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What I’m Watching: 2020 (Part Two)

What I’m Watching: 2020 (Part Two)

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Campbell_Name1EDITEDA couple weeks ago, I talked about some of the shows I’ve watched during this Pandemic-plagued 2020. Well, I have a few more to talk about – along with some movies. So, awaaaay we go!

My Name is Bruce

In the first essay, I mentioned that I did a complete rewatch of The Adventures of Brisco County Jr, which is my second-favorite show of all time. Along with listening to Campbell read both of his autobiographies (highly recommended), I re-watched My Name is Bruce. It is an amusing parody of both his own career and his low budget B-movies. Campbell has a fantastic sense of self-deprecating humor (trust me on the autobiographies: great reads, and great fun to hear him narrate his own life story), and this movie is all about him poking fun at himself.

He filmed the whole thing up in Oregon on his own property, and the cast is full of old friends, including several folks from The Evil Dead. Ted Raimi plays no less than three different parts. And he’s funny in all of them. I quite enjoy this silly movie. The in-jokes are fun to look for.

The Expanse

I mentioned this one in the earlier post, and I’ve since completed seasons two through four, so I’m all caught up. Season three was a disappointment, but I liked season four well enough that I’m looking forward to the fifth installment, which should drop on Prime in December.

Based on a series of novels by James S. Corey, this is intellectual scifi. There’s action, but the show is more about political intrigue, genetics, national expansionism, and evolving character relationships. I felt this was a better version of the Battlestar Galactica remake. That show just plodded along, weighed down by its own gravitas. I was more bored than intrigued and I gave up on it.The Expanse has the same heft, but moves along more smoothly and kept my interest.

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The Public Life of Sherlock Holmes: At the Movies with Basil (Rathbone)

The Public Life of Sherlock Holmes: At the Movies with Basil (Rathbone)

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RathboneColor_RathboneeditedI started writing a regular column for Black Gate in March of 2014. I’ve covered a lot of ground, but today we’re going to try something new. Earlier this year, I was watching Casablanca (yet AGAIN) on TCM, and I decided to do do a running commentary about it on my FB page. I know a LOT about that movie. TCM showed it again a little over a month later, so I did it again. It was fun.

I decided to do the same thing with a Basil Rathbone Sherlock Holmes movie. But I watched it on Youtube, which let me pause it while I typed comments, and took screenshots. That worked satisfactorily. During Casablanca, I was so busy (mis)typing comments, I missed half of the movie.

So, this is a mix of my running commentary, with more information and fun stuff added in during composition of the essay. It’s a hybrid, but not as detailed as I normally write. We’ll see how it goes as we look at two films: Terror By Night, and The Scarlet Claw. I already wrote a full post on the second movie. I just felt like watching it again.

Of course, all fourteen Holmes films starring Basil Rathbone and Nigel Bruce were black and white. But colorized versions, both official and not, have been around for a while. I watched colorized versions of both films, via Youtube. Terror By Night was done by TCC (Timeless Classics now in Color). They’ve got a bunch of movies on their website. And the quality of this one was excellent. The best colorized Holmes I’ve seen. The Scarlet Claw was by ATC, and it was muddy.

TERROR BY NIGHT

We start with number eleven of twelve in the Universal Pictures series. Only one more Holmes movie remained, as Rathbone, tired of being typecast, walked away from the franchise (and the associated radio show).

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Uncanny X-Men, Part 21: Epic Magneto Triumph and More X-Men Death!

Uncanny X-Men, Part 21: Epic Magneto Triumph and More X-Men Death!

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I started collecting comics in 1981. I was lucky that a friend had been collecting for a while and didn’t care much for X-Men. I ended up trading comics with him and ending up with X-Men, which was my favourite. Because of that, for the longest time, the earliest X-Men issues I had were #112, #116 and #118. Occasional trips to the comic shops in Toronto and my many visits to my town’s lone second-hand book store helped me fill in many gaps, although it wasn’t until the 1986 reprint series Classic X-Men that I got to read issue #111.

That experience of just trying to collect all the stories of your favourite characters seems alien to my son, who has trade and omnibus editions, can read digitally for a pittance and so on. My reading experience growing up was not knowing what was in the missing issues which felt like standing on an island and looking across the way to another island I couldn’t reach, but could imagine.

Welcome to my 21st post in my ongoing blog series of my reread of the X-Men starting in 1963. We’ve reached 1978, just three years before I started collecting, and we’re into issues now that form part of my biographical comics playlist. These were among the stories that shaped the outline of my creativity. The art and story and emotion still leave me in a bit of awe.

So put on your bell bottoms, check your medallions and pull up a chair to 1978. If you need help getting into the mood, the radio was playing Baker Street by Gerry Rafferty, September by Earth, Wind and Fire, Just What I Needed by The Cars and Abba asked us to Take a Chance on Me.

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Why I Read Old Science Fiction Stories? (Spoiler: For Entertainment)

Why I Read Old Science Fiction Stories? (Spoiler: For Entertainment)

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dumarest-6
“Written by authors who mostly died before we were born”

What is wrong with us?

A gazillion SF&F books get published every month, and here we are reading books written by people who mostly died before we were born. And this is Science Fiction we’re talking about! Surely that’s the genre that riffs off the present to paint a plausible future, or at least an illuminating one? Why are we still reading the old stuff?

Is it because we’re wedded to some idea of “canon”? Probably not.

Sure, it’s interesting to visit the roots of a genre, but most of us want to be also entertained in our scarce leisure time. It’s why people who like theatre come back to Shakespeare for pleasure, but mostly approach Jonson and Marlow out of intellectual interest, and why I still dip into Malory’s pulpy Le Morte De Arthur, but not the ploddy Vulgate Cycle by some Medieval French guy(s?) I forget.

Similarly, aspiring authors are well-advised to see how their predecessors managed the… choreography of certain kinds of story: there’s no point in reinventing the wheel when past generations have left so many tried and tested examples just lying around. However, that presupposes that those wheels were proven in action, that they carried along stories that were entertaining.

And, yes, given how wide the field is, we’re more likely to find common ground talking about CL Moore than China Mieville: the best place to catch your mates is outside the pub, not in its murky depths. Even so, we want to be able to rant about books we loved and why… books that we found entertaining.

And there’s that word again: entertaining.

What does the old stuff have that the new doesn’t? After all, modern SF comes in meaty tomes of 100K words, generally has plausible extrapolation, and often takes us out of our comfort zone. How can 30K of often lightly characterized and emotionally distant narrative with not much contemporary significance compete with that?

Except, that’s the point,  I think.

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What I’m Watching: 2020

What I’m Watching: 2020

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BG_TVBRiscoCountyEDITED
Campbell’s 2020 April Fools Day Joke

For a couple reasons (none of them good), 2020 has given me the opportunity to watch a lot of video. Of course, I could have done more writing, but we all make our choices… I revisited several favorites, and added a few new shows into the mix. So, let’s look at some of them.

The Adventures of Brisco County Jr.

This was my all-time favorite TV show for years; finally dropping to number two behind Justified. It was very hyped by Fox and aired back-to-back with the also new X-Files. For some reason, the network stuck it on Friday night, which was a death slot. It was canceled after only one season. Which is a TV tragedy.

A mix of Indiana Jones, Westerns, and sci-fi, it intentionally recreated the feel of the old Flash Gordon serials. Each episode had a cliffhanger going into commercial breaks. For most of its run, Brisco pursued the gang that killed his father, a famed lawman. And that was interwoven with a mysterious orb from the future. There were also a ton of in-gags on ‘The coming thing,’ such as blue jeans, drive-thru windows, Dunkin Donuts, and many more.

Bruce Campbell Jr. was perfectly cast, and the rest of the regulars, including Kelly Rutherford (who wonderfully channeled Lauren Bacall from To Have and Have Not), the terrific Julius Carry as rival bounty hunter Lord Bowler, and absent-minded professor John Astin. Honestly – there’s nothing about this show that I don’t like. They wrapped up the master plot late in the season, and they would have come up with something new for season two. But the ratings continued to drop, and rather than hang on, or give it a better time slot, Fox pulled the plug.

For years, I hoped their would be a reunion TV movie, which was ‘a thing’ back before streaming series came around. Then, Julius Carry sadly passed. I can’t imagine this show without him. But there’s almost nothing I don’t like about this show. There were a couple episodes that were a bit flat (including the two-part finale), but they’re still worth watching.

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19 Movies Looks at Mexican Horror Films of the 1950’s-1960’s

19 Movies Looks at Mexican Horror Films of the 1950’s-1960’s

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El-Vampiro-small

The Mexican horror film is definitely an under-served genre when it comes to availability in the U.S. market. Many of these movies are hard to impossible to find subtitled (my preferred format) or even dubbed, which I usually find more problematical than subtitling. This is by no means a comprehensive list, but I thought it might be useful to briefly cover a few titles you might not be familiar with. The following films are grouped chronologically rather than by quality.

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Rogue Blades Author: For the Honor of the Ship

Rogue Blades Author: For the Honor of the Ship

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Howard changed my lifeThe following is an excerpt from Christopher Gruber’s essay for Robert E. Howard Changed My Life, an upcoming book from the Rogue Blades Foundation.

I don’t say this out loud often enough — particularly now that I am able to look back on the more significant moments of my life with some measure of honesty and clarity and pinpoint with extreme confidence each occasion I was forever transformed by someone or something — but perhaps that’s why I am writing this. To remember precisely the moment I decided to become the man I am and not merely the man I wanted to be. I’m talking of course about the kind of moments in one’s youth that are often overlooked when contemplating what we erroneously perceive to be the inescapably uninspiring story of our lives. The kind of moments that at first glance seem insignificant, accidental, or perhaps even incidental to the more nightmarish effluvium of our remembered personal failures which I suspect we all attach far more importance to than we should.

Since accepting this assignment I’ve rolled the slogan along my tongue often enough, testing and probing for any signs of illegitimacy, and found nothing but the bittersweet tang of personal truth. There’s an earnestness in what I am about to share with you that surprised me. Truth be told I very much enjoy saying it now in much the same way I genuinely enjoy saying I love my family and friends. There’s a natural sincerity to the declaration that is genuine and unpretentious. I might as well dive into the deep end of the pool of candor and just get on with it: Sailor Steve Costigan and Mike the Bulldog changed my life. There, that’s a load off and I don’t mean maybe. Lemme explain …

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Hercules: Hero and Victim, Part 2

Hercules: Hero and Victim, Part 2

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Interior Illustration of Hercules, 1885 ed of Bulfinch's Age of Fable p199
Interior Illustration of Hercules from the 1885 edition of Bulfinch’s Age of Fable, p199 (archive.org)

Today I’m going to finish up my 2-part article on Hercules (Part 1 covered his origin, his “twelve labors”, and his growing wisdom). Once again, I will quote from Bulfinch’s Mythology (a series including The Age of Fable, or Stories of Gods and Heroes), by Thomas Bulfinch; God, Heroes and Men of Ancient Greece, by W.H.D. Rouse; and Mythology, by Edith Hamilton. For this second part, I’ve also sourced Sophocles’ Trachiniae and Ovid’s Metamorphoses Book IX.

As I mentioned in the previous post, I had the good fortune as a kid of seeing, in their first theatrical showings, Hercules (1958) and Hercules Unchained (1959), both starring former body-builder and Mr. America, Steve Reeves; as well as Ray Harryhausen’s classic, Jason and the Argonauts (1963), where an older Hercules was wonderfully portrayed by Nigel Green. These led me to my grade school library, where I borrowed and devoured every book on Greek and Roman mythology I could find. In high school and afterward, I discovered such books by such scholars as Edith Hamilton, Thomas Bulfinch, W.H.D. Rouse, Norma Lorre Goodrich, Michael Grant, Carl Fischer, and Sir Richard Burton. Thus, Hercules was my introduction to Greek Mythology, helped along by what my Dad knew and told me. Later, I became interested in Norse, Celtic, and other mythologies, which eventually led the way to Sword and Sorcery, and Heroic Fantasy.

This post will cover Hercules’ temper, tragedy, and passing.
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A (Black) Gat in the Hand: Johnny Angel (Raft)

A (Black) Gat in the Hand: Johnny Angel (Raft)

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Raft_JohnnyAngelLobby1EDITED“You’re the second guy I’ve met within hours who seems to think a gat in the hand means a world by the tail.” – Phillip Marlowe in Raymond Chandler’s The Big Sleep

(Gat — Prohibition Era termsp for a gun. Shortened version of Gatling Gun)

This essay on Johnny Angel is not about the song sung by Shelly Fabares; though, I do like it. Instead, it’s a nautical noir starring George Raft, now at RKO after what can only be deemed a disappointing career at Warners. Of course, Raft can only blame himself for that, after passing on High Sierra, The Maltese Falcon, and Double Indemnity. You think his career wouldn’t have gone differently with those classics on his resume? However, he actually did make some solid movies at RKO in the mid-to-late forties, and this is one of them. THERE BE SPOILERS HERE! Look – I’m talking about a 75 year old movie here. If I ruin something for you; well, you had plenty of chances to see it before now. Okay?

Here, Raft plays Johnny Angel – a merchant ship captain who followed his father into the same career. His father has simply disappeared, along with his ship. Johnny takes offense at insinuations his father did something wrong, and is determined to find out what happened. Raft makes a decent civilian skipper, with a stiff walk. As always, he’s the toughest guy in the room, glowering at, and verbally berating, weaker characters. And of course, beating up the bad guys. You know what you’re getting in a Raft movie.

The female co-lead is the completely forgettable Signe Hasso (though she’s third-billed). She had a funny role in George Segal’s The Maltese Falcon spoof, The Black Bird. But I don’t think she brings anything to this movie at all. If this had been a Warners flick, Joan Blondell, or Ann Sheridan, or maybe even Sylvia Sidney, would have made this a better film. Her character, Paulette Girard, knows something about Johnny’s father’s disappearance, and she’s on the run.

However, it’s top-billed Claire Trevor who carries the female load. Trevor was a terrific actress and played a number of fine parts in hardboiled and noir films. She didn’t have much screen time as Baby Face Martin’s syphilitic, hooker ex-girlfriend, but she brought another layer of emotional depth to Bogart’s character, in Dead End. She had just shone opposite Dick Powell’s Philip Marlowe in Murder My Sweet, when she made Johnny Angel. And of course, she won an Oscar for Key Largo.

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Uncanny X-Men, Part 20: Iron Fist, Blame Canada, and Some Strike-Outs

Uncanny X-Men, Part 20: Iron Fist, Blame Canada, and Some Strike-Outs

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screenshot_20200902__KSPaP

This Quixotic blog series of my reread of the Uncanny X-Men has gotten to twenty posts! When I started in December, I wasn’t sure how long I could do this, but it’s been a lot of fun! In this post, I’m going to go over two gems from 1977: the Canadian Invasion in Uncanny X-Men #109 and the dinner party gone bad in Iron Fist #15. Then I’m going to take a bit of a higher level look at a few swing-and-a-miss guest appearances and another issue where a fill-in art team mangled an issue.

You’ll recall that at the end of X-Men #108, the X-Men, along with Princess Lilandra, had just come home after Phoenix saved the universe. Except for their vacation-trap in issue #101 this is basically the first break the X-Men get since issue #98. #108 is the first issue in over a year that didn’t end with some kind of a cliffhanger!

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