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Category: Series Fantasy

New Treasures: Dragonfall by L.R. Lam

New Treasures: Dragonfall by L.R. Lam

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Dragonfall (DAW, May 2, 2023). Cover by Micaela Alcaino

L.R. Lam, who also writes as Laura Lam and Laura Ambrose, is the author of the Micah Grey trilogy (Pantomime, Shadowplay, and Masquerade), about an an intersex youth who runs away from home to become a circus aerialist. Lam is also the author (with Elizabeth May) of the Seven Devils duology, Seven Devils and Seven Mercies.

Lam’s new book is the opening volume in a new fantasy series, Dragon Scales. The tale of a street thief who steals a powerful artifact from the bones of the hated Plaguebringer, Dragonfall is a tale of the world-changing events triggered by that small bit of larceny… beginning with Everen, the last male dragon, dragged him through the Veil and disguised as a human, who find himself unexpectedly in the thief’s power. Publishers Weekly calls it “Sumptuous epic fantasy,” and GrimDark magazine sums it up as “a slow burn, full of angst, moral dilemmas and emotionally damaged characters… an exciting opening to a series with a lot of potential.”

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Talking Tolkien: A Magical Tolkien Celebration – by David Ian

Talking Tolkien: A Magical Tolkien Celebration – by David Ian

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Rarely a day goes by that I’m not listening for at least a few minutes to a radio play or an audiobook. They have become weaved into the fabric of my life. David Ian of Unchained Productions recounts a live performance of The Hobbit at a Middle Earth Convention. This is SO neat! Read on.

“In a hole in the ground lived a hobbit,” the narrator Cindy McGean begins at the microphone. Flanking her on stage is a phalanx of microphone stands where actors, script in hand, play the voices of Bilbo, Gandalf, Thorin Oakenshield, Gollum, the trolls Tom, Bert & William, and many other characters of Middle Earth. On the floor in front of the stage, sit two long tables filled to the brim with sound effects props. They will provide the sounds for cracklings fires, clopping ponies, booming thunder storms, creepy spiders in the dark forest, and the drip, drip, drip of Gollum’s cave. The former elementary school gym now turned to small stage theater is filled with audience members, hobbit fans of all ages, and some even dressed up as if they came directly from Middle Earth.

This is the scene at the McMenamin’s hotel and pub housed in a former elementary school in Portland, Oregon, on the weekend closest to JRR Tolkien’s birthday (which is January 3rd). The building is transformed for a day into a Middle Earth convention, which includes Lord Of The Rings and Hobbit films played in the auditorium, and in the gymnasium, a local audio theater troupe, Willamette Radio Workshop, performs a live rendition of Tolkien’s original classic, The Hobbit.

A half-dozen voice actors hold scripts in hand, and play a wide cast of characters famous to the “There And Back Again” tale of Bilbo, the dwarves and the dragon. The sound effects operators bring the scenery backgrounds of Mirkwood, Gollum’s cave, and Smaug’s lair to the mind by using only sound. They also make the clamoring chaos of dwarves eating up Bilbo’s larder, the mighty fury of Smaug’s attack on Lake Town, and the huge vast scope of the Battle of Five Armies.

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Knowing the Rules, and Choosing to Break Them: An Interview with K.B. Wagers

Knowing the Rules, and Choosing to Break Them: An Interview with K.B. Wagers

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The NeoG trilogy, published by Harper Voyager: A Pale Light in the Black
(March 2020), Hold Fast Through the Fire (July 2021), and The Ghosts of Trappist
(June 27, 2023). Covers by Vadim Sadovski and Reginald Polynice

K.B. Wagers is one of the most exciting of the new crop of space opera writers. Their first novel, Behind the Throne, appeared in 2016 from Orbit Books, and it kicked off what eventually became a popular six-volume series featuring Hail Bristol, a runaway princess who becomes one of the most fearsome gunrunners in the galaxy. Packed with alien gods, centuries-long conflicts, treasonous plots, interstellar civilizations, invasions, intrigue, diplomatic missions, a spaceship with a motley crew, and full-scale galactic war, the Hail Bristol universe is terrific rest stop for anyone who enjoys space opera and political intrigue.

K.B.’s new NeoG series, set in our own solar system, follows the adventure of the Near-Earth Orbital Guard, a military force patrolling and protecting space. The first two volumes, A Pale Light in the Black and Hold Fast Through the Fire, will be followed by The Ghosts of Trappist, arriving in hardcover from Harper Voyager on June 27, 2023. Lara Báez, the Publicity Manager at HarperCollins, was kind enough to arrange an interview with K.B. before the release of the new book. The complete text of our email discussion, which took place between May 31 and June 5th of this year, is below. It has been lightly edited for clarity, and to correct the worst of my spelling mistakes.

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Djinn, Disguises, and Dangerous Desert Quests: The Sandsea Trilogy by Chelsea Abdullah

Djinn, Disguises, and Dangerous Desert Quests: The Sandsea Trilogy by Chelsea Abdullah

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The Stardust Thief and The Ashfire King by Chelsea Abdullah (Orbit,
May 17, 2022 and February 20, 2024). Cover design by Lisa Marie Pompilio

Arabian fantasy with a true One Thousand and One Nights feel is rare these days, which is why we celebrate it when it comes along. And Chelsea Abdullah’s debut novel The Stardust Thief, opening volume in The Sandsea Trilogy, has indeed been celebrated, with a bevy of enthusiastic reviews.

The Stardust Thief is a rousing tale of adventure, featuring a young thief with a djinn bodyguard, midnight assassins, dangerous desert quests, ancient lamps, magical disguises, a cruel prince and his softhearted younger brother, the Forty Thieves, and much more. Kirkus Reviews calls it “a beautifully crafted adventure,” and the sequel, The Ashfire King, is already on the schedule for early next year. I bought copy of the first volume last weekend I’m looking forward to diving into it.

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Talking Tolkien: Tolkien’s Evil Magic Sword – Anglachel

Talking Tolkien: Tolkien’s Evil Magic Sword – Anglachel

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Talking Tolkien is back for another installment, and I’m bringing back one of my essays.

Today’s essay is about a magic sword named Anglachel. It is really a minor element of the book, but the story of it weaves in and out of many other parts. That’s one of the true wonders of The Silmarillion. It’s a vibrant, interconnected history of Tolkien’s world. There are just SO many characters and stories throughout it.

I’m in that weird, small group which cites The Silmarillion as their favorite Middle Earth book. It is essentially a mythology and history of Tolkien’s world. While I love Robert E. Howard’s Hyboria, for me, Tolkien set the fantasy standard for world building. The Silmarillion is really several long stories combined into one book.

John Ronald Ruel Tolkien, creator of Middle Earth, was a master storyteller. The Hobbit, with its tale of plucky hobbits and dwarves, a wizard, a magic ring, and a dragon, made what has been termed high fantasy appealing to a large audience. And The Lord of the Rings is an epic saga of good versus evil and of never giving up on what is right, no matter how daunting the odds.

Both The Hobbit and The Lord of the Rings included bits of Middle Earth history. Gimli sang ‘The Song of Durin’ as the fellowship traveled through Moria and Aragorn sang a song of Beren and Luthien early in his travels with the hobbits. It was the history of Middle Earth and events of the First Age that were always dear to Tolkien’s heart. He tried for decades to get The Silmarillion published and he constantly revised and added to his creation.

Of course, magic swords are one of the most popular tropes in fantasy (and role playing games). The appeal can probably trace its roots back to King Arthur’s legendary blade, Excalibur. Bilbo was given the elven dagger named Sting in The Hobbit. Aragorn’s Anduril (the sword formerly known as Narsil) is an important symbol in The Lord of the Rings, while Gandalf bore Glamdring (Hey Gary Gygax, who says wizards can’t use swords?), a sword that traced its lineage back to Turgon of Gondolin. As does its ‘mate,’ Orcrist, which found its way to Thorin as he sought to reclaim Erebor for Durin’s folk.

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Vintage Treasures: Chronicles of the Twelve Kingdoms by Esther M. Friesner

Vintage Treasures: Chronicles of the Twelve Kingdoms by Esther M. Friesner

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Mustapha and His Wise Dog and Spells of Mortal Weaving
(Avon, July 1985 and May 1986). Cover art by Richard Bober

Esther M. Friesner is one of the most prolific and popular writers of modern fantasy, with dozens of novels and over 200 short stories to her credit. She’s been nominated for a Hugo Award, and won two Nebula Awards for her short fiction. Her debut novel, Mustapha and His Wise Dog, appeared in July 1985, and the following year she was named the Outstanding New Fantasy Writer of 1986 by Romantic Times. It kicked off a popular series that ran for four volumes and came to be known as the Chronicles of the Twelve Kingdoms.

Mustapha and His Wise Dog is an entertaining fantasy in the style of the Arabian Knights, about a young man cast out by his bothers and destined to wander the world with only his faithful talking dog Elcolog for company. Fortunately for Mustapha, Elcolog turns out to be significantly smarter than anyone he meets on his encounters and, fortunately for readers, the wisecracking Elcolog turns out to be one of the most entertaining and lovable characters in modern fantasy.

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Talking Tolkien: The Architects of Modern Fantasy, Tolkien and Norton – by Ruth de Jauregui

Talking Tolkien: The Architects of Modern Fantasy, Tolkien and Norton – by Ruth de Jauregui

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Talking Tolkien is back for another installment and Ruth de Jauregui brings in another Fantasy giant, the great Andre Norton. Those DAW paperbacks are classics. Read on!

The influences of J.R.R. Tolkien and Andre Norton fill the world of speculative fiction and, while the genre existed before and after both authors, their works have forever shaped new authors and the flow of the modern fantasy novel.

Tolkien forged the modern rendition of the epic journey tale that has its roots in Beowulf and The Odyssey, pitting good against evil in the world known as Middle Earth. The master of the epic journey, the battle of good and evil, wizards, brave men and elves, sturdy dwarves, and never to be forgotten, the little hobbits, began the adventures of Middle Earth with a journey to recover the dwarves’ stolen home and treasure in The Hobbit. It was followed by his continuation, “The Road goes ever on and on…,” with the next generation of hobbits in an epic quest to save Middle Earth from its version of Satan in The Lord of the Rings.

And it all began with a hobbit in a warm and cozy hole.

Actually though, Tolkien’s works began much earlier. He was writing poetry and the beginnings of his epic work as early as 1910, and perhaps even earlier as his first published poem, “The Battle of the Eastern Field,” was printed in the King Edward’s School Chronicle in March 1911. At age 19, he was already on the long road leading to Middle Earth after being orphaned, his romance with his future wife forbidden by his guardian, and failing and then winning a scholarship to Oxford.

As Tolkien himself said in the introduction to The Fellowship of the Ring: “…to be caught in youth by 1914 was no less hideous an experience than to be involved in 1939 and the following years. By 1918 all but one of my close friends was dead…”

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Skullduggery in the Imperium: The Deep Man by Michael Mersault

Skullduggery in the Imperium: The Deep Man by Michael Mersault

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The Deep Man and The Silent Hand (Baen Books,
January 4, 2022, and October 3, 2023). Covers by Kurt Miller, unknown

I was at Barnes & Noble on Saturday, browsing the science fiction section, when an honest-to-god novelty caught my eye. A brand new mass market paperback! I thought they were virtually extinct, wiped out in the industry-wide shift to trade paperbacks and digital formats. It was titled The Deep Man, the debut novel by newcomer Michael Mersault, and was a reprint of a trade paperback released in January of last year.

It sounded pretty good, too. Something about “It Takes a Warrior to Relight the Galaxy!,” plus some breathless back cover copy about a Galactic Imperium, Myriad Worlds, mysterious nonhumans, mighty clans, an Honor Code, a hero in command of an outmoded, underequipped frigate, spies and assassins, and uncovering a “chilling plot to extinguish humanity’s light from the galaxy.”

Slow down there, deep dude. You had me at “It Takes a Warrior.” Am I the only one who misses paperbacks that fit in one hand? Time to kick the cats out of my big green chair, and read about relighting the galaxy! With humanity’s light, plain old laser fire, or whatever. Honestly, I’m not picky.

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Talking Tolkien: Religious Themes in Lord of the Rings – Joe Bonadonna

Talking Tolkien: Religious Themes in Lord of the Rings – Joe Bonadonna

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Talking Tolkien is back and it’s Black Gater Joe Bonadonna, musing on religious themes in Lord of the Rings. Since Tolkien set out to compose a mythology for England, and was himself a devout Catholic, it’s no surprise that the topic of religion is certainly relevant to his work. Take it away, Joe…

First, I want to say that I am most definitely not an expert on Tolkien’s writings and his history of Middle-earth. Certainly, the myriad fans of Tolkien’s work will be familiar with the ideas and concepts that are laid out in this article. Most of what I set down here will be obvious to Tolkien fans and aficionados. I’m not really adding anything new here; this is just an exploration of themes I’ve always found interesting, and whenever I find myself in a discussion with other fans of Lord of the Rings, I always find myself bringing up the topic of religious ideas in the books, and the fact that there are no churches or other holy places. (It can be argued that all Middle-earth — every forest, every river, every mountain, every pasture is sacred, I suppose.)

Why aren’t there any priests, nuns or priestesses in The Hobbit and Lord of the Rings? Do Hobbits go to church? Do Elves worship at a temple? Do dwarves belong to a mosque or synagogue? Do they all pray to Eru/Ilúvatar? And where do they go to pray? A special house of worship or is anywhere they pray become a sacred place?

Those are some of the questions I inevitably ask.

Since first reading The Hobbit in 1968, I’ve read it only one other time; I’ve read Lord of the Rings three times, but have only read The Silmarillion once. When The Children of Hurin was first published, I read that. I am pretty unfamiliar with the professor’s other works, however. My sources used in research for this article are: Ruth S. Noel’s The Mythology of Middle-Earth, Robert Foster’s The Complete Guide to Middle-Earth, Paul H. Kocher’s Master of Middle-Earth, William Ready’s Understanding Tolkien, Humphrey Carpenter’s Tolkien: The Complete Biography, as well as The Hobbit, The Return of the King, and The Silmarillion.

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Talking Tolkien: A New Black Gate Series

Talking Tolkien: A New Black Gate Series

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Possibly because Black Gate leans more towards sword and sorcery than to high fantasy, the varied works of Robert E. Howard are a lot more discussed here than those of J.R.R. Tolkien. But there are quite a few devotees of both, and the writings of the two fathers of fantasy are favorites.

Back in the summer of 2015, writers from all over waxed eloquently on various aspects of REH’s life and works in a series we called Discovering Robert E. Howard. Some fascinating stuff was covered, and the final essay was posted in March of the following year!

Because I never know when to leave a good thing alone, we took things a step further in 2019. From January through June, a different writer looked at every original Conan story (randomly assigned to them) written by REH, for Hither Came Conan. It was, quite simply, a spectacular series with some amazing essays. It was so good, that it was incorporated along with a blog series by Howard Andrew Jones and Bill Ward, into a new book from Rogue Blades, into THE definitive guide to the Conan Canon. With some new essays added, Hither Came Conan belongs on every REH shelf – right alongside the terrific Del Rey Conan trilogy, on mine.

Well, since the Black Gate firewall still hasn’t figured out how to block me, I decided why not expand the Tolkien footprint here at BG?

Joe Bonadonna, Gabe Dybing, Rich Horton, David Ian, Ruth de Jauregui, James McGlothlin, Thomas Parker, Fletcher Vredenburgh, and myself (the only way I get included in these types of All Star things is to put it together myself…) are going to spend the next couple months talking about different aspects of Tolkien’s life and works. And it’s not just Middle Earth (though of course, much of it is).

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