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Category: Pulp

Space Opera vs Sword & Planet: Flash Gordon

Space Opera vs Sword & Planet: Flash Gordon

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Flash Gordon is sometimes labeled Sword & Planet fiction. It meets quite a few of the characteristics. It has an Earthman, Flash, ending up on a strange world where he engages in battles with strange monsters and weird humanoid aliens, including winged men, bird riders, lion men, and others. However, it fails the S&P test on one major feature, the primary weapon used. When Flash is first challenged, if at all possible, he reaches for a ray gun rather than a sword.

John Carter, Dray Prescot, Jandar of Callisto, and Ruenn Maclang of Talera reach for a sword. For this reason, since “sword” is the very first word in Sword & Planet, I tend to classify the Flash Gordon stories as Space Opera and put them in a category of S&P adjacent. It’s a matter of taste, of course. I tend to be a splitter rather than a lumper, which means I tend to separate genres along narrower lines than some other folks. The images I’ve posted today, downloaded as public domain or as stills from the movie, illustrate this feature of the Flash stories.

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By Crom, It’s Cimmerian September: Arthurian Elements In the Conan Canon – Part II

By Crom, It’s Cimmerian September: Arthurian Elements In the Conan Canon – Part II

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It’s installment three of Cimmerian September, and I’m going back to Spring of 2018 for today’s post. But it’s not a reprint (Hey: I think people should read last week’s essay on “Rogues in the House”!

I took a fantasy template developed by John Teehan, citing Arthurian elements to be found in almost any fantasy work. Well, at least one element can be, anyways. I applied the principles to the first four Conan stories: “Phoenix on the Sword,” “Frost Giant’s Daughter,” “The God in the Bowl,” and “The Tower of the Elephant.” You can click on this link to see that three of the four scored pretty low.

Well, we’re gonna look at the next three Conan stories: “The Scarlet Citadel,” Queen of the Black Coast,” Black Colossus,” and Iron Shadows in the Moon.”

So, let’s see how the stories shape up.

John Teehan, in The Complete Guide to Writing Fantasy: Volume One, challenges the reader to think of their favorite contemporary fantasy novels. And we’re talking Tolkien-onwards here, not just the past few years. Then he gives a list and says it would be difficult to think of a book that didn’t have any of the five themes on the list. He is making the point that the Arthurian legend, largely brought to popular culture by Thomas Malory, was an interweaving of those five themes. High fantasy epics like David Eddings’ Belgariad still follow this path.

I immediately thought about Robert E. Howard’s Conan tales and how they didn’t really emulate this pattern. Or so it seemed to me. My friend Deuce Richardson immediately pointed out two stories that did significantly incorporate these elements. So, I decided to start at the beginning and take a good look at “The Phoenix on the Sword”: then, do a less detailed survey of the following stories.

This time around, we’ll give “The Scarlet Citadel extra attention, then move on to the other two.

So, here we go!

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The Sword & Planet of Leigh Brackett

The Sword & Planet of Leigh Brackett

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The Secret of Sinharat and People of the Talisman (Ace Double M-101, 1964). Covers by Ed Emshwiller

Leigh Brackett (1915 – 1978) is my favorite from among the second generation of Sword & Planet writers (S&P). Many people I meet recognize her name from her association with Star Wars: The Empire Strikes Back, for which she wrote the initial script. Or for the script to The Big Sleep, which she also wrote. Or, for several western movies she wrote the scripts for.

Those don’t mean anything to me, though. I know her from her Space Opera and S&P books, particularly the series featuring Eric John Stark.

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Sword & Planet from DMR Books: Henry Kuttner and Howie K. Bentley

Sword & Planet from DMR Books: Henry Kuttner and Howie K. Bentley

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Startling Stories, May 1947; and Lands of the Earthquake by Henry Kuttner
(DMR Books, June 2017). Cover art by Earle Bergey and Logon Saton

Lands of the Earthquake/Under a Dim Blue Sun is a “Double” novel, in the tradition of the old Ace Doubles. It contains a long novella by Henry Kuttner called Lands of the Earthquake, and a shorter novella by Howie K. Bentley called Under a Dim Blue Sun. Both fit the Sword & Planet mold (S&P).

The publisher here is DMR books, and it’s printed in the old paperback size that I like. You can find DMR Books online or on Amazon. The cover art on the Kuttner piece is Logon Saton.

The Kuttner piece was first published in 1947 in Startling Stories but has not been reprinted until now. It involves a modern Earthman, William Boyce, being transported to a fantasy land where time stands still but physical space moves. This temporarily brings different lands close enough to each other to interact.

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By Crom, it’s Cimmerian September: Roy Thomas & “Out of the Deep”

By Crom, it’s Cimmerian September: Roy Thomas & “Out of the Deep”

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Cimmerian September (nod to Michael K. Vaughan for coining that) continues here at A (Black) Gat in the Hand. Spooky season is right around the corner, so let’s combine a little horror with our Conan (albeit, of the Marvel variety). I have been reading Savage Sword of Conan lately. But earlier this year, I finished my reading of the first 115 issues of Conan the Barbarian. Those comprised Roy Thomas’ first run of the series, as he left Marvel. I wrote previously about how he brought Conan to Marvel.

He adapted several non-Conan stories, such as “The Marchers of Valhalla,” The Lost Valley of Iskander,” and “Black Canaan,” among many others.

“Sea Curse” appeared in the May, 1928 issue of Weird Tales. It recounted the death of a young girl and an ensuing curse, in the small coastal village of Faring. That same year, he also wrote another tale set in Faring, but it was rejected by both Weird Tales, and Ghost Story. There was also a short poem called The Legend of Faring Town, which first appeared in 1975.

That second story, “Out of the Deep,” finally found print in the November, 1967 issue of Magazine of Horror. Whereas “Sea Curse” is a tale of revenge, this one is a sea monster story. And the reason I chose this of the two is because Roy Thomas adapted it for Conan the Barbarian.

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Manly Wade Wellman, Part II: Hok the Mighty

Manly Wade Wellman, Part II: Hok the Mighty

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Planet Stories #30: Battle in the Dawn: The Complete Hok the Mighty, by
Manly Wade Wellman (Paizo Publishing, March 2011). Cover by Kieran Yanner

Wellman created his character Hok the Mighty in 1939 and wrote several follow up stories with the character. In 2011, Planet Stories released a “complete” Hok the Mighty collection called Battle in the Dawn, with a cover by Kieran Yanner. The character as Yanner imagined it is shown here and makes me think of Brak the Barbarian.

Despite that image, the stories are not sword & sorcery but what I call “Caveman” fiction. Hok is a Cro-Magnon, an early Homo sapiens. He is wandering north in search of new hunting grounds and comes into contact with the Neanderthals (beast-men) living there. The result is a war between true humans and the sub humans, and Hok leads the way.

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What I’ve Been Listening To: August, 2025

What I’ve Been Listening To: August, 2025

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What I’ve Been Listening To is back for another installment. Audiobooks are omnipresent in my life now. Work, home, car, walking, bedtime: I’m constantly listening to them. Often something I’ve listened to before, which lets my mind half-focus to no ill effect. But I’m still listening.

Some recent plays – all Audible, as I need to get Hoopla set up on my ‘new’ used phone. I have listened to five different Bruce Campbell projects recently, so that’s probably another post.

MIDDLEBRIDGE MYSTERIES

I wrote about Mistletoe Murders, which is an Audible original series. It’s like a Hallmark mystery movie. Emily Lane runs a Christmas-themed store, but she has a secret past. Of course, there’s a local cop boyfriend, with a daughter named Violet.

I like the series, and they turned it into a Hallmark TV series as well, though I’ve not seen that yet. It uses different actors, which I’m not too enthused about.

Well, Violet was trying to get into college at the end of season three, and she did. So, Anna Cathcart is back and starring in Violet’s freshman year in criminal justice studies. Her professor is played by Eric McCormack (Will and Grace). I was a big fan of his show Perception and he’s good as a supporting character here.

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A (Black) Gat in the Hand: T.T. Flynn’s PI-Like Horse Bookie, Mr. Maddox, Volume III

A (Black) Gat in the Hand: T.T. Flynn’s PI-Like Horse Bookie, Mr. Maddox, Volume III

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“You’re the second guy I’ve met within hours who seems to think a gat in the hand means a world by the tail.” – Phillip Marlowe in Raymond Chandler’s The Big Sleep

(Gat — Prohibition Era term for a gun. Shortened version of Gatling Gun)

Pulp Fest took place this past weekend in Pittsburgh. It’s a really cool event, and the Hilton Doubletree is a nice site. Steeger Books rolls out its summer line at this event. And for the third year in a row, there was a new Continental Op collection, with a brand new intro by yours truly. Getting to write about Dashiell Hammett remains a definite thrill. This volume wrapped up his pre-Cap Shaw career.

The talented Duane Spurlock wrote about T.T. Flynn’s Westerns a few Summers past. I’m a fan of those stories, and Duane did a better job covering them than I could have. I did write a Steeger Books intro for a Flynn book, though. Mr. Maddox is a bookie who makes the rounds of the horse racing circuit. And he finds dead bodies and crimes like Jessica Fletcher. I have the first two volumes of these novella length stories, and I wrote the intro for the third. So, here you go!

 

Thomas Theodore (better known as T. T.) Flynn Jr. began selling Westerns to the pulps early in 1932. Dime Western began its run, covering more than 250 issues over thirty years, with a T. T. Flynn story in the very first issue that December. Less than a year later, Star Western launched, with Flynn’s “Hell’s Half Acre” featured on the cover. He continued writing popular Westerns into the fifties, and he survived the demise of the Pulps by transitioning to Western paperbacks. His lone story to make The Saturday Evening Post became the popular James Stewart movie, The Man from Laramie.

But before roaming the pages of the Old West, Flynn was an accomplished mystery and hardboiled pulpster. The venerable Flynn’s (no relation), which ran for over 600 issues under multiple names, was less than a year old when his second story appeared in August of 1925. Three consecutive issues in December of that year included Flynn’s stories.

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Planet Stories: Sojan the Swordsman/Under the Warrior Star by Michael Moorcock and Joe R. Lansdale

Planet Stories: Sojan the Swordsman/Under the Warrior Star by Michael Moorcock and Joe R. Lansdale

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Planet Stories #29: Sojan the Swordsman by Michael Moorcock/ Under the Warrior Star
by Joe R. Landsale (Paizo Publishing, October 5, 2010). Cover by Kieran Yanner

When I saw this book, I immediately had to have it. A “Planet Stories Double Feature!” Planet Stories published quite a bit of Sword & Planet fiction back in the day, and of all the pulps, if I could have had a subscription to just one it probably would have been that one.

This “Planet Stories,” however, is a modern effort from Paizo Publishing that started out reprinting old tales from the original magazine, including some great stuff by Leigh Brackett.

This particular work contains two novellas, “Sojan the Swordsman” from Michael Moorcock, and “Under the Warrior Star” by Joe Lansdale. “Sojan” reprints a bunch of old Sojan tales from Michael Moorcock, which were linked together to make something of a longer tale. It was printed first in the collection, probably because he’s the better known of the two authors, but I think they should have done the Lansdale piece first. It’s considerably better.

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A (Black) Gat in the Hand: More Weird Menace: Robert E. Howard’s Conrad and Kirowan

A (Black) Gat in the Hand: More Weird Menace: Robert E. Howard’s Conrad and Kirowan

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“You’re the second guy I’ve met within hours who seems to think a gat in the hand means a world by the tail.”

– Phillip Marlowe in Raymond Chandler’s The Big Sleep

So basically, I don’t do horror. Robert E. Howard is my second-favorite writer in any genre (trailing only John D. MacDonald), and I’m not really even that into his horror stuff. “Pigeons from Hell” is considered one of his best stories, but I don’t really like it. Other than a few exceptions, like the terrific Robert R. McCammon, and F. Paul Wilson, horror doesn’t work for me (no, I don’t really care for Lovecraft, either, though I’m well-versed thanks to those old Del Rey paperbacks).

But I do like several stories which are in Del Rey’s The Horror Stories of Robert E. Howard, such as Solomon Kane’s “Rattle of Bones.” There’s an upcoming post on “Out of the Deep,” and we are about to talk about his Conrad and Kirowan tales, which are part of the Cthulhu Mythos.

SPOILER WARNING – Look…the story I’m about to discuss is eighty-one years old. And it’s readily available. If you read my stuff here, you know I try to minimize spoilers. But you’ve had a lot of opportunities to read Robert E Howard. You have been warned.

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