Black Gate

The New Hugo Winners, Volume III and Volume IV (Baen, and May 1994 and November 1997). Covers by Bob Eggleton

The Hugo Winners, Volume I and Volume II, edited by Isaac Asimov and collected in one big omnibus by the Science Fiction Book Club in 1972, was one of the top-selling science fiction books of the 70s, and Volume III (1977) was gladly received by readers. But by the time Volume IV and V were released in the mid-80s, sales had fallen off so significantly that neither one was ever reprinted in paperback, and Doubleday ceased publishing them entirely after the fifth book.

It was Martin H. Greenberg who talked Asimov into picking up the tradition with The New Hugo Winners in 1989. The two of them brought the series to Baen, and produced two volumes before Asimov’s death in 1992. Although Asimov had openly championed having Greenberg pick up the baton after his death, that didn’t happen. Instead it was Connie Willis and Gregory Benford who edited (excuse me, “Presented”) The New Hugo Winners, Volume III and Volume IV, as paperback originals from Baen Books in 1994 and 1997.

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Isaac Asimov’s Wonderful Worlds of Science Fiction #10: Invasions (Roc, August 1990). Cover by J.K. Potter

This week we’re looking at Invasions, the tenth and final volume in Isaac Asimov’s Wonderful Worlds of Science Fiction, a paperback original anthology series edited by Isaac Asimov, Martin H. Greenberg, and Charles G. Waugh between 1983 and 1990.

Asimov, Greenberg, and Waugh were an industry unto themselves in the 80s and early 90s. Together they produced some 80 SF anthologies, over half a dozen every year, until Asimov’s death in 1992. In general Waugh made the story selections, Greenberg handled the rights and the contracts, and Asimov wrote the introductions (and lent his name to the series, which ensured robust sales).

The Wonderful Worlds of Science Fiction, a companion series to the 13-volume Magical Worlds of Fantasy by the same editors, was a fun set, with themes like Intergalactic Empires, Tin Stars (robot detectives), Monsters, and Robots. Invasions, which wrapped up the series, containing a Berserker novelette by Fred Saberhagen, novellas by A. E. van Vogt and Lester del Rey, and stories by Philip K. Dick, Eric Frank Russell, Bob Shaw, Walter M. Miller, Jr., Henry Kuttner, Avram Davidson, William Tenn, and many others. It’s a great volume to start with if you’re interested in dipping your toe in 80s anthology collecting.

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Moonheart (Ace Books, 1984). Cover by David Mattingly

I started reading science fiction and fantasy in the late 1970s, with authors like Isaac Asimov, Robert Silverberg, Stephen R. Donaldson, and of course J.R.R. Tolkien. I learned an enormous amount from those early books, about astronomy, and space travel, and speculative physics and chemistry. And about adult relationships, and the US. military, and the kind of alien life that might exist on Venus (the kind that resembled dinosaurs, obviously).

But one of the most important things I learned was that fantasy adventures occurred elsewhere. In big cities in the United States, and small, magical towns in England. In underground government labs, and secret rebel bases on the ice planet Hoth. They certainly didn’t happen in my home town of Ottawa, Ontario, and the surrounding valley. At least, they didn’t until Chares de Lint burst on the scene with his own brand of fantasy in 1984, with books like the groundbreaking Moonheart, which helped launch the urban fantasy explosion of the 80s and 90s.

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Citizen in Space (Ace Books, December 1978). Cover by Dean Ellis

Robert Sheckley isn’t discussed much these days. But he had a towering reputation as an SF short story writer in the mid-20th Century. He sold his first story in 1951, and quickly became one of H.L. Gold’s stable of writers at Galaxy, one of the leading science fiction magazines of the 1950s.

Sheckley was a very prolific writer of satirical SF, and he produced hundreds of short stories in his career. His first collection, Untouched by Human Hands, was published by Ballantine in 1954, followed by Citizen in Space (Ballantine, 1955), Pilgrimage to Earth (Bantam, 1957) and two in 1960: Notions: Unlimited and Store of Infinity, both from Bantam.

Many of Sheckley’s best collections were reprinted in the late 70s by Ace books, which is when I discovered them. They made very entertaining reading then, and they still do today.

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Strange Ports of Call (Berkley Books, June 1958). Cover artist tragically unknown

August Derleth is remembered these days primarily for his stewardship of the works of H.P. Lovecraft. He founded Arkham House (with Donald Wandrei) in 1939 to bring Lovecraft into print in hardcover, and over the next 30 years he contributed steadily to Lovecraft’s foundational Cthulhu Mythos, both in his own writing, and by publishing numerous books in the cycle from other horror notables. He was also (as Bob Byne is constantly reminding me) the creator of the popular Sherlock Holmes pastiche Solar Pons, and the author of a great deal of historical fiction, including the Sac Prairie Saga.

But for me, Derleth’s greatest contributions were as an editor. He assembled some 30 horror and science fiction anthologies, including Sleep No More (1944), The Other Side of the Moon (1949), Far Boundaries (1951), The Outer Reaches (1951), Beachheads in Space (1952), Night’s Yawning Peal (1952), and many more. Many of them are highly collectible and hard for the casual collector to get their hands on — but the paperback reprints, by Berkley Books, Sphere, Signet, Four Square Books, and many others, are much easier to come by.

In the late 50s Berkley Books reprinted seven of Derleth’s early SF anthologies in handsome paperback editions including his first, Strange Ports of Call. These books helped introduce thousands of American readers who didn’t read magazines to science fiction for the first time. Here’s a look at all seven.

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