Foreign Bodies, Part I

Foreign Bodies, Part I

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Clementina (Crudofilms, December 7, 2017)

A new, twenty-film watch-a-thon, this time looking at horror films from around the world. The rules are the same — they must be films I haven’t seen before, and they must be free to stream.

With a bit of luck, this new watch project will feature a lot more quality films as I unearth horror from around the globe. With that said…

Clementina – Argentina (2017)

I’m starting this new 20-film watch-a-thon with this masterful exploration of the trauma associated with domestic violence.

The true horror in this film from Jimena Monteoliva is the understanding that domestic violence in Argentina has escalated, with the perpetrators often escaping justice by fleeing the region.

The film begins with Juana, played with extraordinary rawness and vulnerability by Cecilia Cartasegna, lying curled up on the floor in a pool of her own blood, clutching her pregnant belly. We soon learn she has lost the baby, and her neighbour saw her husband, Mateo, running from the apartment.

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Tor Doubles #23: Norman Spinrad’s Riding the Torch and Joan D. Vinge’s Tin Soldier

Tor Doubles #23: Norman Spinrad’s Riding the Torch and Joan D. Vinge’s Tin Soldier

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Cover for Riding the Torch by Wayne Barlowe
Cover for Tin Soldier by Ron Walotsky

Both stories published in this volume originally appeared in 1974, with Joan D. Vinge’s Tin Soldier appearing in April and Norman Spinrad’s Riding the Torch appearing four months later.

Tin Soldier was originally published in Orbit 14, edited by Damon Knight and published by Harper and Row. The story was also Vinge’s debut story.

Among Vinge’s best known works is her Hugo and Locus Award winning novel The Snow Queen, which was also nominated for the Nebula, the Ditmar, and the coveted Balrog. That novel took its inspiration from the fairy tales of Hans Christian Andersen. Vinge’s first story, The Tin Soldier, looks to the same source, taking its title from Andersen’s “The Steadfast Tin Soldier,” a fact referenced in the story.

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The Best Short SF: Asimov’s Science Fiction 2024

The Best Short SF: Asimov’s Science Fiction 2024

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Asimov’s Science Fiction Magazine, November-December 2024. Cover by John Sumrow

I recently posted a few reviews of stories from the Asimov’s Readers’ Award finalists for 2024 (that’s for the awards given in 2025), but I must be an eccentric reader, because my favorites usually diverge quite noticeably from the finalists.

So without further ado, here are some other 2024 stories from Asimov’s Science Fiction Magazine that I liked.

“Death Benefits,” by Kristine Kathryn Rusch

From Asimov’s SF, November/December 2024

My choice in the novella category was a new tale by Kristine Kathryn Rusch. Most of the story is told from the viewpoint of a “people verifier,” a sort of private investigator who is hired by the loved ones of presumably deceased or displaced individuals against the backdrop of an interplanetary war.

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A Bloody Good Time for Young and Old: Nathan Hale’s Hazardous Tales

A Bloody Good Time for Young and Old: Nathan Hale’s Hazardous Tales

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These days, deciding what to get depressed about is like visiting a fabulous smorgasbord where the presentation is first-class and every delicious dish is cooked to perfection. Hmmm… what shall I have today? Let’s see… a generous spoonful of climate-change anxiety is guaranteed to make a good appetizer. Now let’s have some sides… umm… a little state of the economy worry is always tasty, and… where are they hiding it? Oh! There it is — it’s just not a meal without a steaming portion of AI apocalypticism. And now for the main course. Well, we all know that there’s nothing as filling as… er, let’s just stop there, shall we?

For myself, I tend to go in for the more exotic entrees. For instance, one of my favorites is a heaping plateful of “dammit, kids just don’t read comic books as much as they did when I was their age!” Though it might not be enough for a whole meal, it is something that I frequently find myself chewing on.

It’s true, too — in my role as a fourth-grade teacher, I spend every day in the company of elementary-age children, and I can attest that actual comic books play almost no role in their lives, certainly compared with the space those gaudy booklets took up in my life — and my bedroom closet — when I was a child.

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The Sword & Planet of Leigh Brackett

The Sword & Planet of Leigh Brackett

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The Secret of Sinharat and People of the Talisman (Ace Double M-101, 1964). Covers by Ed Emshwiller

Leigh Brackett (1915 – 1978) is my favorite from among the second generation of Sword & Planet writers (S&P). Many people I meet recognize her name from her association with Star Wars: The Empire Strikes Back, for which she wrote the initial script. Or for the script to The Big Sleep, which she also wrote. Or, for several western movies she wrote the scripts for.

Those don’t mean anything to me, though. I know her from her Space Opera and S&P books, particularly the series featuring Eric John Stark.

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By Crom, It’s Cimmerian September: Rogues in the House

By Crom, It’s Cimmerian September: Rogues in the House

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We’re rolling through Cimmerian September here at Black Gate. Well, on Monday mornings we sure are! I was fortunate enough to be asked to do some Youtube panels for the Robert E. Howard Foundation folks this month. And we had a great time talking about the first Del Rey Conan volume – The Coming of Conan – in the first one.

I got to give my thoughts on “Rogues in the House,” which was my Hither Came Conan title. That had been a mid-level Conan story for me. But it moved up the ranks after I finished my essay project. So, with some tweaks, here’s my take on a pretty cool story. And HOW was this six years ago??

When I was pitching this series to folks, I was using the title, The Best of Conan. I didn’t come up with Hither Came Conan for about eight months, I think. Yeah, I know… The idea behind the series came from an essay in my first (and so far, only) Nero Wolfe Newsletter. The plan for 3 Good Reasons is to look at a story and list three reasons why it’s the ‘best’ Wolfe story. And I toss in one ‘bad’ reason why it’s not. And finish it off with some quotes.

So, I’m going to take a somewhat different tack from those who have come before me (I doubt I could have measured up, anyways) and pick out two elements that make this story one of Howard’s best accounts of the mighty-thewed Cimmerian. Then, throw a curveball from the Wolfe approach and highlight a few items worthy of note.

OUR STORY

Obviously, you need to read this story, but here’s a Cliff’s Notes version: Nabonidus, the Red Priest, is the real power in this unnamed Corinthian city. He gives a golden cask to Murilo, a young aristocrat. And inside the cask is a human ear (remind you of Sherlock Holmes? It should.). We learn a little later on that Murillo has been selling state secrets, and the ear is from a clerk he had dealings with. The jig is up!

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Ahoy, Matey! Plunge the Depths of The Great Eastern by Howard A. Rodman

Ahoy, Matey! Plunge the Depths of The Great Eastern by Howard A. Rodman

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The Great Eastern by Howard A. Rodman (Melville House, June 4, 2019). Cover artist unknown

Pop quiz. What do Captain Ahab, Captain Nemo, and Isambard Kingdom Brunel share in common? Okay, if you don’t know the first two, you have no business reading anything here at Black Gate. But you are forgiven if you haven’t a clue as to Brunel. I know I didn’t until I read Howard A. Rodman’s wonderfully inventive novel,  The Great Eastern.

Let’s look first at the main difference. Captain Ahab and Nemo are fictional. Brunel was a real person, and not just any person, but a renowned 19th century engineer who not only worked on Britain’s the Great Western Railway and Clifton Suspension Bridge, but also designed a series of of steamships called the Great Britain, the Great Western, and the Great Eastern.

So you can start to see where this is going.

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Mummy Issues, Part III — That’s a Wrap

Mummy Issues, Part III — That’s a Wrap

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Sands of Oblivion (Sci Fi Channel, July 28, 2007)

Sands of Oblivion (2007) – Tubi

Quite a mixed bag for this one; a cluster of decent actors, an intriguing storyline, a fun, practical monster, and then… SyFy CG effects, TV-safe horror, a dune buggy chase.

A bunch of scientists, Egyptologists, and film historians find themselves in the Guadalupe-Nipomo Dunes in Santa Barbara, CA, site of Cecil B. De Mille’s epic production of The Ten Commandments. They are there to oversee the digging up and relocation of the original sets, but wouldn’t you know it, old Cecil used real artifacts in his film, and one is a cursed amulet that sets free a demonic force hellbent on destroying the world.

Or something.

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Tor Double #22: Leigh Brackett’s The Jewel of Bas and Karen Haber’s Thieves’ Carnival

Tor Double #22: Leigh Brackett’s The Jewel of Bas and Karen Haber’s Thieves’ Carnival

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Cover for The Jewel of Bas and Thieves’ Carnival by Luis Perez

This volume represents the third collection of linked stories. While Robert Silverberg wrote In Another Country to take place at the same time as C.L. Moore’s Vintage Season and Harry Turtledove’s The Pugnacious Peacekeeper was a more traditional sequel to L. Sprague de Camp’s The Wheels of If, Karen Haber provided a prequel to Leigh Brackett’s The Jewel of Bas. Although Haber’s Thieves’ Carnival appears first in this volume, I’m going to stick with my norm of reviewing the earlier published story first.

The Jewel of Bas was originally published in Planet Stories in Spring 1944. It is the final of three stories by Leigh Brackett in the Tor Double series. The story opens with Ciaran and Mouse, a raggedy couple who has recently gotten married. Leaving the city they have known for their entire lives, Ciaran convinces Mouse that they should take a shortcut he has heard of across the Forbidden Plains, despite its foreboding name and its reputation for causing people to disappear.

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Goth Chick News: Is Warner Bros Ready to Knife Universal?

Goth Chick News: Is Warner Bros Ready to Knife Universal?

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If you’ve been watching the horror landscape this year, one thing’s obvious: in spite of the fact that Universal all but created the genre, Warner Bros. has horror by the throat. The Conjuring: Last Rites just claimed the highest global opening ever for a horror film, knocking down big names like IT and IT: Chapter Two. Meanwhile, three of 2025’s other biggest horror box office winners, Sinners, Final Destination: Bloodlines, and Weapons, are also WB projects.

Now the studio seems to be going for more than Universal’s jugular. They’re pushing for Oscar recognition.

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