Black Gate

Far Out (Night Shade, July 2021). Cover by Julie Dillon

When The Sin in the Steel, the opening novel in Ryan Van Loan’s Fall of the Gods trilogy, arrived last year, I was immediately intrigued. Well, I was once I read Aidan Moher’s review at Tor.com, anyway. Especially this part:

The Sin in the Steel is a rip-roaring epic fantasy that mixes a genuinely unique world with an equally standout magic system. It’s full of characters you’ll root for and despise, who’ll make your skin crawl, and who you’ll cheer on from the sidelines. Packed full of action, tempered by genuinely thoughtful themes about mental health and trust. The Sin in the Steel tells a good self-contained narrative… If Scott Lynch wrote Pirates of the Caribbean, it’d be a lot like The Sin in the Steel.

Yeah, it was that last sentence that got me. At least I’m predictable.

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Ashes of the Sun and Blood of the Chosen (Orbit, July 2020 and October 2021). Covers by Scott Fischer

It was the cover of Django Wexler’s Ashes of the Sun that grabbed me while I was browsing bookstore shelves last year — and a heck of a cover it is too, by talented fantasy artist Scott Fischer.

The sequel Blood of the Chosen was just released this month. Like the first one, the cover seems to be a collaborative effort. The original art that Fisher proudly displays on his website is certainly striking…. but it’s also missing those human figures (which I assume were added by cover designer Lauren Panepinto).

Those tiny human silhouettes are a small addition perhaps, but they make a heck of a difference. See the surprisingly sterile originals below.

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The Last Uncharted Sky (Tor trade paperback edition, August 2021). Cover by Thom Tenery

When an author completes a trilogy, we bake a cake at the Black Gate rooftop headquarters in Chicago. In the case of Curtis Craddock’s acclaimed Risen Kingdom trilogy, the confectionery celebration was unfairly delayed until I found a copy of the final volume, The Last Uncharted Sky, released in trade paperback in August.

It was Charles Stross who drew my attention to the opener, An Alchemy of Masques and Mirrors, back in 2017 when he proclaimed it a “gaslight fantasy in the tradition of Alexander Dumas.” That’s not something I hear every day. The second, A Labyrinth of Scions and Sorcery, offered more tales of “adventure full of palace intrigue, mysterious ancient mechanisms, and aerial sailing ships!” (According to David D. Levine).

The closing volume was first published in hardcover in August 2020. Publishers Weekly called it a “triumphant finale to Craddock’s swashbuckling Risen Kingdoms trilogy… a spectacular series ender.” A truly satisfying and original modern fantasy trilogy is not an easy thing to find. This one reminded me of Howard Andrew Jones’ Ring-Sworn Trilogy; that alone was enough to pique my interest.

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The Last Watch and The Exiled Fleet (Tor, April and August 2021). Cover art by Shutterstock

As days get shorter and nights get longer, my reading ambitions begin to grow. Recently I’ve been on the hunt for a more substantial reading project, and I think I’ve found it in J.S. Dewes debut series The Divide. The opening book The Last Watch received plenty of breathless notices; in her mid-year wrap-up of The Best Sci-Fi and Fantasy Books of the Year, Sadie Gennis at Vulture called it “one of the most stunning sci-fi series debuts of recent years… [a] nail-biting space epic,” and Booklist proclaimed it “a bravura debut that blends great action with compelling characters.”

The first volume was released in April, and sequel The Exiled Fleet followed hot on its heels four months later. Dewes has announced a third volume on her website, to be released next year. An epic space opera with more volumes in the pipeline is just what I had in mind for a fall reading project. Here’s a sample from Matt Matkowski’s enthusiastic review of the audiobook version of The Last Watch at Booklist.

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