May’s Apex Magazine features  ”Decomposition” by Rachel Swirsky  (who is interviewed by Maggie Slater),  ”Tomorrow’s Dictator” by Rahul Kanakia and “The Chaos Magician’s Mega Chemistry Set”  by Nnedi Okorafor.

Naoto Hattori provides the cover art. Nonfiction by Tim Akers  and editor Lynne M. Thomas round out the issue.

Apex is published on the first Tuesday of every month.  While each issue is available free on-line from the magazine’s website, it can also be downloaded to your e-reader from there for $2.99.  Individual issues are also available at  Amazon and Weightless. A version for the Nook will also be available in the near future.  Twelve issue (one year) subscription can be ordered at Apex and Weightless for $19.95; Kindle subscriptions are available for $1.99 a month.

While I was looking for more authors of modern Arabian fantasy, Kai Meyer found me, after reading part of my series here on Black Gate. Already a bestselling author in English (his book, The Water Mirror, went into three printings before its release date), he’s written 51 novels in his native German, including the Middle Eastern influenced, The Stormkings, a trilogy which has not been translated into English… yet. After hearing the description, I’m hoping it will be. The film rights have already been acquired by Oliver Scholl, who has worked on movies such as Independence Day and Jumper.

It’s interesting to note that the Arabian trend isn’t confined to English language fantasy, and it’s very interesting to hear the direction Kai took the genre when he created a Middle Eastern milieu.

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I hate to explain. I know some people come to Fantasy for magic systems and political setups the way they go to SF for technobabble, but I came to fantasy from horror and I arrived with the belief that, as with many other forms of human discourse, when you’re explaining, you’re losing.

That said, let me explain: there might be a couple of people reading this who don’t know (and no reason to feel bad about that, no matter what anyone else tells you), but the ansible is a term coined by Ursula K. LeGuin for faster than light radio – a way you can talk to people over interstellar distances in more or less real time. How this gets accomplished is, well, up to the best guess of the author or script writer or showrunner in question. Quantum entanglement is the newest one I’ve heard, but tachyons, sub-space and its twin hyperspace have all done turns as culprits.

Some SF fans are cool with this trope unexplained, some want an explanation and will accept it if it sounds good and some will sniff at it, because in the immortal words of my last super-hero RPG character: “SCIENCE DOESN’T WORK LIKE THAT.” You know, except it might. But it probably doesn’t.

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“Princess Lita” was the first installment of Austin Briggs’ Flash Gordon daily comic strip serial for King Features Syndicate. Originally published between May 27, 1940 and February 22, 1941, “Princess Lita” was the story that launched the daily companion to Alex Raymond’s celebrated Sunday strip. It is one of two Briggs strips available in a reprint collection from Kitchen Sink Press. We shall examine the second strip in next week’s column.

The most rewarding part of delving into Austin Briggs’ first two Flash Gordon storylines has been the discovery that the sloppiness of the first few Austin Briggs’ Sunday strips printed a few years after the daily debuted were likely more the result of the artist being overworked than they were an adequate representation of Briggs’ work on the property. “Princess Lita” shows the artist in full command of the material drawing the characters as well as their creator, albeit without the benefit of the Sunday page to showcase the exotic flora and fauna of Mongo to full advantage. The transition from Sunday continuities to a daily strip is jarring at first and the smoothness of Don Moore’s scripting and Alex Raymond’s plotting is sorely missed, but Briggs does an admirable job of staying true to the source material.

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As the saying goes… what happens in Vegas, stays in Vegas. And while this may be true, that doesn’t stop us here at Goth Chick News from wishing that each state had a Goretorium of its own.

Just when we thought that New York might be home to the most disturbing, torture-porn fright attraction of all time in the form of Blackout, comes the May 1^st announcement that the man who brought the tourism horror of Hostel to the big screen is bringing a whole new type of fright to Sin City.  Eli Roth’s Goretorium haunted attraction is scheduled to open on September 27 in Las Vegas, just in time for Halloween.

Aiming to tap into the $7 billion a year Halloween industry, the 24/7, year-round, multi-level Goretorium, situated at the corner of the Strip and Harmon in Vegas (on top of the local Walgreens), aspires to become “the world mecca for horror fans,” says Roth.

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At some point in my distant past I fell in love with something I didn’t have. I suppose it happens a lot to gamers, especially with younger folk and those who grew up before the advent of the internet. In days now long gone, I would flip through a Dragon Magazine and marvel at all the titles I found available in the advertisements.

How many times have I kicked myself for not being able to lay hands on a copy of Aftermath? Could I imagine a more Tolkien-like fantasy system with Runequest? What incredible fun would it have been to play a round of Talisman?

So many games, so little time, and certainly even less money. In those days I was required by circumstance to create most of my own worlds and adventures, although I did partake of Greyhawk and the Forgotten Realms.

Still, if there was one world that I always felt I missed out on it was the D&D Basic Mystara. I’d begun my gaming career with Basic D&D, but with Mark [my lifelong DM] having all the AD&D hard cover books, I moved on to ‘bigger and better’ before I really had a chance to fully vest myself in the Basic system, especially the setting.

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Disclaimer: This article will reference some scenes from The Avengers film. While I’ve tried to avoid specific spoilers about major twists, there are some things that give away plot elements and twists from the other Marvel Comics movies, such as Thor.

If you are a writer, be sure that you get a receipt when you go to The Avengers, because you should be claiming it as a work-related research expense on your taxes this year. (This should not be considered tax advice. Please consult with your tax preparer before making financial decisions.)

There has been no shortage of digital ink spilled gushing over how great the movie is. I’ll provide a link to some of the highlights below if you want to delve into the film itself. However, I wanted to go beyond discussing The Avengers as purely a viewing experience, but to focus on a couple of elements that writers can best take away from it.

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Pioneering silent film director, Louis Feuillade rose to prominence with his stylish 1913 serial, Fantomas which faithfully adapted five of Pierre Souvestre and Marcel Allain’s bestselling pulp thrillers. Feuillade next succeeded in fashioning an enthralling original story based around the Apache street gang which figured prominently in the Fantomas series. Les Vampires are led by the vampish Irma Vep, played by the exotic Musidora (France’s answer to Theda Bara). The 1915 serial was hugely successful and was a highly influential work in its day. Feuillade was tasked with the challenge of trying to follow up these two successes with a third commercial property.

Responding to the criticism that his films glorified crime and violence, Feuillade turned to author and playwright Arthur Bernede for help. Together they crafted a pulp vigilante dressed in a dark cloak with his face partially obscured by a slouch hat. Judex, Latin for “judge,” fought crime with his loyal brother, Roger and a menagerie of amazing beasts and an assortment of colorful companions by his side. These and Judex’s gadget-filled secret lair and private plane had a tremendous influence on the burgeoning pulp fiction market in England and America.

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Two versions of Snow White, TV sitcoms remade for the big screen and (stop me before I hurt myself) the re-release of Titanic…

Think there’s no originality left in Hollywood?

Microsoft apparently agrees with us but is thankfully smart enough not to try and fix it themselves.

Instead they enlisted the talents of Shaun of the Dead director Edgar Wright and Marvel and Lucasfilm illustrator Tommy Lee Edwards (famous for his work on the Batman and Hellboy comics) to create a very cool entertainment concept in the form of an interactive animated story called The Random Adventures of Brandon Generator, launched April 12^th.

Think of it as a Choose Your Own Adventure story for the multi-media generation.

Visitors to the site will get a seven-minute video that explains the story of our hero Brandon Generator, who is having severe writer’s block.  One dark night after too much coffee, Brandon wakes from his caffeine-induced blackout to discover prose, sketches and ideas on his Dictaphone that he did not remember leaving.

And you get to provide one or all of those elements.

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Dear Black Gate readers,

I don’t even remember what my last post was. Mea culpa, mea culpa; I was moving across the country, I was getting a job with some Beluga whales, I was joining a writing group,  I was traveling to places I’d never been before, I was reading other people’s fledgling novels and trying to come up with some kind — any kind! — of useful crit for them, I was writing up a storm.

(Several storms. Big magical brouhahas*, with silver clouds and dark lightning and dead swans and such.)

Woe is me, these things are hard, man! But enough of this moaning and groaning. I’m back now, see?  And I’ve been reading.

You know that thing that happens when suddenly you realize how busy you’ve been because you haven’t picked up a book for the sheer pleasure of reading in a while? There are many joys in reading other people’s early drafts of things that are going to turn into magnificently faboosh final drafts, but one of the downers is that when I’m doing that, I feel guilty reading anything for fun. And I’m a fast reader; I’m just a slow dang beta-reader.

However! Last week, I found myself at the Westerly Public Library, a place of golden beauty and polished staircases, browsing. Browsing, I tell you! Do you know how that felt?

Novel.

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