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Vintage Treasures: The Last Province Magazine, Issue #4

Vintage Treasures: The Last Province Magazine, Issue #4

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The-Last-Province-Issue-4I recently stumbled across a copy of a gaming magazine I’d never encountered before: The Last Province, a bi-monthly British publication that apparently lasted five issues, from October 1992 to September 1993.

This doesn’t happen very often, so it was definitely worth investigating. And I’m glad I did, as it turned out to be a delight.

I think the cover — a Martin Lennon character study of three very different adventuring fellows striding confidently across a green and pleasant land — effectively communicates both the content and editorial attitude. If the art doesn’t do it, the tag words “Independent British Roleplaying” at the top should give you the idea.

Paz Newis’s page 4 editorial is a perfect mix of defensiveness towards gaming stereotypes, and contempt for what others consider ‘normal.’ Pretty much exactly how I remember gamers talking in the 90s.

To my mind ours is one pastime with a wealth to offer its participants. It is to those of you who wish to take roleplaying out of the ‘spotty adolescents’ stereotype that this magazine is aimed.

Recently… I thought it would be a good idea to sit in front of the television. I was appalled! It really was brain numbing. All of my higher brain functions seized up. If this is what the majority of ‘normal people’ spend their time doing I have no desire to be normal.

The news section is jammed with headlines on the big events of the day — including Steve Jackson’s quarter-million dollar judgment against the US Secret Service for seizing their computer equipment during an investigation of GURPS Cyberpunk, the report that a young employee at a Glasgow branch of a well known game store chain was apparently fired for being female, and the release of a major new RPG from FASA with the strange title Earthdawn.

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New Treasures: The New Yorker Fiction Issue, June 10 & 17, 2013

New Treasures: The New Yorker Fiction Issue, June 10 & 17, 2013

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The New Yorker Fiction issue June 2013A while back I bought a subscription to The New Yorker. I had one in grad school and quite enjoyed it, during those rare moments when I had time to read it.

Which pretty much describes the current situation. Every time an issue arrives, I examine it with great interest and then set it aside to read later. Currently, there’s more than a dozen piled up by my big green chair in the library.

But I finally made the time to open one this week, and the occasion was the arrival of their summer Fiction issue. It’s a big double issue, thicker than most and with two dates on the cover (June 10 and 17, 2013).

It’s not just that there’s a lot of content, but the cover — the silhouette of a femme fatale clutching a mauser against a 1930s New York skyline — promised something I almost never see in The New Yorker: genre fiction. Like last year’s science fiction issue, it’s the kind of surprise that deserves to be investigated.

There are even bigger surprises in the Table of Contents, starting with “An Inch and a Half of Glory,” a new story by Dashiell Hammett, author of The Maltese Falcon, The Thin Man, and the Continental Op novels.

Before you dash over to check Wikipedia (as I just did) — yes, Dashiell Hammett is still dead. He died in 1961.

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Jean Rabe Resigns as SFWA Bulletin Editor Amidst Controversy Over Sexist Articles

Jean Rabe Resigns as SFWA Bulletin Editor Amidst Controversy Over Sexist Articles

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SFWA Bulletin 200Jean Rabe, editor of the Bulletin of the Science Fiction Writers of America, has stepped down following a series of controversies in recent issues.

The problems began with the now-infamous issue #200, pictured at right, featuring a Jeff Easley Red Sonja cover. Mike Resnick and Barry N. Malzberg, in their long-running column, wrote about “lady editor” Bea Mahaffey (among others), glossing over her significant accomplishments in the field to focus on her looks. In issue 201, CJ Henderson praised Barbie for maintaining “quiet dignity the way a woman should.” But things really blew up with issue 202, in which Resnick and Malzberg responded to mounting criticism by crying about censorship.

There’s been a great deal written about this in the blogosphere and fan press in the past month (Charlie Jane Anders at io9 has an excellent round-up), but I think Benjamin Rosenbaum put it best in his June 3 open letter “Dear Barry & Mike“:

It takes a certain kind of willful blindness not to get that slathering wolf whistles all over your tribute to women editors of years past might piss off… well, pretty much anyone born after 1960.

It’s not that we don’t know how it was when you guys came up. We know that back in the day, talking loudly about Andre Norton looking good in a bathing suit was supposed to be a gracious compliment about which she should be merrily grateful… We know this. We get it. We can make the imaginative leap to your context.

What upsets me, though, is that you apparently can’t make the imaginative leap to our context. You apparently don’t get that talking about how hot an editor is in a skirt — not in a love letter or a roast or an autobiographical reminiscence, mind you, but… in the central house organ of her writers’ organization — is, for us, kind of disgusting…

And then, honestly guys, the confused ramble about censorship?… That’s just painful. Like, if you say something that sucks, and we tell you it sucks, that’s… censorship? Stalinism?

SFWA President John Scalzi issued an apology to readers of the SFWA Bulletin on June 2.

Fantastic Stories, October 1964: A Retro-Review

Fantastic Stories, October 1964: A Retro-Review

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Fantastic Stories October 1964I continue my peregrinations through the Cele Goldsmith Lalli years at Amazing/Fantastic.

This issue features a George Schelling cover. I don’t know if there are Schelling fans out here – but I have to say I found it quite poor, with absurdly stiff human characters, a particularly strange looking female character, a quite inaccurate representation (as to size) of the Tharn antagonist, and also not representing the scene it apparently depicts very well. Other than that… it’s kind of colorful.

(Click on the image at left to get a full-size version).

Curiously, the cover features no author’s name – only the title of the serial, “Seed of Eloraspon,” and the description: “Magnanthropus returns in a new novel.”

The interiors are by Arndt, Schelling (rather better than the cover), Finlay, and Andragna.

The ads are mostly Ziff-Davis house ads, with one full page ad for the Rosicrucians. The editorial, as usual by editorial director Norman M. Lobsenz, is about progress towards a real life version of Donovan’s Brain (and many other stories). The only other feature is a single column on what’s “Coming Next Month.”

The fiction:

Novelet:

“Beyond the Ebon Wall,” by C. C. MacApp (18,700 words)

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Fantasy Face-Off: Henry Kuttner’s Elak of Atlantis vs. Robert E Howard’s Conan the Cimmerian

Fantasy Face-Off: Henry Kuttner’s Elak of Atlantis vs. Robert E Howard’s Conan the Cimmerian

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Weird Tales, July 1938, featuring Elak of Atlantis in "Spawn of Dagon"
Weird Tales, July 1938, featuring Elak of Atlantis in “Spawn of Dagon”

Now, before I start actually looking at these two heroes, I should probably explain why I’m doing what I’m doing.

You see, when Robert E Howard — creator of the sword and sorcery sub-genre, bare-fisted boxer, and all-round amazing writer — killed himself at the age of thirty, he left a pretty substantial gap in the pulp fiction market, one that was very hard to fill, but one that had to be filled. So Henry Kuttner, a fellow writer more famous for his science fiction than his fantasy, was called in to take up the sword and sorcery mantle — and stumbled in doing so.

The blurb describes the Elak stories as “exciting tales that helped establish a genre,” and “a major step in the evolution of the genre.” (I read Gateways kindle collection.)

Yeah that’s… an overstatement, not much more than a writer’s hyperbole. To be frank, the Elak tales are most easily comparable to a Saturday morning cartoon or a SyFy B-movie, what with all the hackneyed prose and clichéd characters.

Kuttner makes no attempt to advance the formula that Howard established, no attempt to evolve the genre as the over-enthusiastic blurb suggests. What you get instead is a readable adventure, entertaining, but not much more; it’s plot and prose, its action and characters merging with all the other yarns you’ve read and books you’ve consumed.

But then perhaps that’s the point. Pulp is meant to entertain; it’s not The Lord of the Rings or The Game of Thrones, it’s not supposed to make you think or take sides, not intended to evolve anything. Just to entertain.

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Galaxy Science Fiction, February 1951: A Retro-Review

Galaxy Science Fiction, February 1951: A Retro-Review

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Galaxy February 1951The February, 1951 issue of Galaxy Science Fiction is groundbreaking. The first story is a novella by Ray Bradbury titled “The Fireman.”

My heart skipped a beat when I saw this, and I quickly discovered that Bradbury later expanded this tale into the classic novel Fahrenheit 451.

In “The Fireman,” Mr. Montag works as a fireman – not one who douses flames, but one who starts them in order to destroy books. Books, after all, are upsetting and challenge the brain-numbing entertainment of the day. People who are well-read might unbalance a society of non-thinkers.

I read Fahrenheit 451 in school, and I didn’t understand all of the warnings Bradbury issues throughout the novel. When I read “The Fireman,” there were parts that really concerned me as I considered our own society. Replace references to “television” with “Internet” or “Facebook,” and suddenly Bradbury’s dystopia doesn’t seem so distant anymore. This is a story I wish everyone would read – and think about while reading it. It really is quite chilling.

“…And it comes out here” by Lester del Rey – A man travels back in time to prepare his younger self for an expedition. The mission is to retrieve a device from the future and claim it as his own invention.

I love the second-person narrative of this tale, and I equally enjoyed the way that everything circuitously ties together. It was interesting how del Rey used the protagonist both as a character and as a narrator, and because time travel was involved, these were essentially two different people.

Oh, and in case you’re wondering — yes, this is the same man who started Del Rey Books.

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Forrest J. Ackerman and the Days of the Do-It-Yourself Anthology

Forrest J. Ackerman and the Days of the Do-It-Yourself Anthology

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Forrest J Ackerman Starlog 1978-2When I was 14 years old, I stumbled on an article in Starlog magazine titled “The World’s Greatest Science Fiction Fan.”

It was about Forrest J. Ackerman, of course: writer, literary agent, and editor of Famous Monsters of Filmland. But Forry’s greatest claim to fame was his legendary science fiction collection, housed in the Ackermansion in Los Angeles.

The article was accompanied by some mind-blowing photos. Forry standing before one of his greatest prides: his complete collection of Weird Tales. Forry posing with the original model used in George Pal’s War of the Worlds. Forry shaking hands with the Maschinenmensch from Metropolis. [Click on the image at left or below for bigger versions.]

The article appeared in the 1978 issue of Starlog, and it had a pretty profound effect on me. After I read it, I knew what my life’s work would be: to build a science fiction collection that could stand with pride alongside Forrest J. Ackerman’s.

These are the things that only a 14-year-old can dream.

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Tor.com Reviews First Edition Advanced Dungeons & Dragons

Tor.com Reviews First Edition Advanced Dungeons & Dragons

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Over at Tor.com, Mordicai Knode has captured a lot of my own thoughts on First Edition Advanced Dungeons and Dragons. Here he is on Gary Gygax’s original Monster Manual:

Even if you don’t play the game, you can still flip through it and think chimeras and hook horrors and mindflayers are awesome. Which follows through; even if you aren’t going to use any given monster, you can still find them interesting, and who knows, maybe flipping through you’ll find something that inspires you. I’ve built entire adventures, campaign tent poles, around a monster that tickled my fancy… I was very impressed with how closely the 1e Monster Manual adhered to my monster design philosophy: make every monster a mini-game.

Yes — exactly that. Even today, virtually every new adventure I design begins with flipping through MM (or MM II) until I see something that inspires me. These are books I’ve used more or less continuously for three decades. That’s my definition of a classic. The reprints, compliments of Wizards of the Coast, are geared towards the curious, and the exploding population of Old School Renaissance gamers.

Here’s Mordicai on the Dungeon Masters Guide:

The items, frankly, are neat as all get out. There is a good reason that all of the items here have been re-imagined in every subsequent edition — they are fantastic… The section on artifacts is…a mixed bag. First off, the Hand of Vecna! We all agree that the Hand and Eye of Vecna are the best artifacts, right?… While the backstories are wonderful, and I appreciate the impulse to leave artifacts open for DMs to tweak…a blank list of powers is just not helpful. Which is what you get, literal blank lines printed in the book. Come on, at least give a default suggestion!

What he said. Read the complete review here.

We last covered Tor.com with C.S.E. Cooney’s review of Paul Park’s poem Ragnarok.

Vintage Treasures: The Amazing Space Race

Vintage Treasures: The Amazing Space Race

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Amazing Stories January 1969A few weeks back, I purchased a lot of 27 Amazing Stories digests from the mid-60s and early 70s in great condition, for $35 (including shipping) — or about a buck an issue.

This was simultaneously delightful and dismaying. Delightful, of course, to get a fine set of SF magazines for not much more than they cost on the newsstand 45 years ago; dismaying to find that pristine vintage copies of one of the most important SF magazines command such little interest in the market.

Seriously, this doesn’t bode well for the thousands of SF magazines I’ve been gradually accumulating in my basement for the last 35 years. I  consider them treasures, but it seems the number of people who share my interest is shrinking every year. I just hope they don’t all end up getting recycled when I shuffle off this mortal coil.

Well, all collectors can really do is delight in those treasures we find, and share our enthusiasm with those around us. To that end, here I am, talking about a handful of issues of Amazing Stories, starting with the January 1969 issue, at left.

The late sixties was a bumpy time for the Granddaddy of Science Fiction magazines. Perhaps its finest editor, the talented Cele Goldsmith, left when the magazine was sold to Sol Cohen’s Ultimate Publishing Company in March 1965. At the time, Ultimate was simultaneously publishing Great Science Fiction, Science Fiction Classics, and other profitable reprint magazines — profitable chiefly because they didn’t pay for any of the reprints. Cohen wanted to pursue a similar strategy with Amazing.

Cohen hired Joseph Wrzos to edit both Amazing and Fantastic magazines, and indeed for several years Amazing offered almost exclusively reprints — although Wrzos reportedly did get Cohen to cough up funds for one new piece of fiction per issue. Wrzos left in 1967, and Harry Harrison was briefly editor from September 1967 to February 1968, when the talented Barry Malzberg stepped into his shoes.

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Explore History Through Tiny Cardboard Counters with Against the Odds Magazine

Explore History Through Tiny Cardboard Counters with Against the Odds Magazine

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Against-the-Odds-magazine-35-smallI discovered something fascinating while I was trolling eBay for vintage fantasy board games this morning: Against the Odds, a magazine published out of Southeastern, PA, which includes a complete game in each issue.

Now, it’s true that I get a little giddy around magazines. If I didn’t, I wouldn’t have published one for a decade. And I also love games. So magazines that include games? I had to go have a bit of a lie down.

Against the Odds is a quarterly periodical of history and simulation, and it looks remarkably similar to the great gaming magazines published by SPI, Strategy & Tactics and Ares, both of which included a game with each issue. Ares, published between 1980 and 1984, was one of my all-time favorite magazines. In that short span it brought over a dozen highly regarded games into the world, including Barbarian Kings, Star Trader, Nightmare House, The High Crusade (based on the Poul Anderson novel), Citadel of Blood, and many others. All 17 issues are currently available as free PDFs at Archive.org.

Against the Odds doesn’t have the same focus on fantasy and science fiction as Ares, but that doesn’t mean it’s not fascinating. The first issue I came across, #35 (December 2011), includes the game Boudicca: The Warrior Queen, featuring an historical clash between the Roman Empire and a loose collection of Celtic tribes on the barbaric island of Britannia in 61 A.D.

She meant “trouble” for the Roman occupation of Britain. After her revolt succeeded in burning three major towns and slaughtering tens of thousands of Roman citizens and allies, the Emperor Nero seriously considered whether this distant land was worth the cost to stay. Governor G.S. Paulinus’ remarkable victory – perhaps at the location later known as “Watling Street” – reaffirmed Roman domination. They would remain in Britain for over 300 more years.

But it might have been different. Can you as the leader of a various cluster of independent Celtic tribes cause enough trouble and loss to make the Romans leave your island? Can you as the commander of scattered Roman troops snuff out the rebellion more effectively than Paulinus? Will London burn or be saved? These are your challenges in ATO issue #35, Boudicca: The Warrior Queen by Richard Berg.

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