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Fairy Tales, Space Stations, and a Sequel to The Thing: The Nebula Awards Showcase 2018, edited by Jane Yolen

Fairy Tales, Space Stations, and a Sequel to The Thing: The Nebula Awards Showcase 2018, edited by Jane Yolen

Nebula Awards Showcase 2018-smallThe annual Nebula Awards Showcase anthologies, which collect the Nebula Award nominees and winners, are edited by a revolving committee of editors, and that means the criteria used to select the fiction varies every year.

I think this is a great idea. Essentially, each year it gives editorial power to a new individual to select which stories to showcase. The winners are always included, of course, but picking between the nominees (especially in the novella category, which frequently would fill one and a half anthologies all on its own) is a challenge, and it needs a strong editorial hand to make tough decisions.

For example in 1980, for Nebula Winners Fourteen, Frederik Pohl jettisoned virtually every single short fiction nominee (and all the novelettes) so he could make room for just two stories, C. J. Cherryh’s Hugo Award-winning “Cassandra,” and Gene Wolfe’s massive 60-page novella “Seven American Nights.” That had to be a tough call, but I think it was the right one.

In the 2018 Showcase volume, editor Jane Yolen makes a similar choice. Seanan McGuire’s Every Heart a Doorway, which won the Best Novella Nebula, is a massive 176 pages, far bigger even than Gene Wolfe’s 60-page classic, and would throughly dominate the anthology. Instead, for the first time I can remember, Yolen has chosen not to include the full version of the Nebula Award winning novella, but rather represent it with a 20-page excerpt. That leaves her with enough space to include every short story and novelette nominee (or at least, as is the case for Fran Wilde’s 96-page The Jewel and Her Lapidary, a substantial excerpt).

It’s a bold decision, and I applaud it. The 2018 Nebula Awards Showcase is a terrific volume, and it certainly gives you the opportunity to sample a wide variety of top-notch fiction from last year, including the delightfully subversive fairy tale “Seasons of Glass and Iron” by Amal El-Mohtar, Sam J. Miller’s thoughtful and creepy sequel to John Carpenter’s The Thing, “Things With Beards,” Caroline M. Yoachim’s “Welcome to the Medical Clinic at the Interplanetary Relay Station / Hours Since the Last Patient Death: 0,” and excerpts from All the Birds in the Sky by Charlie Jane Anders and Arabella of Mars by David D. Levine

If you’re looking for a Best Of collection that encapsulates some of the finest science fiction from last year, it makes a splendid choice. Here’s the complete Table of Contents.

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Fifteen Years Gone: Water Sleeps by Glen Cook, Part 1

Fifteen Years Gone: Water Sleeps by Glen Cook, Part 1

Water Sleeps.

In their homes, in the shadowed alleyways, in the city’s ten thousand temples, nervous whispers never cease. The Year of the Skulls. The Year of the Skulls. It is an age when no gods die and those that sleep keep stirring restlessly.

In their homes, in the shadowed alleyways or fields of grain or in the sodden paddies, in the pastures and forests and tributary cities, should a comet be seen in the sky or should an unseasonable storm strew devastation or, particularly, if the earth should shake, they murmur, “Water sleeps.” And they are afraid.

oie_1372930SSs2Hx7jI wish I had managed to finish the ninth Black Company book, Water Sleeps (1999), in a single go because, after two frustrating choppy books, Cook is back on his game. Yes, it’s very different than the bloody, battle-focused earlier books, but Water Sleeps, so far, is a tight story with narrative complexity, brutal twists, and more world-building than any of the others.

The previous volume, She is the Darkness, ended with most of the Black Company’s senior officers  — Croaker, Lady, and Murgen — and several important prisoners — the Prahbrindrah Drah of Taglios, Howler, and Lisa Bowalk — trapped by Soulcatcher and held in stasis on the demon-haunted plain of Glittering Stone.

As Water Sleeps opens, we quickly learn that Croaker et al. have been imprisoned for nearly fifteen years. Murgen’s Standardbearer-in-training, Sleepy, is acting Captain, aided by Murgen’s Nyueng Bao wife, Shara, and the increasingly feeble One-Eye and Goblin. Soulcatcher has declared herself Protector of Taglios, has made the Radisha Drah little more than a puppet, and has rendered her councilors toothless. For a decade and a half, the survivors of the Company have been hunting for a way to free their colleagues from Soulcatcher’s trap, while constantly reminding her that the Black Company never lets a betrayal go unpunished.

Sleepy is not only Captain, she’s also the Company’s Annalist. In her hands, there’s greater attention paid to politics and culture than in the other volumes. Unlike Croaker and Lady, Sleepy doesn’t see Soulcatcher and the other power brokers in Taglios just as obstacles. They are part of a complicated nexus of power centers and religious beliefs. Through her, Cook explores and underscores how they manage to run a vast realm. She’s also the only narrator in any of the books who has religious beliefs. When she explains the three main religions of Taglios — Gunni, Shadar, and her own Vehdna — she does it with a degree of sympathy absent from Croaker’s or Lady’s books.

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New Treasures: Ubo by Steve Rasnic Tem

New Treasures: Ubo by Steve Rasnic Tem

Ubo Steve Rasnic Tem-smallSteve Rasnic Tem is one of the most acclaimed writers in modern horror. His novels include Deadfall Hotel (2012) and the Bram Stoker Award-winner Blood Kin (2014), and he’s produced over half a dozen collections, including City Fishing (2000) and Figures Unseen (2018). He’s written over 350 short stories and his fiction has won the Bram Stoker, International Horror Guild, British Fantasy, and World Fantasy Awards.

His latest novel Ubo is a strange one, a hallucinatory tale of giant bugs and another world. In “Violence is My Biggest Fear,” an guest post at SciFiNow last year, Steve wrote:

Ubo is a dark science fictional meditation on violence and its origins. During the course of this novel I inhabit the viewpoints of some of history’s most violent figures: Jack the Ripper, Josef Stalin, and Heinrich Himmler among others. I’m not a social scientist, I’m a writer of fiction — I don’t pretend to offer any ingenious new solutions to the issue of human violence. What I do offer is an exploration, a range of eyes and angles through which to view the problem. Perhaps some readers will find their own imaginations triggered, allowing them to view violence in a somewhat different way.

Here’s the description.

Daniel is trapped in Ubo. He has no idea how long he has been imprisoned there by the roaches. Every resident has a similar memory of the journey to Ubo: a dream of dry, chitinous wings crossing the moon, the gigantic insects dropping swiftly over the houses of the neighborhood, passing through walls and windows as if by magic, or science. The creatures, like a deck of baroquely ornamented cards, fanning themselves from one hidden world into the next. And now each day they force Daniel to play a different figure from humanity’s violent history, from a frenzied Jack the Ripper to a stumbling and confused Stalin to a self-proclaimed god executing survivors atop the ruins of the world. The scenarios mutate day after day in this camp somewhere beyond the rules of time. As skies burn and prisoners go mad, identities dissolve as the experiments evolve, and no one can foretell their mysterious end.

Ubo was published by Solaris on February 9, 2017. It is 320 pages, priced at $14.99 in trade paperback and $6.99 for the digital edition. The disturbing cover is by Sam Gretton. Read Steve’s Locus essay “The Long Gestation Period of Ubo” here.

Birthday Reviews: Mary C. Pangborn’s “The Confession of Hamo”

Birthday Reviews: Mary C. Pangborn’s “The Confession of Hamo”

Cover by Lawrence Ratzkin
Cover by Lawrence Ratzkin

Mary C. Pangborn was born on August 13, 1907 and died on February 20, 2000.

Pangborn didn’t publish very many works during her career. Her first story appeared in 1979 and she published six stories by 1985 with one more appearing in 1996. Although she has written a novel, it has not yet been published. Three of her stories appeared in the Universe series, another in the New Dimensions series, one in Fantasy and Science Fiction.

Mary C. Pangborn’s third story was “The Confession of Hamo,” originally published in 1980 in Terry Carr’s Universe 10. Carr enjoyed the story so much that he included it the next year in his Fantasy Annual IV. When Several of the stories that appeared in the Fantasy Annual series were translated into Spanish for inclusion in the book Fantasias in 1989, “The Confession of Hamo” was one of them.

The title of “The Confession of Hamo” tells the reader exactly what they should expect, although without any of the details. Hamo, living in fifteenth century England, is confessing his sins to Brother Albertus, although it isn’t entirely clear that Hamo is fully aware of the extent and nature of his sins. Hamo has been traveling the countryside with his friend, Tom o’Fowey, who calls himself Moses the Mage. The two scam people into believing that they can change base metal into gold.

Through their travels, they occasionally meet up with another charlatan who goes by the name Black Jamie, who teaches them how to make it appear that they are creating gold. Although Hamo never explicitly identifies Black Jamie, it is clear that he is a representation of the Devil. Instead, Hamo is more concerned about the crime of alchemy that he and Tom practiced, although at the same time he is clearly proud of the scam they perpetrated.

Eventually, Black Jamie sends Hamo on a quest, warning him that part of himself would be taken from him. Hamo’s biggest concern that he would lose his genitalia proves to be unfounded, although he does lose an non-tangible part of himself which proves to be a huge problem for someone who earns their money scamming others. Hamo, who now calls himself the Accursed, also finds that Tom has been taken prisoner by the sheriff, and it’s up to the now destitute Hamo to figure out a way to free him without his own biggest asset.

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Future Treasures: The Stars Now Unclaimed by Drew Williams

Future Treasures: The Stars Now Unclaimed by Drew Williams

The Stars Now Unclaimed-smallDrew Williams’s fiction debut The Stars Now Unclaimed sounds like just what I’m looking for in my late-summer reading: a colorful far-future space opera. Here’s a snippet from the Publisher’s Weekly capsule review:

Williams’s sarcastic, trope-filled debut is a science fiction adventure that never takes itself too seriously. Jane is a human member of the Justified sect who’s trying to make up for what she views as the worst thing she’s ever done. A few generations ago, the universe was hit by the pulse, a weapon that destroyed all other weaponry. It got out of control and set planets back technologically, leaving some without even electricity. Jane’s sect was the one that released it, with her help. Now she’s trying to right her wrongs by traveling to different planets to find kids who have gained powers because of the pulse… it’s an enjoyable ride full of dry humor and thrilling action scenes.

Here’s the publisher’s description.

Jane Kamali is an agent for the Justified. Her mission: to recruit children with miraculous gifts in the hope that they might prevent the Pulse from once again sending countless worlds back to the dark ages.

Hot on her trail is the Pax — a collection of fascist zealots who believe they are the rightful rulers of the galaxy and who remain untouched by the Pulse.

Now Jane, a handful of comrades from her past, and a telekinetic girl called Esa must fight their way through a galaxy full of dangerous conflicts, remnants of ancient technology, and other hidden dangers.

And that’s just the beginning…

The Stars Now Unclaimed is the opening volume in the Universe After series. Read Chapter One at Tor.com.

The Stars Now Unclaimed will be published by Tor Books on August 21, 2018. It is 448 pages, priced at $24.99 for the hardcover and $11.99 for the digital edition. See all our coverage of the best upcoming SF and Fantasy here.

Birthday Reviews: Brenda Cooper’s “Second Shift”

Birthday Reviews: Brenda Cooper’s “Second Shift”

Love & Rockets
Love & Rockets

Brenda Cooper was born on August 12, 1960.

Cooper has won the Endeavour Award twice, for her novels The Silver Ship and the Sea and Edge of Dark. The latter was also a nominee for the Golden Duck Hal Clement Award while the former was nominated for the Philip K. Dick Award. Her short story “Savant Songs” was nominated for the Theodore Sturgeon Memorial Award. Cooper has collaborated with Larry Niven on both short fiction and a novel.

Cooper write “Second Shift” for the anthology Love & Rockets, edited by Martin H. Greenberg and Kerrie Hughes in 2010. In 2015, she included it in her collection Cracking the Sky.

Brenda Cooper looks at a strange form of love in “Second Shift.” Lance Parker is on a solo mission to the asteroid belt to mine ore. Because such missions take so long, companionship is necessary to help the astronauts maintain a sense of sanity. To this end, Sulieyan and Kami have both been hired to maintain contact with him, in shifts, to provide Lance with the required human contact that a computer just can’t provide.

Although the first rule is not to form a relationship with the astronaut, Kami and Lance have both proclaimed their love for each other, even as they realize that there is practically no chance of them ever meeting in real life. Lance’s mission is a lengthy and dangerous one and for him Kami and Sulieyan are simply voices in an otherwise empty cockpit. The situation, however, doesn’t make the feelings Kami has for him, or vice versa, and less real. Seeing what is happening, Sulieyan sends her grandson, Hart, to interview Kami for a newspaper article on love.

In a normal story, Hart and Kami would hit it off and Kami would transfer her affection to Suleiyan’s son, however, in Cooper’s story, Kami remains true to her distant and as yet unmet love. Her interactions with Hart are non-romantic, yet focus on a discussion of what love is and who Kami and Lance can be in love with each other despite the barriers places between them.

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Religious Cults, Vampires, and the London Underground: Dreadful Company by Vivian Shaw

Religious Cults, Vampires, and the London Underground: Dreadful Company by Vivian Shaw

Strange-Practice-Vivian Shaw-small Dreadful Company Vivian Shaw-small

Vivian Shaw’s debut novel Strange Practice was labeled “a triumph” by SFFWorld, and Booklist called it “a standout in the genre.” I was surprised to discover the second book in the series, Dreadful Company, already on the shelves at Barnes & Noble last week, and I snatched it up immediately. Here’s what the always-reliable Liz Bourke said in her feature review at Tor.com.

Dreadful Company is Vivian Shaw’s second book, sequel to last year’s excellent Strange PracticeAnd if anything, it’s even more fun…

Dr. Greta Helsing isn’t your average medical doctor. She runs a practice dedicated to the supernatural, treating vampires, werewolves, zombies, demons, mummies, ghouls, and all manner of other being. Her best friend is Edmund Ruthven, vampire; and Sir Francis Varney (also a vampire) is tentatively trying to swoon at her feet. After the events of Strange Practicein which Greta found herself at the centre of attempts to dissuade a very strange religious cult beneath London’s underground from doing a whole lot of murder, Dreadful Company finds Greta attending a medical conference in Paris…

Dreadful Company is fast, fun, and immensely readable. As with Strange Practice, one of the largest parts of its appeal is in its voice. Dreadful Company has a wry edge, one that at times goes all the way over into laugh-out-loud funny, without ever losing a sense of heart. And it’s got kindness in its bedrock… As you may have guessed, I deeply enjoyed Dreadful Company… it’s delightful. I recommend it wholeheartedly, and I’m looking forward to seeing much more of Shaw’s work in the years to come.

You can read Liz’s complete review here.

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In 500 Words or Less: Graveyard Mind by Chadwick Ginther

In 500 Words or Less: Graveyard Mind by Chadwick Ginther

oie_9232935aM029I3CGraveyard Mind
By Chadwick Ginther
ChiZine Publications (300 pages, $17.99 paperback, $10.99 eBook, July 2018)

I love a book set in a Canadian city… other than Toronto. Sorry, T-dot; you get a lot of attention in the mainstream, but we have a big-ass country for SFF authors to play with, and as Bobby Singer once said to the Winchesters, “You ain’t the center of the universe.”

Sorry, that probably seemed aggressive. But it’s justified, since one of the things worth celebrating about Chadwick Ginther’s newest novel, Graveyard Mind, is that once again he brings us back to Winnipeg, painting it in a much different light than his Thunder Road novels by focusing on the underworld: ghosts, vampires, monsters, and more. There’s a similar feel here in the way Chadwick weaves interesting story elements together, presenting a unified world that makes total sense while being freaky and entertaining. You’ve got Frank, a golem stitched-together from dead soldiers who grapples with wanting to die; an underworld “territory” divided between an aging, pot-bellied vampire and an aristocratic animated skeleton; and protagonist Winter Murray, the necromancer charged with protecting Winnipeg while she deals with her never-born twin sister whispering in the back of her head. There’s even hell hounds and cultists and whatnot!

The freaky moments are superb, like where Winter’s frenemy vampire Christophe shows up at an art sale and brings the entire room under his thrall just to throw his weight around. These are so gripping because of Chadwick’s excellent character work; even minor characters make you care about them because, apologies for the cliché, they jump off the page. Graveyard Mind is a lot like The Dresden Files in that the interpersonal is just as important (and handled as well) as the excitement and terror of the supernatural. Winter tries to support her best friend Lyssa, who’s lost her mother, while at the same time keeping a local cult from taking over the funeral; she has a tenuous relationship with the lingering spirit of her mentor, Grannie Annie, who abducted her and brutally trained her in necromancy, keeping her from ever seeing her parents again; and so on. The consequences of Winter’s decisions on these relationships are more important than the consequences for her city or the supernatural world, because that’s what matters more to her.

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Time Travel, Shoggoths, and the Land of the Witches: The Year’s Best Science Fiction & Fantasy 2018 edited by Rich Horton

Time Travel, Shoggoths, and the Land of the Witches: The Year’s Best Science Fiction & Fantasy 2018 edited by Rich Horton

The Year's Best Science Fiction & Fantasy 2018-smallI always enjoy Rich Horton’s introductions to his annual Year’s Best collection, and this one doesn’t disappoint. I was especially delighted to see him select one of my favorite stories of last year for this year’s volume, and to see him call it out in the intro:

One source of originality is new voices, and thus I am excited every [year] to see new writers producing excellent work… But one of the reasons I choose stories by some writers over and over again is that they are always fresh. What story this year is stranger than C.S.E. Cooney’s “Though She Be But Little?”

This year’s volume is dedicated to Gardner Dozois, who passed away in May, and I was particularly touched by Rich’s thoughtful reminiscence.

As for Gardner Dozois, who was closer to me in a personal sense — I was really shaken by news of his passing. He was one of the greatest editors in the field’s history (an argument can be made — and I’ve made it — that he ranks at the top); and he was also a very significant science fiction writer…

We who produce these similar books, the best of the year volumes, never regard ourselves as rivals. Our books are paragraphs in a long conversation about science fiction. I talked with Gardner about science fiction for years, in different ways — face to face, or on message boards, discussing our different ideas about who should have won the Hugo in 1973 or whenever; month by month in our columns in Locus; or in the tables of contents of these books, each of us proposing lists of the best stories each year. I always looked eagerly for Gardner’s “list,” and his stories for me represented a different and completely interesting angle on what really mattered each year.

I already miss that voice.

Rich’s 2018 volume is so crammed with fiction that the publisher had no room for the traditional “About the Authors” and “Recommended Reading” sections in the print edition; instead they’ll make them available online for free at the Prime Books website (and in the ebook version). They’re not available yet — and in fact the Prime website looks like it hasn’t been updated since 2016? — but presumably they will be soon.

This year’s volume has stories by Samuel R. Delany, Rich Larson, Sarah Pinsker, Michael Swanwick, Peter Watts, Nina Kiriki Hoffman, Kathleen Ann Goonan, Charlie Jane Anders, Robert Reed, Maureen McHugh, Sofia Samatar, Yoon Ha Lee, Kameron Hurley, and many others. Here’s the complete Table of Contents.

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New Treasures: Stars Uncharted by S. K. Dunstall

New Treasures: Stars Uncharted by S. K. Dunstall

Stars Uncharted-small“S. K. Dunstall” is the sibling writing duo of Sherylyn and Karen Dunstall. In 2016 I wrote about their successful Linesman Trilogy from Ace Books.

Their newest novel is Stars Uncharted, a fast-paced space opera that follows a ragtag band of explorers who make the greatest find in the galaxy. John DeNardo at Kirkus Reviews says “It combines the best parts of space action and space opera,” and Booklist says it “Masterfully [weaves] hard science… with engaging characters and a touch of romance, resulting in a brilliant female-driven tale.” It arrives in trade paperback from Ace Books next week.

On this space jump, no one is who they seem…

Captain Hammond Roystan is a simple cargo runner who has stumbled across the find of a lifetime: the Hassim, a disabled exploration ship — and its valuable record of unexplored worlds.

His junior engineer, Josune Arriola, said her last assignment was in the uncharted rim. But she is decked out in high-level bioware that belies her humble backstory.

A renowned body-modification artist, Nika Rik Terri has run afoul of clients who will not take no for an answer. She has to flee off-world, and she is dragging along a rookie modder, who seems all too experienced in weapons and war…

Together this mismatched crew will end up on one ship, hurtling through the lawless reaches of deep space with Roystan at the helm. Trailed by nefarious company men, they will race to find the most famous lost world of all — and riches beyond their wildest dreams…

Stars Uncharted will be published by Ace on August 14, 2018. It is 416 pages, priced at $16 in trade paperback and $9.99 for the digital edition. The cover is by John Harris. Read the complete 15-page first chapter here.

See all our recent New Treasures here.