Black Gate

In her review of Irenicon, the opening novel in Aidan Harte’s Wave Trilogy, Sarah Avery wrote:

Welcome to Rasenna, a shining city-state turned failed state, where river spirits haunt the streets and mistake themselves for the citizens they’ve drowned. Rasenna’s people hide in their towers at night, and even by day fear the river their enemy wielded to cut their city in two…. Can a city recover from two decades of grief, madness, and self-destruction? Can these people change in time to save themselves? They’d better, because the rival city of sorcerous Engineers that smashed them before may well do so again…

Aidan Harte has been justly praised for his world-building in his debut novel. Irenicon is, almost, what we might get if Italo Calvino’s classic Invisible Cities had lingered for a few hundred pages in one of its gem-perfect vignettes… Irenicon would make a perfect action film. Aidan Harte gives us a pretty good view of the movie he must have seen in his mind while he was writing. The flashing banners of Rasenna’s homegrown martial art, the glorious decay of a city that breeds endless tension, the disturbing chill of Concord’s purity and the darkness at its foundation, and (oh my!) the uncanny otherness of the river spirits could be the making of a summer blockbuster.

Sounded pretty dang good to me, but I resisted the urge to dive in right away. Partly because I gave Sarah our only review copy. But mostly because these days I avoid trilogies until I can hold all three titles in my greedy little hands. That resolution became harder and harder to keep as the accolades continued to pile up (click on the back cover of the third volume, at right, for some examples). But my long wait is finally over. The Warring States, the second volume, was published on April 7, 2015, and the final book, Spira Mirabilis, will be released in two weeks… and our review copy arrived last week. Interns, hold all my calls. I’m on assignment.

Spira Mirabilis will be published by Jo Fletcher Books on April 5, 2016. It is 522 pages, priced at $26.99 in hardcover. The cover is by Ghost.

Justin Richards is a jack-of-all-trades. He’s written numerous books — including The Chaos Code, The Parliament of Blood, and the Time Runners series — as well as audio plays and a stage play. He’s also an editor for a media journal, with several anthologies to his credit. He’s the Creative Director for the BBC’s Doctor Who books, and has authored several himself (including Time Lord Fairytales, The Shakespeare Notebooks, and The Only Good Dalek).

None of that prepared me for his 2015 novel The Suicide Exhibition, which featured an insidious Nazis plot to use alien Vril technology to win the war, and the small band of British wartime intelligence agents who undertake a desperate mission to stop Heinrich Himmler from excavating ancient burial grounds and finding these extraterrestrial Übermenschen. Michael Moorcock said “Richards brings all his skills as a leading Doctor Who writer to this tale of wartime intelligence at odds with some of H.P. Lovecraft’s worst nightmares,” and Kirkus Reviews said “Richards’ true talent lies in crafting campy but believable dialogue which imbues the novel with a real sense of character… Part Indiana Jones, part X-Files, part Catch-22, it’s good campy fun.”

The Blood Red City, the second volume in The Never War, arrives in hardcover from Thomas Dunne before the end of the month. As the alien Vril awaken, Colonel Brinkman and his team at Station Z stuggle to solve an ancient mystery… while preparing for an imminent alien attack.

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Laird Barron is one of the modern masters of horror. James McGlothlin reviewed his latest collection for us, The Beautiful Thing That Awaits Us All, saying, “Barron is still one of the leading horror voices of today… I highly recommend it!”

Barron’s also been highly prolific, releasing a steady steam of books in the last few years — including first novel The Croning, the novella X’s For Eyes, and the first volume of the new Year’s Best Weird Fiction anthology series from Undertow Publications.

His latest is a promising-looking novella that looks closer to a modern thriller than anything else. Click the back cover above for the book description. The first of the Nanashi Novellas, Man With No Name was called “Bold, complex, and absolutely riveting” by Jonathan Maberry. It arrives this week from JournalStone.

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In The Pilgrims (2014), the opening volume of Will Elliott’s Pendulum Trilogy, down on his luck London journalist Eric Albright discovered a strange red door on the graffiti-covered walls under a bridge near his home. When the door opened and gang of strange bandits — including a giant — dashed out and robbed a nearby store, Eric and his friend Case decided to go through the door… to the land of Levaal, a fantasy kingdom populated by power damaged mages, stone giants, pit devils, and a mountain-sized dragon sleeping beneath a great white castle. In Shadow (2015), Eric and his new friends found themselves in the thick of a brutal war. And in the third and final volume, World’s End, coming later this month from Tor, Levaal faces the final battle in an age-old war between worlds. One more fantasy trilogy brought to a successful close! Every time that happens, we bake a cake.

When Eric Albright, a luckless London slacker, and his pal Stuart Casey went through a battered red door under a railway bridge, the last thing they expected to find was another world. There lay the strange, dark realm of Levaal, whose tyrant lord Vous has ascended to godhood. The great wall which has divided the land has been brought down, setting loose a horde of demonic Tormentors. In their sky prisons, the dragons are stirring, set to defy their slumbering creator and steal humanity’s world.

Shilen, a dragon cloaked in human form, has convinced Eric and Aziel, Vous’s daughter, to help free the dragons from their sky-prison, or Earth will be destroyed. She promises great power, and safety for all Eric’s favoured people, but Shilen has an ulterior motive, for the dragons wish to control humankind completely.

World’s End will be published by Tor Books on March 22, 2016. It is 432 pages, priced at $26.99 in hardcover and $12.99 in digital format. The cover is by Cynthia Sheppard.