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Gods, Robots, and Man: The Best of Lester del Rey

Gods, Robots, and Man: The Best of Lester del Rey

The Best of Lester del Rey-small The Best of Lester del Rey-back-small

Lester del Rey was born in Minnesota in 1915 and died in 1993. One of his boldest fictions was claiming that his full name was Ramón Felipe San Juan Mario Silvio Enrico Smith Heathcourt-Brace Sierra y Alvarez-del Rey y de los Verdes, when it was actually Leonard Knapp. However, it was his other fictions, beginning in 1938 for Astounding, and his work as an editor, a reviewer, and in a literary agency, which resulted in his being made a Grand Master by the Science Fiction Writers of America in 1991.

While he was active in science fiction until near his death, he never collected anything published after 1964 and published very little of his own fiction at all after 1971, the year he married Judy-Lynn Benjamin. She became an editor at Ballantine Books, later joined by him, and created the Del Rey imprint. In the meantime, it was this publishing house which began the Classics of Science Fiction (“Best of”) series, the eighteenth of which was devoted to Lester del Rey, himself.

In his afterword del Rey says, “I love robots,” and that comes through in the number of stories in The Best of Lester del Rey that feature them. The most famous is “Helen O’Loy,” which was selected for the SFWA’s “Science Fiction Hall of Fame.” In it, Dave is a robot repairman, Phil is an endocrinologist, and Lena is a robot who develops a glitch and is worked on until the two friends decide to equip a new model with emotions. When Phil is called away on business and Helen imprints on some fiction and on Dave, the situation becomes complicated. The quiet twist at the end adds a deep layer of pathos which is a feature of many of del Rey’s stories. This might be read today as a sexist tale about gender, and some casual attitudes expressed in it could be seized on as confirmation, but it’s really a story about the nature of humanity, our emotions, how they might be emulated, and how humans might respond to the “spiritual” (or differently mechanical) despite biology. Published before Heinlein and technically “before the Golden Age,” it is nevertheless written in a direct style which efficiently backgrounds numerous then-futuristic elements to flesh out its foreground, and is effective.

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Derek Strikes the TBR pile and finds Fonda Lee’s Jade City

Derek Strikes the TBR pile and finds Fonda Lee’s Jade City

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I think everyone’s to-be-read pile is always in danger of collapsing on them so that rescuers can only find cat-gnawed bones. For that reason, I listen via Audible and don’t have a cat.

But still, my to-be-read pile is huge and growing and I’d been wanting to read Fonda Lee’s Jade City for some time. It just won the Aurora and did quite well with Hugo and Nebula readers. Also how cool does a magical Asian Godfather story sound?

Lee has created the world of Janloon, what felt to me as a kind of magical Hong Kong, set sometime after cars, airplanes and phones, but before cell phones and computers. It’s a world of increasing modernity and one where ancient traditions (magical jade) come into conflict.

The Kaul family and the Ayt family are the two big mafia families that run Janloon through politicians and businesses. The people of Janloon are the only ones who can wear magical jade without having major toxicity/withdrawal/addiction problems. In the hands of a trained green-bone, jade can enhance perception, strength, speed, toughness, etc and the uneasy stalemate between the No Peak Clan (the Kauls) and the Mountain Clan (the Ayts) begins to unravel with the possibility of a drug called SN1 which allows foreigners to use jade.

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Birthday Reviews: Brad Strickland’s “Hero’s Coin”

Birthday Reviews: Brad Strickland’s “Hero’s Coin”

Cover by Don Ivan Punchatz
Cover by Don Ivan Punchatz

Brad Strickland was born on October 27, 1947.

Strickland received a Phoenix Award at DeepSouthCon. In 200, he won the Georgia Author of the Year Award for his novel When Mack Came Back. He has collaborated John Michlig, Thomas E. Fuller, and his wife, Barbara. Strickland has also completed several novels which were originally outlined by John Bellairs prior to his death.

“Hero’s Coin” was written for the 1993 anthology Quest to Riverworld, edited by Philip José Farmer. This was the second volume in which Farmer opened up his Riverworld series to other authors. The story has never been reprinted.

Because all of the stories in Quest to Riverworld took place in Farmer’s established universe, the was no need for Strickland to explain the rather strange setting. Read without the context of the other stories or Farmer’s original work, however, the story suffers from vagueness brought on by its expectation that the reader knows how the world works. Had Strickland included that background, however, it would have seemed repetitive in the story’s original (and only) publication.

Farmer’s world contains a seemingly-infinite river along the banks of which everyone who has ever lived has been reincarnated, their needs provided for by a grail which fills with food. Strickland’s story focuses on Brother Aelfstan, an anonymous Anglo-Saxon monk who worked on a chronicle of his times in both our world and the Riverworld. Aelfstan makes friends with a stranger who was reincarnated near his part of the river and the two eventually set off together.

As the stranger, who Aelfstan calls “Nemo” helps people during their journey, with technological innovations, military decisions, and in other areas, the people they meet assume he must be Robert E. Lee, Archimedes, and other famous people in history. Nemo denies being any of them and questions Aelfstan about what makes a hero, emphatically denying he was any such.

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Secret Magical Orders and an Occult Underworld: The Nightwise Novels by R.S. Belcher

Secret Magical Orders and an Occult Underworld: The Nightwise Novels by R.S. Belcher

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R.S. Belcher’s Golgotha series is one of the more popular Weird Westerns on the market. Booklist called the opening volume “nothing short of fantastic… a setting so sharp you can feel the dust in your mouth,” and San Francisco Book Review summed it up as “a whirlwind of shootouts, assassins, cults, zombies, magic, attractive ladies, dubious morals, and demonic possession.”

Belcher kicked off a new series set in a seedy occult underworld with Nightwise in 2015. RT Book Reviews called it “brilliant… [a] sensational noir urban fantasy.” Sequel The Night Dahlia arrived earlier this year, making it a real series, and Tor re-issued the first volume with a matching cover.

I picked up both books earlier this month, and they look very attractive on my bookshelves — not to mention intriguing. They’ll make terrific Halloween reading to close out the month.

Here’s the description for both volumes, starting with Nightwise.

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Pie and a Slice of Sky: An Interview with Brooklyn Writer Rob Cameron

Pie and a Slice of Sky: An Interview with Brooklyn Writer Rob Cameron

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Writer Cameron Roberson (Cam Rob)
of Brooklyn SF Writers group & Kaleidocast

Greetings, Black Gaters! I’m here today with an interview for you with Rob Cameron, or “Cam” as I like to call him, a New York speculative fiction writer, among — as you will see — other things.

Cam was one of the first friends I made in New York City. Wait, let me take that back a few steps. It all started with Readercon, as so many things (including my marriage) do! It was probably Readercon, circa 2015. I was attending a panel to hear Ellen Kushner talk about something very interesting that I cannot now recall. I do recall that she opened the panel up to questions very early — which is one of her neat tricks: she’s there to serve the audience, and wants to talk about what interests them most. One of the first questions from the audience — and I remember thinking it was very keen and interesting — came from a bright-eyed young man who was sitting on the edge of his seat, leaning forward, as if he wanted to be the first to hear everything. He obviously knew Ellen, and she him, but I didn’t know him, and I thought, “Well! He must be a friend I haven’t met yet!” and determined at that moment to fulfill my own prophecy and get to know him better.

It turns out that this gentleman was none other than Rob Cameron, writer, gamer, teacher, as well as one of the main movers and shakers of the Brooklyn Speculative Fiction Writers and Kaleiodocast, the podcast they produce, which features fiction by and interviews with speculative fiction writers, and also stories that occur in a shared world.

The more I got to know him, the more I realized Cam was at the heart of New York’s electric, eclectic, thunderous spec fic scene, deeply involved in a community of writers all rising together, reading and critiquing each other’s work, attending events and conventions, and learning the business of being a writer. I thought he’d be a fantastic person to interview for Black Gate, so that we could all share in some of his knowledge, wisdom, and love of pie. After all — ’tis the season for pie. But then, when isn’t it?

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Birthday Reviews: Jennifer Roberson’s “Mad Jack”

Birthday Reviews: Jennifer Roberson’s “Mad Jack”

Lord of the Fantastic
Lord of the Fantastic

Jennifer Roberson was born on October 26, 1953.

She collaborated on The Golden Key with Melanie Rawn and Kate Elliott, which was nominated for the World Fantasy Award for Best Novel in 1997.

Roberson wrote “Mad Jack” for inclusion in the memorial anthology Lord of the Fantastic: Stories in Honor of Roger Zelazny, edited by Martin H. Greenberg in 1989. She has also republished the story in her own collection, Guinevere’s Truth and Other Tales, released in 2008.

“Mad Jack” tells the story of a man who lost his infant son to random gun violence. Unable to cope with his loss, his life falls apart and he comes to the decision that he needs to go on some sort of epic quest to make things right and find a simpler time. His decision causes strife with his wife and his boss, but he eventually makes the journey to Scotland via bus and train to find something that has been missing from his life for a long time.

Roberson’s description of Jack and his attempts to come to terms with his son’s death is a focused look at one individual’s grieving process. Although there is reference to the way others view his needs, Jack never interacts with any of them within the confines of the story; his thoughts turn almost entirely internal. While he notes that his wife and boss both think he is mad, there are no overt signs of madness.

Roberson plays the story close to her chest. It is clear that Mad Jack is supposed to be recognizable, although who he is, or even the time period in which the story takes place, is not entirely clear until the end. Once they story reaches its conclusion, the question of whether Jack is mad, has reverted to childhood, or is having an actual experience is ambiguous, which is one of the strengths of fantasy as a genre.

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Perfect Halloween Fare: The Dreadful Tale of Prosper Redding by Alexandra Bracken

Perfect Halloween Fare: The Dreadful Tale of Prosper Redding by Alexandra Bracken

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Prosper Redding lives in small town where everyone knows everyone else’s business. But when a stranger – dressed up like a Pilgrim and everything – shows up to the local Founders Day celebrations, nobody else even seems to see him. What’s worse, he steals some chestnuts from a vendor right before Prosper’s eyes, and then has the audacity to grin at him and wink.

When the clock strives five, though, Prosper has to find his sister Prue, leave the festival, and go home. Waiting for them is a surprise family reunion convened by his evil grandmother, comprised of relatives who dislike him. Prosper’s instincts tell him to run, but Prue takes his elbow and propels him into the house. Which is really more like a castle.

Things get worse when his absent father calls in a panic and tells him to grab his sister and run for their lives. Prosper tries to obey, but his uncles catch him. They pack him and Prue off to the dungeon, which is set up for an occult ritual.

All the relatives are there, and they’re all staring at Prosper. A small table draped with velvet – an altar, really – has been placed in the front of the room, and hundreds of flickering candles provide the only illumination. Prosper’s grandmother yanks the cloth off the table, revealing an ancient book. She asks Prue to start reading from it, but Prue just looks at her blankly. “But… It doesn’t say anything…”

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New Treasures: An Easy Death by Charlaine Harris

New Treasures: An Easy Death by Charlaine Harris

An Easy Death-smallCharlaine Harris was the first really big interview we ever scored at Black Gate. This was thirteen years ago, before the breakout success of the True Blood HBO series based on her Sookie Stackhouse novels, but she was already hugely popular. Goth Chick met with her at a restaurant, before a big signing event here in the suburbs of Chicago, and came back totally charmed. We included the interview in Black Gate 8, the Summer 2005 issue, and it was a big hit with readers.

Harris has reached a point in her career where she can do whatever she wants. Fortunately for us, what she wants to do appears to be tell Weird Western tales. Her latest, An Easy Death, is set in a southwestern country known as Texoma, where magic is common and a young gunslinger named Lizbeth Rose takes a job to be a local guide for a pair of Russian wizards. But all is not what it appears to be, and dark forces are aligning against Lizbeth and her clients. It was published in hardcover earlier this month by Saga Press.

The beloved #1 New York Times bestselling author of the Sookie Stackhouse series, the inspiration for HBO’s True Blood, and the Midnight Crossroad trilogy adapted for NBC’s Midnight, Texas, has written a taut new thriller — the first in the Gunnie Rose series — centered on a young gunslinging mercenary, Lizbeth Rose.

Set in a fractured United States, in the southwestern country now known as Texoma. A world where magic is acknowledged but mistrusted, especially by a young gunslinger named Lizbeth Rose. Battered by a run across the border to Mexico Lizbeth Rose takes a job offer from a pair of Russian wizards to be their local guide and gunnie. For the wizards, Gunnie Rose has already acquired a fearsome reputation and they’re at a desperate crossroad, even if they won’t admit it. They’re searching through the small border towns near Mexico, trying to locate a low-level magic practitioner, Oleg Karkarov. The wizards believe Oleg is a direct descendant of Grigori Rasputin, and that Oleg’s blood can save the young tsar’s life.

As the trio journey through an altered America, shattered into several countries by the assassination of Franklin Roosevelt and the Great Depression, they’re set on by enemies. It’s clear that a powerful force does not want them to succeed in their mission. Lizbeth Rose is a gunnie who has never failed a client, but her oath will test all of her skills and resolve to get them all out alive.

An Easy Death was published by Saga Press on October 2, 2018. It is 306 pages, priced at $26.99 in hardcover and $7.99 for the digital edition. The cover is by Colin Anderson. Read the complete first chapter here.

Future Treasures: Mage Against the Machine by Shaun Barger

Future Treasures: Mage Against the Machine by Shaun Barger

Mage Against the Machine-smallIn his feature at The Verge earlier this month, 9 new sci-fi and fantasy books to check out this October, Andrew Liptak describes Mage Against the Machine as “Harry Potter meets The Terminator,” which certainly got my attention.

I don’t quite know what to make of it, though. It’s the debut novel by Shaun Barger, so I can’t look to his previous books for any clue. There aren’t a lot of early reviews. It’s got a mage army, vast machine intelligences, a human resistance, Arnie posters, heroes with cybernetic enhancement, and even a dome. I love all those things.

Will they be great together? I gotta know. And there’s only one way to find out.

The year is 2120. The humans are dead. The mages have retreated from the world after a madman blew up civilization with weaponized magical technology. Safe within domes that protect them from the nuclear wasteland on the other side, the mages have spent the last century putting their lives back together.

Nikolai is obsessed with artifacts from twentieth-century human life: mage-crafted replica Chuck Taylors on his feet, Schwarzenegger posters on his walls, Beatlemania still alive and well in his head. But he’s also tasked with a higher calling — to maintain the Veils that protect mage-kind from the hazards of the wastes beyond. As a cadet in the Mage King’s army, Nik has finally found what he always wanted — a purpose. But when confronted by one of his former instructors gone rogue, Nik tumbles into a dark secret. The humans weren’t nuked into oblivion — they’re still alive. Not only that, outside the domes a war rages between the last enclaves of free humans and vast machine intelligences.

Outside the dome, unprepared and on the run, Nik finds Jem. Jem is a Runner for the Human Resistance. A ballerina-turned-soldier by the circumstances of war, Jem is more than just a human — her cybernetic enhancement mods make her faster, smarter, and are the only things that give her a fighting chance against the artificial beings bent on humanity’s eradication.

Now Nik faces an impossible decision: side with the mages and let humanity die out? Or stand with Jem and the humans — and risk endangering everything he knows and loves?

Mage Against the Machine will be published by Saga Press on October 30, 2018. It is 512 pages, priced at $25.99 in hardcover, $16.99 in trade paperback, and $7.99 for the digital edition. The cover art is by Marko Manev. See all our recent coverage of the best in upcoming SF and Fantasy here.

Ancient Horrors, Abandoned Mines, and Unfathomable Secrets: A Ghost & Scholars Book of Folk Horror, edited by Rosemary Pardoe

Ancient Horrors, Abandoned Mines, and Unfathomable Secrets: A Ghost & Scholars Book of Folk Horror, edited by Rosemary Pardoe

A Ghosts & Scholars Book of Folk HorrorArguably the major living expert on the body of work of Rev. Montague Rhodes James, the cult British author of classical “ghost” stories, Rosemary Pardoe has been the editor of the journals Ghosts & Scholars, The Ghosts & Scholars MR James Newsletter, and the three volumes of the anthology series The Ghost & Scholars Book of Shadow (Sarob Press).

Here’s yet another short story anthology by Pardoe, entitled A Ghosts & Scholars Book of Folk Horror.

Traditional folklore is the basis not only for a good portion of Jamesian stories, but of classic British horror in general, so the new anthology is consistent with Pardoe’s previous work in this area. It assembles seventeen tales, ten of which are reprinted from the journals mentioned above, and seven which are original to this anthology.

Let me tell you right away that, not surprisingly, the best contributions are to be found among the reprints, first of all the outstanding “Meeting Mr. Ketchum” by Michael Chislett. This superb, creepy tale, perfectly in keeping with the anthology’s theme, depicts how ancient horrors come back to terrify a couple of accidental tourists exploring a desolate landscape.

Other excellent offerings include “Where are the Bones..?” by Jacqueline Simpson, a delightful story featuring MR James himself, in which old legends cast a dark shadow on an innocent boy, and” The Walls” by Terry Lamsley, a very unusual tale of supernatural horror, describing the eerie trip taken by two men to find a friend lost in a deserted area near abandoned lead mines that hide unfathomable secrets. Lamsley’s recent disappearance from the British horror scene is still sorely lamented.

The book features also some very conventional yet effective ghost stories such as CE Ward’s “The Spinney” and Kay Fletcher’s “The Peewold Amphisbaena,” both quite enjoyable and well worth reading. The same applies to “Loreley” by Carol Tyrrell, an offbeat tale portraying a case of unconventional vampirism.

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