Browsed by
Author: Violette Malan

What’s In A Name?

What’s In A Name?

VME labeledSo I’m in my brother’s bookstore, and I’m looking for my latest book, and I’m not finding it. Just as I’m thinking oh really? it strikes me that I’m looking for the wrong name.

I’m not sure how much of a secret it is (none for the people who read the bio at the end of my posts) but besides being Violette Malan, I’m also V.M. Escalada. I have to admit that when my agent first suggested I use a penname, my immediate reaction was unfavourable. There are all kinds of reasons for such a suggestion, however, some of which I touched on in a previous post. Today, I’d like to talk about the actual, practical experience.

At first the idea flustered me more than a little – you know writers, we can always see a worst case scenario. I had plenty of questions, and no one – it seemed – to go to for answers. Don’t get me wrong, my agent, and my editor, had plenty of helpful suggestions, just not for these actual, practical, concerns.

Read More Read More

How Did That Get Published?

How Did That Get Published?

OdysseyPopeLast time out I talked about how the experience of reading has changed, from listening to the storytellers in the market square, to downloading a book onto your e-reader of choice. Publishing has also gone through some sea changes, though its practical history really only begins with Gutenberg. Before that, as I mentioned in the earlier post, there was more copying than publishing going on.

It wasn’t until professional printers were ubiquitous, however, that what we now think of as publishing really got started. Nowadays people tend to divide the publishing world into “traditional” publishing, with people like DAW, Ace, and Tor, etc. and “self-publishing” where you pay for your books to be printed, or for an e-book to be created (or do it yourself if you have the skills) or you take advantage of the kind of e-publishing that a business like Amazon offers. The point being that you take on all the risk and all the expense yourself.

Read More Read More

Read To Me

Read To Me

Illuminated pageIn case I haven’t mentioned it before, my brother owns the last independent bookstore in Kingston, Ontario. Which goes to explain why it’s was only this week that I bought a Kindle. For the first time in my life, I’m reading in a different way.

Reading, and its broader form story-telling, has been around as long as history, and it’s been changing and evolving all along, with new ideas and new technologies.

Some think the first stories were told by shepherds sitting around on hillsides watching sheep. As exciting as sheepherding can sometimes get (wolves anyone?) there’s considerably more leisure time in this occupation than there is in farming, or fishing. The shepherds would come down from the hillside and tell their stories to the people in the village, and the marketplace storyteller was born. Or so reasons this particular school of thought.

What happened to the marketplace storyteller? Well, memorizing all of Homer et al (in case there were requests) and learning how to recite them in an entertaining way is really hard work. Then you have to come up with your own, original stories, or really, you’re nobody. You have to put literally years into learning all you need to know, and then you have to sit somewhere telling stories and hoping that people will pay you for it. If you’re very good, someone may become your patron and keep you on retainer to tell stories for them and their guests.

Read More Read More

Where Do You Get Yours?

Where Do You Get Yours?

NewtonThey say it’s the question most often asked of writers, but to be honest, no one has ever asked me where I got my ideas. Maybe I’ve been asked where a specific idea came from, but that was more of a “how did you think of that?”

Every idea comes from somewhere different. Harlan Ellison said he used to tell people he got his ideas from a post office box in . . . was it Peoria? Brooklyn? Sometimes how you got the idea isn’t very interesting, so you make up a good story to explain it when someone asks. Sometimes you can’t identify the somewhere until after the idea has been used. And sometimes you can’t identify it at all.

I’m fairly certain that Newton did start thinking about theories of gravity and motion by watching objects fall – though I’m not so sure about the part where the apple conked him on the head. Was he the object “at rest” when he came up with the laws that cover inertia? Did the equal-and-opposite-reaction stuff come from playing billiards? I don’t know. I know more about Berkeley than I do about Newton, and we all know where the Bishop got his ideas.

Read More Read More

What Do I Know?(1)

What Do I Know?(1)

Dick_FrancisMost of us have, at one time or another, been given the advice “write what you know.” Even people who don’t write themselves have heard it. Sometimes this advice gets people writing furiously away – and sometimes it leaves them scratching their heads, saying “But, um, I don’t know anything.”

I think it was Lawrence Block who pointed out that we all know something. We know what loss, grief, sorrow, joy and frustration feel like. We know what it’s like to be human, to be a sibling, a parent, a child, a lover, a person who’s been hired, or fired, and a person who didn’t vote for that guy. It’s when dealing with this kind of knowledge that we become most aware that story is king. Without a story to give this knowledge context, you got nothing.

People do mine their own professions for story and character backgrounds. Dick Francis was a jockey and a pilot. Dashiell Hammett was a Pinkerton detective. Patricia D. Cornwall was a medical examiner. Kathy Reichs a forensic anthropologist – and the list goes on.

Read More Read More

The Play’s The Thing

The Play’s The Thing

Leiber Ghost LightHere at Black Gate we often have posts on films and TV shows as they connect with or pertain to our favorite genre(s). If we don’t talk as much (or at all) about live drama, it’s probably because there’s not as much SF or Fantasy happening on the stage as there is on the screen. I’d think we’d all agree that with a very few exceptions stage effects are simply not equal to the kind of special effects SF and Fantasy often need.

But if we don’t see our favourite novels and stories on the stage, we certainly do see the opposite: we see the stage in our novels and stories.

We’re all familiar with the “play within a play” concept since we had to read Hamlet in high school. After all, practically every Fred Astaire movie musical is about a musical production, and there can’t be anyone alive who doesn’t know that Singing in the Rain is about making a movie musical. But again, what I’m looking at here is play-within-the-story. We should note that if we follow in Shakespeare’s footsteps, the device has to have purpose. In Hamlet, the play was “the thing to catch the conscience of the king,” that is, it played an integral part of the plot. The same should be true if we see the device in a short story or novel.

Read More Read More

Are You Listening?

Are You Listening?

Halls for BGAnyone who’s read the bio that comes at the end of my posts knows that I’m also V.M. Escalada, and that very shortly, in August in fact, Halls of Law (Book One of The Faraman Prophecy) will be coming out from DAW. That news is exciting enough in itself, but a week ago I learned that the audio rights for both of the Faraman Prophecy books had been picked up by Brilliance Audio.

I was doing my happy dance when I read further down in my publisher’s email and said to myself “Questionnaire?” At first I thought “oh gods, someone else wants a bio.” But on glancing at the questionnaire in question, I realized they wanted to know stuff about my book, not about me.

How refreshing.

Nor did they want the usual one-sentence summing-up of the plot (if I could have written it in one sentence . . . ) No, they wanted to know how the book should be read aloud. By someone else.

Read More Read More

I’ve Got You Covered

I’ve Got You Covered

Frank Frazetta The Death Dealer

In my last post I took a look at SF cover art, and how the fashion in covers changes over the decades. As with fashion in clothing or hairstyles, you can make a pretty accurate guess about time periods and genres just from a book’s cover. Whether you’re influenced in your purchases by that cover is a personal thing. In the spirit of leaving no stone unturned, today I’m looking at Fantasy cover art.

Since I’m a writer and not an art critic, I avoided discussing the work of any particular SF artist – I was looking at how covers change, not how an artist evolves. However, I don’t think we can talk about Fantasy cover art without at least a brief look at Frank Frazetta. In a way, his covers are the perfect example of what I’m talking about. When you look at a Frazetta cover, you know what time period, and what genre you’re looking at.

Read More Read More

Cover to Cover

Cover to Cover

Heinlein Door 1 Heinlein Door 2 Heinlein Door 3

Until relatively recently, I never looked at cover art. I bought books because of a review, or, more likely, because of a personal recommendation. There was art I liked, and some I didn’t like, and some that embarrassed me for one reason or another. But, the art in and of itself didn’t influence my purchasing of any book.

It was recently brought to my attention, however, that the style of cover art comes in and out of fashion, like anything else. Many of us can tell, just looking at the clothing in a photograph, in what decade the photo was taken. Hairstyle is a great indicator, as are necklines, width and length of collars and cuffs, of hemlines and sleeves. Shoulder pads anyone? Thirty years from now, someone looking at today’s photos are going to think of the 2010’s as “the decade of the beard.”

There are many people better qualified than I to talk about cover art as art. I just want to talk about it as covers. My examples are completely arbitrary, and usually come from my own shelves. Keep in mind that in order to look at changing fashion in covers over decades, I have to look at works that have been in print for that long.

Read More Read More

A Rose By Any Other Name . . .

A Rose By Any Other Name . . .

AlicePeople can have all kinds of reasons to use another name, or to change their names permanently, for that matter. There are personal or family reasons, like marriage or adoption. There are political or social reasons, like marking a religious conversion, or immigration – though that last’s not as common now as it was in the early to mid-20th century. My own father, for example, changed his name to Malan because British authorities – to whom he had to report regularly as a displaced person after WWII – suggested that he try to sound less Polish since he was planning to stay in England. He chose a name much in the news at that time, and that’s why my brother and I are often asked if we’re South African.

Setting these examples aside, however, actors and writers are probably the next large group of people who frequently change their names – or at least use other names as a pseudonym, or nom-de-plume, if you prefer. (A friend of mine once referred to her real name as her nom-de-nom.)

Read More Read More