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Author: John ONeill

Gary Con Report: A Virtual Tour of Black Blade Publishing

Gary Con Report: A Virtual Tour of Black Blade Publishing

Allan T. Grohe Jr. in the Black Blade Publishing booth,
a mobile pilgrimage site for old school gamers

Gary Con! The tiny annual gathering that grew out the impromptu gaming event at Lake Geneva’s American Legion Hall after Gary Gygax’s funeral in March 2008 has now been going strong for fifteen years, and has grown into my favorite gaming convention. I attended Gary Con II in 2010 (my photo essay coverage of that ancient event is here), and was frankly astounded at how much it reminded me of the early days of Gen Con (which also took place in Lake Geneva, Wisconsin). Gary Con is a celebration of the life and work of Gary Gygax, co-creator of Dungeons and Dragons, and it has become the most important annual gathering for old-school gamers.

Gary Con XV is usually held across four days at the end of March, and this one took place March 23-26th, 2023. I made the one-hour drove across the state border into Wisconsin to attend on Saturday, March 25. As usual, I spent most of my time at the con wandering the fabulous Dealer’s Room, taking in the amazing volume of new and upcoming gaming releases.

One of the highlights of Gary Con every year — perhaps the highlight — is Black Blade Publishing’s magically overstocked booth, run by the friendly and knowledgeable Allan T. Grohe Jr. The booth contains half a dozen tables positively groaning under the weight of hundreds of products from dozens of exciting companies. Here’s a virtual tour of the booth, with over a dozen photos, and some of my most exciting finds.

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Monsters in a Mist-locked Kingdom: The Shepherd King by Rachel Gillig

Monsters in a Mist-locked Kingdom: The Shepherd King by Rachel Gillig


One Dark Window and Two Twisted Crows (Orbit Books,
September 27, 2022, and October 17, 2023). Cover design by Lisa Marie Pompilio

I enjoy a good fairy tale. Also a well told-gothic romance. My true love, of course, is monster movies. I’m not sure I’ve ever seen a novel that took a stab at mixing all three. At least, not until I read this tasty copy on the back of One Dark Window:

Elspeth Spindle needs more than luck to stay safe in the eerie, mist-locked kingdom she calls home — she needs a monster. She calls him the Nightmare, an ancient, mercurial spirit trapped in her head…

When Elspeth meets a mysterious highwayman on the forest road, her life takes a drastic turn. Thrust into a world of shadow and deception, she joins a dangerous quest to cure the kingdom of the dark magic infecting it. Except the highwayman just so happens to be the King’s own nephew, Captain of the Destriers… and guilty of high treason.

One Dark Window is the debut novel by California author Rachel Gillig, the opening book in a duology. Sequel Two Twisted Crowns arrives later this year.

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Alien Scarecrows, Strange Restaurants, and Mystery in a Spaceport Morgue: March-April 2023 Print SF Magazines

Alien Scarecrows, Strange Restaurants, and Mystery in a Spaceport Morgue: March-April 2023 Print SF Magazines


March/April 2023 issues of Asimov’s Science Fiction, Analog Science Fiction & Fact,
and The Magazine of Fantasy & Science Fiction. Cover art by Dominic Harman
(for “Gravesend”), Shutterstock, and Mondolithic Studios/Jill Bauman (for “Mr. Catt)

It’s a bonanza of great fiction in the new print mags this month, with stories by some of the biggest names in the biz — including Peter S. Beagle, Greg Egan, Paul McAuley, Bruce Sterling and Paul Di Filippo, Kristine Kathryn Rusch, Lavie Tidhar, Allen M. Steele, Carolyn Ives Gilman, Adam-Troy Castro, Howard V. Hendrix, Eleanor Arnason, Tade Thompson, Kathleen Jennings, Sheila Finch, Sam J. Miller, Rajnar Vajra, Buzz Dixon, E. Catherine Tobler, Gregory Feeley, Octavia Cade, Ray Nayler, Stanley Schmidt, and many more.

The fiction here covers the gamut modern SF, with tales set on Mars, a far-future Earth where mankind has been exterminated, an 8th grade math class taught by a witch, a restaurant run by an alien who sells off parts of his own body, an asteroid inhabited by giant ants, a mysterious house that sells ideas to science fiction writers, a department store that offers new bodies, a morgue on a spaceport, a climate-ravaged Europe, and more more. See all the details below.

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Vintage Treasures: The 1987 Annual World’s Best SF edited by Donald A. Wollheim and Arthur W. Saha

Vintage Treasures: The 1987 Annual World’s Best SF edited by Donald A. Wollheim and Arthur W. Saha


The 1987 Annual World’s Best SF (DAW Books, June 1987). Cover art by Tony Roberts

By the time The 1987 Annual World’s Best SF appeared as a paperback original from DAW Books in mid-1987, editor Donald A. Wollheim was of course well established as one of the most important and influential — perhaps the most influential — editor in science fiction. Founding editor at Ace Books, and founder of DAW Books, Wollheim had been editing The Annual World’s Best SF series since 1965, when he launched the series with his assistant Terry Carr. It would run for only three more years, until his death in 1990.

The 1987 volume, the 23rd in the series, is an exemplary installment. It includes Lucius Shepard’s groundbreaking novella “R&R,” a Nebula Award winner; Roger Zelazny’s Hugo award-winning “Permafrost;” Howard Waldrop’s Nebula nominee “The Lions Are Asleep This Night;” and Pat Cadigan’s Nebula nominee “Pretty Boy Crossover;” plus stories by Tanith Lee, Doris Egan, Robert Silverberg, Damon Knight, Suzette Haden Elgin, and more.

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New Treasures: Rubicon by J.S. Dewes

New Treasures: Rubicon by J.S. Dewes


Rubicon by J.S. Dewes (Tor Books, March 28, 2023). Cover art by Shutterstock

J.S. Dewes’ two-book debut series The Divide was published in 2021 to plenty of breathless acclaim. In her mid-year wrap-up of The Best Sci-Fi and Fantasy Books of the Year, Sadie Gennis at Vulture called opening book The Last Watch “one of the most stunning sci-fi series debuts of recent years… [a] nail-biting space epic,” and Booklist proclaimed it “a bravura debut that blends great action with compelling characters.”

Her new novel Rubicon arrived this week, and it sounds right up my alley. A military SF novel that blends A.I. with a twisty plot and a far future setting, Rubicon has been called “A fresh and forward-looking story about the costs of “forever” wars… Witty and readable, it features an endearing cast of characters and fast-paced action” by Library Journal, and Publishers Weekly says it’s “A standalone outing that is simultaneously thoughtful and pulse-pounding… Fans of smart military sci-fi will be riveted.“

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Vintage Treasures: What If?, Volumes 1-3, edited by Richard A. Lupoff

Vintage Treasures: What If?, Volumes 1-3, edited by Richard A. Lupoff


What If, Volumes 1-2 (Pocket Books, 1980 and 1981) and Volume 3
(Surinam Turtle Press, 2013). Covers by Richard Powers and Gavin L. O’Keefe

Richard Lupoff was a True Believer. By which I mean he gave his career to science fiction, and both cared about it deeply and wrote about it fairly extensively — like Isaac Asimov, Brian Aldiss, Harry Harrison, Terry Carr, Sam Moskowitz, Donald A. Wollheim, Barry N. Malzberg, Gardner Dozois, and a handful of other crusty old timers.

The thing about True Believers is they have opinions. Boy, do they. They’re happy to tell you when the Golden Age of Science Fiction actually was, what they think of modern SF, and what should have won the Hugo Award last year. And the year before that. They’re especially vocal about awards, come to think of it.

Lupoff didn’t just spout off about stories that were unjustly robbed of a Hugo Award — he actually did something about it. In 1980 and ’81 he published two highly-regarded anthologies, What If? Volume One and Volume Two, which brazenly set out to “Remedy the Injustices of the Past Three Decades!” (that’s right there on the back cover copy) and collect the fiction that SHOULD have won the Hugo Award every year, starting with 1953 and working all the way up to 1965. In 2013, Surinam Turtle Press released the long-delayed third volume, presenting Lupoff’s selections for the fiction that should have been awarded SF’s highest honor in 1966-1973.

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New Treasures: Summer’s End by John Van Stry

New Treasures: Summer’s End by John Van Stry


Summer’s End (Baen Books, December 6, 2022). Cover by Sam R. Kennedy

John Van Stry is a darling of the indie publishing world. He’s self-published dozens of science fiction novels, including eleven volumes in the Portals of Infinity series, and 18 in The Valens Legacy, written as Jan Stryvant. Summer’s End is his first book with an established publisher, and it caught my eye this week at Barnes and Noble. It’s the tale of newly graduated Ship Engineer Dave Walker, who takes a job on the Iowa Hill, described as:

An old tramp freighter running with a minimal crew and nearing the end of its useful life, plying the routes that the corporations ignore and visiting the kinds of places that the folks on Earth pretend don’t exist. Between the assassins, the criminals, and the pirates he needs to deal with, Dave is discovering that there are a lot of things out there that he still needs to learn.

That’s the paragraph that sold me, and helped move this book up near the top of my already-towering TBR pile.

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Vintage Treasures: Tuf Voyaging by George R.R. Martin

Vintage Treasures: Tuf Voyaging by George R.R. Martin


Tuf Voyaging (Baen, February 1986). Cover by David Willson

George R.R. Martin is the most successful living American science fiction and fantasy writer. He mostly gets attention for his novels these days, but early in his career he was chiefly known for his wonderfully moody and imaginative short stories, most of which were set in his sprawling Thousand Worlds universe, including the novel Dying of the Light and the famous stories “Sandkings,” “Nightflyers,” “A Song for Lya,” and “The Way of Cross and Dragon.”

Many of Martin’s most ardent fans are unaware of his Thousand Worlds series featuring Haviland Tuf, a small time merchant who inadvertently comes into possession of one of the greatest weapons in the galaxy, a 30-kilometer long seedship known as the Ark. Inspired by the work of the great Jack Vance (and written in a style that sometimes imitates Vance), the tales garnered a number of major award nominations, and were collected in Tuf Voyaging by Baen in 1986.

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Nonstop SF Adventure: The Mickey7 Novels by Edward Ashton

Nonstop SF Adventure: The Mickey7 Novels by Edward Ashton


Mickey7 and Antimatter Blues (St. Martin’s Press,
February 15, 2022 and March 14, 2023). Cover design by Ervin Serrano

Truth to tell, I missed Edward Ashton’s novel Mickey7 last year, despite all the breathless praise heaped on it (NPR listed it as one of the Best Books of 2022, calling it “A wildly entertaining mix of action and big ideas peppered with humor and a bizarre love story”). It was our very own Brandon Crilly who tuned me in to the coolness of Mickey7 with his mid-2022 Roundup, in which he wrote:

Gods this was a fun read. Ashton begins with protagonist Mickey stuck at the bottom of a pit and certain he’s going to die, since he’s the Expendable and his colony will just regenerate him. Except things take various turns from there, due to the threat of alien attack, the idiosyncrasies of the colonists, or the bizarre experience of being the seventh iteration of yourself. If you’ve ever spent nights thinking Okay, but the transporter really kills folks and then duplicates them, right, this is most definitely a book for you.

And now the sequel Antimatter Blues, which arrived this week from St. Martin’s Press, is being called “A nonstop SF adventure from beginning to end” (Library Journal).

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New Treasures: Dead Silence by S.A. Barnes

New Treasures: Dead Silence by S.A. Barnes


Dead Silence (Tor Nightfire, January 24, 2023). Cover by Timo Noack

Nightfire is Tor’s new horror imprint. Launched in 2019, it’s published books by Silvia Moreno-Garcia, Thomas Olde Heuvelt, Catriona Ward, Cassandra Khaw, Ellen Datlow, T. Kingfisher, and lots more.

That’s all well and good, but has it given us a haunted house story in space that’s a successful cross between 2001: A Space Odyssey and Alien? No. No it has not.

Well, at least it hadn’t until the arrival of S.A. Barnes’ Dead Silence, which Library Journal calls “a compelling haunted-house-in-space frame [with] excellent worldbuilding and sustained tension,” and Locus says is a “great, immersive, atmospheric space horror that proves that, despite rumors to the contrary, horror belongs in space.” (And yeah, for the record, Mur Lafferty tells us Dead Silence offers “the suffocating claustrophobia of 2001: A Space Odyssey mixed with the horrors of Alien.” That’s just not a blend you see every day.)

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