Black Gate – Page 1157 – Adventures in Fantasy Literature

This Week’s Bargain SF & Fantasy Books at Amazon.com

Saturday, June 2, 2012 John ONeill Comments 4 comments

It’s good to be the editor. For example, I pretend I do a weekly bargain books update, and no one corrects me — even though the last one was in April. Thank you for indulging me in my shared fantasy.

Let’s get down to business: Bargain Books. I’m the expert, and I’m here to share my knowledge with you. It’s what I do.

This week (ha!) the list contains books by Delia Sherman, Stephen Baxter, Sara Douglass, J.R.R. Tolkien, Stephen R. Donaldson, L.E. Modesitt, Jr, William Gibson, R.A. Salvatore, E.E. Knight, and many more.

The Magic Mirror of the Mermaid Queen, Delia Sherman [$7.20, was $17.99]
Land of the Dead, by Thomas Harlan [$10.40, was $25.99]
The Last Page, Anthony Huso [$4.73, was $25.99]
Hidden Empire, Orson Scott Card [$1.63, was $24.99]
Flood, Stephen Baxter [$9.98, was $24.95]
The Devil’s Diadem, Sara Douglass [$10.80, was $26.99]
The Legend of Sigurd and Gudrun, J. R. R. Tolkien and Christopher Tolkien ($1.92, was $26)
Against All Things Ending: The Last Chronicles of Thomas Covenant, Stephen R. Donaldson [$6.40, was $16]
Scholar, L. E. Modesitt Jr. [$11.20, was $27.99]
Stephen King’s The Stand Vol. 1: Captain Trips, Roberto Aguirre-Sacasa and Mike Perkins [$10, was $24.99]
Zero History, William Gibson [$6.40, was $16]
The Pirate King, R.A. Salvatore [$11.18, was $27.95]
Dragon Fate: Book Six of The Age of Fire, E. E. Knight [$6.40, was $16]
Songs of Love and Death, edited by Gardner Dozois & George R. R. Martin [$10.40, was $26]

All discounted between 60% and 80%. As always, quantities on these bargain books are very limited. All are eligible for free domestic shipping on orders over $25. Most of last week’s (ha!) discount titles are still available; you can see them here.

Weird Tales Closes to Submissions

Friday, June 1, 2012 John ONeill Comments 0 Comment

Holy cats! That was fast. The editors of Weird Tales magazine have announced it is closing to submissions on Tuesday, June 5th.

Now, Black Gate magazine is in no position to throw stones about being closed to submissions. We’ve been closed since roughly the Napoleonic era. But still… didn’t Weird Tales just announce it was open?

Let me check. Yup, it did.

[If you’re too lazy to click on that link, you can just scroll down the page to the announcement four days ago.]

All right, we’re done being snarky. And we will note that the magazine is only closing to fiction submissions — artists and disheveled arcane researchers, your contributions are still valued. [Okay. We’ve still got a little snark left.] Here’s the official announcement:

Heads up that at noon eastern time on Tuesday June 5th we will be closing for fiction submissions. We will still be looking at art and nonfiction proposals.

There’s still time to finish your submission and get it in the mail by Monday morning. Stock up on coffee, turn off the phone, and channel Clark Aston Smith. Fame and Fortune await you.

But act fast.

Blogging Sax Rohmer’s The Golden Scorpion, Part Two – “The Statement of M. Gaston Max”

Friday, June 1, 2012 William Patrick Maynard Comments 0 Comment

Sax Rohmer’s The Golden Scorpion was first printed in its entirety in The Illustrated London News Christmas Number in December 1918. It was published in book form in the UK the following year by Methuen and in the US in 1920 by McBride & Nast. Rohmer divided the novel into four sections. This week we shall examine the second part of the book, “The Statement of M. Gaston Max” which comprises nine chapters.

Rohmer chose to follow the formula he utilized successfully with The Yellow Claw (1915) by starting the narrative at a crucial early stage before revealing the principal character’s earlier involvement in the plot and then unexpectedly bringing Gaston Max into the proceedings and having him relate, over the course of several chapters, a lengthy background story that helps connect the dots for both reader and protagonist.

Max’s account begins some months earlier when he was serving as head of security to the Grand Duke Ivan during his visit to Paris. The French detective became concerned with the Grand Duke’s torrid affair with the exotic Egyptian dancer, Zara el-Khala, while staying in Paris. Surveillance work uncovers her connection to a mysterious individual known as The Scorpion. Max is unable to learn anything else of significance about the dancer’s background. After she unexpectedly fails to turn up for her performance one night, the detective learns she has suddenly left Paris. That same night, Grand Duke Ivan is struck ill and dies.

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Goth Chick News: A Black Gate Indy Film Exclusive: Outpost 13

Thursday, May 31, 2012 Sue Granquist Comments 1 comment

There’s almost nothing as cool as getting an exclusive — unless it’s an exclusive from an up-and-coming film maker.

When one considers that every director who ever created a blockbuster was once a struggling artist thrashing about in the low-budget trenches, one imagines that when said directors finally hit the big time, they’ll remember those who recognized genius and encouraged them in their leaner years, then invite those people to high-power lunch meetings and red-carpet events which steadfast supporters can only daydream about today.

Right, Wyatt?

Wyatt Weed from Pirate Pictures, along with his colleagues at State of Mind Productions, are the creative force behind the new indy short-film project Outpost 13 and they’ve granted an exclusive screening to Black Gate readers before the film is released to the wider viewing audience.

Yes, that’s right. An exclusive. Which ranks Wyatt Weed above Ridley Scott, who only sends us the trailers about five minutes before everyone else gets them.

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New Treasures: Deadfall Hotel by Steve Rasnic Tem

Thursday, May 31, 2012 John ONeill Comments 0 Comment

I don’t get to cover horror fiction as often as I like to — mostly because I don’t get to read much these days. So it’s always a delight when a surprise like Deadfall Hotel arrives at my door. The seed of the novel was the acclaimed short story “Bloodwolf,” published by Charles L. Grant in his anthology Shadows 9 back in 1986. For over 25 years author Steve Rasnic Tem has nurtured that seed, and it has finally grown into a complex and original horror novel.

This is the hotel where our nightmares go… It’s where horrors come to be themselves, and the dead pause to rest between worlds. Recently widowed and unemployed, Richard Carter finds a new job, and a new life for him and his daughter Serena, as manager of the mysterious Deadfall Hotel. Jacob Ascher, the caretaker, is there to show Richard the ropes, and to tell him the many rules and traditions, but from the beginning, their new world haunts and transforms them.

It’s a terrible place. As the seasons pass, the supernatural and the sublime become a part of life, as routine as a morning cup of coffee, but it’s not safe, by any means. Deadfall Hotel is where Richard and Serena will rebuild the life that was taken from them… if it doesn’t kill them first.

Weird Fiction Review had this to say about Deadfall Hotel:

The novel provides a smorgasbord of sweet spots for the weird fiction connoisseur. Nightmares, supernatural creatures, cults, eccentric characters, and the atmosphere of the titular hotel all combine for a fascinating read. With the popularity of TV shows like American Horror Story, the timing seems right, as well (although we think Deadfall is much more interesting.)

And Fear.com raves:

Horror legend Steve Rasnic Tem returns with Deadfall Hotel, a modern fairytale, haunted house story, vampire novel, cult novel, werewolf novel, zombie story, and just plain old “weird tale”… It’s a masterful hodgepodge of genre tropes and devices that — much like Peter Straub’s magnificent Floating Dragon — in the hands of a lesser writer would have collapsed… Deadfall Hotel is everything a horror novel should be. Steve Rasnic Tem is at the height of his powers with this effort.

Deadfall Hotel is 301 pages in paperback for $9.99. It was published by Solaris on April 17. It is illustrated by Danish artist John Kenn Mortensen, whose creepy, Edward Gory-like style is both classic and richly modern — click on the cover above to get a closer look at his work. WFR.com offers a long self-contained excerpt, “The King of the Cats,” presented in four parts that you can sample here.

Andrea Grennan Reviews The Immortality Virus

Wednesday, May 30, 2012 Bill Ward Comments 2 comments

immortalityvirus_med The Immorality Virus
Christine Amsden
Twilight Times Books (266 pp, $18.95, June 2011)
Reviewed by Andrea Grennan

In a world where aging has been erased, the “Change” may have ended Alzheimer’s and arthritis, but it hasn’t ended starvation, murder or suicide. The Immoratity Virus explores a dystopian view of a world where immortals aren’t a vampire few, but a human many, and looks at the problems that could ensue from such a “Change.”

Grace Harper has been born into this new world, and lived 180+ years in it, most of them uncertain and miserable. When hired by a wealthy man to find the person who created the immortality virus to see if it can be undone, she embarks on a quest which results in nearly every faction of society being arrayed against her, for a variety of reasons.

Why would anyone want to give up immortality?

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A Wiscon Reading Report: The Best in Upcoming Fantasy

Wednesday, May 30, 2012 John ONeill Comments 12 comments

Last weekend I drove to Madison, Wisconsin, for Wiscon, one of the best SF conventions in the Midwest. My travel companions were four young women, and the two-hour drive from Chicago was filled with enthusiastic discussions of My Little Pony, how to cook kale, the most satisfactory sexual positions, and who that hot-looking agent was. When I wasn’t driving I sat in the back and kept my mouth shut.

You can learn a lot about life by keeping your mouth shut. For example, I learned I definitely need to check out My Little Pony.

I learned some important stuff at Wiscon, too. Wiscon has some pretty heavy panels, with titles like Intersectionality and Feminist Community, Dogmatic Rationalism, and Performing Katniss in Print and On Screen: Gender Performativity and Deconstructing Reality TV in The Hunger Games.

No, I didn’t learn what any of those things meant. The first thing I learned at Wiscon was: Don’t volunteer to be on panels. It’s like picking my teeth with a golf club — it’s painful, and it makes me look stupid.

But the second thing I learned was: Wiscon has the best reading program on the continent. And if you’re not listening to talented authors reading their work, you’re wasting your precious hours here on Planet Earth.

So I packed my hours with as many readings as I could. At the last two Wiscons I simply followed the brilliant C.S.E. Cooney — the Queen of Wiscon, and her most gifted reader-poet — as readings seemed to spontaneously spring forth wherever she wandered. But this year she was in Ottawa giving a command performance at the most prestigious venue in the country, Canada’s National Art Centre, so we were forced to rely on our own devices. When there weren’t any readings, my driving companions and I simply created our own. In the process we were introduced to some of the hottest new writers on the fantasy scene, and several really terrific new, upcoming, or wholly undiscovered SF and fantasy novels.

Below is a list of the best of the best.

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Art of the Genre: Spelljammer Reloaded: AKA Pathjammer!

Wednesday, May 30, 2012 Scott Taylor Comments 12 comments

Distant Worlds, or as I like to call it, 'Pathjammer!'

So as you may have seen last week, I was on my annual pilgrimage to Indiana for a full week of hardcore gaming with my boys. The ‘Week 2012’ included several games like AD&D 1E, Deadlands D20, Stars Without Number, and even a go at Pinnacle’s Savage Worlds: Tour of Darkness, which was outstanding.

My responsibility during the week was to DM what is considered our ‘super campaign’ which will take up to five full days of gaming. At a bit over 14 hours a day, that equates to roughly 70 hours behind the DM screens (this week I was enticed to do 6 days and 84 hours). To do this I’ve got to come up with an original idea, typically something that will throw the players for a loop, and certainly hold their attention as we move through an epic tale of adventure.

This year, as I sat staring at my shelves of RPG books, I couldn’t help but keep coming back to the old AD&D 2nd Edition campaign setting, Spelljammer. Now Spelljammer was an interesting and inherently simple idea, take D&D and put it in space. To do this, the development team found a way to make fantasy ships fly through space while they explored worlds around the base worlds TSR had created through the 1980s like Krynn, Greyhawk, and the Forgotten Realms.

Back in the day, I’d played Spelljammer no more than three or four times on mini-adventures with my most famous elven thief, Sefron Silvershoe. Thus, my DM, Mark, dubbed the game ‘Sefron in Space’ to be funny. Because of our devotion to Forgotten Realms and other science fiction games like Paladium’s Robotech, Spelljammer didn’t stick and we quickly went back to other things.

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Black Gate Goes to the Summer Movies: Men in Black 3

Tuesday, May 29, 2012 Ryan Harvey Comments 8 comments

men_in_black_3 Before getting into Men in Black Part the Third, I must retract a promise made in an earlier post, where I vowed to review eighteen of this summer’s genre movie releases. But the blame rests with Paramount, not with me. In a move that can best be described as a vote of “less-than-zero confidence” in their own product, Paramount has delayed the release of G.I. Joe: Retaliation from next month to March 2013. With only a month to go before its originally slated release, and with a promotional campaign already going full throttle, G.I. Joe just got banned from the summer leagues. The excuse: “3D conversion.” Uh huh. I can’t imagine how terrible the film must actually be if Paramount chose to ditch it this late and swallow a few million bucks of promotion. I estimated that The Amazing Spider-Man would viciously pound G.I. Joe in its second frame, and Paramount apparently decided that G.I. Joe’s first frame would be so poor that they didn’t want to go through the embarrassment. I wonder how much Hasbro’s Battleship flop affected Paramount’s decision to drop the toy company’s other movie of the summer?

Anyway, Men in Black 3, a.k.a. MIIIB, pronounced “Mieb” and known on Arrakis as “Mi’i’d.” The film that, whatever else it may achieve, has the distinction of taking down The Avengers from the #1 box-office slot after reigning for three weeks.

The original Men in Black was a minor miracle in the summer of 1997. (Keep in mind, this was the same summer as Batman and Robin; we were desperate.) It was compact, clever, breezy, and crackled with the chemistry between Tommy Lee Jones and Will Smith at the height of his comic powers. It also looked like ideal sequel material, but when Men in Black II arrived and stunk in 2002, the first film began to look like a perfect one-off: nothing more was needed.

Men in Black 3 is a large improvement over Men in Black II, and even though it runs more than fifteen minutes longer — the longest of the three films — the second sequel moves faster and gets back some of the click of the ’97 movie. However, the first Men in Black still seems like a one-off. Men in Black 3 is a bland film at worst, and somewhat enjoyable at its select best.

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Weird Tales Reopens to Submissions

Monday, May 28, 2012 John ONeill Comments 2 comments

Attention all aspiring fantasy writers! (Yeah, I know that’s most of you.) Weird Tales has re-opened to submissions.

Now, I know you never read Submission Guidelines. But before you run off to send editor Marvin Kaye your latest short fiction masterpiece, I urge you to check out the guidelines. There’s lots of news — for example, the pay rate has dropped from 5 cents/word to 3 cents/word — but perhaps most interesting is the announcement that the magazine has shifted to themed issues. Upcoming themes include Elder Gods & Cthulhu (#360), Fairy Tales (#361) and Undead (#362), and if you’ve got a story in the latter two categories, the editors are especially interested:

Please know that each issue of Weird Tales – beginning with issue 360 – will be featuring a theme. This means that HALF of each issue will be devoted to strange and innovative takes on that theme. This also means that HALF of each issue will be devoted to the unclassifiable and eclectic tales that have always been the soul of Weird Tales.

Our current needs are… Stories for our Undead issue (#362). This issue is quite far along, but we seek unusual and radical takes on Zombies, Ghouls, chiang-shih’s, the Lich and other creatures yet undefined. Even vampires, if you have found a new wrinkle. Theme-related poetry is welcome.

We also have a bit of space left in the Fairy Tales issue (#361), so if you have worked on something for us, send away.

Be sure you are submitting an unpublished story or poem.

Because we publish half of the magazine as unthemed content, you may submit any variety of fantasy including science fiction (though we will not use much of the latter). We are currently most interested in stories between 3,000-5,000 words, but longer stories are acceptable. However, it may take quite a while for a long or unthemed story to be published. Short shorts, i. e., flash fiction, are definitely of interest to us.

The complete guidelines are here.