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Inheritance by Christopher Paolini to be Released November 8

Inheritance by Christopher Paolini to be Released November 8

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inheritanceI share a lot of books with my kids. I have two sons, ages 15 and 13, and an 11-year-old daughter. As you can imagine, they have a wide range of tastes. It’s uncommon for two to enjoy the same book (or series), and virtually unheard of for all three to agree. They couldn’t even agree on Harry Potter – my youngest two enjoyed the books, but my oldest turned up his nose.

The solitary exception is Christopher Paolini’s Inheritance Cycle. All three have devoured every book in the series, and all three have been clamoring for more.

For years. The first novel, Eragon, famously completed when when Paolini was only 19, was released in 2002. My oldest, Tim, read it first, and immediately started asking me when the next one was coming out.

Eldest arrived in 2005, and by then Tim’s brother Drew had read the first one.  Within two weeks of Eldest‘s publication date, both of them were asking me to check Amazon.con for news of the third. Brisingr landed in 2008, and by then (of course) my daughter had leaped enthusiastically on the bandwagon.

It’s now been almost three years that I’ve put up with endless questions about the arrival of the fourth book (the most recent was last Saturday. Man, these kids do not give up). So it was with considerable relief that I saw news articles this week about the fourth and final volume, Inheritance, scheduled for release by Knopf Books on November 8, 2011. Thank. God. I thought I was going to be pestered about this book until retirement.

You’re on your own for a plot summary, or any further details. I’m already tired of hearing about this book, and I first heard about it yesterday.  Read all about it on Paolini’s website Alagaesia.com, or better yet ask a nearby teenager. They’re sure to have all the details.

Dragons + Napoleon = MIGHTY FINE READING!

Dragons + Napoleon = MIGHTY FINE READING!

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temeraireOh, gosh! I’ve been reading Naomi Novik’s Temeraire books. My buddy (and dread Goblin Queen) Jessica Wick has been telling me I should read them for ages. And then the most fair and perilous Patty Templeton chimed in. And then my cool co-worker Janelle “I’m totally surviving the Zombie Apocalypse” McHugh started harping about them too, and I finally got a clue.

So I was all like, “FINE! I will read your 19th Century Dragons-as-Aerial-Calvalry in the year ‘O6 book, and I will see if it’s REALLY as good as all y’all are saying it is.”

Oh, it is. It is. Sea battles! Sea Serpents! Terrible storms! Travels to China! To Prussia! Blockades! Border patrols! Abolitionists and Assassins and fire-breathing Kazilik dragons, oh my!

I ordered His Majesty’s Dragon through Amazon.com and then I sort of ate it. And then I wheedled Patty (who works at a library to which I have no card) into checking out the next three books (Throne of Jade, Black Powder War and Empire of Ivory) for me (the latter of which I’m currently on). Last week, in anticipation of running out, I batted my not terribly impressive eyelashes at Janelle  (who happened to be going to the library that day) and asked if she might, just might, be willing to check out Victory of Eagles for me.

In the meantime, I ordered them all for our bookstore, so that I can hand-sell them  to unsuspecting customers in search of something bright and new and rambunctiously scrumptious in Fantasy. They’re sitting on my Employee Recommendation Shelf, right beside James Enge’s The Wolf Age, Terry Pratchett’s Nation, and Robin McKinley’s Sunshine. So they’re in good company!

Now, I’ve actually read (and watched) Patrick O’Brian’s Master and Commander, and also I love Susanna Clarke’s work, so I knew whereof Stephen King spoke when he wrote:

“Is it hard to imagine a cross between Susanna Clarke, of Norrell and Strange fame, and the late Patrick O’Brian? Not if you’ve read this wonderful, arresting novel.”

Only, see, I liked these books even better than Master and Commander, coz there were actually WOMEN in the pages. Female dragons as well as pilots — and boy, does that disturb our doughty protagonist Will Laurence! Before he got accidentally bonded to his Imperial Dragon Temeraire, he was just your ordinary, average (awesome) naval captain, with all that being British, a guy, and a naval captain in the 19th century implies. His time with the Aerial Corps, but most especially with Temeraire, works on him, until by the fourth book in, Laurence thinks and acts in ways that surprise even himself. It’s wonderful!

But really. I’m not here to write an in-depth review. I’m just here to alert you. You can be stubborn like me and wait a year or three before taking my advice and reading these books. YOUR LOSS THOUGH!

New Treasures: Who Killed Science Fiction? by Earl Kemp

New Treasures: Who Killed Science Fiction? by Earl Kemp

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who-killed-science-fictionIn 1960, only 34 years after the launch of Amazing Stories, the first true science fiction magazine, fan Earl Kemp mailed a set of questions to 108 SF writers, editors, artists and fans. 71 responded, including Isaac Asimov, Robert Heinlein, Hugo Gernsback, E.E. “Doc” Smith, Poul Anderson, Ray Bradbury, Fritz Leiber, Andre Norton, Kurt Vonnegut, Robert Silverberg, John W. Campbell, Horace Gold, Marion Zimmer Bradley, and many others. The questions were:

1) Do you feel that magazine science fiction is dead?
2) Do you feel that any single person, action, incident, etc., is responsible for the present situation? If not, what is responsible?
3) What can we do to correct it?
4) Should we look to the original paperback as a point of salvation?
5) What additional remarks, pertinent to the study, would you like to contribute?

Kemp published the results in his one-shot fanzine SaFari Annual #1 in 1960. Only 125 copies were printed, and it instantly became a collector’s item. A candid dialog on the flaws and fate of the genre between most of its brightest lights, Who Killed Science Fiction? achieved near-legendary status in the SF community, and SaFari Annual #1 won a Hugo Award in 1961 based on that sole issue.

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A Review of Unquenchable Fire, by Rachel Pollack

A Review of Unquenchable Fire, by Rachel Pollack

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unquenchable-fireUnquenchable Fire, by Rachel Pollack
Overlook Press (390 pages, $13.95 in trade paperback, March 1992)

Reading fantasy or science fiction, they say, is not as easy as checking a book out of the library and digging in. You need to know the pattern. From the very beginning of the book, you look for clues about how the world works. When odd words are dropped into the narrative, you already know they won’t show up in any dictionary; if there isn’t a glossary in the back, you work them out through context. People who don’t know the code — people who are used to reading mystery, say, or mainstream literature — find themselves lost and frustrated within pages or even sentences. And there’s a similar phenomenon with every genre. It would be ridiculously difficult to read a mystery story, for instance, if you weren’t prepared for misdirection and red herrings.

When I was reading Rachel Pollack’s Unquenchable Fire, I struggled with the strong sense that I didn’t know the code.

Unquenchable Fire is, on the face of it, a fantasy novel set in a near-future America that has been transformed by a magical religion. Some decades ago, a group of people called the Founders converted the whole country with miracles and storytelling, which in this universe are very close to the same thing, and they’re revered somewhat like saints. Spirits and totems are everywhere and often have real physical effects. If someone’s soul rises during a particularly uplifting concert, it really, literally leaves their body and might possibly get caught in the propellers of a low-flying plane. Government agencies and businesses deal with magic; there’s an organization that will find any dream in their catalogue and tell the dreamer what it means, for instance. And it’s quite possible to be threatened by an evil spirit on the streets of New York, then rescued by a good one and given a mysterious task.

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The Winter Triptych, Papaveria Press, and Doctors Without Borders

The Winter Triptych, Papaveria Press, and Doctors Without Borders

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Have you read Nicole Kornher-Stace’s wickedly twisted fairy tale retelling The Winter Triptych?

I have, and this is what I had to say about it.

“Nicole Kornher-Stace ‘The Winter Triptych’ is an icily glittering marvel of storytelling construction. This wicked tale of evil queens, mad huntsmen, martyred witches and a terrible curse that unfolds over a century executes its sleight-of-hand in diabolical layers. The immediate tableau before your eyes never flags as it pulls you in with its sweeping cast of characters, coldly terrifying villains and earnestly compelling heroines. And underneath it all, piece after piece locks and turns into place, until the entire triptych unfolds in a stunning revelation of inexorable fate, time-bending wonder and blood-curdling horror. I hold Nicole in both awe and envy: at the start of her career, she has already produced a masterwork.”

Although it’s hard to beat this line from Black Gate editrix C.S.E. Cooney:

Nicole Kornher-Stace plays with Time like it was her very own Tetris game.

But you don’t have to take our word for it. You can check out check out this review from Tori Truslow at Sabotage And this one from the indomitable Charles Tan of Bibliophile Stalker.

You can order it directly from the website of the publisher, Papaveria Press, or, if you don’t want to wait on overseas snail mail, you can snag it for your Kindle.

If you buy the book now, or buy anything from the Papaveria Press website, you’re helping out a good cause. Nicole is currently donating all her royalties from book sales to Doctors Without Borders. That includes both The Winter Triptych and her challenging debut novel, Desideria, which Booklist called “exceptionally well-crafted” and “spellbinding.”

Erzebet YellowBoy Carr, the totally awesome artist behind Papaveria Press, is doing likewise. Aside from many beautiful handbound volumes from the likes of Hal Duncan and Catherynne M. Valente, Papaveria published Amal El-Mohtar’s The Honey Month and C.S.E. Cooney’s own Jack o’ the Hills.

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The Desert of Souls Chosen as a Feature Selection of the Science Fiction Book Club

The Desert of Souls Chosen as a Feature Selection of the Science Fiction Book Club

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desertofsoulsHoward Andrew Jones’s first novel  has been chosen as a Feature Selection of The Science Fiction Book Club. Rave reviews continue to accumlate for The Desert of Souls, including this recent article from The Green Man Review:

Barely into the third month of 2011, I’m wondering if I’ll read anything else this year as good as The Desert of Souls. In it, Howard Jones proves himself a rare master of the storyteller’s art, a talent uncommon even amongst successful novelists. He’s written a pure, unapologetic, classically-structured adventure tale. In the vein of the Arabian classic, One Thousand and One Nights, Jones invites us into a fictional ninth-century Baghdad: one of mysterious figures, magical artifacts, frightening djinn, and lost cities damned by God…

Brilliant and immediate characterization, not only for Asim, the narrator, but Dabir, as well, perfect pacing, and a truly intriguing mystery draw the reader deeply into the world of the story. At one point, a story within the story allows Jones to comment on the act of storytelling itself. The novel is polished to a mirror sheen, but it has that something extra that takes a story beyond technical excellence and into the human heart.

Jones is an editor at Black Gate, a Harold Lamb scholar, and has written short stories in the world of his novel for many years. The Desert of Souls doesn’t read like a first novel, and perhaps that’s why. If you have any interest in historical fiction, fantasy adventure, Robert Howard, Harold Lamb, or the One Thousand and One Nights, you will love this book… Stories that stay with me as this one has don’t come around very often.

I’ve been a member of the Science Fiction Book Club for many years, and enjoy their low-cost editions of popular SF bestsellers.  The Desert of Souls will be featured in their June catalog, mailing out May 20, 2011. You can read the complete Green Man Review of Desert of Souls here.

Congratulations Howard!

Vintage Treasures: Science Fiction in the Golden Age

Vintage Treasures: Science Fiction in the Golden Age

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sf-golden-ageJames Van Hise, renowned comic and pulp expert and editor of The Rocket’s Blast ComicCollector magazine, has compiled a terrific collection of non-fiction articles from the dawn of the science fiction pulp era.

Science Fiction in the Golden Age arrived in the mail a week ago, and I’ve been mesmerized by it ever since. It gathers articles, letters, interviews, advertisements and artwork that appeared in pulps, fanzines and other sources between 1908 and 1955, including a H. G. Wells piece in a 1908 issue of Cosmopolitan speculating about life on Mars – with four illustrations, all reproduced here in color – a 1938 report on John W. Campbell’s plans as the new editor of Astounding Science Fiction, a review of E.E. “Doc” Smith’s Galactic Patrol from 1950,  a report from “Inside the Graf Zeppelin” from Science & Invention (1929), and a lot more.

Authors include Hugo Gernsback, Leigh Brackett, Edgar Rice Burroughs, Thomas Sheridan, and Ray Bradbury, and the vintage art from pulps and fan magazines includes classic work by Frank R. Paul and others, as well as unused art intended for the first edition of The Skylark of Space. I particularly enjoyed the house ads for magazines and novels, including Amazing Stories and Otis Adelbert Kline’s The Planet of Peril.

This is clearly a labor of love from someone who spent years reading and gathering literary gems and curiosities from some extremely rare sources, including Air Wonder Stories, Fantastic Adventures, Scientifiction, Fantasy Review, Boys Magazine, Writers Digest, Fantasy Advertiser, and many other pulps and fanzines. The only criticism I have is that the page numbers in the TOC are rather useless, given that most of the magazine isn’t paginated.

Science Fiction in the Golden Age is the first in a planned series, although since this one came out in May 2005 and no new volumes have followed, I’m not sure about the state of those plans. Volume One is 160 pages, 8 1/2 x 11 (side-stapled) with full color front and back covers by Frank R. Paul. I bought mine from the author on eBay for $20; additional copies are still available.

Blogging Sax Rohmer’s The Return of Dr. Fu-Manchu, Part Eight – “The Fiery Hand”

Blogging Sax Rohmer’s The Return of Dr. Fu-Manchu, Part Eight – “The Fiery Hand”

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fiery-hand“The Fiery Hand” was the eighth installment of Sax Rohmer’s Fu-Manchu and Company.   The story was first published in Collier’s on September 25, 1915 and was later expanded to comprise Chapters 24-26 of the second Fu-Manchu novel, The Devil Doctor first published in the UK in 1916 by Cassell and in the US by McBride & Nast under the variant title, The Return of Dr. Fu-Manchu.

8073861This serves as Rohmer’s variation on the haunted house story and mines the same territory as countless Sherlock Holmes pastiches where the reader is assured that the detective will arrive at a rational explanation because the other characters are convinced that the mysterious goings-on must be of supernatural origin from the start. That said, the story is an excellent one and finds Rohmer in fine form.

Inspector Weymouth calls on Nayland Smith and Dr. Petrie to enlist Smith’s aid in investigating the Gables, a property in Hampstead that appears to have been haunted for the past two years. The previous owners, a Quaker family who lived at the house for over forty years sold it after manifestations of a fiery hand holding a flaming dagger appeared. They said nothing of the incident at the time for fear of not being able to sell the property.

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The Desert of Souls, a Review

The Desert of Souls, a Review

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the-desert-of-souls

“We should talk more, you and I,” he said, “about storytelling.”

–Howard Andrew Jones, The Desert of Souls

The Desert of Souls is the debut novel of Black Gate magazine managing editor Howard Andrew Jones. About ¼ of the way into it, I thought aloud: You’ve got to be kidding me. A debut novel? Jones’ Arabian Nights-style adventure has the polish of a cut diamond, and the finish of a veteran author.

The Desert of Souls is a proper fantasy, albeit placed in a historical setting, so there’s magic, undead monsters, god-like snakes, and more. I haven’t encountered a djinn on the printed page since my old AD&D days, and was pleasantly flooded with memories of Oasis of the White Palm as I read. The Desert of Souls features two heroes, Dabir and Asim, who spend large part of the book in near-death situations in pursuit of the wizard Fifouz, who plots to visit an ancient curse on a modern city.

Jones has an excellent sense of pace and an affinity for a tale properly told. Not rushed, but told as a story should be told, as though novelist and the reader were drawn up around a campfire with the whole night ahead for stories. A lot happens in The Desert of Souls but it’s not told breathlessly; the pace is languid at times, quick at others in Asim’s first person narrative. It’s also unabashedly optimistic, a welcome relief in these often dark times of current fantasy offerings.

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Howard Andrew Jones on How Captain Kirk Led Me to Historical Fiction

Howard Andrew Jones on How Captain Kirk Led Me to Historical Fiction

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captain-kirkMan, that Howard Andrew Jones is, like, everywhere.

Today he’s at Tor.com, writing about how James T. Kirk led him on a many-year mission to explore strange new worlds of historical fiction:

I’d read that Star Trek’s creator Gene Roddenberry had modeled Captain Kirk after some guy named Horatio Hornblower. I didn’t think I’d like history stories, but I sure liked Star Trek, so I decided to take a chance. Once I rode my bicycle to the library and saw how many books about Hornblower there were, I figured I’d be enjoying a whole lot of sailing age Star Trek fiction for a long time to come.

Of course, it didn’t turn out quite like that. Hornblower wasn’t exactly like Kirk, and his exploits weren’t that much like those of the Enterprise, but they were cracking good adventures. Thanks to my own curiosity but mostly to the prose of the talented C.S. Forester, my tastes had suddenly, and accidentally, broadened beyond science fiction… I no longer thought of historical fiction as a strange, untouchable world, and as I grew older I tried more and more of it, sometimes because a period interested me and sometimes just because I liked a cover or a title. That’s how I found the work of Cecilia Holland, and it’s why I wasn’t afraid to try out a book by Harold Lamb titled The Curved Saber after I was spellbound by Lamb’s biography of Hannibal, the great Carthaginian general…

The complete article is here, and you can learn the mind-boggling details about Howard Andrew Jones month at Black Gate here.