Blast from the Past: Marvel Super Heroes RPG

Blast from the Past: Marvel Super Heroes RPG

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It’s funny how different tabletop roleplaying games have aged over the years. For instance, the granddaddy of them all, Dungeons & Dragons, has waxed and waned in popularity since its inception in the 1970s, but at least to the general public it has always remained synonymous with the very notion of tabletop RPGs. Other games that were popular decades ago have now been all but forgotten, sometimes even by collectors and the most hardcore of fans. Some newer games have found purchase and are readily available, while untold numbers of RPGs have been created over the decades without drawing so much as a yawn from the market.

Perhaps surprisingly, some older games that were once popular seemed to have been pretty much forgotten by any potential audience but then decades later have suddenly sprang into popularity once again. My guess would be the age of the Internet and then the rise of social media have had a lot to do with this, with older gamers gathering online to talk about or even play their favorite games while drawing in a new generation.

One such game has been the Marvel Super Heroes roleplaying game from TSR Inc. Originally published in 1984 in the famous yellow box, with an advanced box set released in 1986, this RPG designed by Jeff Grub has had quite the uptick in popularity during the last handful of years. Not only are there multiple websites devoted to the game, but there are even Facebook pages and podcasts, plus YouTube videos devoted to discussing and playing the original Marvel RPG. There is even a modern version of the game (without the Marvel connection, of course) simply called FASERIP and free from Gurbintroll Games.

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Writing Rogues, Part One: A Study of Batman: The Animated Series

Writing Rogues, Part One: A Study of Batman: The Animated Series

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Batman lurks in the dark

I love villains. They’re often at the center of what makes a great adventure story tick. They force our protagonists to take action, to face their worst fears and come out better, to outdo themselves again and again. They push character arcs, drive narratives, and illuminate the differences between regular people and heroes. In short, villains get the story up and out.

Ask an author what the most important storytelling element is and they’ll probably tell you it’s conflict. Conflict occurs when the main character meets a challenge to their goals. In sword and sorcery, that challenge is often a person. While there are the famed man vs. self, man vs. society,  and man vs. nature conflicts as well, antagonists are some of the most engaging sources of conflict because they’re human. Or human-like. We’re programmed to engage more with characters than we do with snowstorms or oppressive governing entities.

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Ellsworth’s Cinema of Swords: Flynn’s Last Flourishes

Ellsworth’s Cinema of Swords: Flynn’s Last Flourishes

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The Adventures of Don Juan (Warner Bros, 1948)

Errol Flynn’s late-career swashbucklers are widely considered mediocre efforts, desperate attempts by an aging and fading star to recapture his youthful popularity, but that sells the films short. It’s true that by the late Forties, Flynn could no longer match the vigor and charm of his performances in Captain Blood (1935), The Adventures of Robin Hood (1938), and The Sea Hawk (1940) … but really, who could? Compared to any other standard, Flynn’s later sword-slingers are average at worst and mostly better than that. Flynn wasn’t keen to make most of these pictures; he was well aware that he wasn’t the athletic rascal he’d been almost twenty years before, but he was still a solid leading man and now and then the old charm shone through. Enjoy these films for what they have to offer, and you won’t be sorry.

The Adventures of Don Juan

Rating: ***
Origin: USA, 1948
Director: Vincent Sherman
Source: Warner Bros. DVD

Errol Flynn had given up doing swashbucklers after The Sea Hawk (1940), but with the revival of the historical adventure genre in the late ‘40s, Warner Bros. gave him a sword and put him back in trunk-hose for The Adventures of Don Juan.  It must be said, Flynn doesn’t seem entirely comfortable in the role of Don Juan de Maraña, the scandal-plagued womanizing rogue who is forced to give up his naughty ways and turn over a new leaf. After disgracing himself by plucking forbidden fruit at the English Court, Don Juan is summoned back to Madrid by the Queen of Spain (Viveca Lindfors) and commanded to reform. And, however improbably, he does, because his soul is purified for the first time by his true love … for the queen herself. (No, really.) Unfortunately, purged of the rakish qualities that made the character distinctive, Don Juan becomes a conventional noble who gets entangled in conventional court intrigues, saving the queen from a conventional treasonous minister by foiling his conventional plot at the last minute—as usual.

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No Time Like the Present

No Time Like the Present

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“Do you know where you are, Mr. Starr?”

I snapped awake once more, realizing I’d dozed off again. The therapist sat back on her chair, her crisp white jacket and black pencil skirt the picture of professional cool. I moved my eyes left and right, trying to remind myself where, exactly, I was.

The evaluation vault was warm, bright white, and, if the monitor above the therapist’s head was to be believed, well over ninety-nine percent germ free. I blinked and squinted in the brightness, still recovering after my ejection from the the pressure sauna, which had left my skin a bright pink, save for the circles around my eyes from the protective goggles, and, under my white paper medical gown, a similarly protected region provided by the official Black Gate thong I’d been assigned to use while within, which had since been reclaimed.

The modern edition has more safety features, of course.

“Am I in the Black Gate medical wing?” I guessed, trying furiously to remember how I might have gotten there.

“That’s right,” the therapist said, her voice soothing. “Now, I want you to think back. What’s the last thing you remember? Before the incident?”

“I, um, well, I remember being brought to the medical wing because of a… paper cut?” That didn’t seem quite right.

“Yes,” the therapist replied. “A paper cut. With all 384 pages of the print edition of Black Gate #15. Naturally, we couldn’t have you bleeding out on the contents of the archives, so you were brought here. While we managed to save your life – and most of your organs – we were forced to use an experimental rescue technique, and have you clinically frozen until technology was advanced enough to revive you.”

“Wait. Are you saying I’ve been… frozen?”

“That’s right. Welcome back, Mr. Starr! You’ve been gone a long time.”

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Heroes and Villains

Heroes and Villains

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Image by Сергей Катышкин from Pixabay

Growing up, I had no heroes.

I’m not sure if this is a sign of anything in particular that might be wrong with me, but growing up, there was no one in any field — sports, literature, politics, or life — that I considered a hero of mine. There were certainly people whose skill and success I greatly admired. My favourite artists come out of the surrealist movement, and they are remarkable, both in how well the portray realism and how expertly they undermine it; twist it and make it strange. I have always loved Tolkien and regularly stand in awe of what he built. I feel the same way about Steven Erikson, a more contemporary writer. Martin Lass was my favourite violinist, and Tommy and Phil Emmanuel my favourite all-time guitarists. I was enamoured with the skill of tennis stars Pat Cash and Pat Rafter…

If you needed proof of my Australian-ness, I think that’s it right there…

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The Psionic Masters: The Zhodani in Traveller

The Psionic Masters: The Zhodani in Traveller

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When Traveller first released in 1977, it did not have an official setting. This quickly changed with the introduction of the Third Imperium, a large, multi-star system empire. While alien species like the Hivers, Droyne, Aslan, Vargr, and K’Kree — out of many — are prominent features in many Traveller campaigns, the fact is that the Imperium is human dominated. And the Imperium’s two major foes, the Solomani Confederation and the Zhodani Consulate, are human dominated.

Part of the setting’s lore is that the so-called Ancients took humans from Earth and seeded them throughout what is called Charted Space. Often, the humans have been altered radically for the environments. Cafadans, Darmine, Darrian, and others were either altered by the Ancients or adapted to their environments and managed to survive after the Ancients destroyed themselves in a cataclysmic war.

The Zhodani, however, occupy a special place in the Traveller setting. While transplanted by the Ancients, they discovered the faster-than-light jump drive on their own accord. More importantly, they are the only human society that incorporated psionics into their culture and government. This has had a profound effect on them and on the Imperial perception of them when the two civilizations clashed in the Spinward Marches, a designated area of space.

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Nero Wolfe’s Brownstone: Stay at Home – Days 32 and 33

Nero Wolfe’s Brownstone: Stay at Home – Days 32 and 33

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So, last year, as the Pandemic settled in like an unwanted relative who just came for a week and is still tying up the bathroom, I did a series of posts for the FB Page of the Nero Wolfe fan club, The Wolfe Pack. I speculated on what Stay at Home would be like for Archie, living in the Brownstone with Nero Wolfe, Fritz Brenner, and Theodore Horstmann. I have already re-posted days one through thirty. Here are days thirty two (April 21) and thirty three (April 23). It helps if you read the series in order, so I’ve included links to the earlier entries.

DAY THIRTY TWO – 2020 Stay At Home

I saw the death totals today. New York is number one, hands down. We’ve had more deaths than the next fourteen states combined. Seven out of every hundred people confirmed to have the virus, die from it. So I won’t be taking any taxi rides just yet. Or hopping on the subway.

While I admit I miss my twice-a-week session at the barbershop – preferably on days without a cop murder on site – I don’t see the need to increase somebody else’s risk of dying because I’m not happy with my sideburns. I do look forward to getting shoe shines again, though I am more than capable of doing my own.

And by the way: don’t think that Lily and I are drifting apart. We call every other day. I just don’t see the need to jot that down regularly.

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New Treasures: Wings of Fury by Emily R. King

New Treasures: Wings of Fury by Emily R. King

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Wings of Fury (47North, March 2021). Cover by Ed Bettison

Emily R. King is the author of the popular Hundredth Queen series. For her latest fantasy series she mines Greek Mythology to tell a tale of titans, gods, oracles, and an 18-year old girl who takes them all on. This one looks like a lot of fun. Publishers Weekly says “King ably weaves Greek mythology into a cat-and-mouse spectacle… This is a winner.” Here’s an excerpt from the full review.

Set in ancient Greece, this sumptuous adventure from King (the Hundredth Queen series) sees a fierce heroine contending with brutal Titans, suspicious vestals, and a petulant Boy God. Eleven-year-old Althea Lambros witnesses her mother die while giving birth to a half-Titan baby after having been raped by the god Cronus, the most powerful Titan. At her dying mother’s request, Althea vows to protect her older sisters, Cleora and Bronte. But when Althea is 18, Cronus’s goons kidnap Cleora. Althea seeks advice on how to defeat Cronus from the oracle Clotho, who tasks Althea with retrieving the 15-year-old Boy God Zeus from the island of Crete, where he’s been hidden from Cronus…. King ably weaves Greek mythology into a cat-and-mouse spectacle. Readers will cheer for Althea as she upholds her family’s honor and fights belligerent gods with determination and confidence. This is a winner.

The second and final book in the series, Crown of Cinders, will be released on October 5th.

Wings of Fury was published by 47North on March 1, 2021. It is 301 pages, priced at $14.95 in trade paperback, $4.99 in digital formats, and $14.99 for the audio CD. The cover was designed by Ed Bettison. See all our recent New Treasures here.

Rakefire and Other Stories’ Sum Is Greater Than Its Parts

Rakefire and Other Stories’ Sum Is Greater Than Its Parts

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Rakefire and Other Stories released July 2020 via Pulp Hero Press

Nine weird adventures span the 216 pages of this grimoire. Penned by emerging thaumaturgist Jason Ray Carney, Rakefire promises to corrupt any reader. So let us get this disclaimer out of the way: the mere reading of this tome may thicken your blood with wonder. Red turning to black, your blood will never bleed the same. Read this review at your own risk.

The book blurb labels this “Fever Dreams of Sword & Sorcery in an Eld Realm of Unfathomable Beauty and Cruelty” and it also contains “enigmatic tales of horror and fantasy in the pulp tradition.” That summary is spot on. Most of the tales focus on the sorcery end of the spectrum. Jason Ray Carney’s writing style is reminiscent of Lord Dunsany and Clark Ashton Smith (full of pregnant shadows and intellectual skullduggery!). Excerpts throughout this review reinforce what to expect.

The majority of the stories (6/9) have been published in various magazines, but reading them piece-meal is like eating random snacks instead of a five-course meal. The confluence amplifies the lore threading them all together (lore discussed below). Plus, the three newly published tales extend the impact. Each is recapped below, and most have excerpts that emphasize the style and common milieu (while avoiding spoilers). This serves as a tour guide into Jason Ray Carney’s strange world.

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Uncanny X-Men, Part 27: Act II of the Dark Phoenix Saga

Uncanny X-Men, Part 27: Act II of the Dark Phoenix Saga

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1979’s Uncanny X-Men #129-131 began the legendary Dark Phoenix Saga, which runs to issue #137. In those first three issues, we saw far more clearly the hooks that Jason Wyngarde got into Jean Grey, the Phoenix, and we saw more dramatically how Phoenix had been changing. She’d become more violent, sensual, tempted by emotions and desires she’d suppressed all her life. In the fictitious dream world that Wyngarde had been constructing in Jean’s mind, as a means to control her for the Hellfire Club, he’d been giving her unlimited power in a setting without moral restraint. Today I’m diving into the year 1980, with issues #132 – #134: the middle of the Dark Phoenix Saga and the progression of the corruption of Phoenix by the Hellfire Club.

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