How does one describe one of one’s favorite books? How does one describe a book that he and nearly everyone he knew who read it experienced tremendous joy and satisfaction from reading it? How does one describe a book he enjoyed so much he feared any future works by its author might detract something from that book’s perfection? Well, first, he needs to stop writing about himself in the third person, because that’s rarely good. Then he needs simply to write, “Read The Last Coin and you will have read one of the most charming and joyful books I’ve ever read.”
My friend Carl started me down the path of becoming a James P. Blaylock reader when he tossed me an already worn copy of The Digging Leviathan (1984 — his third book. His first two, The Elfin Ship and The Disappearing Dwarf I’ve reviewed here on Black Gate.) With its cabals of conspiracists, hollow Earth theorizing, and besuited axolotls, I was completely enchanted with the book’s story of two boys in California in the middle of the last century in search of a connection with their absent or missing fathers. It’s rougher than his later novels, but here Blaylock was already introducing many of the tropes, and even characters he would revisit throughout his career.
When his next book, Homunculus (1986) came out, I ordered a copy from the long-gone local book store, The Book Nook, something I rarely did. It’s one of the books K.W. Jeter was thinking of — the others being his own Morlock Night and Tim Powers’s The Anubis Gates — when he coined the portmanteau steampunk in a letter to Locus magazine. I enjoyed the book, which turned out to be the beginning of the ongoing adventures of Victorian inventor-cum-explorer Langdon St. Ives and the villainous hunchback, Dr. Ignacio Narbondo.
What does it mean to be an exile? How does that meaning bend across lines of nationality, of gender, of religion? How many different ways can being exiled shape, define, ruin, or even save a life?
This is just one set of questions raised by All the Seas of the World, the newest novel from master fantasy author Guy Gavriel Kay. The novel, Kay’s fifteenth, comes from Berkley and will be released on May 17, 2022.
All the Seas of the World is the third in a sequence of novels set in the lands around the Middle Sea, Kay’s reimagining of the Mediterranean region of Europe and North Africa, in a time period akin to the early Renaissance. The first novel set in this time and place, Children of Earth and Sky, actually takes place after the second installment, A Brightness Long Ago. This third novel is placed chronologically between the two. Kay prefers not to refer to the books as a trilogy, and with reason. Though related, and featuring recurring characters, each book stands alone. Taken together, the stories here fit into a world history Kay began to build with The Lions of Al-Rassan (1995), and built upon in Sailing to Sarantium and Lord of Emperors (1998 and 2000), and The Last Light of the Sun (2004).
H. Beam Piper’s Federation and Empire (Ace Books, February 1982 and May 1981). Covers by Michael Whelan
H. Beam Piper is an enduring favorite of mine. I love his SF adventure tales, including The Fuzzy Papers and the stories in his Paratime sequence. But I haven’t really dipped into his more ambitious work, the Future History that tied together most of his longer stories. The Zarthani website dedicated to Piper’s work summarizes it succinctly:
Piper’s Terro-human Future History is a future-historical science-fiction series which imagines the expansion of the human race from its origins on Earth (Terra) out into the galaxy. Consisting of the novels of Piper’s famous Fuzzy trilogy — Little Fuzzy (1962), Fuzzy Sapiens (…1964) — and Fuzzies and Other People (published posthumously in 1984), Piper’s novels Uller Uprising (1952), Four-Day Planet (1961), Junkyard Planet (1963) — also known as The Cosmic Computer, and Space Viking (1962), and eight Piper stories originally published in pulp science-fiction magazines between 1957 and 1962 (originally reissued, along with an additional, previously-unpublished story, in the Piper collections Federation and Empire edited by John F. Carr, and more recently in Carr’s The Rise of the Terran Federation), the Terro-human Future History spans over thirty millennia of future history.
Piper’s Future History has been much celebrated and discussed since his death, and we’re long overdue for a closer look here. Grab your beverage of choice, settle back in your favorite chair, and let’s dive in.
Here’s another book that just jumped into my hands while I was minding my own business at Barnes & Noble this weekend: The City of Dusk, the adult debut by Tara Sim, the author of the popular Scavenge the Stars YA series and the Timekeeper trilogy. It’s the tale of four divine heirs of the great Houses — Life, Death, Light, and Darkness — in a once-great city faced with slow extinction now that the gods have abandoned them, and how they come together with a bold plan to save their city. Caitlin G. has a fine review at Fantasy Book Critic; here’s a snippet.
A Hybrid’s Tale: The Cambion Journals, Book One, by Andrew P. Weston (Raven Tale Publishing. Kindle edition, 177 pages; released March 2022).
“Cambion: the half-human offspring of the union between a human male and a Succubus, or a human female and an Incubus.”
A Hybrid’s Tale is the latest offering by Andrew P. Weston. It’s a short, fast-paced novel set in the realm of “demondim,” and is the first book in his new series, The Cambion Journals. It’s “billed” as Occult Horror, but it’s much more than that. Weston skillfully blends and cross-breeds genres: supernatural horror and science fiction, fantasy and mythology, and a modern-day, action-packed thriller. It’s also a story of love and devotion, and something of a dark and sexy detective story, as well. This is a twisted game of cat-and-mouse — a frantic hunt and chase spanning continents and other dimensions.
Kit Reed’s “The Food Farm” first appeared in Damon Knight’s Orbit 2 in 1967. It has been reprinted in Judith Merril’s SF 12, Voyages: Scenarios for a Ship Called Earth, Fat, Women of Wonder, Alpha 6, The Science Fiction Weight-Loss Book, Weird Women, Wired Women, and The Story Until Now: A Great Big Book of Stories, as well as being translated into German, French, Spanish, Dutch, and Portuguese.
In this story, Reed offers up Nelly, a teenage girl who is obsessed with two things: the singer Tommy Fango and eating. While her parents do not have any problem with her musical tastes, they are concerned with her voracious appetite and do everything they can to control her caloric intake. Their concerns makes them take extreme steps to keep her from eating too much, including locking her in her room. Nothing they could do, including starving Nelly worked as Nelly would break out of her room in the middle of the night to find food, either in the refrigerator or outside the house if necessary. Eventually, her parents sent her to the facility of the title, where food is not made available.
Seen through Nelly’s eyes, everything about the place is torture with the sole exception of her roommate, Ramona, who tries to help her get used to the idea of living on the massively reduced rations they are allowed. Ramona also has access to a recording of Tommy Fango, although the girls are only able to listen to it once a day. Although Ramona is able to come up with ways to make it through her days and tries to get Nelly to try her methods, Nelly refuses to give in, insisting in wallowing in the lack of food and focusing her energy on the matron who controlled her access to food.
Dark Stars: New Tales of Darkest Horror, UK edition (Titan Books, March 22, 2022)
and US edition (Tor Nightfire, May 10, 2022). Covers uncredited.
Forty years ago Kirby McCauley packed up and moved to New York to try his hand at being a literary agent. His friend Richard L. Tierney helped him drive to the city; before long he was representing a host of young writers, including Roger Zelazny, Stephen King, and George R. R. Martin, who credits McCauley with helping launch his writing career. In 1980 Kirby drew on his contacts to assemble a massive original anthology: Dark Forces, a landmark of modern horror and one of the most important fantasy anthologies of the 20th Century, with new stories by Robert Aickman, Karl Edward Wagner, T. E. D. Klein, Gene Wolfe, Clifford D. Simak, Robert Bloch, Ray Bradbury — and the first appearance of a horror masterpiece by Stephen King, The Mist.
Next month John F.D. Taff presents Dark Stars: New Tales of Darkest Horror, a new anthology that pays homage to the legacy of Dark Forces — and includes brand new stories by a Who’s Who of modern horror, including Ramsey Campbell, Stephen Graham Jones, Josh Malerman, Gemma Files, Usman T. Malik, Priya Sharma, John Langan, and many others.
Black Leopard, Red Wolf and Moon Witch, Spider King (Riverhead
Books, February 2019 and February 2022). Covers by Pablo Gerardo Camacho
The first novel I bought by Marlon James was A Brief History of Seven Killings, a fictionalized version of the true story of the attempted hit on Bob Marley by seven gunmen in the late 1970s — which isn’t even fantasy or SF, but what can I tell you, I just picked it up in Barnes & Noble and it sounded cool. It won the 2015 Man Booker Prize and vaulted the Jamaican author to international prominence.
He turned heads in our own little corner of the literary world in 2019 with Black Leopard, Red Wolf, the opening novel in The Dark Star Trilogy. It won the Locus Award for Best Horror Novel, and was a finalist for the National Book Award. Salman Rushdie said “Its imagination is all encompassing,” The New York Times called it “The literary equivalent of a Marvel Comics universe,” Entertainment Weekly proclaimed it “A revolutionary book,” and Time listed it as one of the 100 Best Fantasy Books of All Time.
The follow-up arrived two months ago, and it’s not a sequel in the traditional sense. Moon Witch, Spider King retells Black Leopard, Red Wolf — the tale of a mercenary hired to find a missing child in Africa — from a very different perspective. It was an instant New York Times bestseller, and Buzzfeed labeled it “Even more brilliant than the first.”
Planets Three by Frederik Pohl (Berkley Books, 1982). Cover by Gregg Hinlicky
I admire Frederik Pohl. He had a nearly 75-year career in science fiction, from the early stories he published as a young teen in the 1930s all the way to the Hugo Award he won in 2010 for his superb early blog, The Way the Future Blogs, at the age of 90. He was an astute and prolific fan writer, an agent, and a legendary editor, winning three successive Hugos for Best Editor for his work at IF magazine in the 60s.
His first love was writing, of course, and it’s not hard to sense some frustration at his mid-career lack of success, especially as he watched his fellow Futurians and friends enjoy stellar careers, including Isaac Asimov, Donald Wollheim, Damon Knight, Cyril Kornbluth, and many others. Asimov, whom Pohl had known since they were both teenage fans in Brooklyn, had such name-brand recognition that virtually everything he’d written was still in print in the 70s and 80s — certainly not the case for Pohl, whose early output languished in obscurity in moldering pulp magazines.
