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Vintage Treasures: The Monarchies of God by Paul Kearney

Vintage Treasures: The Monarchies of God by Paul Kearney

Hawkwood's Voyage The Heretic Kings The Iron Wars

Paul Kearney’s first novel was The Way to Babylon (1992), followed quickly by A Different Kingdom (1993) and Riding the Unicorn (1994). With his fourth novel, Hawkwood’s Voyage (1995), he began an extremely ambitious story cycle that eventually ran to five volumes and over 1,600 pages: The Monarchies of God.

The Monarchies of God was originally published in the UK by Gollancz, with each volume released as it was written. In the US, however, publisher Ace Books tried an unusual experiment. They waited until the series was virtually complete, publishing the first volume here in the US in February 2002, and subsequent books one per month, in March, April, and May. The final volume was released in January 2003, virtually simultaneous with its UK release.

I have to assume the experiment was not a success, as the books went out of print rather quickly, and Ace has shown no particular appetite to repeat it since.

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Vintage Treasures: The Dubric Bryerly Mysteries by Tamara Siler Jones

Vintage Treasures: The Dubric Bryerly Mysteries by Tamara Siler Jones

Ghosts in the Snow-small Threads of Malice-small Valley of the Soul-small

There’s really nothing quite like Tamara Siler Jones’ Dubric Bryerly Mysteries out there today.

They were a fascinating mix of fantasy, forensics, and crime thriller involving the head of security at Castle Faldorrah, Dubric Byerly, who is cursed to be haunted by the ghosts of those whose deaths demand justice. Three volumes were published: Ghost in the Snow (2004), Threads of Malice (2005), and Valley of the Soul (2006), all by Bantam Spectra. Ghost won the Compton Crook Award, given out at Balticon every year for Best First Novel. All three have great covers by Les Edwards.

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Vintage Treasures: The Starbridge Chronicles by Paul Park

Vintage Treasures: The Starbridge Chronicles by Paul Park

Soldiers of Paradise-small Sugar Rain-small The Cult of Loving Kindness

Paul Park is one of the most acclaimed writers working in American fantasy. His four-volume A Princess of Roumania series (A Princess of Roumania, The Tourmaline, The White Tyger, and The Hidden World), set in a parallel world where magic works, has been nominated for the World Fantasy, Tiptree, Locus, and Sidewise awards, and his short fiction has been nominated for both the Nebula and World Fantasy Awards. Under his own name and the name Paulina Claiborne he has published fiction set in the Forgotten Realms, including the 2012 novel The Rose of Sarifal.

But Park’s first three novels, Soldiers of Paradise (1987), Sugar Rain (1989), and The Cult of Loving Kindness (1991), jointly known as The Starbridge Chronicles, are nearly forgotten today — and in fact have been out of print for over 20 years. But they were widely praised when they first appeared. Soldiers of Paradise was nominated for the Clarke Award, and Kim Stanley Robinson called it “A superb novel — vivid, harsh, mysterious.” Asimov’s SF magazine said “I was hooked… a real trip to someplace else that is really Someplace Else.”

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Vintage Treasures: The Ghatti Tales of Gayle Greeno

Vintage Treasures: The Ghatti Tales of Gayle Greeno

Sunderlies Seeking-small The Farthest Seeking

When I was running SF Site in the late 90s, I got hundreds of review books every year. Many appealed to me, though I had time to read almost none, and instead assigned them to our freelance reviewers. (Isn’t that always the way? You can have plenty of books, or you can have plenty of time, but you can never have both.)

Anyway, in the intervening 15+ years, I’ve long since forgotten most of the delightful volumes that passed through my hands. Yesterday I was in my basement — excuse me, the Cave of Wonders — making room for recent arrivals, packing up nearly a thousand old review copies to store in the attic, when I came across my dust-covered copy of Sunderlies Seeking, the first novel in Ghatten’s Gambit, a two-volume fantasy series published by DAW in 1998 and 2000.

I did remember Sunderlies Seeking. Even after 17 years, I recalled Mark Hess’s great cover and the evocative description on the back, promising a tale of adventure in a land of “convicts, rebels, and the unwanted refuse of society.” Not to mention a pair of friendly cats on the cover, helping sail a ship into the harbor. I’d never heard of author Gayle Greeno before Sunderlies Seeking crossed my desk in 1998, but after it did I sought out her other novels with great interest.

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Relaunched Weirdbook Scores a Stephen Fabian Cover

Relaunched Weirdbook Scores a Stephen Fabian Cover

Weirdbook 31-smallEarlier this month I was very pleased to report that one of the greatest of all weird fiction magazines, W. Paul Ganley’s Weirdbook, is relaunching, with David A. Riley as Senior Editor and Publisher, and Douglas Draa, former Online Editor for Weird Tales, as Managing Editor and Fiction editor.

Last week on his blog David Riley revealed the cover for the upcoming Weirdbook 31, with art by none other than the great Stephen Fabian (at right; click for bigger version).

We are very pleased to be able to reveal the cover for issue 31, the first of the new Weirdbooks. It’s the work of Stephen Fabian, whose art often featured on earlier copies of the magazine.

Indeed, Fabian’s cover art was a hallmark of the original Weirdbook, and I’m thrilled to see that David and Doug have managed to secure him for issue 31. I’m certain it will make old-timers like me feel right at home.

You can see more of Fabian’s artwork in our detailed look at Stephen E. Fabian’s Ladies & Legends last year, and read more about Weirdbook (including their recent call for book reviewers) at David’s blog. They expect to have issue 31, the first issue of the relaunched magazine, available by the end of August this year.

Vintage Treasures: Not Without Sorcery by Theodore Sturgeon

Vintage Treasures: Not Without Sorcery by Theodore Sturgeon

Not Without Sorcery 1961-small Not Without Sorcery-small

Theodore Sturgeon’s first short story collection was Without Sorcery, a handsome hardcover published in 1948 with an introduction by Ray Bradbury. As you can imagine, it’s a tough book to find these days, even for collectors.

The paperback edition, released 13 long years later, dropped five stories and the introduction, and was re-titled Not Without Sorcery. It became Sturgeon’s tenth collection and was released in two editions, from Ballantine (in 1961, with a rather drab cover by an unknown artist) and Del Rey (in 1975, with a far more interesting cover from artist Darrell K. Sweet.) 1975 was the last time the book saw a mass market edition; it remained out of print for 35 years, until Kessinger Publishing did a facsimile reprint edition in 2010.

Sturgeon was a Campbell writer through and through, and all eight stories in Not Without Sorcery appeared in the two pulp magazines John W. Campbell edited: Astounding Science Fiction, and its sister magazine Unknown Worlds. The stories were published over a two-year period, 1939-1941. I’ve assembled some of the original covers below, because I can never resist an excuse to showcase pulp magazines.

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Vintage Treasures: The Boats of the Glen Carrig by William Hope Hodgson

Vintage Treasures: The Boats of the Glen Carrig by William Hope Hodgson

Famous Fantastic Mysteries June 1945-small The Boats of the Glen Carrig-small The Boats of the Glen Carrig Grafton-small

The Boats of the Glen Carrig was first published in 1907, and it has been reprinted countless times over the last hundred years. It is currently in print in no less than five separate editions, including multiple digital formats. In virtually every sense it is a classic horror novel, by one of the great 20th Century horror writers.

It wasn’t always recognized as such. In fact, after its first appearance, it languished for decades, before it was showcased in Famous Fantastic Mysteries in June 1945, with a terrific cover by Lawrence. It was reprinted in the seminal omnibus volume The House on the Borderland and Other Novels the following year, one of the most important and collectible volumes Arkham House ever published.

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The Daily Beast on the Surreal Science Fiction Art of Richard Powers

The Daily Beast on the Surreal Science Fiction Art of Richard Powers

The Man in the High Castle Richard Powers-smallRichard Powers was one of the greatest paperback artists of all time. He revolutionized science fiction art in the early 1950s, and over the next four decades — during which he painted some 1,200 cover illustrations for SF and fantasy novels, including Arthur C. Clarke’s Against the Fall of Night (1954), Kurt Vonnegut, Jr. ‘s The Sirens of Titan (1959), and Philip K. Dick’s The Man in the High Castle (1974) — he was one of the most instantly recognizable artists on the shelves.

Over at The Daily Beast, author Mark Dery kicks off what he promises will be a series of articles celebrating book cover art and design with a detailed look at Richard Powers, sampling some of his most famous covers.

Haunted moonscapes. Alien cenotaphs whose shadows stretch from here to forever, tracing the geometry of dreams. Emissaries from the unconscious, their features running like melting wax. Cancerous cities a trillion light years from now, the undifferentiated growth of their lumpy, tumorous sprawl now silent, still as a fumigated wasp’s nest. Richard M. Powers’s science-fiction book-jacket landscapes are usually depopulated but not always: sometimes, a splinter of a man — an inch-high relative of one of Giacometti’s stick figures — stands alone in the emptiness, contemplating infinity…

Robert de Graff had launched the paperback revolution with his Pocket Books in 1939 and now publishers like Jason Epstein at Doubleday and Ian and Betty Ballantine at Ballantine Books were in the thick of it…. The Ballantines believed in science fiction as a literature of ideas, not gadget porn for ham-radio buffs, so when they opened their doors in 1952 they thought of Powers. His modernist sensibility, steeped in things seen at New York’s Museum of Modern Art, set him apart from the pulp-magazine style — astronauts rippling their pectorals at bug-eyed aliens while space babes cowered in fear — that had dominated the genre for decades. “One of the things that appealed to me about science fiction,” he says, in The Art of Richard Powers, “is that it was possible to do Surrealist paintings that had validity … in their own right, and not necessarily functioning as the cover of a book.”

Read the complete article here.

Vintage Treasures: Book of the Isle by Nancy Springer

Vintage Treasures: Book of the Isle by Nancy Springer

The White Hart-small The Silver Sun-small The Sable Moon-small

I have to admit that I was always confused by this series. For several decades, to be perfectly honest.

The problem was that I could never quite figure out what order the books were meant to be read in — or even how many there were. I never did sort it out it on my own… in my first draft of this article, I arranged them in the wrong order, and I was convinced I was missing a volume. (I wasn’t.) I eventually had to turn to ISFDB and Wikipedia to get a definitive answer.

Anyway, the end result was that I never read them, despite having the entire series on my shelves (filed in the wrong order) for over 30 years. I guess it’s true what they say: books are like pretty girls… if they make you feel awkward and stupid, you rarely ask them out.

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Vintage Treasures: Sheila Gilluly’s Greenbriar Trilogy

Vintage Treasures: Sheila Gilluly’s Greenbriar Trilogy

Greenbriar Queen-small The Crystal Keep-small Ritnym's Daughter-small

Sheila Gilluly had a brief career as a fantasy writer. She published two trilogies in the late 80s and early 90s, and has produced nothing else for the last 20 years. But I’ve always been curious about her Greenbriar Trilogy — composed of Greenbriar Queen (1988), The Crystal Keep (1988), and Ritnym’s Daughter (1989) — mostly because of the beautiful covers (click the images above for bigger versions). I’ve tried to identify the artist, but the art is uncredited in my copies, and so far an internet search has been fruitless.

Greenbriar Queen opens in a pretty dark place, with the Dark Lord’s reign about to begin, the heroes scattered, the king dead, and a traitor on the throne. If you like high stakes and desperate battles, The Greenbriar Trilogy might be for you.

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