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Month: March 2018

Superheroes in a World of Wonder and Horror: The Interminables Series by Paige Orwin

Superheroes in a World of Wonder and Horror: The Interminables Series by Paige Orwin

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The Interminables-smaller Immortal Architects-small

Superhero fiction is tricky. It’s hard to get right. Superheroes rule in comics and at the box office, but in print…. not so much. Why is that? If I’d cracked that puzzle I’d be a Manhattan super-agent. The best I can tell you is that in visual media like comics and film, superheroes naturally draw all the attention. But in the more studied medium of print, away from the fast-action visuals of comics and movies, superheroes require a more thoughtful touch to really be appealing.

There have been successful superhero novels, of course. Like Vicious by V. E. Schwab (which Matthew David Surridge reviewed for us here), Carrie Vaughn’s After the Golden Age, Sarah Kuhn’s Heroine Complex trilogy… and Paige Orwin’s The Interminables (2016), the tale of two powerful agents of a wizard’s cabal in a drastically altered Earth on a mission that lands them in a very dark place. No truly successful superhero novel stands alone for long, of course, and late last year the sequel Immortal Architects arrived in paperback. Here’s the description.

Edmund Templeton, a time-manipulating sorcerer, and Istvan Czernin, the deathless spirit of WWI, are the most powerful agents of the magical cabal now ruling the US East Coast. Their struggle to establish a new order in the wake of magical catastrophe is under siege: cults flourish and armies clash on their borders. Perhaps worst of all the meteoric rise of a technological fortress-state threatens their efforts to keep the peace.

As if that weren’t enough, a desperate call has come in from the west. A superstorm capable of tearing rock from mountains is on its way, and [it’s] acting unlike any storm ever seen before. Who better to investigate than two old friends with the sudden need to prove themselves?

The Interminables may be the breakout series that finally proves the superhero novel can be serious genre literature — and seriously entertaining. Immortal Architects was published by Angry Robot on September 5, 2017. It is 479 pages, priced at $7.99 in paperback and $6.99 for the digital edition. The cover is by Amazing15. Read the complete first chapter at the Barnes & Noble Sci-Fi and Fantasy Blog here.

Chasing The Immortal

Chasing The Immortal

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The Immortal 1

The Immortal (1970)
ABC Television
TV Movie and 15 episodes, based on The Immortals by James Gunn.

John Wayne’s real name was Marion Morrison. I know this because my father told me. Along with a hundred other small stories he told me while we watched television together. Whatever was on the screen would almost always prompt him to tell me something about the cast or the production or even, rarely and more precious because of it, what the particular story meant to him.

He often ended the little tale with a question as to what my five or seven or ten year old self thought about it. We did not interact like that anywhere else in our lives; two solitudes meeting in the one place we shared. So whatever was on the screen at the time filled the silences between my questions and his tales.

I believe I was prompted to track down The Immortal, at the risk of being maudlin, by moving my father who is suffering from dementia and Alzheimer’s from our family home to a care facility permanently. In times like these mortal thoughts rise from your subconscious like Grendel from his cave. Sometimes you do things and you don’t really know why at the time. Nostalgia can find you paying for things on a whim, and in this Amazon is a ready enabler.

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Birthday Reviews: G. Harry Stine’s “The Easy Way Out”

Birthday Reviews: G. Harry Stine’s “The Easy Way Out”

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Analog Science Fiction April 1966-small Analog Science Fiction April 1966-back-small

Cover by Kelly Freas

G. Harry Stine was born on March 26, 1928 and died on November 2, 1997. Most of his short fiction has been published using the pseudonym Lee Correy and he publishes non-fiction using his own name. His novels have appeared with both bylines.

Stine has had a number of science fact articles appear in Analog over the years, as well as several articles in Analog’s “The Alternate View” series. He worked at White Sands Proving Grounds as a civilian scientist in the mid 1950s, and used his expertise to help create the model rocket movement. Stine served in the Citizen’s Advisory Council on National Space Policy, which helped create the Strategic Defense Initiative proposal.

“The Easy Way Out” was published in Analog in April 1966, purchased by John W. Campbell, Jr. and appearing under the byline Lee Correy. Campbell included it in the anthology Analog 6 in 1968 and Isaac Asimov, Martin H. Greenberg, and Charles G. Waugh selected it for their anthology Science Fiction A to Z: A Dictionary of the Great SF Themes in 1982. Its last appearance was in Analog: The Best of Science Fiction, edited by Stanley Schmidt in 1985.

A group of alien invaders visiting Earth are the forerunners to a potential invasion. Part of a large intergalactic empire, their task is to rate the natives of the planet on a variety of indices to determine if an invasion is likely to succeed, although since they state that no planet has ever been bypassed, it isn’t clear what the purpose of the ratings actually is.

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Vintage Treasures: Annals of Klepsis by R.A. Lafferty

Vintage Treasures: Annals of Klepsis by R.A. Lafferty

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Annals of Klepsis-small Annals of Klepsis-back-small

I haven’t used Goodreads much, but I’m beginning to see that’s a mistake. It truly is a marvelous resource for those looking for a wide range of opinions about books — especially those that have been out of print for decades. For example, here’s a small sample of reviews for R. A. Lafferty’s gonzo space-pirate novel Annals of Klepsis, published as an Ace paperback original in 1983. First up is Andrew:

A surrealistic apocalypse from a master of surreal apocalyptic fantasy. Lafferty’s novels function with the logic of a Bugs Bunny cartoon written by Kafka.

Astonishing how on-point that is a 2-sentence review. Here’s a snippet from a much more in-depth review by Printable Tire.

The book’s setting is sort of a blend of science fiction, in that it takes place on another planet, with “zap guns” (not called that) and everything, and fantasy, in the way Alice in Wonderland is fantasy. The very loose sprawling story takes place on Klepsis, a pirate planet, who for the last 200 hundred years has been in a state of pre-history, a state of legend. One of the thousands of things Lafferty postulates is that all pre-history and pre-legend does not take place in linear time, but because it is pre-history it all takes place at the same time; thus Hercules was a contemporary of Achilles, and thus the proportion of ghosts in this book.

And finally, here’s a sample from my favorite Goodreads review, from Raymond St.

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The Top 50 Black Gate Posts in February

The Top 50 Black Gate Posts in February

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Godzilla-planet-of-monsters-poster-1

January sure was popular with readers. The most popular article at Black Gate last month was… our summary of the most popular articles at Black Gate the previous month. If that patterns hold, this will be the most popular article on the blog in March. To guarantee that, I’ve put a big picture of Godzilla at the top. You’re welcome.

Getting back to more regular fare, the second most popular post on the blog last month was Elizabeth Crowens’ epic interview with Buffy the Vampire Slayer author author Nancy Holder. Third on the list was a Vintage Treasures feature on Robert E. Howard’s Solomon Kane 1: Skulls in the Stars (which just proves Bob Byrne’s thesis that REH is a sure ticket into the Top Ten). Rounding out the Top Five were our look at a much more recent book, the new Looming Low anthology from Justin Steele and Sam Cowan, and my salute to a vanished book imprint, A Farewell to Roc Books.

As always, games were well represented in the Top Ten. Andrew Zimmerman Jones scored the #6 slot with his feature review of the new RPG Tales from the Loop, and M Harold Page entertained us with his report on I Love the Corps, which was good enough for #7. No Top Ten list would be complete without Ryan Harvey, and he made his appearance at #8 with the latest installment of The Complete Carpenter, this time featuring Big Trouble in Little China (1986). Wrapping things up was our look at Unbound Worlds on A Century of Sword and Planet, and the debut effort of new BG blogger David Neil Lee, with his review of Kong – Skull Island.

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Birthday Reviews: Paul Levinson’s “The Protected”

Birthday Reviews: Paul Levinson’s “The Protected”

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Cover by Billy Tackett
Cover by Billy Tackett

Paul Levinson was born on March 25, 1947.

Levinson served as President of SFWA from 1998 to 2001, originally serving as Vice President, but succeeding to the Presidency when Robert J. Sawyer resigned. He has published a series starring detective Phil D’Amato beginning with The Silk Code as well as several short stories. His other series, starting with The Plot to Kill Socrates, concerns time travel. In addition to his fiction, Levinson has published several non-fiction books.

Levinson’s novel The Silk Code won the Locus Poll for Best First Novel in 2000. His story “The Chronology Protection Case” was nominated for the Theodore Sturgeon Memorial Award, the Nebula Award, and won the HOMer Award. He received a second Nebula nomination for “The Copyright Notice Case,” and his third Nebula nominee, “Loose Ends,” was also nominated for the Sturgeon and the Hugo Award. His third Sturgeon nomination was for “Advantage, Bellarmine.” In 2004, Levinson’s novel The Pixel Eye was nominated for the Prometheus Award.

“The Protected” may have been published originally in Paul Levinson’s collection Bestseller: Wired, Analog, and Digital Writings in 1999. Two years later, it was definitely included in Martin H. Greenberg and Larry Segriff’s Silicon Dreams.

Levinson tackles the rights of androids in “The Protected,” a topic which has a long history in science fiction as evidenced by many of Isaac Asimov’s Three Laws stories. “The Protected” is less about the rules that govern androids, but rather the struggle between those who support androids’ rights against a group of Human firsters known as the Blood Party.

As an android who has a robotic brain inside a flesh body, Shara’s protector/lover is responsible for her security. When her creator Mark Wolfson agrees that she should be allowed to attend a conference which puts her in danger, her protector argues against it, but in the end he is forced to watch as she puts herself in danger.

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Ghosts, Pirates, and Sea-Faring Werewolves: Strange Island Stories, edited by Jonathan E. Lewis

Ghosts, Pirates, and Sea-Faring Werewolves: Strange Island Stories, edited by Jonathan E. Lewis

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Strange Island Stories-small Strange Island Stories-back-small

I really enjoyed Jonathan E. Lewis’ previous Star House Supernatural Classics anthology, Ancient Egyptian Supernatural Tales, which I talked about here. Lewis is a true connoisseur of early spooky fiction, and he’s doing the kind of work that virtually no one else is right now — compiling classic pulp (and pre-pulp) adventure and horror tales into handsome packages for a modern audience.

So I was surprised and pleased to open my mail recently and find a review copy of a brand new Lewis anthology, Strange Island Stories. (And I was just as pleased to find this quote on an inside page devoted to Ancient Egyptian Supernatural Tales: “Lewis has done a fine job assembling a stellar line-up of dark fantasy and horror stories featuring mummies, curses, ancient Egyptian vampires, and lots more.” — Black Gate.) In his introduction to his latest volume Jonathan explains how he’s divided the contents.

I have chosen to divide Strange Island Stories into four distinct sections. The first, GHOSTS AND SHAPE SHIFTERS, includes classic ghost stories, tales of lycanthropy and werewolves, and supernatural tales set on islands… The second section, BIZARRE CREATURES AND FANTASTIC REALMS, includes short stories in which bizarre animal and plant life play an important role… The third section, HUMAN HORRORS, as its title indicates, includes works that are not necessarily “weird” but are nonetheless horrific and deeply strange. Readers might find these stories, all of which evoke a sense of foreboding dread, to be deeply chilling. Among the stories included in this section is George G. Toudouze’s lighthouse story “Three Skeleton Key,” a story that was adapted three times into a chillingly effective radio show. The fourth and final section of Strange Island Stories includes an original work of short fiction I have written entitled “An Adriatic Awakening.”

The anthology includes stories by M.P. Shiel, John Buchan, George MacDonald, Algernon Blackwood, Arthur Conan Doyle, Francis Stevens, Robert Louis Stevenson, H. P. Lovecraft, Henry S. Whitehead, Jack London and nine others.

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Walk a Mile in My Paws: The Valley of Creation by Edmond Hamilton

Walk a Mile in My Paws: The Valley of Creation by Edmond Hamilton

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valley-of-creation-edmond-hamilton-lodestone-coverWhat I’ve learned from my still inadequate reading of pulp science-fiction legend Edmond Hamilton is his mastery of pushing his stories in expected directions but in unexpected ways. I’ve developed enough of a sense of how Hamilton viewed his characters and his attitude toward humanity that I can anticipate the direction he’ll flip a tale in the middle — but I’ll never anticipate how he’ll do it. Almost every time, he exceeds expectations by taking the most daring path, both for his narrative and his prose.

The 1948 novel The Valley of Creation follows a theme the author explored in his cliché-battering short story “A Conquest of Two Worlds” (Wonder Stories, 1932), where a human turns against the colonial tyranny of his own race to side with oppressed aliens. Hamilton often used a cynical, bleak approach in his short fiction, turning to a lighter adventure mode for his novels. The Valley of Creation falls into this pattern. It challenges readers with a protagonist who discovers he’s on the wrong side of a conflict — the side of racial supremacists — and switches allegiance. But it’s done as a science-fantasy adventure with the zip expected of the pulps and a heavy dose of A. Merritt’s “Lost World of Super Science!” explorations.

The Valley of Creation was published in Startling Stories for the July 1948 issue, sharing a table of contents with stories from Jack Vance and Henry Kuttner. Lancer published the paperback version in 1964, a time when the paperback market was mining for the gold spread throughout the pulp era that might otherwise have flaked away with the rough paper. Hamilton did revisions for the ‘64 version, updating the timeline so its protagonist, mercenary Eric Nelson, is a veteran of the Korean War.

At the opening of the novel, Nelson is in the position of many characters from noir movies and books of the late ‘40 and ‘50s: a disaffected military man who’s seen too much and has now lost his way. Nelson and his four mercenary partners are stranded in Central Asia at the end of their tether after their Chinese warlord employer is killed. They then receive a strange offer from a man named Shan Kar — he’ll pay them in platinum if they come to his valley of L’Lan and fight “the enemy of his people.”

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Birthday Reviews: Edward Page Mitchell’s “The Clock That Went Backwards”

Birthday Reviews: Edward Page Mitchell’s “The Clock That Went Backwards”

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Cover by Will Staehle

Edward Page Mitchell was born on March 24, 1852 and died on January 22, 1927. Mitchell wrote early science fiction stories for the New York Sun in the 1880s, including stories of invisibility, time travel, computers, and teleportation, predating the works of H.G. Wells. From 1897 to 1926 he served as editor for the Sun. While he was the Sun’s editor in 1897, the newspaper published Francis Pharcellus Church’s famous essay “Yes Virginia.”

“The Clock that Went Backward” first appeared anonymously in the Sun on September 18, 1881. Because it didn’t include Mitchell’s byline, for many years the story was ignored and not reprinted until Sam Moskowitz included it in The Crystal Man: Stories by Edward Page Mitchell, a collection of Mitchell’s science fiction published in 1973.

Isaac Asimov, Martin H. Greenberg, and Charles G. Waugh included it in Isaac Asimov Presents the Best Science Fictio of the 19th Century and it also appeared in Edel Brosnan’s The SF Collection and Peter Haining’s Timescapes: Stories of Time Travel. More recent reprints include in Chad Arment’s About Time, The Tachypomp and Other Stories, a collection of Mitchell’s science fiction, The Wordsworth Collection of Science Fiction, the audio anthology Short Science Fiction Collection 50, and Swords and Steam Short Stories, edited by Laura Bulbeck.

It is also available on Project Gutenberg. Ann and Jeff VanderMeer included the story in The Time Traveler’s Almanac, noting that it may be the first published time travel story, predating both “The Chronic Argonauts” and The Time Machine by H.G. Wells. The story has also been translated into Romanian.

Harry and the narrator are cousins who have spent considerable time with their Aunt, Gertrude. The most notable thing about Gertrude, beside her antiquity, is a stopped clock that she owns, which was made in 1572 in the city of Leyden in the Netherlands, where the family came from before immigrating to the United States. Following Gertrude’s death, when she willed the clock to Harry, the two travel to Leyden, with the clock, to attend university.

Naturally enough, with the guidance of one of their professors who could have been a distant ancestor, they use the clock to travel back to 1574 and the Siege of Leyden, where Harry rescues the daughter of Mayor Pieter Adriaanszoon Van der Werf and Professor van Stopp takes a key role in lifting the siege. The narrator returns to his native time, alone, and possibly the descendent of his cousin Harry.

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In 500 Words or Less: Robots vs Fairies, edited by Dominik Parisien and Navah Wolfe

In 500 Words or Less: Robots vs Fairies, edited by Dominik Parisien and Navah Wolfe

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Robots vs Fairies
Edited by Dominik Parisien and Navah Wolfe
Saga Press (384 pages, $16.99 paperback, $7.99 eBook, January 2018)

When I asked Dominik Parisien and Navah Wolfe, the editors of Robots vs Fairies, on Twitter if I absolutely had to decide between Team Fairy and Team Robot, I was hoping they’d let me off the hook. Here’s what Dominik told me instead:

 

Dominik tweet

 

Apparently, I have no choice. It doesn’t help that Team Fairy and Team Robot both offer up truly remarkable stories. I mean, take one look at the table of contents and you’ll see that this is a stacked deck of established legends and talented up-and-comers. That said, I have heeded the instructions of my overlords and picked a side.

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