Swastikas Over the Sahara: The Afrika Reich by Guy Saville

Swastikas Over the Sahara: The Afrika Reich by Guy Saville

The Afrika Reich-small The Afrika Reich-back-small

Who doesn’t love a good Nazi alternate history? I sure do. Twenty years ago I read Richard Harris’ riveting Fatherland, about a relentless detective who stumbles on the long-buried evidence of the Holocaust in 1964 Nazi Berlin, and I’ve been hooked ever since.

Something else I like? Discount books. I’ve found a few online sellers who specialize in new-condition titles at remaindered prices, and I’ve spent waaay too much money cozying up to them. They call on the weekend and send birthday cards now. I think we’re all going walleye fishing in Alberta this August.

One of those sellers had a curious book called The Afrika Reich in stock and, well, let’s just say we came to an arrangement. I admit to buyers remorse about the Star Trek cookbooks and picture books on Damascus architecture, but this one, about the realization of the Third’s Reich’s diabolical plans for Africa, definitely has my interest. It made the Sunday Express Books of the Year list in 2011, The Times calls it “An horrific reimaging of the Dark Continent,” and Daily Telegraph says it’s “Fatherland for an action movie age.” That all sounds great to me. I’m sold (literally, in this case).

The Afrika Reich was published by St. Martin’s Griffin on January 13, 2015. It is 379 pages, priced at $16.99 in trade paperback. The cover was designed by David Shoemaker (click the images above for bigger versions). BookOutlet USA currently has new copies in stock for $1.98.

July 2016 Asimov’s Science Fiction Now on Sale

July 2016 Asimov’s Science Fiction Now on Sale

Asimovs SF July 2016-smallerOver at Tangent Online, Chuck Rothman finds plenty to like in the latest issue of Asimov’s Science Fiction.

July’s Asimov’s begins with “Ten Poems for the Mossums, One for the Man” by Suzanne Palmer and starts out with a protagonist — a poet — attending what is essentially a writing retreat alone on an alien world with strange life forms, including the Mossums, described as “green fuzzy boulders.” The poet writes a series of poems about his impressions, and slowly begins to discover that the Mossums are more complex than he imagines. The story started a bit slowly, but quickly drew me in, and it was nice to read something that portrayed aliens by hints and without any clear-cut answers…

“Masked” shows a future where the wealthy use both makeup and holographic techniques to make themselves as beautiful as they can. Bess is about to meet again with her friend Vera, who has suffered a computer virus that wreaked havoc with the computer programs she uses to adjust her appearance. Vera is supposedly recovered, but Bess can see that she doesn’t seem right. Rich Larson’s version of the future and the styles are well imagined, and one of the strengths of the story is the way that Bess begins to understand what’s really important…

The set up to Will McIntosh’s “Lost:Mind” is convoluted, but once that’s past it becomes a fine story. Colonel Walter Murphy’s wife Mimi is dying of Alzheimer’s and, desperate, he turns to technology, creating a recording of her mind so she can live on. But such experimentation is illegal in the US, so it has to be smuggled in from India. A full mind would raise alarms, so it’s broken into 32 pieces of a chess set, to be assembled later. And the chess set is stolen. What follows is a race against the clock to find the pieces (from a noted sculptor) before the battery dies, along with Mimi’s mind. There’s a great mixture of action, dead ends, and emotional roller coasters to make the story one of the best of the year.

Read the complete review here.

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Series Fantasy: John Connolly’s Tales of Samuel Johnson

Series Fantasy: John Connolly’s Tales of Samuel Johnson

The Gates John Connolly-small The Infernals John Connolly-small The Creeps John Connolly-small

Irish writer John Connolly is best known for the Charlie Parker private eye/horror novels. The first, Every Dead Thing (1999) was nominated for a Bram Stoker Award, and the fourteenth, A Time of Torment, will be released this August. In 2009 Connolly published his first novel for younger readers, The Gates, featuring Samuel Johnson, his faithful daschund Boswell, and his bumbling demon friend Nurd. It was followed by two more; all three are now available in trade paperback from Emily Bestler Books.

The Gates (320 pages, $7.99, August 30, 2011)
The Infernals (336 pages, $15, April 10, 2012; published in the UK as Hell’s Bells)
The Creeps (319 pages, $15, August 26, 2014)

The books have been celebrated on both sides of the Atlantic. The LA Times calls them “Laugh out loud funny… a cross between Eoin Colfer and Terry Pratchett,” and Booklist says they’re “Hilariously macabre.” In her Black Gate review of The Infernals, Andrea Grennan called them “Marvelous… great fun for any reader, young or old. Like the classic Bugs Bunny cartoons, adults will appreciate The Infernals in a different and more sophisticated way.”

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New Treasures: Confluence by Paul McAuley

New Treasures: Confluence by Paul McAuley

Confluence Paul McAuley-smallI’ve found a number of online sellers offering brand new copies of recent British SF and fantasy books very inexpensively (essentially, at remainder prices), and I’ve been taking advantage of them. My most recent purchases include Paul McAuley’s In the Mouth of the Whale (the third volume in his far-future series The Quiet War), and the massive omnibus volume Confluence, which contains his complete trilogy. And I do mean massive — just take a look at the thing (click the image at right for a more lifesize version). At 935 pages, it proudly stands all on its own on my end table (and darn near tips it over).

Paul McAuley was an early columnist for Black Gate (his fantasy review column On the Edge appeared in our early print issues). The omnibus volume contains three complete novels, all originally published in hardcover in the US by Avon EOS:

Child of the River (1997)
Ancients of Days (1998)
Shrine of Stars (1999)

Here’s the description:

Confluence — a long, narrow, artificial world, half fertile river valley, half crater-strewn desert. A world beyond the end of human history, served by countless machines, inhabited by 10,000 bloodlines who worship their absent creators, riven by a vast war against heretics.

This is the home of Yama, found as an infant in a white boat on the world’s Great River, raised by an obscure bureaucrat in an obscure town in the middle of a ruined necropolis, destined to become a clerk — until the discovery of his singular ancestry. For Yama appears to be the last remaining scion of the Builders, closest of all races to the revered architects of Confluence, able to awaken and control the secret machineries of the world.

Pursued by enemies who want to make use of his powers, Yama voyages down the length of the world to search for answers to the mysteries of his origin, and to discover if he is to be the saviour of his world, or its nemesis.

Confluence was published by Gollancz in August 2015. It is 935 pages, priced at £16.99 in trade paperback and $15.99 for the digital edition. I bought my copy from Media Universe for $12.14 plus $3.99 shipping (and In the Mouth of the Whale from the same vendor for $2.95). Copies of both are still available.

Harry Potter and the Tyranny of Word Count

Harry Potter and the Tyranny of Word Count

https://commons.wikimedia.org/wiki/File:Jantar_Mantar_-_Laghu_samrat_yantra.JPG
…when we sit down to write a book

OK I admit it, I put the Harry Potter reference in the title as link bait. Well almost. Take a look at the word counts for each of the Harry Potter books:

  • The Philosopher’s Stone – 76,944
  • The Chamber of Secrets – 85,141
  • The Prisoner of Azkaban – 107,253
  • The Goblet of Fire – 190,637
  • The Order of the Phoenix – 257,045
  • The Half-Blood Prince – 168,923
  • The Deathly Hallows – 198,227
    (source)

That’s a lot of words, and it illustrates the mountain an author contemplates when we sit down to write a book. Until recently, the length of The Prisoner of Azkaban was pretty much industry standard — 100K words is an economic sweetspot for printing and distribution. Lengths seem to be drifting down of late, because there’s no economy of scale for ebooks.

Who knows? Perhaps we’ll one day return to the sanity of the 35K-word 1970s pulp?

But thirty-five thousand words is still a lot of words!

So it’s natural to look at the project, divide target word count by available days and use that as a measure of progress.

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The Paranormal on British TV: The BBC’s The Ωmega Factor

The Paranormal on British TV: The BBC’s The Ωmega Factor

The Omega Factor DVD

Starring James Hazeldine and Louise Jameson
(1979. 10 episodes, 3 disks, 510 minutes)

Saturday night at the 2016 Windy City Pulp and Paper Show back in April, I had dinner with John O’Neill and several others, including Arin Komins and her husband Rich Warren. During our discussions about Blake’s Seven and The Sandbaggers, Arin mentioned another BBC program, The Ωmega Factor. Her description sounded fascinating, so I bought it on Sunday from a dealer.

The Ωmega Factor is a British series about the limitless potential of the human mind and this theme is explored through various paranormal abilities. The show stars James Hazeldine (1947-2002) as journalist and psychic investigator Tom Crane; Louise Jameson, as psychic investigator Dr. Anne Reynolds; and John Carlisle as psychiatrist Roy Martindale. Crane and Reynolds report to Martindale who directly supervises Department 7, a secret British government group that explores psychic phenomenon mostly for use by the military.

Mind control, poltergeists, possession, witches, experimental devices, haunted houses and out-of-body experiences are a few of the paranormal subjects discussed in the ten episodes that were produced. Here’s a look at each one.

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Future Treasures: The Big Sheep by Robert Kroese

Future Treasures: The Big Sheep by Robert Kroese

The Big Sheep Robert Kroese-small The Big Sheep Robert Kroese-back-small

Robert Kroese is the author of Mercury Falls, Starship Grifters, and Disenchanted. His latest novel is a science fiction noir that reads like it takes place in the same L.A. as Blade Runner (except it’s a lot funnier). It follows two very different private investigators as they track an extremely valuable genetically engineered sheep through a dystopian future L.A. Worth checking out.

Los Angeles of 2039 is a baffling and bifurcated place. After the Collapse of 2028, a vast section of LA, the Disincorporated Zone, was disowned by the civil authorities, and became essentially a third world country within the borders of the city. Navigating the boundaries between DZ and LA proper is a tricky task, and there’s no one better suited than eccentric private investigator Erasmus Keane. When a valuable genetically altered sheep mysteriously goes missing from Esper Corporation’s labs, Keane is the one they call.

But while the erratic Keane and his more grounded partner, Blake Fowler, are on the trail of the lost sheep, they land an even bigger case. Beautiful television star Priya Mistry suspects that someone is trying to kill her — and she wants Keane to find out who. When Priya vanishes and then reappears with no memory of having hired them, Keane and Fowler realize something very strange is going on. As they unravel the threads of the mystery, it soon becomes clear that the two cases are connected — and both point to a sinister conspiracy involving the most powerful people in the city. Saving Priya and the sheep will take all of Keane’s wits and Fowler’s skills, but in the end, they may discover that some secrets are better left hidden.

The Big Sheep will be published by Thomas Dunne Books on June 28, 2016. It is 308 pages, priced at $25.99 in hardcover and $12.99 for the digital edition. The cover was designed by David Curtis. Click the images above for bigger versions.

Bookburners Season 2 Launches with “Creepy Town”

Bookburners Season 2 Launches with “Creepy Town”

Bookburners Season 2
Bookburners Season 2 launches today, June 22, 2016, at SerialBox.com.

I have been to creepy towns in the American north east. Once, while lost in central Massachusetts, I stopped at a convenience store for directions. The woman within who gave me the directions I needed was eerily nice; the stock on the shelves of the convenience store held products with labels that looked older than I was. On a trip in upstate New York, I stopped at a post office; the misty morning combined with the general disrepair of the sidewalks and exterior of the building had my companions looking out the windows to be ready when the zombies arrived. Thankfully, neither of those creepy towns had anything on “Creepy Town,” the first episode in Season 2 of Bookburners.

Short recap: Bookburners is the first serial from Serial Box Publishing, a company dedicated to producing prose fiction that feels like the best modern serial storytelling—meaning, the stories feel like really excellent television shows. Each serial has a writing team that works together to create the season, and each episode is written by a member of that team and released on Wednesday mornings for your reading pleasure. I’ve read mine via phone, tablet, and listened to the audio versions (included in the per-episode or season-pass cost) while I’m out on a run. And “Creepy Town” makes truly excellent inspiration for running.

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Vintage Treasures: Lincoln’s Dreams by Connie Willis

Vintage Treasures: Lincoln’s Dreams by Connie Willis

Lincoln's Dreams-small Lincoln's Dreams-back-small

There are precious few debut novels that receive the outpouring of acclaim that greeted Connie Willis’s Lincoln Dreams when it first appeared. There are even fewer that remain in print for as long as five years. The Bantam Spectra edition of Lincoln’s Dreams has now been in print for an astounding 24 years… that’s got to be some kind of record.

Willis’ first novel, Water Witch, was co-written with Cynthia Felice, and published in 1982. Lincoln’s Dreams, which appeared in hardcover from Bantam Spectra in May 1987, was her true solo debut, and it established her immediately as a major novelist. Twilight Zone Magazine called it “A tight, solid fantasy with a stiletto-in-the-heart epiphany at the end… fascinating,” and Watership Down author Richard Adams called it “Moving and beautiful… a most original and fascinating novel.” Fantasy Review said it “clearly marks Connie Willis as one of our foremost young novelists.” And Harlan Ellison said:

Every once in a while a talent leaps up to announce itself as important. Connie Willis is such a talent: a magisterial intelligence at work… to miss Lincoln’s Dreams is to risk the loss of your immortal soul.

Lincoln’s Dreams was published by Bantam Spectra in July 1992. It is 229 pages (plus 2-page foreword by the author, and a 12-page preview of her 1992 novel Doomsday Book), priced at $4.99. The cover is by Jean-François Podevin. Click the images above for bigger versions.

Clarkesworld 117 Now Available

Clarkesworld 117 Now Available

Clarkesworld 117-smallIn his editorial this issue, Neil Clarke has some powerful words to say about how all of us can help keep short fiction alive.

If we want short fiction to thrive, we have a responsibility to spread the word and promote the works we’ve enjoyed. There are many ways to do this, but it needs to be focused, respectful, and timely. More specifically, it needs to be done in locations that are relevant to the audience you are trying to attract. Your blog is nice, but adding Twitter or Amazon might have a bigger impact.

Reviewing isn’t for everyone, mind you. I really wanted to do my part and find a way to contribute to a positive conversation about short fiction. I tried writing reviews. The blank screen tormented me and it took a while to realize that I wasn’t following the path that best utilized my skills. Instead, I changed tactics and launched Forever Magazine as a way of bringing back some of the stories I’ve enjoyed. When I go full-time this year, I hope to be able to do a bit more with that project.

Read his complete editorial here.

Clarkesworld #117 has four new stories by Margaret Ronald, Sam J. Miller, E. Catherine Tobler, and Zhang Ran, and two reprints by Michael Flynn and Nancy Kress.

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