that go so well together?

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An Ode to Books and Writing: The Hell’s Library Series by A.J. Hackwith

An Ode to Books and Writing: The Hell’s Library Series by A.J. Hackwith

Cover design by Faceout Studio/Jeff Miller

One of the delights of fantasy is its diversity. Good fantasy should always surprise readers with its inventiveness, and it certainly needn’t be confined to the mundane world we live in. Case in point: A.J. Hackwith’s Hell’s Library series, which opened last year with The Library of the Unwritten, is set in a library in Hell.

That’s intriguing enough on its own. But what really got my interest was the brief plot synopsis: Hell’s Librarian, a resourceful and determined woman named Claire, learns that pages from the Devil’s Bible have been found on Earth. Authored by Lucifer himself, the pages are so dangerous that Hell and Heaven are both hellbound to find them. Together with her small staff, Claire sets out to prevent an unholy war that would likely destroy her library. Library of the Unwritten received starred reviews from Library Journal and Publishers Weekly; here’s a snippet from the former.

The Unwritten Wing in Hell is home to all stories unfinished by their authors. Claire is the head librarian. Sometimes she must chase down and return characters who have escaped from their pages. When one such hero heads to Earth to find his author, Claire, her current assistant and former muse Brevity, and the demon Leto try to capture him. The trio are attacked by the angel Ramiel, who thinks they are looking for the same tome he is: the Devil’s Bible. Deliberately lost on Earth for centuries, the Devil’s Bible could put the power of either heaven or hell in control. Claire and her companions must find it before the two realms decide to declare war… Elaborate worldbuilding, poignant and smart characters, and a layered plot make this first in a fantasy series from Hackwith… an ode to books, writing, and found families.

The Library of the Unwritten was published by Ace on October 1, 2019. It is 384 pages, priced at $17 in trade paperback and $11.99 in digital formats. Sequel The Archive of the Forgotten arrived on October 6, 2020; it is 368 pages, priced at $16/$11.99 digital. The covers were designed by Faceout Studio/Jeff Miller. See all of our recent coverage of the best new fantasy series here.