Short Fiction Review #33: Oxford American Future Issue
Oxford American Issue 70 contemplates life in 2050 with 11 stories that share a pessimistic view of America’s future beset by natural and man-made disaster, human folly and avarice. In other words, just like it is today, only worse.
While dystopia has always been a fundamental science fictional trope (indeed, the one that has historically been most likely to gain literary credence, e.g., Brave New World and 1984), there was a time, particularly during the Golden Age of the 1930s to 1950s but still continuing on in counterpoint to the New Wave movement during the 1960s/1970s, when writers portrayed a future improved by technology, not devastated by it. Even the cyberpunks, despite their bleak industrial noir settings, arguably depicted technology as a “force for good” when their renegade heroes turn the technological tables to upend the corporate masters.
Part of the bleakness here might be because Oxford American terms itself “The Southern Magazine of Good Writing,” and the American South certainly has a collective consciousness of disasters dating back to the Civil War, but most recently with Katrina and the BP oil spill in the Gulf. “The Vicinity of the Sick” by M.O. Walsh depicts a Louisiana where people have to wear bio-hazard suits to go in the water; a woman dying of cancer is driven by her reluctant husband to a restricted biohazard in hope of escaping the soul-sapping hazards of technological illusions that pervade “normal” existence in Connie May Fowler’s “Do Not Enter the Memory”; and a strange pair from opposite socio-economic backgrounds try to survive (and discover some basic bond of humanity) in the Bayou following ecological and technological collapse in “Maroon” by Susan Straight. Along the same lines, in a non-fction piece, Kevin Brockmeier lists his “Ten Great Novels of the Apocolypse.”
In addition to ecological disaster, the stories share to varying degrees the usual suspects for end-of-the-world scenarios: the amoral corporate focus on the bottom-line and self-interest, the numbness of media and advertising that leads to unhealthful lifestyles, medical advances that keep people biologically alive in bodies long past expected mileage.
The holidays are over and according to AccuWeather, approximately 70% of the United States has snow on the ground and for a whole lot of you, this may be just a rare enough occurrence that for the moment, you’re mildly amused. But trust me when I tell you the novelty of throwing it at each other, sliding down it, or for a select group of you, writing your name in it, is going to wear off. And that’s when the cabin fever sets in.
The Long Look
Vampire Circus (1972)
Last week, I discussed my 
The Birthing House
Due to an unfortunate (or perhaps I should say, “fortuitous”) comment I let slip in an email, Howard Andrew Jones discovered I had no idea who C.L. Moore was.