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Month: September 2012

Teaching and Fantasy Literature: How to Use Your Proud Geek Heritage to Survive The Scarlet Letter

Teaching and Fantasy Literature: How to Use Your Proud Geek Heritage to Survive The Scarlet Letter

What a book to assign to high school students! The plot plods, the characters wallow, the ending claims to be happy but is, in most readers’ experience, a huge downer. The book manifests many forms of excellence, too, but it’s simply the wrong book for high school, and it’s part of a canon of eat-your-brussels-sprouts literature that notoriously turns boys off from reading in general.

Fortunately, I have discovered a secret reading protocol that takes some of the sting out of Hawthorne.

American teenagers will probably be stuck with The Scarlet Letter for many generations to come, for several reasons. One good reason: It offers insights into both the Puritan world of its characters and the mid-nineteenth-century world of its author–it’s a sort of curricular three-for-one bargain. Another good reason: Nathaniel Hawthorne was an immensely important author, with an influence that galvanized both contemporaries like Poe and Melville and generations of authors since. (It bears noting that a small minority of readers actually like The Scarlet Letter. Maybe some of them will come visit our comment thread and offer other perspectives. That would be cool.) However, not all the biggest reasons are so, well, reasonable.

Crappy Reason 1: Everybody who trains for certification to teach high school English is required to write lesson plans for The Scarlet Letter, so they’ll have a unit to run with, no matter where in the country they get a job. This means when you study The Scarlet Letter, even if your teacher is a veteran by then, you may be  getting a unit s/he wrote as a college sophomore. The chicken-and-egg flipside of this phenomenon is that, because almost any certified English teacher has already been required to prepare a lesson plan for The Scarlet Letter, school districts regard it as safer to put on required reading lists than other classics that would require more fresh preparation on the part of their already overworked faculty.

Crappy Reason 2: If your poor English teacher had to suffer through The Scarlet Letter when s/he was in high school, and then again in college literature classes, and then a third time in education classes, that book may come to seem as inevitable as death and taxes. Cognitive dissonance may set in, too: I was made to suffer my way through preparing to teach this book, therefore the book must be appropriate and worthwhile to teach.

But you came here for my secret reading protocol, my survival plan, so let’s get on with that.

Read The Scarlet Letter as a failed fantasy novel.

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Worldcon Wrap-up

Worldcon Wrap-up

black-gate-booth
The Black Gate booth. From left to right: John O’Neill, Howard Andrew Jones, James Enge, and part of Donald Crankshaw’s head. Also, the back of Peadar Ó Guilín. Click for bigger version.

I was almost to Chicago last Thursday when I realized I’d gotten so wrapped up in the audio book of The Name of the Wind that I’d missed my turn. Fortunately, I found another way to Interstate 90 and the Hyatt Regency. And when I finally reached the dealer’s room, I was able to lodge a personal complaint with Patrick Rothfuss himself for writing so well that I got distracted.

It wasn’t long ago that I’d arrive at a convention and be surrounded by strangers or literary luminaries I was too nervous to approach. When I turn up these days, there are still a lot of strangers, but there are plenty of familiar faces as well. Before I’d even checked in, I bumped into Tom Doyle, and shortly after registering my complaint with Patrick Rothfuss, I was welcomed by Arin Komins and Rich Warren  to their used books booth, Starfarer’s Dispatch.

Rich showed me a rare Harold Lamb book, then, as I noticed it contained an insert about Lamb I had no knowledge of, he handed me a CD with scans of the material. That was incredibly kind of him. I then signed a complete set of the Harold Lamb books I’d edited and personalized Arin’s copy of The Desert of Souls, which she had liked so much that I gifted her with an ARC of The Bones of the Old Ones.

Purely by chance, I kept down the aisle to the left and came instantly to the Black Gate booth where John O’Neill, (now with beard) occupied a booth surrounded by old but well-cared for paperbacks and stacks of Black Gate magazines. The booth remained a gathering spot for friends, acquaintances, and staff members throughout the convention, which is why the talented Peadar Ó Guilín and Donald Crankshaw were manning the booth with O’Neill. I’d never had the chance to meet Peadar before, but his gentle humor put me immediately at ease. We chatted for a while and then James Enge wandered up with his brother Patrick. While the Mighty Enge was settling into the room we shared, I retrieved a box of The Desert of Souls hardbacks to sell at the Black Gate booth. (We sold ’em all before the end of the convention!)

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My surprise date with Amber Benson, Mary Robinette Kowal, Pat Rothfuss, and Terry Brooks

My surprise date with Amber Benson, Mary Robinette Kowal, Pat Rothfuss, and Terry Brooks

So yesterday afternoon I got a phone call. It was from the Madison, WI area and I was like: I don’t know anyone in Madison. So I let it go to voicemail.

A few minutes later, I get a private message on FaceBook…

Cool surprise number 1: It was Pat Rothfuss. He’s like: give me a buzz. So I do (realizing that the missed phone call was probably from him). Pat answers and says there’s been a bit of a mix-up and he’s sorry for the short notice, but would I like to be on his new Geek & Sundry show, The Story Board.

What follows is a dramatic presentation of the two seconds that followed that question:

Me to anyone watching at that moment: O.o

Me in my head: Hell yeah, I’ll be on your show.

Me on the phone: I’d be delighted.

So we exchange all the details. I knew about his new show. A few weeks ago, I’d watched part of Episode 1 with urban fantasists Diana Rowland, Emma Bull, and Jim Butcher. And back then, I was all like: man it’d be cool to be on a show like that.

Little did I know…

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Edgar Rice Burroughs’s Mars, Part 9: Synthetic Men of Mars

Edgar Rice Burroughs’s Mars, Part 9: Synthetic Men of Mars

1st-edtion-synthetic-men-of-marsGreetings, late 1930s ERB! How have you been? Oh, not that great? Yes, I know how it is. I’ve read enough of your output from these days.

In this long trip across Burroughs’s Mars, I have now reached the conclusion of Phase #3 of the Barsoom books, with the last work of the 1930s. Synthetic Men of Mars is also the last novel Edgar Rice Burroughs wrote in the series. He turned to novellas after this, resulting in two collections, one posthumous. So the ninth book of Barsoom is a eulogy of sorts.

And “eulogy” is the appropriate word: let’s pause to remember the good times, because the good times are gone.

Our Saga: The adventures of Earthman John Carter, his progeny, and sundry other natives and visitors, on the planet Mars, known to its inhabitants as Barsoom. A dry and slowly dying world, Barsoom contains four different human civilizations, one non-human one, a scattering of science among swashbuckling, and a plethora of religions, mystery cities, and strange beasts. The series spans 1912 to 1964 with nine novels, one volume of linked novellas, and two unrelated novellas.

Today’s Installment: Synthetic Men of Mars (1939)

Previous Installments: A Princess of Mars (1912), The Gods of Mars (1913), The Warlord of Mars (191314), Thuvia, Maid of Mars (1916), The Chessmen of Mars (1922), The Master Mind of Mars (1927), A Fighting Man of Mars (1930), Swords of Mars (1934–35)

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Art of the Genre: The Art of Robotech and a lifelong affair with Giant Robots

Art of the Genre: The Art of Robotech and a lifelong affair with Giant Robots

When you ride a Super Veritech, you know it's going to be a good game!
When you ride a Super Veritech, you know it

There was this time in my misty past, well before that advent of cable television in my home, when I didn’t have access to giant robots. During those dark days of the 1970s, when I was sick and had to stay home from school, my mother would drive me early in the morning to my grandmother’s trailer before she had to go to work. It was there, snuggled on an old floral patterned couch, that for at least an hour each day I achieved a moment of pure heaven.

I can well remember the incredible color of her small television as it displayed Star Blazers and Thunderbirds cartoons in those wee hours of weekday mornings. God, how it made being sick SO worth it, and during those episodes I grew to love space even more than I did when I watched Star Wars.

Fast forward to 1986, cable having found its way to my household as well as a wonder of wonders in a new piece of technology called a VCR. My oldest friend Mark (then a new friend), having just introduced me to Dungeons & Dragons, told me that there was this program on at 7 AM each morning called Robotech and I ‘had to watch it.’

Where Star Blazers began as a child’s infatuation, Robotech took things to the next level in a true love affair. I mean, I was just 15, couldn’t program a VCR (I mean who could, right?), and got my tired teenage butt up before 7 every day for a year so I could record every single episode personally.

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Singularity & Co. use Successful Kickstarter to Rescue Out-of-Print SF & Fantasy

Singularity & Co. use Successful Kickstarter to Rescue Out-of-Print SF & Fantasy

the-torch-jack-bechdoltThe ever-vigilant Jason Waltz has called our attention to this article on Singularity & Co., who are rescuing extremely rare SF and fantasy titles and bringing them back into print as e-books.

It began with a Kickstarter campaign by Ash Kalb, Cici James, Jamil V Moen, and Kaila Hale-Stern, which raised $52,276 (350 percent of their $15,000 goal). The campaign ended on April 2 and the team wasted no time setting their dream in motion. Each month they have carefully selected one out-of-print science fiction novel, tracked down the copyright holders, and re-packaged it in DRM-free PDF, Epub, and Mobi format for subscribers.

So far they have reprinted A Plunge Into Space by Robert Cromie (first published in 1890) and Jack Bechdolt’s 1948 novel The Torch. They have also opened a Brooklyn bookshop where vintage science fiction and fantasy paperbacks are filed chronologically by publication date, which I find weirdly compelling.

Tracking down old books — both rights and physical copies to scan — has proven more challenging than they expected. Their planned third book is Mr. Stranger’s Sealed Packet by Hugh MacColl, first published in 1889. But according to a Wired article about the group, locating a copy took some effort:

The team tracked down the lone copy [of Mr. Stranger’s Sealed Packet] out of university archives, and went on a thousand-mile drive just to scan it. Despite being out of copyright, none of the universities who owned a copy of [the book] permitted scanning.

Singularity & Co. currently don’t offer individual e-books for sale; titles are available only to subscribers. Subscription plans start at $29.99 for a year, or $129.99 for a lifetime subscription. Learn more at their website, savethescifi.com.

You’ll Never See it in Galaxy

You’ll Never See it in Galaxy

youll-never-see-it-in-galaxyIn my last post, Discovering Galaxy Science Fiction, I shared my excitement in discovering Galaxy magazine and getting my hands on some issues. While I was still admiring my recent collection, my wife surprised me with the first twelve issues of Galaxy Science Fiction!

Galaxy’s first issue was October, 1950. Upon the back cover are the words, “You’ll Never See it in Galaxy.” Below that header, two short narratives appear about Bat Durston – one set in space, one set in the old west. Other than the setting and descriptions, the paragraphs are nearly identical. Following that is this great statement: “If this is your idea of science fiction, you’re welcome to it!” [Click on the image at right for the complete text].

Editor H.L. Gold writes in the opening letter that science fiction is finally coming of age and that media sources are treating science fiction intelligently. Gold writes that Galaxy “proposes to carry the maturity of this type of literature into the science fiction magazine field, where it is now, unfortunately, somewhat hard to find.” With stories akin to Bat Durston in heavy supply, that’s no surprise.

In addition to Galaxy’s content, Gold writes that even their cover art

is proof of [Galaxy’s] break with the amateur and/or shoddy tradition… We never were convinced, in any case, of the actual commercial appeal of naked maidens, prognathous youths in winter underwear… and monsters that can exist only on the nutrients found in India ink and Bristol board.

He describes cover artist David Stone as “weary of tearing covers off magazines to avoid embarrassment.”

Clearly, Galaxy’s founders found a dearth in excellent science fiction, presented in a professional format. I admire them for their boldness, to proclaim what’s needed and to publish it. I look back on the golden age of science fiction with renewed interest; editors like Gold forged that age through their publishing and promotional endeavors.

As to what lies within the pages of these magazines, I can only grin, for I’ve just finished reading one of the issues. In a future article, I’ll reveal what I’ve read and perhaps entice some of you to join me. Here’s a spoiler: you won’t find any tales about Bat Durston.

2012 Hugo Award Winners Announced

2012 Hugo Award Winners Announced

Lynne and Michael Thomas show us the 2012 Hugo Award for  SF Squeecast.
Lynne and Michael Thomas show off the 2012 Hugo Award for SF Squeecast.

If it’s seemed a little quiet here on the Black Gate blog for the past five days, it’s because many of our staff and bloggers — including John O’Neill, Howard Andrew Jones, Rich Horton, Andrew Zimmerman Jones, Joe Bonadonna, and David C. Smith — have been at Chicon 7, the World Science Fiction Convention here in Chicago, over the Labor Day weekend.

It was a 5-day party and convention, culminating in the Hugo Awards ceremony Sunday night. We’ll have more complete con reports right here in the next few days, but for now here’s the big news: The 2012 Hugo Award winners. Congratulations to all!

BEST NOVEL

  • Among Others, Jo Walton (Tor)

BEST NOVELLA

  • ‘‘The Man Who Bridged the Mist,’’ Kij Johnson (Asimov’s, Oct-Nov 2011)

BEST NOVELETTE

  • ‘‘Six Months, Three Days,’’ Charlie Jane Anders (Tor.com, June 2011)

BEST SHORT STORY

  • ‘‘The Paper Menagerie,’’ Ken Liu (F&SF, March-April 2011)

BEST RELATED WORK

  • The Encyclopedia of Science Fiction, Third Edition, John Clute, David Langford, Peter Nicholls & Graham Sleight, eds. (Gollancz)

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